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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 33 221 it is the complementary color RGB 115 222 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 33 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 33 221 shade: RGB 145 33 216, RGB 162 51 235, RGB 179 69 254, RGB 196 87 255 and RGB 213 105 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 33 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 33 221 shade: RGB 140 33 221, RGB 123 15 202, RGB 106 0 183, RGB 89 0 164 and RGB 72 0 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 33 221 shade: RGB 140 33 221, RGB 191 33 221, RGB 221 33 201, RGB 221 33 150 and RGB 221 33 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 33 221 shade: RGB 140 33 221, RGB 89 33 221, RGB 38 33 221 and RGB 33 33 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 33 221 shade matches the following richer shades: RGB 140 33 221 and RGB 143 12 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 33 221 shade: RGB 140 33 221, RGB 137 53 201, RGB 134 74 180, RGB 131 95 159 and RGB 129 115 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 33 221 shade: RGB 39 33 221, RGB 89 33 221, RGB 140 33 221, RGB 190 33 221 and RGB 221 33 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 33 221 shade: RGB 95 22 150, RGB 117 27 185, RGB 140 33 221, RGB 159 69 227 and RGB 177 104 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 33 221 shade: RGB 140 33 221, RGB 221 33 77 and RGB 33 221 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 33 221 shade: RGB 140 33 221, RGB 221 140 33 and RGB 33 221 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 33 221 shade: RGB 140 33 221, RGB 221 33 77, RGB 114 221 33 and RGB 33 221 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 33 221 shade: RGB 140 33 221, RGB 221 45 33, RGB 114 221 33 and RGB 33 209 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 85 / 0 / 13

HEX #8C21DD

RGB 140 33 221

HSL 274.15, 0.74%, 0.5%

LAB 41.03, 72, -73.8

 

Complementary color

CMYK 48 / 0 / 85 / 13

HEX #73DE22

RGB 115 222 34

HSL 94.15, 0.74%, 0.5%

LAB 79.62, -59.02, 72.97

 

CMYK 33 / 85 / 0 / 15

HEX #9121D8

RGB 145 33 216

HSL 276.72, 0.73%, 0.49%

LAB 41.32, 71.64, -70.43

 

CMYK 31 / 78 / 0 / 8

HEX #A233EB

RGB 162 51 235

HSL 276.2, 0.82%, 0.56%

LAB 47.04, 72.76, -71.83

 

CMYK 30 / 73 / 0 / 0

HEX #B345FE

RGB 179 69 254

HSL 275.68, 0.99%, 0.63%

LAB 52.94, 73.12, -72.76

 

CMYK 23 / 66 / 0 / 0

HEX #C457FF

RGB 196 87 255

HSL 278.93, 1%, 0.67%

LAB 57.82, 69.25, -65.33

 

CMYK 16 / 59 / 0 / 0

HEX #D569FF

RGB 213 105 255

HSL 283.2, 1%, 0.71%

LAB 62.9, 64.99, -57.08

 

CMYK 37 / 85 / 0 / 13

HEX #8C21DD

RGB 140 33 221

HSL 274.15, 0.74%, 0.5%

LAB 41.03, 72, -73.8

 

CMYK 39 / 93 / 0 / 21

HEX #7B0FCA

RGB 123 15 202

HSL 274.65, 0.86%, 0.43%

LAB 35.63, 69.81, -71.77

 

CMYK 42 / 100 / 0 / 28

HEX #6A00B7

RGB 106 0 183

HSL 274.75, 1%, 0.36%

LAB 30.6, 66.25, -68.95

 

CMYK 46 / 100 / 0 / 36

HEX #5900A4

RGB 89 0 164

HSL 272.56, 1%, 0.32%

LAB 26.17, 60.57, -64.92

 

CMYK 50 / 100 / 0 / 43

HEX #480091

RGB 72 0 145

HSL 269.79, 1%, 0.28%

LAB 21.66, 54.8, -60.78

 

