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Color name
RGB 140 173 144

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 173 144 it is the complementary color RGB 115 82 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 173 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 173 144 shade: RGB 145 173 139, RGB 162 191 158, RGB 179 209 177, RGB 196 227 196 and RGB 213 245 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 173 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 173 144 shade: RGB 140 173 144, RGB 123 155 125, RGB 106 137 106, RGB 89 119 87 and RGB 72 101 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 173 144 shade: RGB 138 172 142, RGB 143 172 138, RGB 152 172 138, RGB 161 172 138 and RGB 171 172 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 173 144 shade: RGB 138 172 142, RGB 138 172 151, RGB 138 172 160, RGB 138 172 170 and RGB 138 165 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 173 144 shade matches the following richer shades: RGB 138 172 142, RGB 122 188 130, RGB 106 204 118, RGB 90 220 106 and RGB 74 236 93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 173 144 shade: RGB 138 172 142, RGB 154 156 154, RGB 170 140 167, RGB 186 124 179 and RGB 203 108 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 173 144 shade: RGB 152 172 138, RGB 143 172 138, RGB 138 172 142, RGB 138 172 151 and RGB 138 172 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 173 144 shade: RGB 94 133 99, RGB 114 155 119, RGB 138 172 142, RGB 162 189 166 and RGB 186 206 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 173 144 shade: RGB 140 173 144, RGB 138 161 172 and RGB 172 138 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 173 144 shade: RGB 140 173 144, RGB 142 138 172 and RGB 172 142 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 173 144 shade: RGB 140 173 144, RGB 138 161 172, RGB 172 138 168 and RGB 172 149 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 173 144 shade: RGB 140 173 144, RGB 138 151 172, RGB 172 138 168 and RGB 172 159 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 17 / 32

HEX #8CAD90

RGB 140 173 144

HSL 127.27, 0.17%, 0.61%

LAB 67.63, -17.08, 11.23

 

Complementary color

CMYK 0 / 29 / 3 / 55

HEX #73526F

RGB 115 82 111

HSL 307.27, 0.17%, 0.39%

LAB 39.29, 19.02, -11.19

 

CMYK 16 / 0 / 20 / 32

HEX #91AD8B

RGB 145 173 139

HSL 109.41, 0.17%, 0.61%

LAB 67.85, -16.22, 14.33

 

CMYK 15 / 0 / 17 / 25

HEX #A2BF9E

RGB 162 191 158

HSL 112.73, 0.2%, 0.68%

LAB 74.45, -16.12, 13.42

 

CMYK 14 / 0 / 15 / 18

HEX #B3D1B1

RGB 179 209 177

HSL 116.25, 0.26%, 0.76%

LAB 80.94, -16.03, 12.57

 

CMYK 14 / 0 / 14 / 11

HEX #C4E3C4

RGB 196 227 196

HSL 120, 0.36%, 0.83%

LAB 87.32, -15.95, 11.75

 

CMYK 13 / 0 / 12 / 4

HEX #D5F5D7

RGB 213 245 215

HSL 123.75, 0.62%, 0.9%

LAB 93.61, -15.89, 10.98

 

CMYK 19 / 0 / 17 / 32

HEX #8CAD90

RGB 140 173 144

HSL 127.27, 0.17%, 0.61%

LAB 67.63, -17.08, 11.23

 

CMYK 21 / 0 / 19 / 39

HEX #7B9B7D

RGB 123 155 125

HSL 123.75, 0.14%, 0.55%

LAB 60.9, -17.24, 12.14

 

CMYK 23 / 0 / 23 / 46

HEX #6A896A

RGB 106 137 106

HSL 120, 0.13%, 0.48%

LAB 54.02, -17.42, 13.12

 

CMYK 25 / 0 / 27 / 53

HEX #597757

RGB 89 119 87

HSL 116.25, 0.16%, 0.4%

LAB 46.98, -17.63, 14.19

 

CMYK 29 / 0 / 33 / 60

HEX #486544

RGB 72 101 68

HSL 112.73, 0.2%, 0.33%

LAB 39.75, -17.87, 15.36

 

CMYK 20 / 0 / 17 / 33

HEX #8AAC8E

RGB 138 172 142

HSL 127.06, 0.17%, 0.61%

LAB 67.17, -17.63, 11.66

 

