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Color name
RGB 141 172 109

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 172 109 it is the complementary color RGB 114 83 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 172 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 172 109 shade: RGB 146 172 104, RGB 163 190 123, RGB 180 208 142, RGB 197 226 161 and RGB 214 244 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 172 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 172 109 shade: RGB 141 172 109, RGB 124 154 90, RGB 107 136 71, RGB 90 118 52 and RGB 73 100 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 172 109 shade: RGB 140 172 108, RGB 158 172 108, RGB 172 169 108, RGB 172 152 108 and RGB 172 134 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 172 109 shade: RGB 140 172 108, RGB 123 172 108, RGB 108 172 110, RGB 108 172 127 and RGB 108 172 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 172 109 shade matches the following richer shades: RGB 140 172 108, RGB 141 190 89, RGB 141 209 70, RGB 141 228 52 and RGB 141 246 33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 172 109 shade: RGB 140 172 108, RGB 140 153 126, RGB 140 135 145, RGB 139 116 163 and RGB 139 98 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 172 109 shade: RGB 172 169 108, RGB 158 172 108, RGB 141 172 108, RGB 124 172 108 and RGB 108 172 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 172 109 shade: RGB 99 126 71, RGB 120 153 86, RGB 140 172 108, RGB 161 187 134 and RGB 181 202 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 172 109 shade: RGB 141 172 109, RGB 108 172 152 and RGB 172 108 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 172 109 shade: RGB 141 172 109, RGB 108 141 172 and RGB 172 108 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 172 109 shade: RGB 141 172 109, RGB 108 172 152, RGB 139 108 172 and RGB 172 108 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 172 109 shade: RGB 141 172 109, RGB 108 172 171, RGB 139 108 172 and RGB 172 108 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 37 / 33

HEX #8DAC6D

RGB 141 172 109

HSL 89.52, 0.28%, 0.55%

LAB 66.73, -21.93, 29.01

 

Complementary color

CMYK 22 / 43 / 0 / 43

HEX #725392

RGB 114 83 146

HSL 269.52, 0.28%, 0.45%

LAB 40.96, 26.01, -29.99

 

CMYK 15 / 0 / 40 / 33

HEX #92AC68

RGB 146 172 104

HSL 82.94, 0.29%, 0.54%

LAB 66.99, -20.69, 32.05

 

CMYK 14 / 0 / 35 / 25

HEX #A3BE7B

RGB 163 190 123

HSL 84.18, 0.34%, 0.61%

LAB 73.57, -20.71, 30.88

 

CMYK 13 / 0 / 32 / 18

HEX #B4D08E

RGB 180 208 142

HSL 85.45, 0.41%, 0.69%

LAB 80.05, -20.7, 29.77

 

CMYK 13 / 0 / 29 / 11

HEX #C5E2A1

RGB 197 226 161

HSL 86.77, 0.53%, 0.76%

LAB 86.42, -20.68, 28.71

 

CMYK 12 / 0 / 26 / 4

HEX #D6F4B4

RGB 214 244 180

HSL 88.13, 0.74%, 0.83%

LAB 92.7, -20.66, 27.69

 

CMYK 18 / 0 / 37 / 33

HEX #8DAC6D

RGB 141 172 109

HSL 89.52, 0.28%, 0.55%

LAB 66.73, -21.93, 29.01

 

CMYK 19 / 0 / 42 / 40

HEX #7C9A5A

RGB 124 154 90

HSL 88.13, 0.26%, 0.48%

LAB 60.01, -21.97, 30.21

 

CMYK 21 / 0 / 48 / 47

HEX #6B8847

RGB 107 136 71

HSL 86.77, 0.31%, 0.41%

LAB 53.16, -21.98, 31.45

 

CMYK 24 / 0 / 56 / 54

HEX #5A7634

RGB 90 118 52

HSL 85.45, 0.39%, 0.33%

LAB 46.15, -21.92, 32.68

 

CMYK 27 / 0 / 67 / 61

HEX #496421

RGB 73 100 33

HSL 84.18, 0.5%, 0.26%

LAB 38.97, -21.72, 33.75

 

CMYK 19 / 0 / 37 / 33

HEX #8CAC6C

RGB 140 172 108

HSL 90, 0.28%, 0.55%

LAB 66.64, -22.45, 29.42

 

