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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 119 113 it is the complementary color RGB 114 136 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 119 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 119 113 shade: RGB 146 119 108, RGB 163 137 127, RGB 180 155 146, RGB 197 173 165 and RGB 214 191 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 119 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 119 113 shade: RGB 141 119 113, RGB 124 101 94, RGB 107 83 75, RGB 90 65 56 and RGB 73 47 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 119 113 shade: RGB 141 119 113 and RGB 141 113 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 119 113 shade: RGB 141 119 113, RGB 141 127 113, RGB 141 134 113, RGB 140 141 113 and RGB 133 141 113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 119 113 shade matches the following richer shades: RGB 141 119 113, RGB 162 107 92, RGB 182 95 72, RGB 203 84 51 and RGB 224 72 30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 119 113 shade: RGB 141 119 113, RGB 120 131 134, RGB 100 143 154, RGB 79 154 175 and RGB 59 166 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 119 113 shade: RGB 141 113 122, RGB 141 113 115, RGB 141 119 113, RGB 141 126 113 and RGB 141 134 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 119 113 shade: RGB 95 80 76, RGB 118 100 95, RGB 141 119 113, RGB 159 141 136 and RGB 178 163 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 119 113 shade: RGB 141 119 113, RGB 130 141 113 and RGB 113 119 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 119 113 shade: RGB 141 119 113, RGB 113 141 119 and RGB 119 113 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 119 113 shade: RGB 141 119 113, RGB 130 141 113, RGB 113 135 141 and RGB 124 113 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 119 113 shade: RGB 141 119 113, RGB 121 141 113, RGB 113 135 141 and RGB 133 113 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 20 / 45

HEX #8D7771

RGB 141 119 113

HSL 12.86, 0.11%, 0.5%

LAB 51.89, 7.52, 6.46

 

Complementary color

CMYK 20 / 4 / 0 / 44

HEX #72888E

RGB 114 136 142

HSL 192.86, 0.11%, 0.5%

LAB 55.21, -6.49, -5.85

 

CMYK 0 / 18 / 26 / 43

HEX #92776C

RGB 146 119 108

HSL 17.37, 0.15%, 0.5%

LAB 52.27, 8.75, 10

 

CMYK 0 / 16 / 22 / 36

HEX #A3897F

RGB 163 137 127

HSL 16.67, 0.16%, 0.57%

LAB 59.17, 8.22, 9.02

 

CMYK 0 / 14 / 19 / 29

HEX #B49B92

RGB 180 155 146

HSL 15.88, 0.18%, 0.64%

LAB 65.92, 7.76, 8.12

 

CMYK 0 / 12 / 16 / 23

HEX #C5ADA5

RGB 197 173 165

HSL 15, 0.22%, 0.71%

LAB 72.54, 7.35, 7.28

 

CMYK 0 / 11 / 14 / 16

HEX #D6BFB8

RGB 214 191 184

HSL 14, 0.27%, 0.78%

LAB 79.05, 6.99, 6.49

 

CMYK 0 / 16 / 20 / 45

HEX #8D7771

RGB 141 119 113

HSL 12.86, 0.11%, 0.5%

LAB 51.89, 7.52, 6.46

 

CMYK 0 / 19 / 24 / 51

HEX #7C655E

RGB 124 101 94

HSL 14, 0.14%, 0.43%

LAB 44.8, 8.04, 7.42

 

CMYK 0 / 22 / 30 / 58

HEX #6B534B

RGB 107 83 75

HSL 15, 0.18%, 0.36%

LAB 37.52, 8.67, 8.5

 

CMYK 0 / 28 / 38 / 65

HEX #5A4138

RGB 90 65 56

HSL 15.88, 0.23%, 0.29%

LAB 30.01, 9.46, 9.74

 

CMYK 0 / 36 / 49 / 71

HEX #492F25

RGB 73 47 37

HSL 16.67, 0.33%, 0.22%

LAB 22.24, 10.49, 11.25

 

