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Color name
RGB 140 171 31

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 171 31 it is the complementary color RGB 115 84 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 171 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 171 31 shade: RGB 145 171 26, RGB 162 189 45, RGB 179 207 64, RGB 196 225 83 and RGB 213 243 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 171 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 171 31 shade: RGB 140 171 31, RGB 123 153 12, RGB 106 135 0, RGB 89 117 0 and RGB 72 99 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 171 31 shade: RGB 141 172 31, RGB 172 165 31, RGB 172 127 31, RGB 172 89 31 and RGB 172 51 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 171 31 shade: RGB 141 172 31, RGB 103 172 31, RGB 65 172 31, RGB 31 172 35 and RGB 31 172 73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 171 31 shade matches the following richer shades: RGB 141 172 31 and RGB 150 188 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 171 31 shade: RGB 141 172 31, RGB 132 155 48, RGB 122 139 64, RGB 113 122 81 and RGB 104 106 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 171 31 shade: RGB 172 127 31, RGB 172 165 31, RGB 141 172 31, RGB 104 172 31 and RGB 66 172 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 171 31 shade: RGB 84 102 18, RGB 112 137 25, RGB 141 172 31, RGB 169 207 38 and RGB 186 220 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 171 31 shade: RGB 140 171 31, RGB 31 172 90 and RGB 146 31 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 171 31 shade: RGB 140 171 31, RGB 31 141 172 and RGB 172 31 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 171 31 shade: RGB 140 171 31, RGB 31 172 90, RGB 62 31 172 and RGB 172 31 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 171 31 shade: RGB 140 171 31, RGB 31 172 132, RGB 62 31 172 and RGB 172 31 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 82 / 33

HEX #8CAB1F

RGB 140 171 31

HSL 73.29, 0.69%, 0.4%

LAB 65.59, -28.68, 61.86

 

Complementary color

CMYK 49 / 63 / 0 / 12

HEX #7354E0

RGB 115 84 224

HSL 253.29, 0.69%, 0.6%

LAB 46.13, 46.87, -67.31

 

CMYK 15 / 0 / 85 / 33

HEX #91AB1A

RGB 145 171 26

HSL 70.76, 0.74%, 0.39%

LAB 65.92, -26.76, 63.55

 

CMYK 14 / 0 / 76 / 26

HEX #A2BD2D

RGB 162 189 45

HSL 71.25, 0.62%, 0.46%

LAB 72.41, -27.62, 64.48

 

CMYK 14 / 0 / 69 / 19

HEX #B3CF40

RGB 179 207 64

HSL 71.75, 0.6%, 0.53%

LAB 78.8, -28.29, 64.51

 

CMYK 13 / 0 / 63 / 12

HEX #C4E153

RGB 196 225 83

HSL 72.25, 0.7%, 0.6%

LAB 85.1, -28.83, 64.02

 

CMYK 12 / 0 / 58 / 5

HEX #D5F366

RGB 213 243 102

HSL 72.77, 0.85%, 0.68%

LAB 91.33, -29.25, 63.24

 

CMYK 18 / 0 / 82 / 33

HEX #8CAB1F

RGB 140 171 31

HSL 73.29, 0.69%, 0.4%

LAB 65.59, -28.68, 61.86

 

CMYK 20 / 0 / 92 / 40

HEX #7B990C

RGB 123 153 12

HSL 72.77, 0.85%, 0.32%

LAB 58.99, -27.72, 60

 

CMYK 21 / 0 / 100 / 47

HEX #6A8700

RGB 106 135 0

HSL 72.89, 1%, 0.26%

LAB 52.28, -26.47, 56.22

 

CMYK 24 / 0 / 100 / 54

HEX #597500

RGB 89 117 0

HSL 74.36, 1%, 0.23%

LAB 45.42, -24.99, 50.51

 

CMYK 27 / 0 / 100 / 61

HEX #486300

RGB 72 99 0

HSL 76.36, 1%, 0.19%

LAB 38.38, -23.47, 44.64

 

CMYK 18 / 0 / 82 / 33

HEX #8DAC1F

RGB 141 172 31

HSL 73.19, 0.69%, 0.4%

LAB 65.96, -28.75, 62.21

 

