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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 194 198 it is the complementary color RGB 115 61 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 194 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 194 198 shade: RGB 145 194 193, RGB 162 212 212, RGB 179 230 231, RGB 196 248 250 and RGB 213 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 194 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 194 198 shade: RGB 140 194 198, RGB 123 176 179, RGB 106 158 160, RGB 89 140 141 and RGB 72 122 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 194 198 shade: RGB 138 193 197, RGB 138 177 197, RGB 138 161 197, RGB 138 146 197 and RGB 147 138 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 194 198 shade: RGB 138 193 197, RGB 138 177 197, RGB 138 161 197, RGB 138 146 197 and RGB 138 138 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 194 198 shade matches the following richer shades: RGB 138 193 197, RGB 124 205 211, RGB 110 217 225, RGB 96 229 239 and RGB 82 242 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 194 198 shade: RGB 138 193 197, RGB 152 181 183, RGB 166 169 169, RGB 180 157 155 and RGB 194 145 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 194 198 shade: RGB 138 197 170, RGB 138 197 185, RGB 138 193 197, RGB 138 178 197 and RGB 138 162 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 194 198 shade: RGB 83 164 170, RGB 111 179 184, RGB 138 193 197, RGB 166 208 211 and RGB 194 222 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 194 198 shade: RGB 140 194 198, RGB 154 138 197 and RGB 197 178 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 194 198 shade: RGB 140 194 198, RGB 197 138 193 and RGB 193 197 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 194 198 shade: RGB 140 194 198, RGB 154 138 197, RGB 197 142 138 and RGB 182 197 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 194 198 shade: RGB 140 194 198, RGB 172 138 197, RGB 197 142 138 and RGB 164 197 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 2 / 0 / 22

HEX #8CC2C6

RGB 140 194 198

HSL 184.14, 0.34%, 0.66%

LAB 74.97, -16.5, -7.67

 

Complementary color

CMYK 0 / 47 / 50 / 55

HEX #733D39

RGB 115 61 57

HSL 4.14, 0.34%, 0.34%

LAB 32.43, 23.1, 12.97

 

CMYK 25 / 0 / 1 / 24

HEX #91C2C1

RGB 145 194 193

HSL 178.78, 0.29%, 0.66%

LAB 75.11, -16.17, -4.73

 

CMYK 24 / 0 / 0 / 17

HEX #A2D4D4

RGB 162 212 212

HSL 180, 0.37%, 0.73%

LAB 81.58, -16.09, -5.3

 

CMYK 23 / 0 / 0 / 9

HEX #B3E6E7

RGB 179 230 231

HSL 181.15, 0.52%, 0.8%

LAB 87.94, -16.01, -5.85

 

CMYK 22 / 1 / 0 / 2

HEX #C4F8FA

RGB 196 248 250

HSL 182.22, 0.84%, 0.87%

LAB 94.22, -15.95, -6.38

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 29 / 2 / 0 / 22

HEX #8CC2C6

RGB 140 194 198

HSL 184.14, 0.34%, 0.66%

LAB 74.97, -16.5, -7.67

 

CMYK 31 / 2 / 0 / 30

HEX #7BB0B3

RGB 123 176 179

HSL 183.21, 0.27%, 0.59%

LAB 68.4, -16.57, -7.13

 

CMYK 34 / 1 / 0 / 37

HEX #6A9EA0

RGB 106 158 160

HSL 182.22, 0.22%, 0.52%

LAB 61.7, -16.65, -6.55

 

CMYK 37 / 1 / 0 / 45

HEX #598C8D

RGB 89 140 141

HSL 181.15, 0.23%, 0.45%

LAB 54.87, -16.72, -5.95

 

CMYK 41 / 0 / 0 / 52

HEX #487A7A

RGB 72 122 122

HSL 180, 0.26%, 0.38%

LAB 47.88, -16.79, -5.31

 

CMYK 30 / 2 / 0 / 23

HEX #8AC1C5

RGB 138 193 197

HSL 184.07, 0.34%, 0.66%

LAB 74.56, -16.79, -7.76

 

CMYK 30 / 10 / 0 / 23

HEX #8AB1C5

RGB 138 177 197

HSL 200.34, 0.34%, 0.66%

LAB 70.09, -8.38, -14.44

 

