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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 205 133 it is the complementary color RGB 115 50 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 205 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 205 133 shade: RGB 145 205 128, RGB 162 223 147, RGB 179 241 166, RGB 196 255 185 and RGB 213 255 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 205 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 205 133 shade: RGB 140 205 133, RGB 123 187 114, RGB 106 169 95, RGB 89 151 76 and RGB 72 133 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 205 133 shade: RGB 138 204 131, RGB 158 204 131, RGB 178 204 131, RGB 197 204 131 and RGB 204 191 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 205 133 shade: RGB 138 204 131, RGB 131 204 144, RGB 131 204 164, RGB 131 204 183 and RGB 131 204 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 205 133 shade matches the following richer shades: RGB 138 204 131, RGB 127 218 117, RGB 116 232 103 and RGB 105 246 89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 205 133 shade: RGB 138 204 131, RGB 150 190 145, RGB 161 176 159, RGB 172 162 173 and RGB 184 148 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 205 133 shade: RGB 178 204 131, RGB 158 204 131, RGB 139 204 131, RGB 131 204 144 and RGB 131 204 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 205 133 shade: RGB 84 180 73, RGB 111 192 102, RGB 138 204 131, RGB 166 216 161 and RGB 194 228 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 205 133 shade: RGB 140 205 133, RGB 131 197 204 and RGB 204 131 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 205 133 shade: RGB 140 205 133, RGB 131 139 204 and RGB 204 131 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 205 133 shade: RGB 140 205 133, RGB 131 197 204, RGB 197 131 204 and RGB 204 139 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 205 133 shade: RGB 140 205 133, RGB 131 175 204, RGB 197 131 204 and RGB 204 161 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 35 / 20

HEX #8CCD85

RGB 140 205 133

HSL 114.17, 0.42%, 0.66%

LAB 76.64, -34.61, 29.47

 

Complementary color

CMYK 6 / 59 / 0 / 52

HEX #73327A

RGB 115 50 122

HSL 294.17, 0.42%, 0.34%

LAB 32.55, 39.63, -28.47

 

CMYK 29 / 0 / 38 / 20

HEX #91CD80

RGB 145 205 128

HSL 106.75, 0.44%, 0.65%

LAB 76.82, -33.7, 32.35

 

CMYK 27 / 0 / 34 / 13

HEX #A2DF93

RGB 162 223 147

HSL 108.16, 0.54%, 0.73%

LAB 83.21, -33.5, 31.21

 

CMYK 26 / 0 / 31 / 5

HEX #B3F1A6

RGB 179 241 166

HSL 109.6, 0.73%, 0.8%

LAB 89.51, -33.31, 30.12

 

CMYK 23 / 0 / 27 / 0

HEX #C4FFB9

RGB 196 255 185

HSL 110.57, 1%, 0.86%

LAB 94.64, -31.27, 27.61

 

CMYK 16 / 0 / 20 / 0

HEX #D5FFCC

RGB 213 255 204

HSL 109.41, 1%, 0.9%

LAB 96.01, -22.61, 20.01

 

CMYK 32 / 0 / 35 / 20

HEX #8CCD85

RGB 140 205 133

HSL 114.17, 0.42%, 0.66%

LAB 76.64, -34.61, 29.47

 

CMYK 34 / 0 / 39 / 27

HEX #7BBB72

RGB 123 187 114

HSL 112.6, 0.35%, 0.59%

LAB 70.15, -34.83, 30.65

 

CMYK 37 / 0 / 44 / 34

HEX #6AA95F

RGB 106 169 95

HSL 111.08, 0.3%, 0.52%

LAB 63.56, -35.03, 31.89

 

CMYK 41 / 0 / 50 / 41

HEX #59974C

RGB 89 151 76

HSL 109.6, 0.33%, 0.45%

LAB 56.86, -35.18, 33.18

 

CMYK 46 / 0 / 57 / 48

HEX #488539

RGB 72 133 57

HSL 108.16, 0.4%, 0.37%

LAB 50.04, -35.21, 34.47

 

CMYK 32 / 0 / 36 / 20

HEX #8ACC83

RGB 138 204 131

HSL 114.25, 0.42%, 0.66%

LAB 76.21, -35.12, 29.92

 

