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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 206 186 it is the complementary color RGB 115 49 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 206 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 206 186 shade: RGB 145 206 181, RGB 162 224 200, RGB 179 242 219, RGB 196 255 238 and RGB 213 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 206 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 206 186 shade: RGB 140 206 186, RGB 123 188 167, RGB 106 170 148, RGB 89 152 129 and RGB 72 134 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 206 186 shade: RGB 140 206 186, RGB 140 206 168, RGB 140 206 151, RGB 148 206 140 and RGB 165 206 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 206 186 shade: RGB 140 206 186, RGB 140 206 203, RGB 140 190 206, RGB 140 173 206 and RGB 140 155 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 206 186 shade matches the following richer shades: RGB 140 206 186, RGB 127 219 191, RGB 114 232 196 and RGB 101 245 201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 206 186 shade: RGB 140 206 186, RGB 153 192 181, RGB 167 179 175, RGB 180 166 170 and RGB 193 153 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 206 186 shade: RGB 140 206 150, RGB 140 206 167, RGB 140 206 185, RGB 140 206 202 and RGB 140 191 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 206 186 shade: RGB 82 181 151, RGB 111 193 168, RGB 140 206 186, RGB 169 218 203 and RGB 198 230 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 206 186 shade: RGB 140 206 186, RGB 140 148 206 and RGB 206 159 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 206 186 shade: RGB 140 206 186, RGB 185 140 206 and RGB 206 185 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 206 186 shade: RGB 140 206 186, RGB 140 148 206, RGB 206 140 161 and RGB 206 198 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 206 186 shade: RGB 140 206 186, RGB 152 140 206, RGB 206 140 161 and RGB 194 206 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 10 / 19

HEX #8CCEBA

RGB 140 206 186

HSL 161.82, 0.4%, 0.68%

LAB 78.03, -25.22, 3.29

 

Complementary color

CMYK 0 / 57 / 40 / 55

HEX #733145

RGB 115 49 69

HSL 341.82, 0.4%, 0.32%

LAB 30.09, 31.28, 1.89

 

CMYK 30 / 0 / 12 / 19

HEX #91CEB5

RGB 145 206 181

HSL 155.41, 0.38%, 0.69%

LAB 78.17, -24.79, 6.21

 

CMYK 28 / 0 / 11 / 12

HEX #A2E0C8

RGB 162 224 200

HSL 156.77, 0.5%, 0.76%

LAB 84.57, -24.59, 5.44

 

CMYK 26 / 0 / 10 / 5

HEX #B3F2DB

RGB 179 242 219

HSL 158.1, 0.71%, 0.83%

LAB 90.87, -24.41, 4.71

 

CMYK 23 / 0 / 7 / 0

HEX #C4FFEE

RGB 196 255 238

HSL 162.71, 1%, 0.88%

LAB 95.76, -21.83, 2.08

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 32 / 0 / 10 / 19

HEX #8CCEBA

RGB 140 206 186

HSL 161.82, 0.4%, 0.68%

LAB 78.03, -25.22, 3.29

 

CMYK 35 / 0 / 11 / 26

HEX #7BBCA7

RGB 123 188 167

HSL 160.62, 0.33%, 0.61%

LAB 71.53, -25.43, 4.06

 

CMYK 38 / 0 / 13 / 33

HEX #6AAA94

RGB 106 170 148

HSL 159.38, 0.27%, 0.54%

LAB 64.92, -25.64, 4.89

 

CMYK 41 / 0 / 15 / 40

HEX #599881

RGB 89 152 129

HSL 158.1, 0.26%, 0.47%

LAB 58.19, -25.86, 5.78

 

CMYK 46 / 0 / 18 / 47

HEX #48866E

RGB 72 134 110

HSL 156.77, 0.3%, 0.4%

LAB 51.33, -26.08, 6.75

 

CMYK 32 / 0 / 10 / 19

HEX #8CCEBA

RGB 140 206 186

HSL 161.82, 0.4%, 0.68%

LAB 78.03, -25.22, 3.29

 

CMYK 32 / 0 / 18 / 19

HEX #8CCEA8

RGB 140 206 168

HSL 145.45, 0.4%, 0.68%

LAB 77.61, -28.92, 12.32

 

