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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 150 37 it is the complementary color RGB 115 105 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 150 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 150 37 shade: RGB 145 150 32, RGB 162 168 51, RGB 179 186 70, RGB 196 204 89 and RGB 213 222 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 150 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 150 37 shade: RGB 140 150 37, RGB 123 132 18, RGB 106 114 0, RGB 89 96 0 and RGB 72 78 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 150 37 shade: RGB 140 150 37, RGB 150 130 37, RGB 150 99 37, RGB 150 69 37 and RGB 150 38 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 150 37 shade: RGB 140 150 37, RGB 110 150 37, RGB 79 150 37, RGB 49 150 37 and RGB 37 150 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 150 37 shade matches the following richer shades: RGB 140 150 37, RGB 153 166 22 and RGB 166 181 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 150 37 shade: RGB 140 150 37, RGB 128 135 53, RGB 115 120 68, RGB 103 105 83 and RGB 90 89 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 150 37 shade: RGB 150 100 37, RGB 150 130 37, RGB 141 150 37, RGB 111 150 37 and RGB 81 150 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 150 37 shade: RGB 79 84 21, RGB 110 117 29, RGB 140 150 37, RGB 171 183 45 and RGB 194 207 63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 150 37 shade: RGB 140 150 37, RGB 37 150 69 and RGB 115 37 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 150 37 shade: RGB 140 150 37, RGB 37 141 150 and RGB 150 37 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 150 37 shade: RGB 140 150 37, RGB 37 150 69, RGB 47 37 150 and RGB 150 37 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 150 37 shade: RGB 140 150 37, RGB 37 150 103, RGB 47 37 150 and RGB 150 37 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 75 / 41

HEX #8C9625

RGB 140 150 37

HSL 65.31, 0.6%, 0.37%

LAB 59.45, -17.98, 54.41

 

Complementary color

CMYK 47 / 52 / 0 / 15

HEX #7369DA

RGB 115 105 218

HSL 245.31, 0.6%, 0.63%

LAB 50.46, 32.92, -56.91

 

CMYK 3 / 0 / 79 / 41

HEX #919620

RGB 145 150 32

HSL 62.54, 0.65%, 0.36%

LAB 59.83, -15.99, 56.57

 

CMYK 4 / 0 / 70 / 34

HEX #A2A833

RGB 162 168 51

HSL 63.08, 0.53%, 0.43%

LAB 66.46, -16.91, 56.66

 

CMYK 4 / 0 / 62 / 27

HEX #B3BA46

RGB 179 186 70

HSL 63.62, 0.46%, 0.5%

LAB 72.99, -17.64, 56.11

 

CMYK 4 / 0 / 56 / 20

HEX #C4CC59

RGB 196 204 89

HSL 64.17, 0.53%, 0.57%

LAB 79.41, -18.23, 55.23

 

CMYK 4 / 0 / 51 / 13

HEX #D5DE6C

RGB 213 222 108

HSL 64.74, 0.63%, 0.65%

LAB 85.74, -18.71, 54.19

 

CMYK 7 / 0 / 75 / 41

HEX #8C9625

RGB 140 150 37

HSL 65.31, 0.6%, 0.37%

LAB 59.45, -17.98, 54.41

 

CMYK 7 / 0 / 86 / 48

HEX #7B8412

RGB 123 132 18

HSL 64.74, 0.76%, 0.29%

LAB 52.68, -16.96, 53.59

 

CMYK 7 / 0 / 100 / 55

HEX #6A7200

RGB 106 114 0

HSL 64.21, 1%, 0.22%

LAB 45.77, -15.68, 51.34

 

CMYK 7 / 0 / 100 / 62

HEX #596000

RGB 89 96 0

HSL 64.38, 1%, 0.19%

LAB 38.71, -13.95, 45.47

 

CMYK 8 / 0 / 100 / 69

HEX #484E00

RGB 72 78 0

HSL 64.62, 1%, 0.15%

LAB 31.41, -12.17, 39.4

 

CMYK 7 / 0 / 75 / 41

HEX #8C9625

RGB 140 150 37

HSL 65.31, 0.6%, 0.37%

LAB 59.45, -17.98, 54.41

 

