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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 179 72 it is the complementary color RGB 114 76 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 179 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 179 72 shade: RGB 146 179 67, RGB 163 197 86, RGB 180 215 105, RGB 197 233 124 and RGB 214 251 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 179 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 179 72 shade: RGB 141 179 72, RGB 124 161 53, RGB 107 143 34, RGB 90 125 15 and RGB 73 107 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 179 72 shade: RGB 140 178 71, RGB 169 178 71, RGB 178 158 71, RGB 178 129 71 and RGB 178 100 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 179 72 shade: RGB 140 178 71, RGB 111 178 71, RGB 82 178 71, RGB 71 178 88 and RGB 71 178 117

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 179 72 shade matches the following richer shades: RGB 140 178 71, RGB 146 198 51, RGB 152 219 30 and RGB 158 239 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 179 72 shade: RGB 140 178 71, RGB 134 158 91, RGB 128 138 111, RGB 122 118 131 and RGB 117 97 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 179 72 shade: RGB 178 158 71, RGB 169 178 71, RGB 141 178 71, RGB 112 178 71 and RGB 83 178 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 179 72 shade: RGB 94 119 47, RGB 117 149 59, RGB 140 178 71, RGB 159 192 98 and RGB 177 204 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 179 72 shade: RGB 141 179 72, RGB 71 178 130 and RGB 173 71 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 179 72 shade: RGB 141 179 72, RGB 71 141 178 and RGB 178 71 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 179 72 shade: RGB 141 179 72, RGB 71 178 130, RGB 108 71 178 and RGB 178 71 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 179 72 shade: RGB 141 179 72, RGB 71 178 162, RGB 108 71 178 and RGB 178 71 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 60 / 30

HEX #8DB348

RGB 141 179 72

HSL 81.31, 0.43%, 0.49%

LAB 68.29, -29.56, 49.32

 

Complementary color

CMYK 38 / 58 / 0 / 28

HEX #724CB7

RGB 114 76 183

HSL 261.31, 0.43%, 0.51%

LAB 41.48, 39.76, -51.18

 

CMYK 18 / 0 / 63 / 30

HEX #92B343

RGB 146 179 67

HSL 77.68, 0.46%, 0.48%

LAB 68.57, -27.99, 51.93

 

CMYK 17 / 0 / 56 / 23

HEX #A3C556

RGB 163 197 86

HSL 78.38, 0.49%, 0.55%

LAB 75.07, -28.29, 51.02

 

CMYK 16 / 0 / 51 / 16

HEX #B4D769

RGB 180 215 105

HSL 79.09, 0.58%, 0.63%

LAB 81.47, -28.5, 49.97

 

CMYK 15 / 0 / 47 / 9

HEX #C5E97C

RGB 197 233 124

HSL 79.82, 0.71%, 0.7%

LAB 87.78, -28.64, 48.86

 

CMYK 15 / 0 / 43 / 2

HEX #D6FB8F

RGB 214 251 143

HSL 80.56, 0.93%, 0.77%

LAB 94, -28.74, 47.74

 

CMYK 21 / 0 / 60 / 30

HEX #8DB348

RGB 141 179 72

HSL 81.31, 0.43%, 0.49%

LAB 68.29, -29.56, 49.32

 

CMYK 23 / 0 / 67 / 37

HEX #7CA135

RGB 124 161 53

HSL 80.56, 0.5%, 0.42%

LAB 61.68, -29.24, 50.09

 

CMYK 25 / 0 / 76 / 44

HEX #6B8F22

RGB 107 143 34

HSL 79.82, 0.62%, 0.35%

LAB 54.95, -28.76, 50.34

 

CMYK 28 / 0 / 88 / 51

HEX #5A7D0F

RGB 90 125 15

HSL 79.09, 0.79%, 0.27%

LAB 48.1, -28.03, 49.48

 

CMYK 32 / 0 / 100 / 58

HEX #496B00

RGB 73 107 0

HSL 79.07, 1%, 0.21%

LAB 41.11, -26.98, 46.76

 

CMYK 21 / 0 / 60 / 30

HEX #8CB247

RGB 140 178 71

HSL 81.31, 0.43%, 0.49%

LAB 67.93, -29.56, 49.34

 