CMYK 30 / 18 / 0 / 23

HEX #8AA1C5

RGB 138 161 197

HSL 216.61, 0.34%, 0.66%

LAB 65.69, 0.39, -21.1

 

CMYK 30 / 26 / 0 / 23

HEX #8A92C5

RGB 138 146 197

HSL 231.86, 0.34%, 0.66%

LAB 61.65, 8.89, -27.3

 

CMYK 25 / 30 / 0 / 23

HEX #938AC5

RGB 147 138 197

HSL 249.15, 0.34%, 0.66%

LAB 60.26, 16.21, -29.39

 

CMYK 30 / 2 / 0 / 23

HEX #8AC1C5

RGB 138 193 197

HSL 184.07, 0.34%, 0.66%

LAB 74.56, -16.79, -7.76

 

CMYK 30 / 10 / 0 / 23

HEX #8AB1C5

RGB 138 177 197

HSL 200.34, 0.34%, 0.66%

LAB 70.09, -8.38, -14.44

 

CMYK 30 / 18 / 0 / 23

HEX #8AA1C5

RGB 138 161 197

HSL 216.61, 0.34%, 0.66%

LAB 65.69, 0.39, -21.1

 

CMYK 30 / 26 / 0 / 23

HEX #8A92C5

RGB 138 146 197

HSL 231.86, 0.34%, 0.66%

LAB 61.65, 8.89, -27.3

 

CMYK 30 / 30 / 0 / 23

HEX #8A8AC5

RGB 138 138 197

HSL 240, 0.34%, 0.66%

LAB 59.54, 13.51, -30.57

 

CMYK 30 / 2 / 0 / 23

HEX #8AC1C5

RGB 138 193 197

HSL 184.07, 0.34%, 0.66%

LAB 74.56, -16.79, -7.76

 

CMYK 41 / 3 / 0 / 17

HEX #7CCDD3

RGB 124 205 211

HSL 184.14, 0.5%, 0.66%

LAB 77.67, -23.2, -10.77

 

CMYK 51 / 4 / 0 / 12

HEX #6ED9E1

RGB 110 217 225

HSL 184.17, 0.66%, 0.66%

LAB 80.95, -28.66, -13.42

 

CMYK 60 / 4 / 0 / 6

HEX #60E5EF

RGB 96 229 239

HSL 184.2, 0.82%, 0.66%

LAB 84.36, -33.24, -15.78

 

CMYK 68 / 4 / 0 / 1

HEX #52F2FD

RGB 82 242 253

HSL 183.86, 0.98%, 0.66%

LAB 88.16, -37.5, -17.45

 

CMYK 30 / 2 / 0 / 23

HEX #8AC1C5

RGB 138 193 197

HSL 184.07, 0.34%, 0.66%

LAB 74.56, -16.79, -7.76

 

CMYK 17 / 1 / 0 / 28

HEX #98B5B7

RGB 152 181 183

HSL 183.87, 0.18%, 0.66%

LAB 71.65, -9.4, -4.32

 

CMYK 2 / 0 / 0 / 34

HEX #A6A9A9

RGB 166 169 169

HSL 180, 0.02%, 0.66%

LAB 69, -1.06, -0.38

 

CMYK 0 / 13 / 14 / 29

HEX #B49D9B

RGB 180 157 155

HSL 4.8, 0.14%, 0.66%

LAB 66.66, 8.12, 4.15

 

CMYK 0 / 25 / 27 / 24

HEX #C2918D

RGB 194 145 141

HSL 4.53, 0.3%, 0.66%

LAB 64.68, 17.93, 9.35

 

CMYK 30 / 0 / 14 / 23

HEX #8AC5AA

RGB 138 197 170

HSL 152.54, 0.34%, 0.66%

LAB 74.97, -24.75, 7.49

 

CMYK 30 / 0 / 6 / 23

HEX #8AC5B9

RGB 138 197 185

HSL 167.8, 0.34%, 0.66%

LAB 75.35, -21.56, -0.08

 

CMYK 30 / 2 / 0 / 23

HEX #8AC1C5

RGB 138 193 197

HSL 184.07, 0.34%, 0.66%

LAB 74.56, -16.79, -7.76

 