CMYK 0 / 13 / 75 / 41

HEX #968225

RGB 150 130 37

HSL 49.38, 0.6%, 0.37%

LAB 54.64, -2.72, 50.14

 

CMYK 0 / 34 / 75 / 41

HEX #966325

RGB 150 99 37

HSL 32.92, 0.6%, 0.37%

LAB 46.37, 14.94, 41.97

 

CMYK 0 / 54 / 75 / 41

HEX #964525

RGB 150 69 37

HSL 16.99, 0.6%, 0.37%

LAB 39.37, 31.79, 34.68

 

CMYK 0 / 75 / 75 / 41

HEX #962625

RGB 150 38 37

HSL 0.53, 0.6%, 0.37%

LAB 33.99, 46.07, 28.76

 

CMYK 7 / 0 / 75 / 41

HEX #8C9625

RGB 140 150 37

HSL 65.31, 0.6%, 0.37%

LAB 59.45, -17.98, 54.41

 

CMYK 27 / 0 / 75 / 41

HEX #6E9625

RGB 110 150 37

HSL 81.24, 0.6%, 0.37%

LAB 57.33, -30.7, 51.63

 

CMYK 47 / 0 / 75 / 41

HEX #4F9625

RGB 79 150 37

HSL 97.7, 0.6%, 0.37%

LAB 55.69, -42.08, 49.48

 

CMYK 67 / 0 / 75 / 41

HEX #319625

RGB 49 150 37

HSL 113.63, 0.6%, 0.37%

LAB 54.66, -50.24, 48.1

 

CMYK 75 / 0 / 63 / 41

HEX #259638

RGB 37 150 56

HSL 130.09, 0.6%, 0.37%

LAB 54.54, -50.6, 39.9

 

CMYK 7 / 0 / 75 / 41

HEX #8C9625

RGB 140 150 37

HSL 65.31, 0.6%, 0.37%

LAB 59.45, -17.98, 54.41

 

CMYK 8 / 0 / 87 / 35

HEX #99A616

RGB 153 166 22

HSL 65.42, 0.77%, 0.37%

LAB 65.04, -20.98, 63.95

 

CMYK 8 / 0 / 96 / 29

HEX #A6B507

RGB 166 181 7

HSL 65.17, 0.93%, 0.37%

LAB 70.29, -23.08, 70.84

 

CMYK 7 / 0 / 75 / 41

HEX #8C9625

RGB 140 150 37

HSL 65.31, 0.6%, 0.37%

LAB 59.45, -17.98, 54.41

 

CMYK 5 / 0 / 61 / 47

HEX #808735

RGB 128 135 53

HSL 65.12, 0.44%, 0.37%

LAB 54.21, -14.4, 42.14

 

CMYK 4 / 0 / 43 / 53

HEX #737844

RGB 115 120 68

HSL 65.77, 0.28%, 0.37%

LAB 48.88, -10.47, 27.87

 

CMYK 2 / 0 / 21 / 59

HEX #676953

RGB 103 105 83

HSL 65.45, 0.12%, 0.37%

LAB 43.67, -4.94, 12.14

 

CMYK 8 / 9 / 0 / 62

HEX #5A5962

RGB 90 89 98

HSL 246.67, 0.05%, 0.37%

LAB 38.2, 2.37, -5.03

 

CMYK 0 / 33 / 75 / 41

HEX #966425

RGB 150 100 37

HSL 33.45, 0.6%, 0.37%

LAB 46.62, 14.36, 42.23

 

CMYK 0 / 13 / 75 / 41

HEX #968225

RGB 150 130 37

HSL 49.38, 0.6%, 0.37%

LAB 54.64, -2.72, 50.14

 

CMYK 6 / 0 / 75 / 41

HEX #8D9625

RGB 141 150 37

HSL 64.78, 0.6%, 0.37%

LAB 59.53, -17.54, 54.51

 

CMYK 26 / 0 / 75 / 41

HEX #6F9625

RGB 111 150 37

HSL 80.71, 0.6%, 0.37%

LAB 57.39, -30.3, 51.72

 