CMYK 5 / 0 / 60 / 30

HEX #A9B247

RGB 169 178 71

HSL 65.05, 0.43%, 0.49%

LAB 69.99, -17.73, 52.2

 

CMYK 0 / 11 / 60 / 30

HEX #B29E47

RGB 178 158 71

HSL 48.79, 0.43%, 0.49%

LAB 65.26, -3.42, 47.17

 

CMYK 0 / 28 / 60 / 30

HEX #B28147

RGB 178 129 71

HSL 32.52, 0.43%, 0.49%

LAB 57.67, 12.52, 38.43

 

CMYK 0 / 44 / 60 / 30

HEX #B26447

RGB 178 100 71

HSL 16.26, 0.43%, 0.49%

LAB 50.73, 28.65, 30.02

 

CMYK 21 / 0 / 60 / 30

HEX #8CB247

RGB 140 178 71

HSL 81.31, 0.43%, 0.49%

LAB 67.93, -29.56, 49.34

 

CMYK 38 / 0 / 60 / 30

HEX #6FB247

RGB 111 178 71

HSL 97.57, 0.43%, 0.49%

LAB 66.27, -40.29, 47.03

 

CMYK 54 / 0 / 60 / 30

HEX #52B247

RGB 82 178 71

HSL 113.83, 0.43%, 0.49%

LAB 65.03, -49.25, 45.29

 

CMYK 60 / 0 / 51 / 30

HEX #47B258

RGB 71 178 88

HSL 129.53, 0.43%, 0.49%

LAB 64.87, -49.8, 36.82

 

CMYK 60 / 0 / 34 / 30

HEX #47B275

RGB 71 178 117

HSL 145.79, 0.43%, 0.49%

LAB 65.33, -44.83, 22.27

 

CMYK 21 / 0 / 60 / 30

HEX #8CB247

RGB 140 178 71

HSL 81.31, 0.43%, 0.49%

LAB 67.93, -29.56, 49.34

 

CMYK 26 / 0 / 74 / 22

HEX #92C633

RGB 146 198 51

HSL 81.22, 0.59%, 0.49%

LAB 74.02, -37.87, 63.69

 

CMYK 31 / 0 / 86 / 14

HEX #98DB1E

RGB 152 219 30

HSL 81.27, 0.76%, 0.49%

LAB 80.42, -45.61, 75.16

 

CMYK 34 / 0 / 96 / 6

HEX #9EEF0A

RGB 158 239 10

HSL 81.22, 0.92%, 0.49%

LAB 86.52, -52.12, 82.94

 

CMYK 21 / 0 / 60 / 30

HEX #8CB247

RGB 140 178 71

HSL 81.31, 0.43%, 0.49%

LAB 67.93, -29.56, 49.34

 

CMYK 15 / 0 / 42 / 38

HEX #869E5B

RGB 134 158 91

HSL 81.49, 0.27%, 0.49%

LAB 61.89, -19.95, 32.21

 

CMYK 7 / 0 / 20 / 46

HEX #808A6F

RGB 128 138 111

HSL 82.22, 0.11%, 0.49%

LAB 56, -8.75, 13.26

 

CMYK 7 / 10 / 0 / 49

HEX #7A7683

RGB 122 118 131

HSL 258.46, 0.05%, 0.49%

LAB 50.37, 4.2, -6.56

 

CMYK 23 / 36 / 0 / 40

HEX #756198

RGB 117 97 152

HSL 261.82, 0.22%, 0.49%

LAB 45.08, 19.97, -27.12

 

CMYK 0 / 11 / 60 / 30

HEX #B29E47

RGB 178 158 71

HSL 48.79, 0.43%, 0.49%

LAB 65.26, -3.42, 47.17

 

CMYK 5 / 0 / 60 / 30

HEX #A9B247

RGB 169 178 71

HSL 65.05, 0.43%, 0.49%

LAB 69.99, -17.73, 52.2

 

CMYK 21 / 0 / 60 / 30

HEX #8DB247

RGB 141 178 71

HSL 80.75, 0.43%, 0.49%

LAB 67.99, -29.17, 49.43

 

CMYK 37 / 0 / 60 / 30

HEX #70B247

RGB 112 178 71

HSL 97.01, 0.43%, 0.49%

LAB 66.32, -39.95, 47.1

 