CMYK 32 / 0 / 27 / 19

HEX #8CCE97

RGB 140 206 151

HSL 130, 0.4%, 0.68%

LAB 77.25, -32.09, 20.87

 

CMYK 28 / 0 / 32 / 19

HEX #94CE8C

RGB 148 206 140

HSL 112.73, 0.4%, 0.68%

LAB 77.48, -31.32, 27.02

 

CMYK 20 / 0 / 32 / 19

HEX #A5CE8C

RGB 165 206 140

HSL 97.27, 0.4%, 0.68%

LAB 78.48, -25.44, 28.54

 

CMYK 32 / 0 / 10 / 19

HEX #8CCEBA

RGB 140 206 186

HSL 161.82, 0.4%, 0.68%

LAB 78.03, -25.22, 3.29

 

CMYK 32 / 0 / 1 / 19

HEX #8CCECB

RGB 140 206 203

HSL 177.27, 0.4%, 0.68%

LAB 78.48, -21.43, -5.18

 

CMYK 32 / 8 / 0 / 19

HEX #8CBECE

RGB 140 190 206

HSL 194.55, 0.4%, 0.68%

LAB 74.1, -12.51, -13.33

 

CMYK 32 / 16 / 0 / 19

HEX #8CADCE

RGB 140 173 206

HSL 210, 0.4%, 0.68%

LAB 69.41, -3.4, -20.41

 

CMYK 32 / 25 / 0 / 19

HEX #8C9BCE

RGB 140 155 206

HSL 226.36, 0.4%, 0.68%

LAB 64.54, 6.64, -27.86

 

CMYK 32 / 0 / 10 / 19

HEX #8CCEBA

RGB 140 206 186

HSL 161.82, 0.4%, 0.68%

LAB 78.03, -25.22, 3.29

 

CMYK 42 / 0 / 13 / 14

HEX #7FDBBF

RGB 127 219 191

HSL 161.74, 0.56%, 0.68%

LAB 81.26, -33.93, 5.21

 

CMYK 51 / 0 / 16 / 9

HEX #72E8C4

RGB 114 232 196

HSL 161.69, 0.72%, 0.68%

LAB 84.63, -41.85, 7.36

 

CMYK 59 / 0 / 18 / 4

HEX #65F5C9

RGB 101 245 201

HSL 161.67, 0.88%, 0.68%

LAB 88.11, -49.02, 9.68

 

CMYK 32 / 0 / 10 / 19

HEX #8CCEBA

RGB 140 206 186

HSL 161.82, 0.4%, 0.68%

LAB 78.03, -25.22, 3.29

 

CMYK 20 / 0 / 6 / 25

HEX #99C0B5

RGB 153 192 181

HSL 163.08, 0.24%, 0.68%

LAB 74.7, -15.25, 1.25

 

CMYK 7 / 0 / 2 / 30

HEX #A7B3AF

RGB 167 179 175

HSL 160, 0.07%, 0.68%

LAB 71.93, -4.95, 0.59

 

CMYK 0 / 8 / 6 / 29

HEX #B4A6AA

RGB 180 166 170

HSL 342.86, 0.09%, 0.68%

LAB 69.38, 5.77, -0.24

 

CMYK 0 / 21 / 15 / 24

HEX #C199A5

RGB 193 153 165

HSL 342, 0.24%, 0.68%

LAB 67.15, 16.82, -0.57

 

CMYK 32 / 0 / 27 / 19

HEX #8CCE96

RGB 140 206 150

HSL 129.09, 0.4%, 0.68%

LAB 77.23, -32.26, 21.37

 

CMYK 32 / 0 / 19 / 19

HEX #8CCEA7

RGB 140 206 167

HSL 144.55, 0.4%, 0.68%

LAB 77.58, -29.12, 12.83

 

CMYK 32 / 0 / 10 / 19

HEX #8CCEB9

RGB 140 206 185

HSL 160.91, 0.4%, 0.68%

LAB 78.01, -25.44, 3.79

 

CMYK 32 / 0 / 2 / 19

HEX #8CCECA

RGB 140 206 202

HSL 176.36, 0.4%, 0.68%

LAB 78.45, -21.66, -4.69

 

