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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 22 120 it is the complementary color RGB 115 233 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 22 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 22 120 shade: RGB 145 22 115, RGB 162 40 134, RGB 179 58 153, RGB 196 76 172 and RGB 213 94 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 22 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 22 120 shade: RGB 140 22 120, RGB 123 4 101, RGB 106 0 82, RGB 89 0 63 and RGB 72 0 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 22 120 shade: RGB 141 22 120, RGB 141 22 88, RGB 141 22 56, RGB 141 22 24 and RGB 141 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 22 120 shade: RGB 141 22 120, RGB 129 22 141, RGB 97 22 141, RGB 64 22 141 and RGB 32 22 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 22 120 shade matches the following richer shades: RGB 141 22 120 and RGB 154 8 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 22 120 shade: RGB 141 22 120, RGB 127 35 112, RGB 114 48 103, RGB 101 61 94 and RGB 88 74 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 22 120 shade: RGB 97 22 141, RGB 129 22 141, RGB 141 22 121, RGB 141 22 89 and RGB 141 22 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 22 120 shade: RGB 69 10 59, RGB 105 16 90, RGB 141 22 120, RGB 176 27 151 and RGB 212 33 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 22 120 shade: RGB 140 22 120, RGB 141 65 22 and RGB 22 141 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 22 120 shade: RGB 140 22 120, RGB 121 141 22 and RGB 22 121 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 22 120 shade: RGB 140 22 120, RGB 141 65 22, RGB 22 141 41 and RGB 22 97 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 22 120 shade: RGB 140 22 120, RGB 141 101 22, RGB 22 141 41 and RGB 22 61 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 14 / 45

HEX #8C1678

RGB 140 22 120

HSL 310.17, 0.73%, 0.32%

LAB 32.93, 56.21, -26.32

 

Complementary color

CMYK 51 / 0 / 42 / 9

HEX #73E987

RGB 115 233 135

HSL 130.17, 0.73%, 0.68%

LAB 83.79, -53.65, 37.62

 

CMYK 0 / 85 / 21 / 43

HEX #911673

RGB 145 22 115

HSL 314.63, 0.74%, 0.33%

LAB 33.63, 56.63, -21.99

 

CMYK 0 / 75 / 17 / 36

HEX #A22886

RGB 162 40 134

HSL 313.77, 0.6%, 0.4%

LAB 39.45, 58.22, -24.56

 

CMYK 0 / 68 / 15 / 30

HEX #B33A99

RGB 179 58 153

HSL 312.89, 0.51%, 0.46%

LAB 45.51, 58.83, -26.44

 

CMYK 0 / 61 / 12 / 23

HEX #C44CAC

RGB 196 76 172

HSL 312, 0.5%, 0.53%

LAB 51.7, 58.86, -27.85

 

CMYK 0 / 56 / 10 / 16

HEX #D55EBF

RGB 213 94 191

HSL 311.09, 0.59%, 0.6%

LAB 57.95, 58.55, -28.96

 

CMYK 0 / 84 / 14 / 45

HEX #8C1678

RGB 140 22 120

HSL 310.17, 0.73%, 0.32%

LAB 32.93, 56.21, -26.32

 

CMYK 0 / 97 / 18 / 52

HEX #7B0465

RGB 123 4 101

HSL 311.09, 0.94%, 0.25%

LAB 27.4, 53.3, -23.06

 

CMYK 0 / 100 / 23 / 58

HEX #6A0052

RGB 106 0 82

HSL 313.58, 1%, 0.21%

LAB 22.56, 47.93, -18.31

 

CMYK 0 / 100 / 29 / 65

HEX #59003F

RGB 89 0 63

HSL 317.53, 1%, 0.17%

LAB 17.84, 41.7, -12.88

 

CMYK 0 / 100 / 39 / 72

HEX #48002C

RGB 72 0 44

HSL 323.33, 1%, 0.14%

LAB 12.98, 35.29, -7.02

 