CMYK 0 / 4 / 82 / 33

HEX #ACA51F

RGB 172 165 31

HSL 57.02, 0.69%, 0.4%

LAB 66.35, -11.84, 63.49

 

CMYK 0 / 26 / 82 / 33

HEX #AC7F1F

RGB 172 127 31

HSL 40.85, 0.69%, 0.4%

LAB 56.14, 8.79, 54.57

 

CMYK 0 / 48 / 82 / 33

HEX #AC591F

RGB 172 89 31

HSL 24.68, 0.69%, 0.4%

LAB 46.99, 29.94, 46.32

 

CMYK 0 / 70 / 82 / 33

HEX #AC331F

RGB 172 51 31

HSL 8.51, 0.69%, 0.4%

LAB 39.98, 48.19, 39.72

 

CMYK 18 / 0 / 82 / 33

HEX #8DAC1F

RGB 141 172 31

HSL 73.19, 0.69%, 0.4%

LAB 65.96, -28.75, 62.21

 

CMYK 40 / 0 / 82 / 33

HEX #67AC1F

RGB 103 172 31

HSL 89.36, 0.69%, 0.4%

LAB 63.74, -43.42, 59.4

 

CMYK 62 / 0 / 82 / 33

HEX #41AC1F

RGB 65 172 31

HSL 105.53, 0.69%, 0.4%

LAB 62.28, -54.7, 57.52

 

CMYK 82 / 0 / 80 / 33

HEX #1FAC23

RGB 31 172 35

HSL 121.7, 0.69%, 0.4%

LAB 61.58, -60.53, 55.43

 

CMYK 82 / 0 / 58 / 33

HEX #1FAC49

RGB 31 172 73

HSL 137.87, 0.69%, 0.4%

LAB 61.89, -56.71, 40.38

 

CMYK 18 / 0 / 82 / 33

HEX #8DAC1F

RGB 141 172 31

HSL 73.19, 0.69%, 0.4%

LAB 65.96, -28.75, 62.21

 

CMYK 20 / 0 / 92 / 26

HEX #96BC0F

RGB 150 188 15

HSL 73.18, 0.85%, 0.4%

LAB 71.2, -33.02, 70.09

 

CMYK 18 / 0 / 82 / 33

HEX #8DAC1F

RGB 141 172 31

HSL 73.19, 0.69%, 0.4%

LAB 65.96, -28.75, 62.21

 

CMYK 15 / 0 / 69 / 39

HEX #849B30

RGB 132 155 48

HSL 72.9, 0.53%, 0.4%

LAB 60.39, -23.36, 50.98

 

CMYK 12 / 0 / 54 / 45

HEX #7A8B40

RGB 122 139 64

HSL 73.6, 0.37%, 0.4%

LAB 55.04, -18.12, 37.6

 

CMYK 7 / 0 / 34 / 52

HEX #717A51

RGB 113 122 81

HSL 73.17, 0.2%, 0.4%

LAB 49.53, -10.71, 21.38

 

CMYK 2 / 0 / 8 / 58

HEX #686A61

RGB 104 106 97

HSL 73.33, 0.04%, 0.4%

LAB 44.4, -2.58, 4.78

 

CMYK 0 / 26 / 82 / 33

HEX #AC7F1F

RGB 172 127 31

HSL 40.85, 0.69%, 0.4%

LAB 56.14, 8.79, 54.57

 

CMYK 0 / 4 / 82 / 33

HEX #ACA51F

RGB 172 165 31

HSL 57.02, 0.69%, 0.4%

LAB 66.35, -11.84, 63.49

 

CMYK 18 / 0 / 82 / 33

HEX #8DAC1F

RGB 141 172 31

HSL 73.19, 0.69%, 0.4%

LAB 65.96, -28.75, 62.21

 

CMYK 40 / 0 / 82 / 33

HEX #68AC1F

RGB 104 172 31

HSL 88.94, 0.69%, 0.4%

LAB 63.79, -43.07, 59.46

 

