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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 35 81 it is the complementary color RGB 115 220 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 35 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 35 81 shade: RGB 145 35 76, RGB 162 53 95, RGB 179 71 114, RGB 196 89 133 and RGB 213 107 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 35 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 35 81 shade: RGB 140 35 81, RGB 123 17 62, RGB 106 0 43, RGB 89 0 24 and RGB 72 0 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 35 81 shade: RGB 138 34 80, RGB 138 34 52 and RGB 138 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 35 81 shade: RGB 138 34 80, RGB 138 34 108, RGB 138 34 136, RGB 113 34 138 and RGB 84 34 138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 35 81 shade matches the following richer shades: RGB 138 34 80, RGB 152 20 78 and RGB 166 6 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 35 81 shade: RGB 138 34 80, RGB 124 48 82, RGB 110 62 83, RGB 96 76 85 and RGB 82 90 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 35 81 shade: RGB 138 34 136, RGB 138 34 109, RGB 138 34 81, RGB 138 34 53 and RGB 138 43 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 35 81 shade: RGB 72 18 42, RGB 105 26 61, RGB 138 34 80, RGB 171 42 99 and RGB 204 51 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 35 81 shade: RGB 140 35 81, RGB 138 112 34 and RGB 34 123 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 35 81 shade: RGB 140 35 81, RGB 81 138 34 and RGB 34 81 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 35 81 shade: RGB 140 35 81, RGB 138 112 34, RGB 34 138 91 and RGB 34 60 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 35 81 shade: RGB 140 35 81, RGB 133 138 34, RGB 34 138 91 and RGB 39 34 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 42 / 45

HEX #8C2351

RGB 140 35 81

HSL 333.71, 0.6%, 0.34%

LAB 32.64, 47.31, -1.71

 

Complementary color

CMYK 48 / 0 / 21 / 14

HEX #73DCAE

RGB 115 220 174

HSL 153.71, 0.6%, 0.66%

LAB 80.68, -41.07, 13.32

 

CMYK 0 / 76 / 48 / 43

HEX #91234C

RGB 145 35 76

HSL 337.64, 0.61%, 0.35%

LAB 33.44, 48.29, 2.84

 

CMYK 0 / 67 / 41 / 36

HEX #A2355F

RGB 162 53 95

HSL 336.88, 0.51%, 0.42%

LAB 39.67, 48.44, 0.1

 

CMYK 0 / 60 / 36 / 30

HEX #B34772

RGB 179 71 114

HSL 336.11, 0.43%, 0.49%

LAB 46.05, 48.05, -2

 

CMYK 0 / 55 / 32 / 23

HEX #C45985

RGB 196 89 133

HSL 335.33, 0.48%, 0.56%

LAB 52.48, 47.41, -3.66

 

CMYK 0 / 50 / 29 / 16

HEX #D56B98

RGB 213 107 152

HSL 334.53, 0.56%, 0.63%

LAB 58.91, 46.64, -5.03

 

CMYK 0 / 75 / 42 / 45

HEX #8C2351

RGB 140 35 81

HSL 333.71, 0.6%, 0.34%

LAB 32.64, 47.31, -1.71

 

CMYK 0 / 86 / 50 / 52

HEX #7B113E

RGB 123 17 62

HSL 334.53, 0.76%, 0.27%

LAB 26.62, 46.19, 1.73

 

CMYK 0 / 100 / 59 / 58

HEX #6A002B

RGB 106 0 43

HSL 335.66, 1%, 0.21%

LAB 20.98, 43.83, 6.35

 

CMYK 0 / 100 / 73 / 65

HEX #590018

RGB 89 0 24

HSL 343.82, 1%, 0.17%

LAB 16.45, 38.06, 13.24

 

CMYK 0 / 100 / 93 / 72

HEX #480005

RGB 72 0 5

HSL 355.83, 1%, 0.14%

LAB 11.88, 32.38, 16.63

 

