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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 54 219 it is the complementary color RGB 115 201 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 54 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 54 219 shade: RGB 145 54 214, RGB 162 72 233, RGB 179 90 252, RGB 196 108 255 and RGB 213 126 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 54 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 54 219 shade: RGB 140 54 219, RGB 123 36 200, RGB 106 18 181, RGB 89 0 162 and RGB 72 0 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 54 219 shade: RGB 141 55 219, RGB 185 55 219, RGB 219 55 209, RGB 219 55 165 and RGB 219 55 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 54 219 shade: RGB 141 55 219, RGB 96 55 219 and RGB 55 55 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 54 219 shade matches the following richer shades: RGB 141 55 219 and RGB 141 36 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 54 219 shade: RGB 141 55 219, RGB 140 74 200, RGB 139 93 181, RGB 138 112 162 and RGB 137 131 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 54 219 shade: RGB 55 58 219, RGB 96 55 219, RGB 140 55 219, RGB 184 55 219 and RGB 219 55 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 54 219 shade: RGB 99 28 163, RGB 120 35 199, RGB 141 55 219, RGB 161 90 225 and RGB 181 125 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 54 219 shade: RGB 140 54 219, RGB 219 55 102 and RGB 55 219 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 54 219 shade: RGB 140 54 219, RGB 219 140 55 and RGB 55 219 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 54 219 shade: RGB 140 54 219, RGB 219 55 102, RGB 134 219 55 and RGB 55 219 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 54 219 shade: RGB 140 54 219, RGB 219 58 55, RGB 134 219 55 and RGB 55 217 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 75 / 0 / 14

HEX #8C36DB

RGB 140 54 219

HSL 271.27, 0.7%, 0.54%

LAB 43.25, 64.62, -69.02

 

Complementary color

CMYK 43 / 0 / 82 / 21

HEX #73C924

RGB 115 201 36

HSL 91.27, 0.7%, 0.46%

LAB 73.25, -50.92, 66.85

 

CMYK 32 / 75 / 0 / 16

HEX #9136D6

RGB 145 54 214

HSL 274.13, 0.66%, 0.53%

LAB 43.53, 64.35, -65.69

 

CMYK 30 / 69 / 0 / 9

HEX #A248E9

RGB 162 72 233

HSL 273.54, 0.79%, 0.6%

LAB 49.74, 64.22, -66.32

 

CMYK 29 / 64 / 0 / 1

HEX #B35AFC

RGB 179 90 252

HSL 272.96, 0.96%, 0.67%

LAB 56.01, 63.73, -66.69

 

CMYK 23 / 58 / 0 / 0

HEX #C46CFF

RGB 196 108 255

HSL 275.92, 1%, 0.71%

LAB 61.38, 59.54, -59.63

 

CMYK 16 / 51 / 0 / 0

HEX #D57EFF

RGB 213 126 255

HSL 280.47, 1%, 0.75%

LAB 66.74, 54.78, -50.99

 

CMYK 36 / 75 / 0 / 14

HEX #8C36DB

RGB 140 54 219

HSL 271.27, 0.7%, 0.54%

LAB 43.25, 64.62, -69.02

 

CMYK 39 / 82 / 0 / 22

HEX #7B24C8

RGB 123 36 200

HSL 271.83, 0.69%, 0.46%

LAB 37.19, 64.22, -68.04

 

CMYK 41 / 90 / 0 / 29

HEX #6A12B5

RGB 106 18 181

HSL 272.39, 0.82%, 0.39%

LAB 31.42, 62.76, -66.4

 

CMYK 45 / 100 / 0 / 36

HEX #5900A2

RGB 89 0 162

HSL 272.96, 1%, 0.32%

LAB 25.96, 60.13, -64.05

 

CMYK 50 / 100 / 0 / 44

HEX #48008F

RGB 72 0 143

HSL 270.21, 1%, 0.28%

LAB 21.43, 54.34, -59.91

 