CMYK 46 / 0 / 75 / 41

HEX #519625

RGB 81 150 37

HSL 96.64, 0.6%, 0.37%

LAB 55.78, -41.42, 49.59

 

CMYK 6 / 0 / 75 / 67

HEX #4F5415

RGB 79 84 21

HSL 64.76, 0.6%, 0.21%

LAB 34.1, -11.17, 34.32

 

CMYK 6 / 0 / 75 / 54

HEX #6E751D

RGB 110 117 29

HSL 64.77, 0.6%, 0.29%

LAB 47.14, -14.45, 44.73

 

CMYK 7 / 0 / 75 / 41

HEX #8C9625

RGB 140 150 37

HSL 65.31, 0.6%, 0.37%

LAB 59.45, -17.98, 54.41

 

CMYK 7 / 0 / 75 / 28

HEX #ABB72D

RGB 171 183 45

HSL 65.22, 0.61%, 0.45%

LAB 71.36, -20.92, 63.74

 

CMYK 6 / 0 / 70 / 19

HEX #C2CF3F

RGB 194 207 63

HSL 65.42, 0.6%, 0.53%

LAB 79.87, -22.22, 66.3

 

CMYK 7 / 0 / 75 / 41

HEX #8C9625

RGB 140 150 37

HSL 65.31, 0.6%, 0.37%

LAB 59.45, -17.98, 54.41

 

CMYK 75 / 0 / 54 / 41

HEX #259645

RGB 37 150 69

HSL 136.99, 0.6%, 0.37%

LAB 54.7, -48.81, 33.72

 

CMYK 23 / 75 / 0 / 41

HEX #732596

RGB 115 37 150

HSL 281.42, 0.6%, 0.37%

LAB 32.19, 51.45, -46.39

 

CMYK 7 / 0 / 75 / 41

HEX #8C9625

RGB 140 150 37

HSL 65.31, 0.6%, 0.37%

LAB 59.45, -17.98, 54.41

 

CMYK 75 / 6 / 0 / 41

HEX #258D96

RGB 37 141 150

HSL 184.78, 0.6%, 0.37%

LAB 53.65, -25.33, -13.16

 

CMYK 0 / 75 / 6 / 41

HEX #96258D

RGB 150 37 141

HSL 304.78, 0.6%, 0.37%

LAB 37.35, 57.41, -32.29

 

CMYK 7 / 0 / 75 / 41

HEX #8C9625

RGB 140 150 37

HSL 65.31, 0.6%, 0.37%

LAB 59.45, -17.98, 54.41

 

CMYK 75 / 0 / 54 / 41

HEX #259645

RGB 37 150 69

HSL 136.99, 0.6%, 0.37%

LAB 54.7, -48.81, 33.72

 

CMYK 69 / 75 / 0 / 41

HEX #2F2596

RGB 47 37 150

HSL 245.31, 0.6%, 0.37%

LAB 24.09, 40.09, -59.94

 

CMYK 0 / 75 / 21 / 41

HEX #962576

RGB 150 37 118

HSL 316.99, 0.6%, 0.37%

LAB 36.21, 53.95, -19.82

 

CMYK 7 / 0 / 75 / 41

HEX #8C9625

RGB 140 150 37

HSL 65.31, 0.6%, 0.37%

LAB 59.45, -17.98, 54.41

 

CMYK 75 / 0 / 31 / 41

HEX #259667

RGB 37 150 103

HSL 155.04, 0.6%, 0.37%

LAB 55.26, -42.37, 16.1

 

CMYK 69 / 75 / 0 / 41

HEX #2F2596

RGB 47 37 150

HSL 245.31, 0.6%, 0.37%

LAB 24.09, 40.09, -59.94

 

CMYK 0 / 75 / 44 / 41

HEX #962554

RGB 150 37 84

HSL 335.04, 0.6%, 0.37%

LAB 34.9, 49.85, -0.12

 

Description

Color code: RGB 140 150 37 | qconv.com Color code: RGB 140 150 37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 150 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 150 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 75 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 75% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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