CMYK 23 / 0 / 36 / 20

HEX #9ECC83

RGB 158 204 131

HSL 97.81, 0.42%, 0.66%

LAB 77.34, -28.28, 31.61

 

CMYK 13 / 0 / 36 / 20

HEX #B2CC83

RGB 178 204 131

HSL 81.37, 0.42%, 0.66%

LAB 78.63, -20.95, 33.55

 

CMYK 3 / 0 / 36 / 20

HEX #C5CC83

RGB 197 204 131

HSL 65.75, 0.42%, 0.66%

LAB 80.01, -13.68, 35.61

 

CMYK 0 / 6 / 36 / 20

HEX #CCBF83

RGB 204 191 131

HSL 49.32, 0.42%, 0.66%

LAB 77.12, -4.25, 31.95

 

CMYK 32 / 0 / 36 / 20

HEX #8ACC83

RGB 138 204 131

HSL 114.25, 0.42%, 0.66%

LAB 76.21, -35.12, 29.92

 

CMYK 36 / 0 / 29 / 20

HEX #83CC90

RGB 131 204 144

HSL 130.68, 0.42%, 0.66%

LAB 76.08, -35.2, 22.89

 

CMYK 36 / 0 / 20 / 20

HEX #83CCA4

RGB 131 204 164

HSL 147.12, 0.42%, 0.66%

LAB 76.49, -31.45, 12.82

 

CMYK 36 / 0 / 10 / 20

HEX #83CCB7

RGB 131 204 183

HSL 162.74, 0.42%, 0.66%

LAB 76.94, -27.47, 3.26

 

CMYK 36 / 0 / 0 / 20

HEX #83CCCB

RGB 131 204 203

HSL 179.18, 0.42%, 0.66%

LAB 77.47, -22.88, -6.72

 

CMYK 32 / 0 / 36 / 20

HEX #8ACC83

RGB 138 204 131

HSL 114.25, 0.42%, 0.66%

LAB 76.21, -35.12, 29.92

 

CMYK 42 / 0 / 46 / 15

HEX #7FDA75

RGB 127 218 117

HSL 114.06, 0.58%, 0.66%

LAB 79.58, -46.78, 41.23

 

CMYK 50 / 0 / 56 / 9

HEX #74E867

RGB 116 232 103

HSL 113.95, 0.74%, 0.66%

LAB 83.13, -57.3, 52.06

 

CMYK 57 / 0 / 64 / 4

HEX #69F659

RGB 105 246 89

HSL 113.89, 0.9%, 0.66%

LAB 86.82, -66.67, 62.17

 

CMYK 32 / 0 / 36 / 20

HEX #8ACC83

RGB 138 204 131

HSL 114.25, 0.42%, 0.66%

LAB 76.21, -35.12, 29.92

 

CMYK 21 / 0 / 24 / 25

HEX #96BE91

RGB 150 190 145

HSL 113.33, 0.26%, 0.66%

LAB 73.13, -22.06, 18.46

 

CMYK 9 / 0 / 10 / 31

HEX #A1B09F

RGB 161 176 159

HSL 112.94, 0.1%, 0.66%

LAB 70.27, -8.47, 6.92

 

CMYK 1 / 6 / 0 / 32

HEX #ACA2AD

RGB 172 162 173

HSL 294.55, 0.06%, 0.66%

LAB 67.75, 5.67, -4.39

 

CMYK 2 / 21 / 0 / 27

HEX #B894BB

RGB 184 148 187

HSL 295.38, 0.22%, 0.66%

LAB 65.72, 20.36, -15.13

 

CMYK 13 / 0 / 36 / 20

HEX #B2CC83

RGB 178 204 131

HSL 81.37, 0.42%, 0.66%

LAB 78.63, -20.95, 33.55

 

CMYK 23 / 0 / 36 / 20

HEX #9ECC83

RGB 158 204 131

HSL 97.81, 0.42%, 0.66%

LAB 77.34, -28.28, 31.61

 

CMYK 32 / 0 / 36 / 20

HEX #8BCC83

RGB 139 204 131

HSL 113.42, 0.42%, 0.66%

LAB 76.26, -34.79, 29.99

 