CMYK 17 / 0 / 20 / 33

HEX #8FAC8A

RGB 143 172 138

HSL 111.18, 0.17%, 0.61%

LAB 67.41, -16.59, 14.25

 

CMYK 12 / 0 / 20 / 33

HEX #98AC8A

RGB 152 172 138

HSL 95.29, 0.17%, 0.61%

LAB 68.03, -13.33, 15.2

 

CMYK 6 / 0 / 20 / 33

HEX #A1AC8A

RGB 161 172 138

HSL 79.41, 0.17%, 0.61%

LAB 68.69, -9.98, 16.22

 

CMYK 1 / 0 / 20 / 33

HEX #ABAC8A

RGB 171 172 138

HSL 61.76, 0.17%, 0.61%

LAB 69.47, -6.18, 17.42

 

CMYK 20 / 0 / 17 / 33

HEX #8AAC8E

RGB 138 172 142

HSL 127.06, 0.17%, 0.61%

LAB 67.17, -17.63, 11.66

 

CMYK 20 / 0 / 12 / 33

HEX #8AAC97

RGB 138 172 151

HSL 142.94, 0.17%, 0.61%

LAB 67.38, -15.91, 6.99

 

CMYK 20 / 0 / 7 / 33

HEX #8AACA0

RGB 138 172 160

HSL 158.82, 0.17%, 0.61%

LAB 67.61, -14.09, 2.34

 

CMYK 20 / 0 / 1 / 33

HEX #8AACAA

RGB 138 172 170

HSL 176.47, 0.17%, 0.61%

LAB 67.88, -11.96, -2.81

 

CMYK 20 / 4 / 0 / 33

HEX #8AA5AC

RGB 138 165 172

HSL 192.35, 0.17%, 0.61%

LAB 65.98, -7.76, -6.74

 

CMYK 20 / 0 / 17 / 33

HEX #8AAC8E

RGB 138 172 142

HSL 127.06, 0.17%, 0.61%

LAB 67.17, -17.63, 11.66

 

CMYK 35 / 0 / 31 / 26

HEX #7ABC82

RGB 122 188 130

HSL 127.27, 0.33%, 0.61%

LAB 70.67, -33.02, 22.88

 

CMYK 48 / 0 / 42 / 20

HEX #6ACC76

RGB 106 204 118

HSL 127.35, 0.49%, 0.61%

LAB 74.55, -46.82, 34.14

 

CMYK 59 / 0 / 52 / 14

HEX #5ADC6A

RGB 90 220 106

HSL 127.38, 0.65%, 0.61%

LAB 78.69, -58.85, 45.15

 

CMYK 69 / 0 / 61 / 7

HEX #4AEC5D

RGB 74 236 93

HSL 127.04, 0.81%, 0.61%

LAB 83.04, -69.21, 56.06

 

CMYK 20 / 0 / 17 / 33

HEX #8AAC8E

RGB 138 172 142

HSL 127.06, 0.17%, 0.61%

LAB 67.17, -17.63, 11.66

 

CMYK 1 / 0 / 1 / 39

HEX #9A9C9A

RGB 154 156 154

HSL 120, 0.01%, 0.61%

LAB 64.14, -1.1, 0.78

 

CMYK 0 / 18 / 2 / 33

HEX #AA8CA7

RGB 170 140 167

HSL 306, 0.15%, 0.61%

LAB 61.73, 16.12, -9.97

 

CMYK 0 / 33 / 4 / 27

HEX #BA7CB3

RGB 186 124 179

HSL 306.77, 0.31%, 0.61%

LAB 59.99, 32.87, -19.27

 

CMYK 0 / 47 / 6 / 20

HEX #CB6CBF

RGB 203 108 191

HSL 307.58, 0.48%, 0.61%

LAB 59.14, 48.9, -27.23

 

CMYK 12 / 0 / 20 / 33

HEX #98AC8A

RGB 152 172 138

HSL 95.29, 0.17%, 0.61%

LAB 68.03, -13.33, 15.2

 

CMYK 17 / 0 / 20 / 33

HEX #8FAC8A

RGB 143 172 138

HSL 111.18, 0.17%, 0.61%

LAB 67.41, -16.59, 14.25

 

CMYK 20 / 0 / 17 / 33

HEX #8AAC8E

RGB 138 172 142

HSL 127.06, 0.17%, 0.61%

LAB 67.17, -17.63, 11.66

 