CMYK 30 / 10 / 0 / 23

HEX #8AB2C5

RGB 138 178 197

HSL 199.32, 0.34%, 0.66%

LAB 70.37, -8.91, -14.02

 

CMYK 30 / 18 / 0 / 23

HEX #8AA2C5

RGB 138 162 197

HSL 215.59, 0.34%, 0.66%

LAB 65.96, -0.17, -20.69

 

CMYK 51 / 4 / 0 / 33

HEX #53A4AA

RGB 83 164 170

HSL 184.14, 0.34%, 0.5%

LAB 62.75, -22.99, -10.72

 

CMYK 40 / 3 / 0 / 28

HEX #6FB3B8

RGB 111 179 184

HSL 184.11, 0.34%, 0.58%

LAB 68.81, -20.18, -9.34

 

CMYK 30 / 2 / 0 / 23

HEX #8AC1C5

RGB 138 193 197

HSL 184.07, 0.34%, 0.66%

LAB 74.56, -16.79, -7.76

 

CMYK 21 / 1 / 0 / 17

HEX #A6D0D3

RGB 166 208 211

HSL 184, 0.34%, 0.74%

LAB 80.7, -13.06, -6.04

 

CMYK 14 / 1 / 0 / 12

HEX #C2DEE1

RGB 194 222 225

HSL 185.81, 0.34%, 0.82%

LAB 86.58, -8.61, -4.6

 

CMYK 29 / 2 / 0 / 22

HEX #8CC2C6

RGB 140 194 198

HSL 184.14, 0.34%, 0.66%

LAB 74.97, -16.5, -7.67

 

CMYK 22 / 30 / 0 / 23

HEX #9A8AC5

RGB 154 138 197

HSL 256.27, 0.34%, 0.66%

LAB 60.85, 18.36, -28.43

 

CMYK 0 / 10 / 30 / 23

HEX #C5B28A

RGB 197 178 138

HSL 40.68, 0.34%, 0.66%

LAB 73.25, 0.72, 22.96

 

CMYK 29 / 2 / 0 / 22

HEX #8CC2C6

RGB 140 194 198

HSL 184.14, 0.34%, 0.66%

LAB 74.97, -16.5, -7.67

 

CMYK 0 / 30 / 2 / 23

HEX #C58AC1

RGB 197 138 193

HSL 304.07, 0.34%, 0.66%

LAB 64.88, 31.43, -19.63

 

CMYK 2 / 0 / 30 / 23

HEX #C1C58A

RGB 193 197 138

HSL 64.07, 0.34%, 0.66%

LAB 77.94, -10.79, 29.21

 

CMYK 29 / 2 / 0 / 22

HEX #8CC2C6

RGB 140 194 198

HSL 184.14, 0.34%, 0.66%

LAB 74.97, -16.5, -7.67

 

CMYK 22 / 30 / 0 / 23

HEX #9A8AC5

RGB 154 138 197

HSL 256.27, 0.34%, 0.66%

LAB 60.85, 18.36, -28.43

 

CMYK 0 / 28 / 30 / 23

HEX #C58E8A

RGB 197 142 138

HSL 4.07, 0.34%, 0.66%

LAB 64.2, 20.32, 10.41

 

CMYK 8 / 0 / 30 / 23

HEX #B6C58A

RGB 182 197 138

HSL 75.25, 0.34%, 0.66%

LAB 77.11, -15, 27.96

 

CMYK 29 / 2 / 0 / 22

HEX #8CC2C6

RGB 140 194 198

HSL 184.14, 0.34%, 0.66%

LAB 74.97, -16.5, -7.67

 

CMYK 13 / 30 / 0 / 23

HEX #AC8AC5

RGB 172 138 197

HSL 274.58, 0.34%, 0.66%

LAB 62.49, 24.05, -25.76

 

CMYK 0 / 28 / 30 / 23

HEX #C58E8A

RGB 197 142 138

HSL 4.07, 0.34%, 0.66%

LAB 64.2, 20.32, 10.41

 

CMYK 17 / 0 / 30 / 23

HEX #A4C58A

RGB 164 197 138

HSL 93.56, 0.34%, 0.66%

LAB 75.86, -21.68, 26.06

 

Description

Color code: RGB 140 194 198 | qconv.com Color code: RGB 140 194 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 194 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 194 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 2 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 2% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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