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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 105 110 it is the complementary color RGB 114 150 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 105 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 105 110 shade: RGB 146 105 105, RGB 163 123 124, RGB 180 141 143, RGB 197 159 162 and RGB 214 177 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 105 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 105 110 shade: RGB 141 105 110, RGB 124 87 91, RGB 107 69 72, RGB 90 51 53 and RGB 73 33 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 105 110 shade: RGB 140 104 109 and RGB 140 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 105 110 shade: RGB 140 104 109, RGB 140 104 119, RGB 140 104 128, RGB 140 104 138 and RGB 132 104 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 105 110 shade matches the following richer shades: RGB 140 104 109, RGB 160 84 94, RGB 180 64 80, RGB 200 44 66 and RGB 219 24 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 105 110 shade: RGB 140 104 109, RGB 120 123 123, RGB 101 143 137, RGB 81 163 152 and RGB 61 183 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 105 110 shade: RGB 140 104 129, RGB 140 104 119, RGB 140 104 109, RGB 140 108 104 and RGB 140 118 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 105 110 shade: RGB 93 68 72, RGB 117 86 90, RGB 140 104 109, RGB 159 126 130 and RGB 177 149 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 105 110 shade: RGB 141 105 110, RGB 138 140 104 and RGB 104 124 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 105 110 shade: RGB 141 105 110, RGB 109 140 104 and RGB 104 109 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 105 110 shade: RGB 141 105 110, RGB 138 140 104, RGB 104 140 135 and RGB 105 104 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 105 110 shade: RGB 141 105 110, RGB 127 140 104, RGB 104 140 135 and RGB 116 104 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 22 / 45

HEX #8D696E

RGB 141 105 110

HSL 351.67, 0.15%, 0.48%

LAB 48.12, 15.19, 2.82

 

Complementary color

CMYK 24 / 0 / 3 / 41

HEX #729691

RGB 114 150 145

HSL 171.67, 0.15%, 0.52%

LAB 59.37, -13.51, -1.44

 

CMYK 0 / 28 / 28 / 43

HEX #926969

RGB 146 105 105

HSL 0, 0.16%, 0.49%

LAB 48.55, 16.42, 6.5

 

CMYK 0 / 25 / 24 / 36

HEX #A37B7C

RGB 163 123 124

HSL 358.5, 0.18%, 0.56%

LAB 55.49, 15.7, 5.5

 

CMYK 0 / 22 / 21 / 29

HEX #B48D8F

RGB 180 141 143

HSL 356.92, 0.21%, 0.63%

LAB 62.28, 15.07, 4.59

 

CMYK 0 / 19 / 18 / 23

HEX #C59FA2

RGB 197 159 162

HSL 355.26, 0.25%, 0.7%

LAB 68.95, 14.51, 3.76

 

CMYK 0 / 17 / 15 / 16

HEX #D6B1B5

RGB 214 177 181

HSL 353.51, 0.31%, 0.77%

LAB 75.5, 14.01, 2.99

 

CMYK 0 / 26 / 22 / 45

HEX #8D696E

RGB 141 105 110

HSL 351.67, 0.15%, 0.48%

LAB 48.12, 15.19, 2.82

 

CMYK 0 / 30 / 27 / 51

HEX #7C575B

RGB 124 87 91

HSL 353.51, 0.18%, 0.41%

LAB 40.99, 15.94, 3.8

 

CMYK 0 / 36 / 33 / 58

HEX #6B4548

RGB 107 69 72

HSL 355.26, 0.22%, 0.35%

LAB 33.67, 16.82, 4.94

 

CMYK 0 / 43 / 41 / 65

HEX #5A3335

RGB 90 51 53

HSL 356.92, 0.28%, 0.28%

LAB 26.15, 17.87, 6.32

 

CMYK 0 / 55 / 53 / 71

HEX #492122

RGB 73 33 34

HSL 358.5, 0.38%, 0.21%

LAB 18.45, 19.11, 8.17

 