CMYK 53 / 0 / 60 / 30

HEX #53B247

RGB 83 178 71

HSL 113.27, 0.43%, 0.49%

LAB 65.07, -48.98, 45.34

 

CMYK 21 / 0 / 61 / 53

HEX #5E772F

RGB 94 119 47

HSL 80.83, 0.43%, 0.33%

LAB 46.68, -21.27, 35.9

 

CMYK 21 / 0 / 60 / 42

HEX #75953B

RGB 117 149 59

HSL 81.33, 0.43%, 0.41%

LAB 57.65, -25.75, 42.92

 

CMYK 21 / 0 / 60 / 30

HEX #8CB247

RGB 140 178 71

HSL 81.31, 0.43%, 0.49%

LAB 67.93, -29.56, 49.34

 

CMYK 17 / 0 / 49 / 25

HEX #9FC062

RGB 159 192 98

HSL 81.06, 0.43%, 0.57%

LAB 73.51, -26.26, 43.44

 

CMYK 13 / 0 / 37 / 20

HEX #B1CC80

RGB 177 204 128

HSL 81.32, 0.43%, 0.65%

LAB 78.51, -21.72, 34.93

 

CMYK 21 / 0 / 60 / 30

HEX #8DB348

RGB 141 179 72

HSL 81.31, 0.43%, 0.49%

LAB 68.29, -29.56, 49.32

 

CMYK 60 / 0 / 27 / 30

HEX #47B282

RGB 71 178 130

HSL 153.08, 0.43%, 0.49%

LAB 65.59, -42.14, 15.57

 

CMYK 3 / 60 / 0 / 30

HEX #AD47B2

RGB 173 71 178

HSL 297.2, 0.43%, 0.49%

LAB 47.76, 55.97, -37.79

 

CMYK 21 / 0 / 60 / 30

HEX #8DB348

RGB 141 179 72

HSL 81.31, 0.43%, 0.49%

LAB 68.29, -29.56, 49.32

 

CMYK 60 / 21 / 0 / 30

HEX #478DB2

RGB 71 141 178

HSL 200.75, 0.43%, 0.49%

LAB 55.69, -10.82, -26.05

 

CMYK 0 / 60 / 21 / 30

HEX #B2478D

RGB 178 71 141

HSL 320.75, 0.43%, 0.49%

LAB 46.84, 51.3, -17.2

 

CMYK 21 / 0 / 60 / 30

HEX #8DB348

RGB 141 179 72

HSL 81.31, 0.43%, 0.49%

LAB 68.29, -29.56, 49.32

 

CMYK 60 / 0 / 27 / 30

HEX #47B282

RGB 71 178 130

HSL 153.08, 0.43%, 0.49%

LAB 65.59, -42.14, 15.57

 

CMYK 39 / 60 / 0 / 30

HEX #6C47B2

RGB 108 71 178

HSL 260.75, 0.43%, 0.49%

LAB 39.43, 39.87, -51.58

 

CMYK 0 / 60 / 33 / 30

HEX #B24777

RGB 178 71 119

HSL 333.08, 0.43%, 0.49%

LAB 46.05, 48.34, -5.07

 

CMYK 21 / 0 / 60 / 30

HEX #8DB348

RGB 141 179 72

HSL 81.31, 0.43%, 0.49%

LAB 68.29, -29.56, 49.32

 

CMYK 60 / 0 / 9 / 30

HEX #47B2A2

RGB 71 178 162

HSL 171.03, 0.43%, 0.49%

LAB 66.36, -34.46, -0.97

 

CMYK 39 / 60 / 0 / 30

HEX #6C47B2

RGB 108 71 178

HSL 260.75, 0.43%, 0.49%

LAB 39.43, 39.87, -51.58

 

CMYK 0 / 60 / 51 / 30

HEX #B24757

RGB 178 71 87

HSL 351.03, 0.43%, 0.49%

LAB 45.16, 44.9, 13.25

 

Description

Color code: RGB 141 179 72 | qconv.com Color code: RGB 141 179 72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 179 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 179 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 60 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 60% 30% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

45% - Strona główna - Oszc...
Link: http://oszczedzaj.tk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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