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Color name
RGB 140 84 166

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 84 166 it is the complementary color RGB 115 171 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 84 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 84 166 shade: RGB 145 84 161, RGB 162 102 180, RGB 179 120 199, RGB 196 138 218 and RGB 213 156 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 84 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 84 166 shade: RGB 140 84 166, RGB 123 66 147, RGB 106 48 128, RGB 89 30 109 and RGB 72 12 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 84 166 shade: RGB 140 83 166, RGB 162 83 166, RGB 166 83 147, RGB 166 83 125 and RGB 166 83 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 84 166 shade: RGB 140 83 166, RGB 117 83 166, RGB 95 83 166 and RGB 83 83 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 84 166 shade matches the following richer shades: RGB 140 83 166, RGB 147 63 186, RGB 154 43 206, RGB 162 23 226 and RGB 169 2 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 84 166 shade: RGB 140 83 166, RGB 132 103 145, RGB 125 124 125, RGB 117 144 105 and RGB 110 164 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 84 166 shade: RGB 94 83 166, RGB 116 83 166, RGB 138 83 166, RGB 160 83 166 and RGB 166 83 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 84 166 shade: RGB 93 56 111, RGB 116 69 138, RGB 140 83 166, RGB 158 109 181 and RGB 176 136 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 84 166 shade: RGB 140 84 166, RGB 166 83 94 and RGB 83 166 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 84 166 shade: RGB 140 84 166, RGB 166 138 83 and RGB 83 166 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 84 166 shade: RGB 140 84 166, RGB 166 83 94, RGB 111 166 83 and RGB 83 166 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 84 166 shade: RGB 140 84 166, RGB 166 97 83, RGB 111 166 83 and RGB 83 152 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 49 / 0 / 35

HEX #8C54A6

RGB 140 84 166

HSL 280.98, 0.33%, 0.49%

LAB 45.18, 37.94, -35.09

 

Complementary color

CMYK 33 / 0 / 48 / 33

HEX #73AB59

RGB 115 171 89

HSL 100.98, 0.33%, 0.51%

LAB 64.56, -33.69, 36.34

 

CMYK 10 / 48 / 0 / 37

HEX #9154A1

RGB 145 84 161

HSL 287.53, 0.31%, 0.48%

LAB 45.54, 38.34, -31.52

 

CMYK 10 / 43 / 0 / 29

HEX #A266B4

RGB 162 102 180

HSL 286.15, 0.34%, 0.55%

LAB 52.37, 37.54, -31.82

 

CMYK 10 / 40 / 0 / 22

HEX #B378C7

RGB 179 120 199

HSL 284.81, 0.41%, 0.63%

LAB 59.1, 36.75, -32.07

 

CMYK 10 / 37 / 0 / 15

HEX #C48ADA

RGB 196 138 218

HSL 283.5, 0.52%, 0.7%

LAB 65.73, 35.99, -32.3

 

CMYK 10 / 34 / 0 / 7

HEX #D59CED

RGB 213 156 237

HSL 282.22, 0.69%, 0.77%

LAB 72.25, 35.28, -32.53

 

CMYK 16 / 49 / 0 / 35

HEX #8C54A6

RGB 140 84 166

HSL 280.98, 0.33%, 0.49%

LAB 45.18, 37.94, -35.09

 

CMYK 16 / 55 / 0 / 42

HEX #7B4293

RGB 123 66 147

HSL 282.22, 0.38%, 0.42%

LAB 38.22, 38.76, -34.84

 

CMYK 17 / 63 / 0 / 50

HEX #6A3080

RGB 106 48 128

HSL 283.5, 0.45%, 0.35%

LAB 31.2, 39.45, -34.45

 

CMYK 18 / 72 / 0 / 57

HEX #591E6D

RGB 89 30 109

HSL 284.81, 0.57%, 0.27%

LAB 24.18, 39.77, -33.75

 

CMYK 20 / 87 / 0 / 65

HEX #480C5A

RGB 72 12 90

HSL 286.15, 0.76%, 0.2%

LAB 17.36, 39.06, -32.37

 

CMYK 16 / 50 / 0 / 35

HEX #8C53A6

RGB 140 83 166

HSL 281.2, 0.33%, 0.49%

LAB 44.96, 38.5, -35.43

 