CMYK 32 / 7 / 0 / 19

HEX #8CBFCE

RGB 140 191 206

HSL 193.64, 0.4%, 0.68%

LAB 74.38, -13.04, -12.91

 

CMYK 55 / 0 / 17 / 29

HEX #52B597

RGB 82 181 151

HSL 161.82, 0.4%, 0.52%

LAB 67.33, -36.34, 6.56

 

CMYK 42 / 0 / 13 / 24

HEX #6FC1A8

RGB 111 193 168

HSL 161.71, 0.4%, 0.6%

LAB 72.46, -30.96, 4.78

 

CMYK 32 / 0 / 10 / 19

HEX #8CCEBA

RGB 140 206 186

HSL 161.82, 0.4%, 0.68%

LAB 78.03, -25.22, 3.29

 

CMYK 22 / 0 / 7 / 15

HEX #A9DACB

RGB 169 218 203

HSL 161.63, 0.4%, 0.76%

LAB 83.38, -18.88, 2.19

 

CMYK 14 / 0 / 4 / 10

HEX #C6E6DD

RGB 198 230 221

HSL 163.13, 0.39%, 0.84%

LAB 88.84, -12.19, 0.85

 

CMYK 32 / 0 / 10 / 19

HEX #8CCEBA

RGB 140 206 186

HSL 161.82, 0.4%, 0.68%

LAB 78.03, -25.22, 3.29

 

CMYK 32 / 28 / 0 / 19

HEX #8C94CE

RGB 140 148 206

HSL 232.73, 0.4%, 0.68%

LAB 62.69, 10.64, -30.73

 

CMYK 0 / 23 / 32 / 19

HEX #CE9F8C

RGB 206 159 140

HSL 17.27, 0.4%, 0.68%

LAB 69.34, 14.78, 16.63

 

CMYK 32 / 0 / 10 / 19

HEX #8CCEBA

RGB 140 206 186

HSL 161.82, 0.4%, 0.68%

LAB 78.03, -25.22, 3.29

 

CMYK 10 / 32 / 0 / 19

HEX #B98CCE

RGB 185 140 206

HSL 280.91, 0.4%, 0.68%

LAB 64.59, 28.98, -27.48

 

CMYK 0 / 10 / 32 / 19

HEX #CEB98C

RGB 206 185 140

HSL 40.91, 0.4%, 0.68%

LAB 75.89, 0.8, 25.6

 

CMYK 32 / 0 / 10 / 19

HEX #8CCEBA

RGB 140 206 186

HSL 161.82, 0.4%, 0.68%

LAB 78.03, -25.22, 3.29

 

CMYK 32 / 28 / 0 / 19

HEX #8C94CE

RGB 140 148 206

HSL 232.73, 0.4%, 0.68%

LAB 62.69, 10.64, -30.73

 

CMYK 0 / 32 / 22 / 19

HEX #CE8CA1

RGB 206 140 161

HSL 340.91, 0.4%, 0.68%

LAB 65.32, 28.09, -0.84

 

CMYK 0 / 4 / 32 / 19

HEX #CEC68C

RGB 206 198 140

HSL 52.73, 0.4%, 0.68%

LAB 79.27, -6.01, 30.13

 

CMYK 32 / 0 / 10 / 19

HEX #8CCEBA

RGB 140 206 186

HSL 161.82, 0.4%, 0.68%

LAB 78.03, -25.22, 3.29

 

CMYK 26 / 32 / 0 / 19

HEX #988CCE

RGB 152 140 206

HSL 250.91, 0.4%, 0.68%

LAB 61.56, 18.77, -32.4

 

CMYK 0 / 32 / 22 / 19

HEX #CE8CA1

RGB 206 140 161

HSL 340.91, 0.4%, 0.68%

LAB 65.32, 28.09, -0.84

 

CMYK 6 / 0 / 32 / 19

HEX #C2CE8C

RGB 194 206 140

HSL 70.91, 0.4%, 0.68%

LAB 80.46, -14.73, 31.53

 

Description

Color code: RGB 140 206 186 | qconv.com Color code: RGB 140 206 186 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 206 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 206 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 10 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 10% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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