CMYK 62 / 0 / 82 / 33

HEX #42AC1F

RGB 66 172 31

HSL 105.11, 0.69%, 0.4%

LAB 62.31, -54.46, 57.55

 

CMYK 18 / 0 / 82 / 60

HEX #546612

RGB 84 102 18

HSL 72.86, 0.7%, 0.24%

LAB 40.3, -18.92, 41.54

 

CMYK 18 / 0 / 82 / 46

HEX #708919

RGB 112 137 25

HSL 73.39, 0.69%, 0.32%

LAB 53.39, -24.16, 51.96

 

CMYK 18 / 0 / 82 / 33

HEX #8DAC1F

RGB 141 172 31

HSL 73.19, 0.69%, 0.4%

LAB 65.96, -28.75, 62.21

 

CMYK 18 / 0 / 82 / 19

HEX #A9CF26

RGB 169 207 38

HSL 73.49, 0.69%, 0.48%

LAB 77.99, -33.52, 71.68

 

CMYK 15 / 0 / 70 / 14

HEX #BADC42

RGB 186 220 66

HSL 73.25, 0.69%, 0.56%

LAB 82.92, -31.49, 68.06

 

CMYK 18 / 0 / 82 / 33

HEX #8CAB1F

RGB 140 171 31

HSL 73.29, 0.69%, 0.4%

LAB 65.59, -28.68, 61.86

 

CMYK 82 / 0 / 48 / 33

HEX #1FAC5A

RGB 31 172 90

HSL 145.11, 0.69%, 0.4%

LAB 62.11, -54.08, 32.17

 

CMYK 15 / 82 / 0 / 33

HEX #921FAC

RGB 146 31 172

HSL 288.94, 0.69%, 0.4%

LAB 37.97, 63.74, -50.11

 

CMYK 18 / 0 / 82 / 33

HEX #8CAB1F

RGB 140 171 31

HSL 73.29, 0.69%, 0.4%

LAB 65.59, -28.68, 61.86

 

CMYK 82 / 18 / 0 / 33

HEX #1F8DAC

RGB 31 141 172

HSL 193.19, 0.69%, 0.4%

LAB 54.36, -18.65, -24.75

 

CMYK 0 / 82 / 18 / 33

HEX #AC1F8D

RGB 172 31 141

HSL 313.19, 0.69%, 0.4%

LAB 40.69, 64.07, -26.77

 

CMYK 18 / 0 / 82 / 33

HEX #8CAB1F

RGB 140 171 31

HSL 73.29, 0.69%, 0.4%

LAB 65.59, -28.68, 61.86

 

CMYK 82 / 0 / 48 / 33

HEX #1FAC5A

RGB 31 172 90

HSL 145.11, 0.69%, 0.4%

LAB 62.11, -54.08, 32.17

 

CMYK 64 / 82 / 0 / 33

HEX #3E1FAC

RGB 62 31 172

HSL 253.19, 0.69%, 0.4%

LAB 26.69, 51.45, -69.01

 

CMYK 0 / 82 / 34 / 33

HEX #AC1F71

RGB 172 31 113

HSL 325.11, 0.69%, 0.4%

LAB 39.48, 60.62, -11.3

 

CMYK 18 / 0 / 82 / 33

HEX #8CAB1F

RGB 140 171 31

HSL 73.29, 0.69%, 0.4%

LAB 65.59, -28.68, 61.86

 

CMYK 82 / 0 / 23 / 33

HEX #1FAC84

RGB 31 172 132

HSL 162.98, 0.69%, 0.4%

LAB 62.9, -45.26, 10.57

 

CMYK 64 / 82 / 0 / 33

HEX #3E1FAC

RGB 62 31 172

HSL 253.19, 0.69%, 0.4%

LAB 26.69, 51.45, -69.01

 

CMYK 0 / 82 / 59 / 33

HEX #AC1F47

RGB 172 31 71

HSL 342.98, 0.69%, 0.4%

LAB 38.21, 56.84, 13.54

 

Description

Color code: RGB 140 171 31 | qconv.com Color code: RGB 140 171 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 171 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 171 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 82 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 82% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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