CMYK 0 / 26 / 22 / 45

HEX #8C686D

RGB 140 104 109

HSL 351.67, 0.15%, 0.48%

LAB 47.73, 15.22, 2.83

 

CMYK 0 / 26 / 26 / 45

HEX #8C6868

RGB 140 104 104

HSL 0, 0.15%, 0.48%

LAB 47.59, 14.43, 5.63

 

CMYK 0 / 26 / 22 / 45

HEX #8C686D

RGB 140 104 109

HSL 351.67, 0.15%, 0.48%

LAB 47.73, 15.22, 2.83

 

CMYK 0 / 26 / 15 / 45

HEX #8C6877

RGB 140 104 119

HSL 335, 0.15%, 0.48%

LAB 48.02, 16.91, -2.73

 

CMYK 0 / 26 / 9 / 45

HEX #8C6880

RGB 140 104 128

HSL 320, 0.15%, 0.48%

LAB 48.3, 18.54, -7.68

 

CMYK 0 / 26 / 1 / 45

HEX #8C688A

RGB 140 104 138

HSL 303.33, 0.15%, 0.48%

LAB 48.65, 20.47, -13.11

 

CMYK 6 / 26 / 0 / 45

HEX #84688C

RGB 132 104 140

HSL 286.67, 0.15%, 0.48%

LAB 47.88, 18.03, -15.55

 

CMYK 0 / 26 / 22 / 45

HEX #8C686D

RGB 140 104 109

HSL 351.67, 0.15%, 0.48%

LAB 47.73, 15.22, 2.83

 

CMYK 0 / 48 / 41 / 37

HEX #A0545E

RGB 160 84 94

HSL 352.11, 0.31%, 0.48%

LAB 45.11, 32.42, 8.49

 

CMYK 0 / 64 / 56 / 29

HEX #B44050

RGB 180 64 80

HSL 351.72, 0.48%, 0.48%

LAB 44.16, 48.17, 16.23

 

CMYK 0 / 78 / 67 / 22

HEX #C82C42

RGB 200 44 66

HSL 351.54, 0.64%, 0.48%

LAB 44.91, 60.81, 26.47

 

CMYK 0 / 89 / 77 / 14

HEX #DB1833

RGB 219 24 51

HSL 351.69, 0.8%, 0.48%

LAB 46.91, 69.78, 38.7

 

CMYK 0 / 26 / 22 / 45

HEX #8C686D

RGB 140 104 109

HSL 351.67, 0.15%, 0.48%

LAB 47.73, 15.22, 2.83

 

CMYK 2 / 0 / 0 / 52

HEX #787B7B

RGB 120 123 123

HSL 180, 0.01%, 0.48%

LAB 51.37, -1.12, -0.4

 

CMYK 29 / 0 / 4 / 44

HEX #658F89

RGB 101 143 137

HSL 171.43, 0.17%, 0.48%

LAB 56.31, -15.74, -1.45

 

CMYK 50 / 0 / 7 / 36

HEX #51A398

RGB 81 163 152

HSL 171.95, 0.34%, 0.48%

LAB 61.84, -27.77, -1.98

 

CMYK 67 / 0 / 9 / 28

HEX #3DB7A6

RGB 61 183 166

HSL 171.64, 0.5%, 0.48%

LAB 67.73, -37.43, -1.2

 

CMYK 0 / 26 / 8 / 45

HEX #8C6881

RGB 140 104 129

HSL 318.33, 0.15%, 0.48%

LAB 48.34, 18.73, -8.22

 

CMYK 0 / 26 / 15 / 45

HEX #8C6877

RGB 140 104 119

HSL 335, 0.15%, 0.48%

LAB 48.02, 16.91, -2.73

 

CMYK 0 / 26 / 22 / 45

HEX #8C686D

RGB 140 104 109

HSL 351.67, 0.15%, 0.48%

LAB 47.73, 15.22, 2.83

 

CMYK 0 / 23 / 26 / 45

HEX #8C6C68

RGB 140 108 104

HSL 6.67, 0.15%, 0.48%

LAB 48.64, 12.08, 7.12

 