CMYK 37 / 85 / 0 / 13

HEX #8C21DD

RGB 140 33 221

HSL 274.15, 0.74%, 0.5%

LAB 41.03, 72, -73.8

 

CMYK 14 / 85 / 0 / 13

HEX #BF21DD

RGB 191 33 221

HSL 290.43, 0.74%, 0.5%

LAB 48.74, 79.6, -60.92

 

CMYK 0 / 85 / 9 / 13

HEX #DD21C9

RGB 221 33 201

HSL 306.38, 0.74%, 0.5%

LAB 52.59, 81.84, -43.01

 

CMYK 0 / 85 / 32 / 13

HEX #DD2196

RGB 221 33 150

HSL 322.66, 0.74%, 0.5%

LAB 50.29, 75.59, -16.66

 

CMYK 0 / 85 / 55 / 13

HEX #DD2163

RGB 221 33 99

HSL 338.94, 0.74%, 0.5%

LAB 48.71, 71.12, 12

 

CMYK 37 / 85 / 0 / 13

HEX #8C21DD

RGB 140 33 221

HSL 274.15, 0.74%, 0.5%

LAB 41.03, 72, -73.8

 

CMYK 60 / 85 / 0 / 13

HEX #5921DD

RGB 89 33 221

HSL 257.87, 0.74%, 0.5%

LAB 34.87, 66.35, -84.17

 

CMYK 83 / 85 / 0 / 13

HEX #2621DD

RGB 38 33 221

HSL 241.6, 0.74%, 0.5%

LAB 31.16, 63.23, -90.43

 

CMYK 85 / 85 / 0 / 13

HEX #2121DD

RGB 33 33 221

HSL 240, 0.74%, 0.5%

LAB 30.95, 63.07, -90.78

 

CMYK 37 / 85 / 0 / 13

HEX #8C21DD

RGB 140 33 221

HSL 274.15, 0.74%, 0.5%

LAB 41.03, 72, -73.8

 

CMYK 41 / 95 / 0 / 5

HEX #8F0CF2

RGB 143 12 242

HSL 274.17, 0.91%, 0.5%

LAB 42.02, 80.56, -84.1

 

CMYK 37 / 85 / 0 / 13

HEX #8C21DD

RGB 140 33 221

HSL 274.15, 0.74%, 0.5%

LAB 41.03, 72, -73.8

 

CMYK 32 / 74 / 0 / 21

HEX #8935C9

RGB 137 53 201

HSL 274.05, 0.58%, 0.5%

LAB 41.35, 60.43, -61.77

 

CMYK 26 / 59 / 0 / 29

HEX #864AB4

RGB 134 74 180

HSL 273.96, 0.42%, 0.5%

LAB 43.15, 44.97, -46.61

 

CMYK 18 / 40 / 0 / 38

HEX #835F9F

RGB 131 95 159

HSL 273.75, 0.25%, 0.5%

LAB 46.33, 27.29, -29.22

 

CMYK 7 / 17 / 0 / 45

HEX #81738B

RGB 129 115 139

HSL 275, 0.09%, 0.5%

LAB 50.44, 10.23, -11.1

 

CMYK 82 / 85 / 0 / 13

HEX #2721DD

RGB 39 33 221

HSL 241.91, 0.74%, 0.5%

LAB 31.21, 63.27, -90.35

 

CMYK 60 / 85 / 0 / 13

HEX #5921DD

RGB 89 33 221

HSL 257.87, 0.74%, 0.5%

LAB 34.87, 66.35, -84.17

 

CMYK 37 / 85 / 0 / 13

HEX #8C21DD

RGB 140 33 221

HSL 274.15, 0.74%, 0.5%

LAB 41.03, 72, -73.8

 

CMYK 14 / 85 / 0 / 13

HEX #BE21DD

RGB 190 33 221

HSL 290.11, 0.74%, 0.5%

LAB 48.58, 79.44, -61.19

 

CMYK 0 / 85 / 9 / 13

HEX #DD21CA

RGB 221 33 202

HSL 306.06, 0.74%, 0.5%

LAB 52.65, 81.97, -43.5

 