CMYK 0 / 16 / 20 / 45

HEX #8D7771

RGB 141 119 113

HSL 12.86, 0.11%, 0.5%

LAB 51.89, 7.52, 6.46

 

CMYK 0 / 20 / 20 / 45

HEX #8D7171

RGB 141 113 113

HSL 0, 0.11%, 0.5%

LAB 50.29, 11, 4.17

 

CMYK 0 / 16 / 20 / 45

HEX #8D7771

RGB 141 119 113

HSL 12.86, 0.11%, 0.5%

LAB 51.89, 7.52, 6.46

 

CMYK 0 / 10 / 20 / 45

HEX #8D7F71

RGB 141 127 113

HSL 30, 0.11%, 0.5%

LAB 54.06, 2.91, 9.55

 

CMYK 0 / 5 / 20 / 45

HEX #8D8671

RGB 141 134 113

HSL 45, 0.11%, 0.5%

LAB 55.99, -1.05, 12.26

 

CMYK 1 / 0 / 20 / 45

HEX #8C8D71

RGB 140 141 113

HSL 62.14, 0.11%, 0.5%

LAB 57.86, -5.36, 14.85

 

CMYK 6 / 0 / 20 / 45

HEX #858D71

RGB 133 141 113

HSL 77.14, 0.11%, 0.5%

LAB 57.3, -8.11, 13.98

 

CMYK 0 / 16 / 20 / 45

HEX #8D7771

RGB 141 119 113

HSL 12.86, 0.11%, 0.5%

LAB 51.89, 7.52, 6.46

 

CMYK 0 / 34 / 43 / 36

HEX #A26B5C

RGB 162 107 92

HSL 12.86, 0.28%, 0.5%

LAB 50.65, 20.12, 17.4

 

CMYK 0 / 48 / 60 / 29

HEX #B65F48

RGB 182 95 72

HSL 12.55, 0.43%, 0.5%

LAB 50.21, 33.04, 28.93

 

CMYK 0 / 59 / 75 / 20

HEX #CB5433

RGB 203 84 51

HSL 13.03, 0.6%, 0.5%

LAB 51.01, 45.42, 42.25

 

CMYK 0 / 68 / 87 / 12

HEX #E0481E

RGB 224 72 30

HSL 12.99, 0.76%, 0.5%

LAB 52.48, 57.27, 54.82

 

CMYK 0 / 16 / 20 / 45

HEX #8D7771

RGB 141 119 113

HSL 12.86, 0.11%, 0.5%

LAB 51.89, 7.52, 6.46

 

CMYK 10 / 2 / 0 / 47

HEX #788386

RGB 120 131 134

HSL 192.86, 0.06%, 0.5%

LAB 53.97, -3.39, -3.01

 

CMYK 35 / 7 / 0 / 40

HEX #648F9A

RGB 100 143 154

HSL 192.22, 0.21%, 0.5%

LAB 56.77, -11.82, -10.53

 

CMYK 55 / 12 / 0 / 31

HEX #4F9AAF

RGB 79 154 175

HSL 193.13, 0.38%, 0.5%

LAB 59.77, -17.21, -18.06

 

CMYK 70 / 15 / 0 / 24

HEX #3BA6C3

RGB 59 166 195

HSL 192.79, 0.54%, 0.5%

LAB 63.46, -20.91, -23.72

 

CMYK 0 / 20 / 13 / 45

HEX #8D717A

RGB 141 113 122

HSL 340.71, 0.11%, 0.5%

LAB 50.54, 12.55, -0.79

 

CMYK 0 / 20 / 18 / 45

HEX #8D7173

RGB 141 113 115

HSL 355.71, 0.11%, 0.5%

LAB 50.35, 11.34, 3.07

 

CMYK 0 / 16 / 20 / 45

HEX #8D7771

RGB 141 119 113

HSL 12.86, 0.11%, 0.5%

LAB 51.89, 7.52, 6.46

 

CMYK 0 / 11 / 20 / 45

HEX #8D7E71

RGB 141 126 113

HSL 27.86, 0.11%, 0.5%

LAB 53.79, 3.49, 9.16

 