CMYK 0 / 84 / 15 / 45

HEX #8D1678

RGB 141 22 120

HSL 310.59, 0.73%, 0.32%

LAB 33.12, 56.43, -26.01

 

CMYK 0 / 84 / 38 / 45

HEX #8D1658

RGB 141 22 88

HSL 326.72, 0.73%, 0.32%

LAB 31.67, 52.35, -7.7

 

CMYK 0 / 84 / 60 / 45

HEX #8D1638

RGB 141 22 56

HSL 342.86, 0.73%, 0.32%

LAB 30.69, 49.47, 12.04

 

CMYK 0 / 84 / 83 / 45

HEX #8D1618

RGB 141 22 24

HSL 358.99, 0.73%, 0.32%

LAB 30.16, 47.86, 31.88

 

CMYK 0 / 84 / 84 / 45

HEX #8D1616

RGB 141 22 22

HSL 0, 0.73%, 0.32%

LAB 30.14, 47.8, 33.01

 

CMYK 0 / 84 / 15 / 45

HEX #8D1678

RGB 141 22 120

HSL 310.59, 0.73%, 0.32%

LAB 33.12, 56.43, -26.01

 

CMYK 9 / 84 / 0 / 45

HEX #81168D

RGB 129 22 141

HSL 293.95, 0.73%, 0.32%

LAB 32.18, 57.32, -40.75

 

CMYK 31 / 84 / 0 / 45

HEX #61168D

RGB 97 22 141

HSL 277.82, 0.73%, 0.32%

LAB 26.84, 51.56, -49.64

 

CMYK 55 / 84 / 0 / 45

HEX #40168D

RGB 64 22 141

HSL 261.18, 0.73%, 0.32%

LAB 22.26, 46.75, -57.34

 

CMYK 77 / 84 / 0 / 45

HEX #20168D

RGB 32 22 141

HSL 245.04, 0.73%, 0.32%

LAB 19.24, 43.7, -62.42

 

CMYK 0 / 84 / 15 / 45

HEX #8D1678

RGB 141 22 120

HSL 310.59, 0.73%, 0.32%

LAB 33.12, 56.43, -26.01

 

CMYK 0 / 95 / 16 / 40

HEX #9A0881

RGB 154 8 129

HSL 310.27, 0.9%, 0.32%

LAB 35.26, 62.83, -28.12

 

CMYK 0 / 84 / 15 / 45

HEX #8D1678

RGB 141 22 120

HSL 310.59, 0.73%, 0.32%

LAB 33.12, 56.43, -26.01

 

CMYK 0 / 72 / 12 / 50

HEX #7F2370

RGB 127 35 112

HSL 309.78, 0.57%, 0.32%

LAB 31.54, 47.84, -23.6

 

CMYK 0 / 58 / 10 / 55

HEX #723067

RGB 114 48 103

HSL 310, 0.41%, 0.32%

LAB 31.04, 36.71, -18.79

 

CMYK 0 / 40 / 7 / 60

HEX #653D5E

RGB 101 61 94

HSL 310.5, 0.25%, 0.32%

LAB 31.61, 23.17, -12.31

 

CMYK 0 / 16 / 2 / 65

HEX #584A56

RGB 88 74 86

HSL 308.57, 0.09%, 0.32%

LAB 33.23, 8.31, -4.9

 

CMYK 31 / 84 / 0 / 45

HEX #61168D

RGB 97 22 141

HSL 277.82, 0.73%, 0.32%

LAB 26.84, 51.56, -49.64

 

CMYK 9 / 84 / 0 / 45

HEX #81168D

RGB 129 22 141

HSL 293.95, 0.73%, 0.32%

LAB 32.18, 57.32, -40.75

 

CMYK 0 / 84 / 14 / 45

HEX #8D1679

RGB 141 22 121

HSL 310.08, 0.73%, 0.32%

LAB 33.17, 56.58, -26.56

 

CMYK 0 / 84 / 37 / 45

HEX #8D1659

RGB 141 22 89

HSL 326.22, 0.73%, 0.32%

LAB 31.71, 52.46, -8.29

 