CMYK 20 / 0 / 12 / 33

HEX #8AAC97

RGB 138 172 151

HSL 142.94, 0.17%, 0.61%

LAB 67.38, -15.91, 6.99

 

CMYK 20 / 0 / 7 / 33

HEX #8AACA0

RGB 138 172 160

HSL 158.82, 0.17%, 0.61%

LAB 67.61, -14.09, 2.34

 

CMYK 29 / 0 / 26 / 48

HEX #5E8563

RGB 94 133 99

HSL 127.69, 0.17%, 0.45%

LAB 51.9, -20.94, 14.07

 

CMYK 26 / 0 / 23 / 39

HEX #729B77

RGB 114 155 119

HSL 127.32, 0.17%, 0.53%

LAB 60.21, -21.52, 14.45

 

CMYK 20 / 0 / 17 / 33

HEX #8AAC8E

RGB 138 172 142

HSL 127.06, 0.17%, 0.61%

LAB 67.17, -17.63, 11.66

 

CMYK 14 / 0 / 12 / 26

HEX #A2BDA6

RGB 162 189 166

HSL 128.89, 0.17%, 0.69%

LAB 74.08, -13.64, 8.57

 

CMYK 10 / 0 / 8 / 19

HEX #BACEBD

RGB 186 206 189

HSL 129, 0.17%, 0.77%

LAB 80.88, -9.95, 6.16

 

CMYK 19 / 0 / 17 / 32

HEX #8CAD90

RGB 140 173 144

HSL 127.27, 0.17%, 0.61%

LAB 67.63, -17.08, 11.23

 

CMYK 20 / 6 / 0 / 33

HEX #8AA1AC

RGB 138 161 172

HSL 199.41, 0.17%, 0.61%

LAB 64.86, -5.58, -8.39

 

CMYK 0 / 20 / 14 / 33

HEX #AC8A94

RGB 172 138 148

HSL 342.35, 0.17%, 0.61%

LAB 60.86, 14.54, -0.42

 

CMYK 19 / 0 / 17 / 32

HEX #8CAD90

RGB 140 173 144

HSL 127.27, 0.17%, 0.61%

LAB 67.63, -17.08, 11.23

 

CMYK 17 / 20 / 0 / 33

HEX #8E8AAC

RGB 142 138 172

HSL 247.06, 0.17%, 0.61%

LAB 58.89, 8.67, -17.35

 

CMYK 0 / 17 / 20 / 33

HEX #AC8E8A

RGB 172 142 138

HSL 7.06, 0.17%, 0.61%

LAB 61.61, 10.65, 6.36

 

CMYK 19 / 0 / 17 / 32

HEX #8CAD90

RGB 140 173 144

HSL 127.27, 0.17%, 0.61%

LAB 67.63, -17.08, 11.23

 

CMYK 20 / 6 / 0 / 33

HEX #8AA1AC

RGB 138 161 172

HSL 199.41, 0.17%, 0.61%

LAB 64.86, -5.58, -8.39

 

CMYK 0 / 20 / 2 / 33

HEX #AC8AA8

RGB 172 138 168

HSL 307.06, 0.17%, 0.61%

LAB 61.46, 18.15, -10.93

 

CMYK 0 / 13 / 20 / 33

HEX #AC958A

RGB 172 149 138

HSL 19.41, 0.17%, 0.61%

LAB 63.43, 6.74, 8.95

 

CMYK 19 / 0 / 17 / 32

HEX #8CAD90

RGB 140 173 144

HSL 127.27, 0.17%, 0.61%

LAB 67.63, -17.08, 11.23

 

CMYK 20 / 12 / 0 / 33

HEX #8A97AC

RGB 138 151 172

HSL 217.06, 0.17%, 0.61%

LAB 62.1, -0.04, -12.53

 

CMYK 0 / 20 / 2 / 33

HEX #AC8AA8

RGB 172 138 168

HSL 307.06, 0.17%, 0.61%

LAB 61.46, 18.15, -10.93

 

CMYK 0 / 8 / 20 / 33

HEX #AC9F8A

RGB 172 159 138

HSL 37.06, 0.17%, 0.61%

LAB 66.06, 1.22, 12.68

 

Description

Color code: RGB 140 173 144 | qconv.com Color code: RGB 140 173 144 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 173 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 173 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 17 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 17% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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