CMYK 0 / 75 / 42 / 46

HEX #8A2250

RGB 138 34 80

HSL 333.46, 0.6%, 0.34%

LAB 32.09, 46.98, -1.9

 

CMYK 0 / 75 / 62 / 46

HEX #8A2234

RGB 138 34 52

HSL 349.62, 0.6%, 0.34%

LAB 31.34, 44.5, 15.43

 

CMYK 0 / 75 / 75 / 46

HEX #8A2222

RGB 138 34 34

HSL 0, 0.6%, 0.34%

LAB 31.03, 43.46, 26.59

 

CMYK 0 / 75 / 42 / 46

HEX #8A2250

RGB 138 34 80

HSL 333.46, 0.6%, 0.34%

LAB 32.09, 46.98, -1.9

 

CMYK 0 / 75 / 22 / 46

HEX #8A226C

RGB 138 34 108

HSL 317.31, 0.6%, 0.34%

LAB 33.2, 50.47, -18.32

 

CMYK 0 / 75 / 1 / 46

HEX #8A2288

RGB 138 34 136

HSL 301.15, 0.6%, 0.34%

LAB 34.65, 54.83, -33.62

 

CMYK 18 / 75 / 0 / 46

HEX #71228A

RGB 113 34 138

HSL 285.58, 0.6%, 0.34%

LAB 30.62, 49.69, -41.55

 

CMYK 39 / 75 / 0 / 46

HEX #54228A

RGB 84 34 138

HSL 268.85, 0.6%, 0.34%

LAB 26.34, 43.82, -48.67

 

CMYK 0 / 75 / 42 / 46

HEX #8A2250

RGB 138 34 80

HSL 333.46, 0.6%, 0.34%

LAB 32.09, 46.98, -1.9

 

CMYK 0 / 87 / 49 / 40

HEX #98144E

RGB 152 20 78

HSL 333.64, 0.77%, 0.34%

LAB 33.41, 54.67, 1.66

 

CMYK 0 / 96 / 54 / 35

HEX #A6064C

RGB 166 6 76

HSL 333.75, 0.93%, 0.34%

LAB 35.52, 60.19, 6.38

 

CMYK 0 / 75 / 42 / 46

HEX #8A2250

RGB 138 34 80

HSL 333.46, 0.6%, 0.34%

LAB 32.09, 46.98, -1.9

 

CMYK 0 / 61 / 34 / 51

HEX #7C3052

RGB 124 48 82

HSL 333.16, 0.44%, 0.34%

LAB 31.83, 36.72, -3.89

 

CMYK 0 / 44 / 25 / 57

HEX #6E3E53

RGB 110 62 83

HSL 333.75, 0.28%, 0.34%

LAB 32.67, 24, -3.52

 

CMYK 0 / 21 / 11 / 62

HEX #604C55

RGB 96 76 85

HSL 333, 0.12%, 0.34%

LAB 34.62, 10.1, -2.11

 

CMYK 9 / 0 / 3 / 65

HEX #525A57

RGB 82 90 87

HSL 157.5, 0.05%, 0.34%

LAB 37.47, -3.8, 0.65

 

CMYK 0 / 75 / 1 / 46

HEX #8A2288

RGB 138 34 136

HSL 301.15, 0.6%, 0.34%

LAB 34.65, 54.83, -33.62

 

CMYK 0 / 75 / 21 / 46

HEX #8A226D

RGB 138 34 109

HSL 316.73, 0.6%, 0.34%

LAB 33.25, 50.61, -18.88

 

CMYK 0 / 75 / 41 / 46

HEX #8A2251

RGB 138 34 81

HSL 332.88, 0.6%, 0.34%

LAB 32.13, 47.09, -2.51

 

CMYK 0 / 75 / 62 / 46

HEX #8A2235

RGB 138 34 53

HSL 349.04, 0.6%, 0.34%

LAB 31.36, 44.57, 14.81

 