CMYK 8 / 0 / 37 / 33

HEX #9EAC6C

RGB 158 172 108

HSL 73.13, 0.28%, 0.55%

LAB 67.91, -15.47, 31.31

 

CMYK 0 / 2 / 37 / 33

HEX #ACA96C

RGB 172 169 108

HSL 57.19, 0.28%, 0.55%

LAB 68.19, -8.27, 31.88

 

CMYK 0 / 12 / 37 / 33

HEX #AC986C

RGB 172 152 108

HSL 41.25, 0.28%, 0.55%

LAB 63.6, 0.89, 25.88

 

CMYK 0 / 22 / 37 / 33

HEX #AC866C

RGB 172 134 108

HSL 24.38, 0.28%, 0.55%

LAB 58.88, 10.88, 19.57

 

CMYK 19 / 0 / 37 / 33

HEX #8CAC6C

RGB 140 172 108

HSL 90, 0.28%, 0.55%

LAB 66.64, -22.45, 29.42

 

CMYK 28 / 0 / 37 / 33

HEX #7BAC6C

RGB 123 172 108

HSL 105.94, 0.28%, 0.55%

LAB 65.59, -28.67, 27.84

 

CMYK 37 / 0 / 36 / 33

HEX #6CAC6E

RGB 108 172 110

HSL 121.88, 0.28%, 0.55%

LAB 64.82, -33.42, 25.6

 

CMYK 37 / 0 / 26 / 33

HEX #6CAC7F

RGB 108 172 127

HSL 137.81, 0.28%, 0.55%

LAB 65.14, -30.38, 16.81

 

CMYK 37 / 0 / 16 / 33

HEX #6CAC90

RGB 108 172 144

HSL 153.75, 0.28%, 0.55%

LAB 65.52, -26.92, 7.97

 

CMYK 19 / 0 / 37 / 33

HEX #8CAC6C

RGB 140 172 108

HSL 90, 0.28%, 0.55%

LAB 66.64, -22.45, 29.42

 

CMYK 26 / 0 / 53 / 25

HEX #8DBE59

RGB 141 190 89

HSL 89.11, 0.44%, 0.55%

LAB 71.7, -33.09, 45.34

 

CMYK 33 / 0 / 67 / 18

HEX #8DD146

RGB 141 209 70

HSL 89.35, 0.6%, 0.55%

LAB 77.1, -43.3, 59.73

 

CMYK 38 / 0 / 77 / 11

HEX #8DE434

RGB 141 228 52

HSL 89.66, 0.77%, 0.55%

LAB 82.59, -52.32, 71.44

 

CMYK 43 / 0 / 87 / 4

HEX #8DF621

RGB 141 246 33

HSL 89.58, 0.92%, 0.55%

LAB 87.82, -60.07, 80.65

 

CMYK 19 / 0 / 37 / 33

HEX #8CAC6C

RGB 140 172 108

HSL 90, 0.28%, 0.55%

LAB 66.64, -22.45, 29.42

 

CMYK 8 / 0 / 18 / 40

HEX #8C997E

RGB 140 153 126

HSL 88.89, 0.12%, 0.55%

LAB 61.54, -9.75, 12.65

 

CMYK 3 / 7 / 0 / 43

HEX #8C8791

RGB 140 135 145

HSL 270, 0.04%, 0.55%

LAB 57.02, 3.84, -4.68

 

CMYK 15 / 29 / 0 / 36

HEX #8B74A3

RGB 139 116 163

HSL 269.36, 0.2%, 0.55%

LAB 52.54, 18.42, -21.89

 

CMYK 24 / 46 / 0 / 29

HEX #8B62B6

RGB 139 98 182

HSL 269.29, 0.37%, 0.55%

LAB 49.01, 33.42, -38.44

 

CMYK 0 / 2 / 37 / 33

HEX #ACA96C

RGB 172 169 108

HSL 57.19, 0.28%, 0.55%

LAB 68.19, -8.27, 31.88

 

CMYK 8 / 0 / 37 / 33

HEX #9EAC6C

RGB 158 172 108

HSL 73.13, 0.28%, 0.55%

LAB 67.91, -15.47, 31.31

 

CMYK 18 / 0 / 37 / 33

HEX #8DAC6C

RGB 141 172 108

HSL 89.06, 0.28%, 0.55%

LAB 66.71, -22.07, 29.52

 