CMYK 0 / 5 / 20 / 45

HEX #8D8671

RGB 141 134 113

HSL 45, 0.11%, 0.5%

LAB 55.99, -1.05, 12.26

 

CMYK 0 / 16 / 20 / 63

HEX #5F504C

RGB 95 80 76

HSL 12.63, 0.11%, 0.34%

LAB 35.38, 5.5, 4.66

 

CMYK 0 / 15 / 19 / 54

HEX #76645F

RGB 118 100 95

HSL 13.04, 0.11%, 0.42%

LAB 43.93, 6.31, 5.5

 

CMYK 0 / 16 / 20 / 45

HEX #8D7771

RGB 141 119 113

HSL 12.86, 0.11%, 0.5%

LAB 51.89, 7.52, 6.46

 

CMYK 0 / 11 / 14 / 38

HEX #9F8D88

RGB 159 141 136

HSL 13.04, 0.11%, 0.58%

LAB 60.07, 5.87, 5.12

 

CMYK 0 / 8 / 11 / 30

HEX #B2A39F

RGB 178 163 159

HSL 12.63, 0.11%, 0.66%

LAB 68.14, 4.75, 4.04

 

CMYK 0 / 16 / 20 / 45

HEX #8D7771

RGB 141 119 113

HSL 12.86, 0.11%, 0.5%

LAB 51.89, 7.52, 6.46

 

CMYK 8 / 0 / 20 / 45

HEX #828D71

RGB 130 141 113

HSL 83.57, 0.11%, 0.5%

LAB 57.06, -9.28, 13.62

 

CMYK 20 / 16 / 0 / 45

HEX #71778D

RGB 113 119 141

HSL 227.14, 0.11%, 0.5%

LAB 50.25, 2.71, -12.71

 

CMYK 0 / 16 / 20 / 45

HEX #8D7771

RGB 141 119 113

HSL 12.86, 0.11%, 0.5%

LAB 51.89, 7.52, 6.46

 

CMYK 20 / 0 / 16 / 45

HEX #718D77

RGB 113 141 119

HSL 132.86, 0.11%, 0.5%

LAB 55.98, -14.53, 8.5

 

CMYK 16 / 20 / 0 / 45

HEX #77718D

RGB 119 113 141

HSL 252.86, 0.11%, 0.5%

LAB 49.08, 8.33, -14.44

 

CMYK 0 / 16 / 20 / 45

HEX #8D7771

RGB 141 119 113

HSL 12.86, 0.11%, 0.5%

LAB 51.89, 7.52, 6.46

 

CMYK 8 / 0 / 20 / 45

HEX #828D71

RGB 130 141 113

HSL 83.57, 0.11%, 0.5%

LAB 57.06, -9.28, 13.62

 

CMYK 20 / 4 / 0 / 45

HEX #71878D

RGB 113 135 141

HSL 192.86, 0.11%, 0.5%

LAB 54.83, -6.5, -5.86

 

CMYK 12 / 20 / 0 / 45

HEX #7C718D

RGB 124 113 141

HSL 263.57, 0.11%, 0.5%

LAB 49.52, 10.07, -13.73

 

CMYK 0 / 16 / 20 / 45

HEX #8D7771

RGB 141 119 113

HSL 12.86, 0.11%, 0.5%

LAB 51.89, 7.52, 6.46

 

CMYK 14 / 0 / 20 / 45

HEX #798D71

RGB 121 141 113

HSL 102.86, 0.11%, 0.5%

LAB 56.39, -12.72, 12.59

 

CMYK 20 / 4 / 0 / 45

HEX #71878D

RGB 113 135 141

HSL 192.86, 0.11%, 0.5%

LAB 54.83, -6.5, -5.86

 

CMYK 6 / 20 / 0 / 45

HEX #85718D

RGB 133 113 141

HSL 282.86, 0.11%, 0.5%

LAB 50.36, 13.27, -12.38

 

Description

Color code: RGB 141 119 113 | qconv.com Color code: RGB 141 119 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 119 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 119 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 20 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 20% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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