CMYK 0 / 69 / 75 / 46

HEX #8A2B22

RGB 138 43 34

HSL 5.19, 0.6%, 0.34%

LAB 32.36, 39.8, 28.1

 

CMYK 0 / 75 / 42 / 72

HEX #48122A

RGB 72 18 42

HSL 333.33, 0.6%, 0.18%

LAB 15.37, 28.02, -1.98

 

CMYK 0 / 75 / 42 / 59

HEX #691A3D

RGB 105 26 61

HSL 333.42, 0.6%, 0.26%

LAB 23.93, 37.84, -1.96

 

CMYK 0 / 75 / 42 / 46

HEX #8A2250

RGB 138 34 80

HSL 333.46, 0.6%, 0.34%

LAB 32.09, 46.98, -1.9

 

CMYK 0 / 75 / 42 / 33

HEX #AB2A63

RGB 171 42 99

HSL 333.49, 0.61%, 0.42%

LAB 39.94, 55.65, -1.84

 

CMYK 0 / 75 / 42 / 20

HEX #CC3376

RGB 204 51 118

HSL 333.73, 0.6%, 0.5%

LAB 47.64, 63.67, -1.6

 

CMYK 0 / 75 / 42 / 45

HEX #8C2351

RGB 140 35 81

HSL 333.71, 0.6%, 0.34%

LAB 32.64, 47.31, -1.71

 

CMYK 0 / 19 / 75 / 46

HEX #8A7022

RGB 138 112 34

HSL 45, 0.6%, 0.34%

LAB 48.39, 1.72, 44.86

 

CMYK 75 / 11 / 0 / 46

HEX #227B8A

RGB 34 123 138

HSL 188.65, 0.6%, 0.34%

LAB 47.42, -20.24, -15.6

 

CMYK 0 / 75 / 42 / 45

HEX #8C2351

RGB 140 35 81

HSL 333.71, 0.6%, 0.34%

LAB 32.64, 47.31, -1.71

 

CMYK 41 / 0 / 75 / 46

HEX #518A22

RGB 81 138 34

HSL 92.88, 0.6%, 0.34%

LAB 51.88, -36.51, 46.84

 

CMYK 75 / 41 / 0 / 46

HEX #22518A

RGB 34 81 138

HSL 212.88, 0.6%, 0.34%

LAB 34.11, 4.86, -36.35

 

CMYK 0 / 75 / 42 / 45

HEX #8C2351

RGB 140 35 81

HSL 333.71, 0.6%, 0.34%

LAB 32.64, 47.31, -1.71

 

CMYK 0 / 19 / 75 / 46

HEX #8A7022

RGB 138 112 34

HSL 45, 0.6%, 0.34%

LAB 48.39, 1.72, 44.86

 

CMYK 75 / 0 / 34 / 46

HEX #228A5B

RGB 34 138 91

HSL 152.88, 0.6%, 0.34%

LAB 51, -40.54, 17.03

 

CMYK 75 / 57 / 0 / 46

HEX #223C8A

RGB 34 60 138

HSL 225, 0.6%, 0.34%

LAB 27.86, 19.14, -46.39

 

CMYK 0 / 75 / 42 / 45

HEX #8C2351

RGB 140 35 81

HSL 333.71, 0.6%, 0.34%

LAB 32.64, 47.31, -1.71

 

CMYK 4 / 0 / 75 / 46

HEX #858A22

RGB 133 138 34

HSL 62.88, 0.6%, 0.34%

LAB 55.36, -14.97, 51.4

 

CMYK 75 / 0 / 34 / 46

HEX #228A5B

RGB 34 138 91

HSL 152.88, 0.6%, 0.34%

LAB 51, -40.54, 17.03

 

CMYK 72 / 75 / 0 / 46

HEX #27228A

RGB 39 34 138

HSL 242.88, 0.6%, 0.34%

LAB 21.62, 36.9, -56.6

 

Description

Color code: RGB 140 35 81 | qconv.com Color code: RGB 140 35 81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 35 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 35 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 42 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 42% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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