CMYK 36 / 0 / 29 / 20

HEX #83CC90

RGB 131 204 144

HSL 130.68, 0.42%, 0.66%

LAB 76.08, -35.2, 22.89

 

CMYK 36 / 0 / 20 / 20

HEX #83CCA3

RGB 131 204 163

HSL 146.3, 0.42%, 0.66%

LAB 76.47, -31.65, 13.33

 

CMYK 53 / 0 / 59 / 29

HEX #54B449

RGB 84 180 73

HSL 113.83, 0.42%, 0.5%

LAB 65.76, -49.26, 45.22

 

CMYK 42 / 0 / 47 / 25

HEX #6FC066

RGB 111 192 102

HSL 114, 0.42%, 0.58%

LAB 70.9, -42.64, 37.63

 

CMYK 32 / 0 / 36 / 20

HEX #8ACC83

RGB 138 204 131

HSL 114.25, 0.42%, 0.66%

LAB 76.21, -35.12, 29.92

 

CMYK 23 / 0 / 25 / 15

HEX #A6D8A1

RGB 166 216 161

HSL 114.55, 0.41%, 0.74%

LAB 81.72, -26.64, 21.99

 

CMYK 15 / 0 / 17 / 11

HEX #C2E4BE

RGB 194 228 190

HSL 113.68, 0.41%, 0.82%

LAB 87.33, -18.16, 14.88

 

CMYK 32 / 0 / 35 / 20

HEX #8CCD85

RGB 140 205 133

HSL 114.17, 0.42%, 0.66%

LAB 76.64, -34.61, 29.47

 

CMYK 36 / 3 / 0 / 20

HEX #83C5CC

RGB 131 197 204

HSL 185.75, 0.42%, 0.66%

LAB 75.52, -19.1, -10.16

 

CMYK 0 / 36 / 18 / 20

HEX #CC83A8

RGB 204 131 168

HSL 329.59, 0.42%, 0.66%

LAB 63.26, 33.33, -7.88

 

CMYK 32 / 0 / 35 / 20

HEX #8CCD85

RGB 140 205 133

HSL 114.17, 0.42%, 0.66%

LAB 76.64, -34.61, 29.47

 

CMYK 36 / 32 / 0 / 20

HEX #838BCC

RGB 131 139 204

HSL 233.42, 0.42%, 0.66%

LAB 59.57, 12.76, -34.5

 

CMYK 0 / 36 / 32 / 20

HEX #CC838B

RGB 204 131 139

HSL 353.42, 0.42%, 0.66%

LAB 62.45, 29.15, 7.46

 

CMYK 32 / 0 / 35 / 20

HEX #8CCD85

RGB 140 205 133

HSL 114.17, 0.42%, 0.66%

LAB 76.64, -34.61, 29.47

 

CMYK 36 / 3 / 0 / 20

HEX #83C5CC

RGB 131 197 204

HSL 185.75, 0.42%, 0.66%

LAB 75.52, -19.1, -10.16

 

CMYK 3 / 36 / 0 / 20

HEX #C583CC

RGB 197 131 204

HSL 294.25, 0.42%, 0.66%

LAB 63.72, 37.33, -27.58

 

CMYK 0 / 32 / 36 / 20

HEX #CC8B83

RGB 204 139 131

HSL 6.58, 0.42%, 0.66%

LAB 64.11, 23.77, 14.34

 

CMYK 32 / 0 / 35 / 20

HEX #8CCD85

RGB 140 205 133

HSL 114.17, 0.42%, 0.66%

LAB 76.64, -34.61, 29.47

 

CMYK 36 / 14 / 0 / 20

HEX #83AFCC

RGB 131 175 204

HSL 203.84, 0.42%, 0.66%

LAB 69.36, -7.54, -19.44

 

CMYK 3 / 36 / 0 / 20

HEX #C583CC

RGB 197 131 204

HSL 294.25, 0.42%, 0.66%

LAB 63.72, 37.33, -27.58

 

CMYK 0 / 21 / 36 / 20

HEX #CCA183

RGB 204 161 131

HSL 24.66, 0.42%, 0.66%

LAB 69.45, 11.76, 21.69

 

Description

Color code: RGB 140 205 133 | qconv.com Color code: RGB 140 205 133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 205 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 205 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 35 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 35% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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