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Color name
RGB 140 192 44

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 192 44 it is the complementary color RGB 115 63 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 192 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 192 44 shade: RGB 145 192 39, RGB 162 210 58, RGB 179 228 77, RGB 196 246 96 and RGB 213 255 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 192 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 192 44 shade: RGB 140 192 44, RGB 123 174 25, RGB 106 156 6, RGB 89 138 0 and RGB 72 120 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 192 44 shade: RGB 139 191 43, RGB 179 191 43, RGB 191 163 43, RGB 191 123 43 and RGB 191 83 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 192 44 shade: RGB 139 191 43, RGB 99 191 43, RGB 59 191 43, RGB 43 191 67 and RGB 43 191 106

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 192 44 shade matches the following richer shades: RGB 139 191 43, RGB 144 210 24 and RGB 150 229 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 192 44 shade: RGB 139 191 43, RGB 133 172 62, RGB 127 153 81, RGB 122 134 100 and RGB 116 115 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 192 44 shade: RGB 191 164 43, RGB 178 191 43, RGB 139 191 43, RGB 100 191 43 and RGB 60 191 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 192 44 shade: RGB 90 123 28, RGB 114 157 35, RGB 139 191 43, RGB 159 211 64 and RGB 176 219 97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 192 44 shade: RGB 140 192 44, RGB 43 191 124 and RGB 183 43 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 192 44 shade: RGB 140 192 44, RGB 43 139 191 and RGB 191 43 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 192 44 shade: RGB 140 192 44, RGB 43 191 124, RGB 95 43 191 and RGB 191 43 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 192 44 shade: RGB 140 192 44, RGB 43 191 169, RGB 95 43 191 and RGB 191 43 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 77 / 25

HEX #8CC02C

RGB 140 192 44

HSL 81.08, 0.63%, 0.46%

LAB 71.86, -37.84, 63.78

 

Complementary color

CMYK 45 / 70 / 0 / 17

HEX #733FD3

RGB 115 63 211

HSL 261.08, 0.63%, 0.54%

LAB 41.06, 54.41, -68.13

 

CMYK 24 / 0 / 80 / 25

HEX #91C027

RGB 145 192 39

HSL 78.43, 0.66%, 0.45%

LAB 72.14, -36.13, 65.63

 

CMYK 23 / 0 / 72 / 18

HEX #A2D23A

RGB 162 210 58

HSL 78.95, 0.63%, 0.53%

LAB 78.51, -36.74, 66

 

CMYK 21 / 0 / 66 / 11

HEX #B3E44D

RGB 179 228 77

HSL 79.47, 0.74%, 0.6%

LAB 84.8, -37.2, 65.73

 

CMYK 20 / 0 / 61 / 4

HEX #C4F660

RGB 196 246 96

HSL 80, 0.89%, 0.67%

LAB 91, -37.54, 65.09

 

CMYK 16 / 0 / 55 / 0

HEX #D5FF73

RGB 213 255 115

HSL 78, 1%, 0.73%

LAB 94.7, -33.72, 61.44

 

CMYK 27 / 0 / 77 / 25

HEX #8CC02C

RGB 140 192 44

HSL 81.08, 0.63%, 0.46%

LAB 71.86, -37.84, 63.78

 

CMYK 29 / 0 / 86 / 32

HEX #7BAE19

RGB 123 174 25

HSL 80.54, 0.75%, 0.39%

LAB 65.4, -37.13, 62.78

 

CMYK 32 / 0 / 96 / 39

HEX #6A9C06

RGB 106 156 6

HSL 80, 0.93%, 0.32%

LAB 58.84, -36.17, 60.33

 

CMYK 36 / 0 / 100 / 46

HEX #598A00

RGB 89 138 0

HSL 81.3, 1%, 0.27%

LAB 52.18, -34.88, 55.68

 

CMYK 40 / 0 / 100 / 53

HEX #487800

RGB 72 120 0

HSL 84, 1%, 0.24%

LAB 45.37, -33.41, 50.02

 

CMYK 27 / 0 / 77 / 25

HEX #8BBF2B

RGB 139 191 43

HSL 81.08, 0.63%, 0.46%

LAB 71.5, -37.82, 63.73

 