CMYK 36 / 75 / 0 / 14

HEX #8D37DB

RGB 141 55 219

HSL 271.46, 0.69%, 0.54%

LAB 43.52, 64.39, -68.58

 

CMYK 16 / 75 / 0 / 14

HEX #B937DB

RGB 185 55 219

HSL 287.56, 0.69%, 0.54%

LAB 49.69, 72.34, -58.3

 

CMYK 0 / 75 / 5 / 14

HEX #DB37D1

RGB 219 55 209

HSL 303.66, 0.69%, 0.54%

LAB 54.44, 77.46, -44.69

 

CMYK 0 / 75 / 25 / 14

HEX #DB37A5

RGB 219 55 165

HSL 319.76, 0.69%, 0.54%

LAB 52.41, 71.44, -22.35

 

CMYK 0 / 75 / 45 / 14

HEX #DB3779

RGB 219 55 121

HSL 335.85, 0.69%, 0.54%

LAB 50.89, 66.73, 1.64

 

CMYK 36 / 75 / 0 / 14

HEX #8D37DB

RGB 141 55 219

HSL 271.46, 0.69%, 0.54%

LAB 43.52, 64.39, -68.58

 

CMYK 56 / 75 / 0 / 14

HEX #6037DB

RGB 96 55 219

HSL 255, 0.69%, 0.54%

LAB 38.43, 57.6, -77.11

 

CMYK 75 / 75 / 0 / 14

HEX #3737DB

RGB 55 55 219

HSL 240, 0.69%, 0.54%

LAB 35.32, 53.3, -82.36

 

CMYK 36 / 75 / 0 / 14

HEX #8D37DB

RGB 141 55 219

HSL 271.46, 0.69%, 0.54%

LAB 43.52, 64.39, -68.58

 

CMYK 41 / 85 / 0 / 7

HEX #8D24EE

RGB 141 36 238

HSL 271.19, 0.86%, 0.54%

LAB 42.91, 74.96, -80.39

 

CMYK 36 / 75 / 0 / 14

HEX #8D37DB

RGB 141 55 219

HSL 271.46, 0.69%, 0.54%

LAB 43.52, 64.39, -68.58

 

CMYK 30 / 63 / 0 / 22

HEX #8C4AC8

RGB 140 74 200

HSL 271.43, 0.53%, 0.54%

LAB 45.14, 51.12, -55.04

 

CMYK 23 / 49 / 0 / 29

HEX #8B5DB5

RGB 139 93 181

HSL 271.36, 0.37%, 0.54%

LAB 47.82, 36.05, -39.73

 

CMYK 15 / 31 / 0 / 36

HEX #8A70A2

RGB 138 112 162

HSL 271.2, 0.21%, 0.54%

LAB 51.38, 20.22, -23.09

 

CMYK 4 / 8 / 0 / 44

HEX #89838F

RGB 137 131 143

HSL 270, 0.05%, 0.54%

LAB 55.62, 4.63, -5.64

 

CMYK 75 / 74 / 0 / 14

HEX #373ADB

RGB 55 58 219

HSL 238.9, 0.69%, 0.54%

LAB 35.89, 51.68, -81.41

 

CMYK 56 / 75 / 0 / 14

HEX #6037DB

RGB 96 55 219

HSL 255, 0.69%, 0.54%

LAB 38.43, 57.6, -77.11

 

CMYK 36 / 75 / 0 / 14

HEX #8C37DB

RGB 140 55 219

HSL 271.1, 0.69%, 0.54%

LAB 43.39, 64.22, -68.8

 

CMYK 16 / 75 / 0 / 14

HEX #B837DB

RGB 184 55 219

HSL 287.2, 0.69%, 0.54%

LAB 49.54, 72.15, -58.55

 

CMYK 0 / 75 / 4 / 14

HEX #DB37D3

RGB 219 55 211

HSL 302.93, 0.69%, 0.54%

LAB 54.55, 77.77, -45.67

 