CMYK 2 / 50 / 0 / 35

HEX #A253A6

RGB 162 83 166

HSL 297.11, 0.33%, 0.49%

LAB 47.78, 44.92, -30.81

 

CMYK 0 / 50 / 11 / 35

HEX #A65393

RGB 166 83 147

HSL 313.73, 0.33%, 0.49%

LAB 47.5, 42.72, -19.94

 

CMYK 0 / 50 / 25 / 35

HEX #A6537D

RGB 166 83 125

HSL 329.64, 0.33%, 0.49%

LAB 46.68, 39.24, -7.96

 

CMYK 0 / 50 / 38 / 35

HEX #A65367

RGB 166 83 103

HSL 345.54, 0.33%, 0.49%

LAB 46.01, 36.28, 4.4

 

CMYK 16 / 50 / 0 / 35

HEX #8C53A6

RGB 140 83 166

HSL 281.2, 0.33%, 0.49%

LAB 44.96, 38.5, -35.43

 

CMYK 30 / 50 / 0 / 35

HEX #7553A6

RGB 117 83 166

HSL 264.58, 0.33%, 0.49%

LAB 42.34, 31.96, -39.75

 

CMYK 43 / 50 / 0 / 35

HEX #5F53A6

RGB 95 83 166

HSL 248.67, 0.33%, 0.49%

LAB 40.2, 26.11, -43.29

 

CMYK 50 / 50 / 0 / 35

HEX #5353A6

RGB 83 83 166

HSL 240, 0.33%, 0.49%

LAB 39.21, 23.2, -44.94

 

CMYK 16 / 50 / 0 / 35

HEX #8C53A6

RGB 140 83 166

HSL 281.2, 0.33%, 0.49%

LAB 44.96, 38.5, -35.43

 

CMYK 21 / 66 / 0 / 27

HEX #933FBA

RGB 147 63 186

HSL 280.98, 0.49%, 0.49%

LAB 43.22, 54.85, -49.93

 

CMYK 25 / 79 / 0 / 19

HEX #9A2BCE

RGB 154 43 206

HSL 280.86, 0.65%, 0.49%

LAB 42.84, 68.13, -62.13

 

CMYK 28 / 90 / 0 / 11

HEX #A217E2

RGB 162 23 226

HSL 281.08, 0.82%, 0.49%

LAB 43.92, 78.06, -71.8

 

CMYK 32 / 99 / 0 / 3

HEX #A902F7

RGB 169 2 247

HSL 280.9, 0.98%, 0.49%

LAB 45.9, 85.23, -80.4

 

CMYK 16 / 50 / 0 / 35

HEX #8C53A6

RGB 140 83 166

HSL 281.2, 0.33%, 0.49%

LAB 44.96, 38.5, -35.43

 

CMYK 9 / 29 / 0 / 43

HEX #846791

RGB 132 103 145

HSL 281.43, 0.17%, 0.49%

LAB 47.82, 19.71, -18.61

 

CMYK 0 / 1 / 0 / 51

HEX #7D7C7D

RGB 125 124 125

HSL 300, 0%, 0.49%

LAB 52.13, 0.58, -0.42

 

CMYK 19 / 0 / 27 / 44

HEX #759069

RGB 117 144 105

HSL 101.54, 0.16%, 0.49%

LAB 56.83, -17.22, 17.67

 

CMYK 33 / 0 / 48 / 36

HEX #6EA455

RGB 110 164 85

HSL 101.01, 0.32%, 0.49%

LAB 62.1, -32.73, 35.27

 

CMYK 43 / 50 / 0 / 35

HEX #5E53A6

RGB 94 83 166

HSL 247.95, 0.33%, 0.49%

LAB 40.11, 25.86, -43.43

 

CMYK 30 / 50 / 0 / 35

HEX #7453A6

RGB 116 83 166

HSL 263.86, 0.33%, 0.49%

LAB 42.24, 31.68, -39.93

 

CMYK 17 / 50 / 0 / 35

HEX #8A53A6

RGB 138 83 166

HSL 279.76, 0.33%, 0.49%

LAB 44.72, 37.92, -35.83

 