CMYK 6 / 0 / 77 / 25

HEX #B3BF2B

RGB 179 191 43

HSL 64.86, 0.63%, 0.46%

LAB 74.2, -21.57, 67.2

 

CMYK 0 / 15 / 77 / 25

HEX #BFA32B

RGB 191 163 43

HSL 48.65, 0.63%, 0.46%

LAB 67.61, -1.94, 61.56

 

CMYK 0 / 36 / 77 / 25

HEX #BF7B2B

RGB 191 123 43

HSL 32.43, 0.63%, 0.46%

LAB 57.48, 19.91, 52.03

 

CMYK 0 / 57 / 77 / 25

HEX #BF532B

RGB 191 83 43

HSL 16.22, 0.63%, 0.46%

LAB 48.81, 41.09, 43.45

 

CMYK 27 / 0 / 77 / 25

HEX #8BBF2B

RGB 139 191 43

HSL 81.08, 0.63%, 0.46%

LAB 71.5, -37.82, 63.73

 

CMYK 48 / 0 / 77 / 25

HEX #63BF2B

RGB 99 191 43

HSL 97.3, 0.63%, 0.46%

LAB 69.53, -51.72, 61.17

 

CMYK 69 / 0 / 77 / 25

HEX #3BBF2B

RGB 59 191 43

HSL 113.51, 0.63%, 0.46%

LAB 68.29, -61.67, 59.55

 

CMYK 77 / 0 / 65 / 25

HEX #2BBF43

RGB 43 191 67

HSL 129.73, 0.63%, 0.46%

LAB 68.15, -62.2, 50.3

 

CMYK 77 / 0 / 45 / 25

HEX #2BBF6A

RGB 43 191 106

HSL 145.54, 0.63%, 0.46%

LAB 68.62, -56.68, 32.29

 

CMYK 27 / 0 / 77 / 25

HEX #8BBF2B

RGB 139 191 43

HSL 81.08, 0.63%, 0.46%

LAB 71.5, -37.82, 63.73

 

CMYK 31 / 0 / 89 / 18

HEX #90D218

RGB 144 210 24

HSL 81.29, 0.79%, 0.46%

LAB 77.33, -44.9, 73.51

 

CMYK 34 / 0 / 98 / 10

HEX #96E505

RGB 150 229 5

HSL 81.16, 0.96%, 0.46%

LAB 83.2, -50.94, 80.57

 

CMYK 27 / 0 / 77 / 25

HEX #8BBF2B

RGB 139 191 43

HSL 81.08, 0.63%, 0.46%

LAB 71.5, -37.82, 63.73

 

CMYK 23 / 0 / 64 / 33

HEX #85AC3E

RGB 133 172 62

HSL 81.27, 0.47%, 0.46%

LAB 65.62, -30.21, 50.65

 

CMYK 17 / 0 / 47 / 40

HEX #7F9951

RGB 127 153 81

HSL 81.67, 0.31%, 0.46%

LAB 59.79, -21.41, 34.71

 

CMYK 9 / 0 / 25 / 47

HEX #7A8664

RGB 122 134 100

HSL 81.18, 0.15%, 0.46%

LAB 54.14, -10.74, 16.89

 

CMYK 3 / 3 / 0 / 53

HEX #747377

RGB 116 115 119

HSL 255, 0.02%, 0.46%

LAB 48.64, 1.2, -2.07

 

CMYK 0 / 14 / 77 / 25

HEX #BFA42B

RGB 191 164 43

HSL 49.05, 0.63%, 0.46%

LAB 67.87, -2.47, 61.81

 

CMYK 7 / 0 / 77 / 25

HEX #B2BF2B

RGB 178 191 43

HSL 65.27, 0.63%, 0.46%

LAB 74.13, -21.99, 67.1

 

CMYK 27 / 0 / 77 / 25

HEX #8BBF2B

RGB 139 191 43

HSL 81.08, 0.63%, 0.46%

LAB 71.5, -37.82, 63.73

 

CMYK 48 / 0 / 77 / 25

HEX #64BF2B

RGB 100 191 43

HSL 96.89, 0.63%, 0.46%

LAB 69.57, -51.41, 61.22

 