CMYK 28 / 0 / 37 / 33

HEX #7CAC6C

RGB 124 172 108

HSL 105, 0.28%, 0.55%

LAB 65.65, -28.32, 27.93

 

CMYK 37 / 0 / 37 / 33

HEX #6CAC6D

RGB 108 172 109

HSL 120.94, 0.28%, 0.55%

LAB 64.8, -33.59, 26.11

 

CMYK 21 / 0 / 44 / 51

HEX #637E47

RGB 99 126 71

HSL 89.45, 0.28%, 0.39%

LAB 49.53, -20.03, 26.79

 

CMYK 22 / 0 / 44 / 40

HEX #789956

RGB 120 153 86

HSL 89.55, 0.28%, 0.47%

LAB 59.39, -23.55, 31.48

 

CMYK 19 / 0 / 37 / 33

HEX #8CAC6C

RGB 140 172 108

HSL 90, 0.28%, 0.55%

LAB 66.64, -22.45, 29.42

 

CMYK 14 / 0 / 28 / 27

HEX #A1BB86

RGB 161 187 134

HSL 89.43, 0.28%, 0.63%

LAB 72.79, -18.37, 24

 

CMYK 10 / 0 / 21 / 21

HEX #B5CAA0

RGB 181 202 160

HSL 90, 0.28%, 0.71%

LAB 78.81, -14.63, 18.64

 

CMYK 18 / 0 / 37 / 33

HEX #8DAC6D

RGB 141 172 109

HSL 89.52, 0.28%, 0.55%

LAB 66.73, -21.93, 29.01

 

CMYK 37 / 0 / 12 / 33

HEX #6CAC98

RGB 108 172 152

HSL 161.25, 0.28%, 0.55%

LAB 65.72, -25.16, 3.82

 

CMYK 0 / 37 / 3 / 33

HEX #AC6CA7

RGB 172 108 167

HSL 304.69, 0.28%, 0.55%

LAB 54.33, 34.82, -21.16

 

CMYK 18 / 0 / 37 / 33

HEX #8DAC6D

RGB 141 172 109

HSL 89.52, 0.28%, 0.55%

LAB 66.73, -21.93, 29.01

 

CMYK 37 / 18 / 0 / 33

HEX #6C8DAC

RGB 108 141 172

HSL 209.06, 0.28%, 0.55%

LAB 57.29, -3.61, -20.01

 

CMYK 0 / 37 / 18 / 33

HEX #AC6C8D

RGB 172 108 141

HSL 329.06, 0.28%, 0.55%

LAB 53.4, 30.27, -7.37

 

CMYK 18 / 0 / 37 / 33

HEX #8DAC6D

RGB 141 172 109

HSL 89.52, 0.28%, 0.55%

LAB 66.73, -21.93, 29.01

 

CMYK 37 / 0 / 12 / 33

HEX #6CAC98

RGB 108 172 152

HSL 161.25, 0.28%, 0.55%

LAB 65.72, -25.16, 3.82

 

CMYK 19 / 37 / 0 / 33

HEX #8B6CAC

RGB 139 108 172

HSL 269.06, 0.28%, 0.55%

LAB 50.91, 25.21, -29.64

 

CMYK 0 / 37 / 26 / 33

HEX #AC6C80

RGB 172 108 128

HSL 341.25, 0.28%, 0.55%

LAB 53.01, 28.25, -0.3

 

CMYK 18 / 0 / 37 / 33

HEX #8DAC6D

RGB 141 172 109

HSL 89.52, 0.28%, 0.55%

LAB 66.73, -21.93, 29.01

 

CMYK 37 / 0 / 1 / 33

HEX #6CACAB

RGB 108 172 171

HSL 179.06, 0.28%, 0.55%

LAB 66.24, -20.65, -5.98

 

CMYK 19 / 37 / 0 / 33

HEX #8B6CAC

RGB 139 108 172

HSL 269.06, 0.28%, 0.55%

LAB 50.91, 25.21, -29.64

 

CMYK 0 / 37 / 37 / 33

HEX #AC6C6D

RGB 172 108 109

HSL 359.06, 0.28%, 0.55%

LAB 52.51, 25.64, 10.17

 

Description

Color code: RGB 141 172 109 | qconv.com Color code: RGB 141 172 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 172 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 172 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 37 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 37% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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