CMYK 4 / 50 / 0 / 35

HEX #A053A6

RGB 160 83 166

HSL 295.66, 0.33%, 0.49%

LAB 47.51, 44.33, -31.25

 

CMYK 0 / 50 / 10 / 35

HEX #A65395

RGB 166 83 149

HSL 312.29, 0.33%, 0.49%

LAB 47.58, 43.06, -21.01

 

CMYK 16 / 50 / 0 / 56

HEX #5D386F

RGB 93 56 111

HSL 280.36, 0.33%, 0.33%

LAB 30.16, 27.19, -25.49

 

CMYK 16 / 50 / 0 / 46

HEX #74458A

RGB 116 69 138

HSL 280.87, 0.33%, 0.41%

LAB 37.49, 32.99, -30.58

 

CMYK 16 / 50 / 0 / 35

HEX #8C53A6

RGB 140 83 166

HSL 281.2, 0.33%, 0.49%

LAB 44.96, 38.5, -35.43

 

CMYK 13 / 40 / 0 / 29

HEX #9E6DB5

RGB 158 109 181

HSL 280.83, 0.33%, 0.57%

LAB 53.54, 32.6, -30.61

 

CMYK 10 / 30 / 0 / 24

HEX #B088C3

RGB 176 136 195

HSL 280.68, 0.33%, 0.65%

LAB 62.32, 26.04, -24.87

 

CMYK 16 / 49 / 0 / 35

HEX #8C54A6

RGB 140 84 166

HSL 280.98, 0.33%, 0.49%

LAB 45.18, 37.94, -35.09

 

CMYK 0 / 50 / 43 / 35

HEX #A6535E

RGB 166 83 94

HSL 352.05, 0.33%, 0.49%

LAB 45.77, 35.24, 9.55

 

CMYK 50 / 0 / 37 / 35

HEX #53A669

RGB 83 166 105

HSL 135.9, 0.33%, 0.49%

LAB 61.77, -39.04, 24.03

 

CMYK 16 / 49 / 0 / 35

HEX #8C54A6

RGB 140 84 166

HSL 280.98, 0.33%, 0.49%

LAB 45.18, 37.94, -35.09

 

CMYK 0 / 17 / 50 / 35

HEX #A68A53

RGB 166 138 83

HSL 39.76, 0.33%, 0.49%

LAB 58.89, 3.33, 33.26

 

CMYK 50 / 0 / 17 / 35

HEX #53A68A

RGB 83 166 138

HSL 159.76, 0.33%, 0.49%

LAB 62.46, -32.18, 6.79

 

CMYK 16 / 49 / 0 / 35

HEX #8C54A6

RGB 140 84 166

HSL 280.98, 0.33%, 0.49%

LAB 45.18, 37.94, -35.09

 

CMYK 0 / 50 / 43 / 35

HEX #A6535E

RGB 166 83 94

HSL 352.05, 0.33%, 0.49%

LAB 45.77, 35.24, 9.55

 

CMYK 33 / 0 / 50 / 35

HEX #6FA653

RGB 111 166 83

HSL 99.76, 0.33%, 0.49%

LAB 62.74, -33.56, 37.09

 

CMYK 50 / 0 / 7 / 35

HEX #53A69B

RGB 83 166 155

HSL 172.05, 0.33%, 0.49%

LAB 62.91, -28.01, -2.08

 

CMYK 16 / 49 / 0 / 35

HEX #8C54A6

RGB 140 84 166

HSL 280.98, 0.33%, 0.49%

LAB 45.18, 37.94, -35.09

 

CMYK 0 / 42 / 50 / 35

HEX #A66153

RGB 166 97 83

HSL 10.12, 0.33%, 0.49%

LAB 48.61, 26.44, 20.03

 

CMYK 33 / 0 / 50 / 35

HEX #6FA653

RGB 111 166 83

HSL 99.76, 0.33%, 0.49%

LAB 62.74, -33.56, 37.09

 

CMYK 50 / 8 / 0 / 35

HEX #5398A6

RGB 83 152 166

HSL 190.12, 0.33%, 0.49%

LAB 59.02, -17.87, -14.08

 

Description

Color code: RGB 140 84 166 | qconv.com Color code: RGB 140 84 166 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 84 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 84 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 49 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 49% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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