CMYK 37 / 85 / 0 / 41

HEX #5F1696

RGB 95 22 150

HSL 274.22, 0.74%, 0.34%

LAB 27.32, 53.27, -54.44

 

CMYK 37 / 85 / 0 / 27

HEX #751BB9

RGB 117 27 185

HSL 274.18, 0.75%, 0.42%

LAB 34.13, 62.78, -64.28

 

CMYK 37 / 85 / 0 / 13

HEX #8C21DD

RGB 140 33 221

HSL 274.15, 0.74%, 0.5%

LAB 41.03, 72, -73.8

 

CMYK 30 / 70 / 0 / 11

HEX #9F45E3

RGB 159 69 227

HSL 274.18, 0.74%, 0.58%

LAB 48.48, 63.61, -64.98

 

CMYK 24 / 55 / 0 / 9

HEX #B168E8

RGB 177 104 232

HSL 274.22, 0.74%, 0.66%

LAB 57.15, 51.91, -53.75

 

CMYK 37 / 85 / 0 / 13

HEX #8C21DD

RGB 140 33 221

HSL 274.15, 0.74%, 0.5%

LAB 41.03, 72, -73.8

 

CMYK 0 / 85 / 65 / 13

HEX #DD214D

RGB 221 33 77

HSL 345.96, 0.74%, 0.5%

LAB 48.25, 69.79, 24.87

 

CMYK 85 / 0 / 71 / 13

HEX #21DD40

RGB 33 221 64

HSL 129.89, 0.74%, 0.5%

LAB 77.52, -72.78, 61.47

 

CMYK 37 / 85 / 0 / 13

HEX #8C21DD

RGB 140 33 221

HSL 274.15, 0.74%, 0.5%

LAB 41.03, 72, -73.8

 

CMYK 0 / 37 / 85 / 13

HEX #DD8C21

RGB 221 140 33

HSL 34.15, 0.74%, 0.5%

LAB 65.15, 23.25, 63.95

 

CMYK 85 / 0 / 37 / 13

HEX #21DD8C

RGB 33 221 140

HSL 154.15, 0.74%, 0.5%

LAB 78.42, -62.01, 27.68

 

CMYK 37 / 85 / 0 / 13

HEX #8C21DD

RGB 140 33 221

HSL 274.15, 0.74%, 0.5%

LAB 41.03, 72, -73.8

 

CMYK 0 / 85 / 65 / 13

HEX #DD214D

RGB 221 33 77

HSL 345.96, 0.74%, 0.5%

LAB 48.25, 69.79, 24.87

 

CMYK 48 / 0 / 85 / 13

HEX #72DD21

RGB 114 221 33

HSL 94.15, 0.74%, 0.5%

LAB 79.27, -58.98, 72.87

 

CMYK 85 / 0 / 20 / 13

HEX #21DDB1

RGB 33 221 177

HSL 165.96, 0.74%, 0.5%

LAB 79.16, -53.79, 9.32

 

CMYK 37 / 85 / 0 / 13

HEX #8C21DD

RGB 140 33 221

HSL 274.15, 0.74%, 0.5%

LAB 41.03, 72, -73.8

 

CMYK 0 / 80 / 85 / 13

HEX #DD2D21

RGB 221 45 33

HSL 3.83, 0.74%, 0.5%

LAB 48.71, 65.37, 50.15

 

CMYK 48 / 0 / 85 / 13

HEX #72DD21

RGB 114 221 33

HSL 94.15, 0.74%, 0.5%

LAB 79.27, -58.98, 72.87

 

CMYK 85 / 5 / 0 / 13

HEX #21D1DD

RGB 33 209 221

HSL 183.83, 0.74%, 0.5%

LAB 76.77, -36.5, -17.75

 

Description

Color code: RGB 140 33 221 | qconv.com Color code: RGB 140 33 221 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 33 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 33 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 85 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 85% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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