CMYK 69 / 0 / 77 / 25

HEX #3CBF2B

RGB 60 191 43

HSL 113.11, 0.63%, 0.46%

LAB 68.31, -61.48, 59.58

 

CMYK 27 / 0 / 77 / 52

HEX #5A7B1C

RGB 90 123 28

HSL 80.84, 0.63%, 0.3%

LAB 47.53, -26.45, 44.97

 

CMYK 27 / 0 / 78 / 38

HEX #729D23

RGB 114 157 35

HSL 81.15, 0.64%, 0.38%

LAB 59.72, -32.49, 54.69

 

CMYK 27 / 0 / 77 / 25

HEX #8BBF2B

RGB 139 191 43

HSL 81.08, 0.63%, 0.46%

LAB 71.5, -37.82, 63.73

 

CMYK 25 / 0 / 70 / 17

HEX #9FD340

RGB 159 211 64

HSL 81.22, 0.63%, 0.54%

LAB 78.65, -37.98, 63.94

 

CMYK 20 / 0 / 56 / 14

HEX #B0DB61

RGB 176 219 97

HSL 81.15, 0.63%, 0.62%

LAB 82.25, -32.65, 54.5

 

CMYK 27 / 0 / 77 / 25

HEX #8CC02C

RGB 140 192 44

HSL 81.08, 0.63%, 0.46%

LAB 71.86, -37.84, 63.78

 

CMYK 77 / 0 / 35 / 25

HEX #2BBF7C

RGB 43 191 124

HSL 152.84, 0.63%, 0.46%

LAB 68.92, -53.25, 23.27

 

CMYK 4 / 77 / 0 / 25

HEX #B72BBF

RGB 183 43 191

HSL 296.76, 0.63%, 0.46%

LAB 46.39, 70.75, -47.48

 

CMYK 27 / 0 / 77 / 25

HEX #8CC02C

RGB 140 192 44

HSL 81.08, 0.63%, 0.46%

LAB 71.86, -37.84, 63.78

 

CMYK 77 / 27 / 0 / 25

HEX #2B8BBF

RGB 43 139 191

HSL 201.08, 0.63%, 0.46%

LAB 54.8, -9.63, -34.9

 

CMYK 0 / 77 / 27 / 25

HEX #BF2B8B

RGB 191 43 139

HSL 321.08, 0.63%, 0.46%

LAB 45.18, 65.03, -18.34

 

CMYK 27 / 0 / 77 / 25

HEX #8CC02C

RGB 140 192 44

HSL 81.08, 0.63%, 0.46%

LAB 71.86, -37.84, 63.78

 

CMYK 77 / 0 / 35 / 25

HEX #2BBF7C

RGB 43 191 124

HSL 152.84, 0.63%, 0.46%

LAB 68.92, -53.25, 23.27

 

CMYK 50 / 77 / 0 / 25

HEX #5F2BBF

RGB 95 43 191

HSL 261.08, 0.63%, 0.46%

LAB 33.82, 55.38, -68.43

 

CMYK 0 / 77 / 43 / 25

HEX #BF2B6D

RGB 191 43 109

HSL 333.24, 0.63%, 0.46%

LAB 44.1, 61.77, -1.54

 

CMYK 27 / 0 / 77 / 25

HEX #8CC02C

RGB 140 192 44

HSL 81.08, 0.63%, 0.46%

LAB 71.86, -37.84, 63.78

 

CMYK 77 / 0 / 12 / 25

HEX #2BBFA9

RGB 43 191 169

HSL 171.08, 0.63%, 0.46%

LAB 69.92, -42.53, 0.31

 

CMYK 50 / 77 / 0 / 25

HEX #5F2BBF

RGB 95 43 191

HSL 261.08, 0.63%, 0.46%

LAB 33.82, 55.38, -68.43

 

CMYK 0 / 77 / 66 / 25

HEX #BF2B41

RGB 191 43 65

HSL 351.08, 0.63%, 0.46%

LAB 43.04, 58.45, 24.37

 

Description

Color code: RGB 140 192 44 | qconv.com Color code: RGB 140 192 44 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 192 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 192 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 77 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 77% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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