CMYK 0 / 84 / 60 / 45

HEX #8D1639

RGB 141 22 57

HSL 342.35, 0.73%, 0.32%

LAB 30.72, 49.54, 11.4

 

CMYK 0 / 86 / 14 / 73

HEX #450A3B

RGB 69 10 59

HSL 310.17, 0.75%, 0.15%

LAB 14.39, 32.98, -15.75

 

CMYK 0 / 85 / 14 / 59

HEX #69105A

RGB 105 16 90

HSL 310.11, 0.74%, 0.24%

LAB 24.04, 45.22, -21.36

 

CMYK 0 / 84 / 15 / 45

HEX #8D1678

RGB 141 22 120

HSL 310.59, 0.73%, 0.32%

LAB 33.12, 56.43, -26.01

 

CMYK 0 / 85 / 14 / 31

HEX #B01B97

RGB 176 27 151

HSL 310.07, 0.73%, 0.4%

LAB 41.61, 67.2, -31.37

 

CMYK 0 / 84 / 14 / 17

HEX #D421B6

RGB 212 33 182

HSL 310.06, 0.73%, 0.48%

LAB 50.05, 77.52, -36.1

 

CMYK 0 / 84 / 14 / 45

HEX #8C1678

RGB 140 22 120

HSL 310.17, 0.73%, 0.32%

LAB 32.93, 56.21, -26.32

 

CMYK 0 / 54 / 84 / 45

HEX #8D4116

RGB 141 65 22

HSL 21.68, 0.73%, 0.32%

LAB 36.93, 29.59, 39.33

 

CMYK 84 / 0 / 20 / 45

HEX #168D71

RGB 22 141 113

HSL 165.88, 0.73%, 0.32%

LAB 52.3, -37.87, 6.22

 

CMYK 0 / 84 / 14 / 45

HEX #8C1678

RGB 140 22 120

HSL 310.17, 0.73%, 0.32%

LAB 32.93, 56.21, -26.32

 

CMYK 14 / 0 / 84 / 45

HEX #798D16

RGB 121 141 22

HSL 70.08, 0.73%, 0.32%

LAB 55.25, -22.37, 54.7

 

CMYK 84 / 14 / 0 / 45

HEX #16798D

RGB 22 121 141

HSL 190.08, 0.73%, 0.32%

LAB 46.67, -19.46, -18.54

 

CMYK 0 / 84 / 14 / 45

HEX #8C1678

RGB 140 22 120

HSL 310.17, 0.73%, 0.32%

LAB 32.93, 56.21, -26.32

 

CMYK 0 / 54 / 84 / 45

HEX #8D4116

RGB 141 65 22

HSL 21.68, 0.73%, 0.32%

LAB 36.93, 29.59, 39.33

 

CMYK 84 / 0 / 71 / 45

HEX #168D29

RGB 22 141 41

HSL 129.58, 0.73%, 0.32%

LAB 51.13, -51.31, 42.72

 

CMYK 84 / 31 / 0 / 45

HEX #16618D

RGB 22 97 141

HSL 202.18, 0.73%, 0.32%

LAB 38.97, -5.62, -30.49

 

CMYK 0 / 84 / 14 / 45

HEX #8C1678

RGB 140 22 120

HSL 310.17, 0.73%, 0.32%

LAB 32.93, 56.21, -26.32

 

CMYK 0 / 28 / 84 / 45

HEX #8D6516

RGB 141 101 22

HSL 39.83, 0.73%, 0.32%

LAB 45.67, 8.99, 47.1

 

CMYK 84 / 0 / 71 / 45

HEX #168D29

RGB 22 141 41

HSL 129.58, 0.73%, 0.32%

LAB 51.13, -51.31, 42.72

 

CMYK 84 / 57 / 0 / 45

HEX #163D8D

RGB 22 61 141

HSL 220.34, 0.73%, 0.32%

LAB 27.93, 18.29, -48.16

 

Description

Color code: RGB 140 22 120 | qconv.com Color code: RGB 140 22 120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 22 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 22 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 14 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 14% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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