CMYK 0 / 16 / 26 / 45

HEX #8C7668

RGB 140 118 104

HSL 23.33, 0.15%, 0.48%

LAB 51.3, 6.26, 10.89

 

CMYK 0 / 27 / 23 / 64

HEX #5D4448

RGB 93 68 72

HSL 350.4, 0.16%, 0.32%

LAB 31.65, 11.46, 1.8

 

CMYK 0 / 26 / 23 / 54

HEX #75565A

RGB 117 86 90

HSL 352.26, 0.15%, 0.4%

LAB 39.87, 13.49, 2.71

 

CMYK 0 / 26 / 22 / 45

HEX #8C686D

RGB 140 104 109

HSL 351.67, 0.15%, 0.48%

LAB 47.73, 15.22, 2.83

 

CMYK 0 / 21 / 18 / 38

HEX #9F7E82

RGB 159 126 130

HSL 352.73, 0.15%, 0.56%

LAB 55.99, 13.38, 2.69

 

CMYK 0 / 16 / 14 / 31

HEX #B19599

RGB 177 149 153

HSL 351.43, 0.15%, 0.64%

LAB 64.28, 11.09, 1.78

 

CMYK 0 / 26 / 22 / 45

HEX #8D696E

RGB 141 105 110

HSL 351.67, 0.15%, 0.48%

LAB 48.12, 15.19, 2.82

 

CMYK 1 / 0 / 26 / 45

HEX #8A8C68

RGB 138 140 104

HSL 63.33, 0.15%, 0.48%

LAB 57.23, -6.99, 19.04

 

CMYK 26 / 11 / 0 / 45

HEX #687C8C

RGB 104 124 140

HSL 206.67, 0.15%, 0.48%

LAB 50.98, -3.45, -11.09

 

CMYK 0 / 26 / 22 / 45

HEX #8D696E

RGB 141 105 110

HSL 351.67, 0.15%, 0.48%

LAB 48.12, 15.19, 2.82

 

CMYK 22 / 0 / 26 / 45

HEX #6D8C68

RGB 109 140 104

HSL 111.67, 0.15%, 0.48%

LAB 55.08, -18.27, 15.75

 

CMYK 26 / 22 / 0 / 45

HEX #686D8C

RGB 104 109 140

HSL 231.67, 0.15%, 0.48%

LAB 46.68, 5.41, -17.61

 

CMYK 0 / 26 / 22 / 45

HEX #8D696E

RGB 141 105 110

HSL 351.67, 0.15%, 0.48%

LAB 48.12, 15.19, 2.82

 

CMYK 1 / 0 / 26 / 45

HEX #8A8C68

RGB 138 140 104

HSL 63.33, 0.15%, 0.48%

LAB 57.23, -6.99, 19.04

 

CMYK 26 / 0 / 4 / 45

HEX #688C87

RGB 104 140 135

HSL 171.67, 0.15%, 0.48%

LAB 55.53, -13.63, -1.42

 

CMYK 25 / 26 / 0 / 45

HEX #69688C

RGB 105 104 140

HSL 241.67, 0.15%, 0.48%

LAB 45.36, 8.76, -19.63

 

CMYK 0 / 26 / 22 / 45

HEX #8D696E

RGB 141 105 110

HSL 351.67, 0.15%, 0.48%

LAB 48.12, 15.19, 2.82

 

CMYK 9 / 0 / 26 / 45

HEX #7F8C68

RGB 127 140 104

HSL 81.67, 0.15%, 0.48%

LAB 56.35, -11.39, 17.71

 

CMYK 26 / 0 / 4 / 45

HEX #688C87

RGB 104 140 135

HSL 171.67, 0.15%, 0.48%

LAB 55.53, -13.63, -1.42

 

CMYK 17 / 26 / 0 / 45

HEX #74688C

RGB 116 104 140

HSL 260, 0.15%, 0.48%

LAB 46.32, 12.46, -18.07

 

Description

Color code: RGB 141 105 110 | qconv.com Color code: RGB 141 105 110 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 105 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 105 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 22 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 22% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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