CMYK 39 / 83 / 0 / 36

HEX #631CA3

RGB 99 28 163

HSL 271.56, 0.71%, 0.37%

LAB 29.73, 54.9, -58.41

 

CMYK 40 / 82 / 0 / 22

HEX #7823C7

RGB 120 35 199

HSL 271.1, 0.7%, 0.46%

LAB 36.59, 63.89, -68.46

 

CMYK 36 / 75 / 0 / 14

HEX #8D37DB

RGB 141 55 219

HSL 271.46, 0.69%, 0.54%

LAB 43.52, 64.39, -68.58

 

CMYK 28 / 60 / 0 / 12

HEX #A15AE1

RGB 161 90 225

HSL 271.56, 0.69%, 0.62%

LAB 52.2, 53.65, -57.83

 

CMYK 22 / 46 / 0 / 9

HEX #B57DE8

RGB 181 125 232

HSL 271.4, 0.7%, 0.7%

LAB 61.93, 41.76, -46.14

 

CMYK 36 / 75 / 0 / 14

HEX #8C36DB

RGB 140 54 219

HSL 271.27, 0.7%, 0.54%

LAB 43.25, 64.62, -69.02

 

CMYK 0 / 75 / 53 / 14

HEX #DB3766

RGB 219 55 102

HSL 342.8, 0.69%, 0.54%

LAB 50.4, 65.16, 12.46

 

CMYK 75 / 0 / 66 / 14

HEX #37DB4A

RGB 55 219 74

HSL 126.95, 0.69%, 0.54%

LAB 77.26, -68.74, 57.44

 

CMYK 36 / 75 / 0 / 14

HEX #8C36DB

RGB 140 54 219

HSL 271.27, 0.7%, 0.54%

LAB 43.25, 64.62, -69.02

 

CMYK 0 / 36 / 75 / 14

HEX #DB8C37

RGB 219 140 55

HSL 31.1, 0.69%, 0.54%

LAB 65.04, 23.14, 55.52

 

CMYK 75 / 0 / 36 / 14

HEX #37DB8C

RGB 55 219 140

HSL 151.1, 0.69%, 0.54%

LAB 78.09, -59.04, 27.28

 

CMYK 36 / 75 / 0 / 14

HEX #8C36DB

RGB 140 54 219

HSL 271.27, 0.7%, 0.54%

LAB 43.25, 64.62, -69.02

 

CMYK 0 / 75 / 53 / 14

HEX #DB3766

RGB 219 55 102

HSL 342.8, 0.69%, 0.54%

LAB 50.4, 65.16, 12.46

 

CMYK 39 / 0 / 75 / 14

HEX #86DB37

RGB 134 219 55

HSL 91.1, 0.69%, 0.54%

LAB 79.62, -50.88, 67.56

 

CMYK 75 / 0 / 21 / 14

HEX #37DBAD

RGB 55 219 173

HSL 163.17, 0.69%, 0.54%

LAB 78.75, -51.9, 10.89

 

CMYK 36 / 75 / 0 / 14

HEX #8C36DB

RGB 140 54 219

HSL 271.27, 0.7%, 0.54%

LAB 43.25, 64.62, -69.02

 

CMYK 0 / 74 / 75 / 14

HEX #DB3A37

RGB 219 58 55

HSL 1.1, 0.69%, 0.54%

LAB 49.93, 61.52, 39.73

 

CMYK 39 / 0 / 75 / 14

HEX #86DB37

RGB 134 219 55

HSL 91.1, 0.69%, 0.54%

LAB 79.62, -50.88, 67.56

 

CMYK 75 / 1 / 0 / 14

HEX #37D9DB

RGB 55 217 219

HSL 180.73, 0.69%, 0.54%

LAB 79.36, -38.93, -12.75

 

Description

Color code: RGB 140 54 219 | qconv.com Color code: RGB 140 54 219 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 54 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 54 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 75 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 75% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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