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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 132 86 it is the complementary color RGB 115 123 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 132 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 132 86 shade: RGB 145 132 81, RGB 162 150 100, RGB 179 168 119, RGB 196 186 138 and RGB 213 204 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 132 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 132 86 shade: RGB 140 132 86, RGB 123 114 67, RGB 106 96 48, RGB 89 78 29 and RGB 72 60 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 132 86 shade: RGB 139 131 85, RGB 139 116 85, RGB 139 102 85, RGB 139 87 85 and RGB 139 85 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 132 86 shade: RGB 139 131 85, RGB 132 139 85, RGB 118 139 85, RGB 103 139 85 and RGB 89 139 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 132 86 shade matches the following richer shades: RGB 139 131 85, RGB 157 143 67, RGB 175 156 48, RGB 193 169 30 and RGB 211 182 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 132 86 shade: RGB 139 131 85, RGB 120 118 103, RGB 102 105 121, RGB 84 92 139 and RGB 66 80 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 132 86 shade: RGB 139 102 85, RGB 139 116 85, RGB 139 131 85, RGB 132 139 85 and RGB 118 139 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 132 86 shade: RGB 87 82 53, RGB 113 107 69, RGB 139 131 85, RGB 162 153 103 and RGB 177 170 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 132 86 shade: RGB 140 132 86, RGB 85 139 87 and RGB 109 85 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 132 86 shade: RGB 140 132 86, RGB 85 139 131 and RGB 131 85 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 132 86 shade: RGB 140 132 86, RGB 85 139 87, RGB 85 93 139 and RGB 139 85 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 132 86 shade: RGB 140 132 86, RGB 85 139 104, RGB 85 93 139 and RGB 139 85 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 39 / 45

HEX #8C8456

RGB 140 132 86

HSL 51.11, 0.24%, 0.44%

LAB 54.81, -4.18, 25.93

 

Complementary color

CMYK 32 / 27 / 0 / 34

HEX #737BA9

RGB 115 123 169

HSL 231.11, 0.24%, 0.56%

LAB 52.59, 8.12, -25.46

 

CMYK 0 / 9 / 44 / 43

HEX #918451

RGB 145 132 81

HSL 47.81, 0.28%, 0.44%

LAB 55.19, -2.62, 29.27

 

CMYK 0 / 7 / 38 / 36

HEX #A29664

RGB 162 150 100

HSL 48.39, 0.25%, 0.51%

LAB 62.01, -3.13, 27.99

 

CMYK 0 / 6 / 34 / 30

HEX #B3A877

RGB 179 168 119

HSL 49, 0.28%, 0.58%

LAB 68.69, -3.56, 26.79

 

CMYK 0 / 5 / 30 / 23

HEX #C4BA8A

RGB 196 186 138

HSL 49.66, 0.33%, 0.65%

LAB 75.26, -3.91, 25.66

 

CMYK 0 / 4 / 26 / 16

HEX #D5CC9D

RGB 213 204 157

HSL 50.36, 0.4%, 0.73%

LAB 81.71, -4.21, 24.6

 

CMYK 0 / 6 / 39 / 45

HEX #8C8456

RGB 140 132 86

HSL 51.11, 0.24%, 0.44%

LAB 54.81, -4.18, 25.93

 

CMYK 0 / 7 / 46 / 52

HEX #7B7243

RGB 123 114 67

HSL 50.36, 0.29%, 0.37%

LAB 47.82, -3.68, 27.24

 

CMYK 0 / 9 / 55 / 58

HEX #6A6030

RGB 106 96 48

HSL 49.66, 0.38%, 0.3%

LAB 40.64, -3.03, 28.61

 

CMYK 0 / 12 / 67 / 65

HEX #594E1D

RGB 89 78 29

HSL 49, 0.51%, 0.23%

LAB 33.27, -2.12, 29.91

 

CMYK 0 / 17 / 86 / 72

HEX #483C0A

RGB 72 60 10

HSL 48.39, 0.76%, 0.16%

LAB 25.66, -0.8, 30.62

 

CMYK 0 / 6 / 39 / 45

HEX #8B8355

RGB 139 131 85

HSL 51.11, 0.24%, 0.44%

LAB 54.43, -4.18, 25.97

 

CMYK 0 / 17 / 39 / 45

HEX #8B7455

RGB 139 116 85

HSL 34.44, 0.24%, 0.44%

LAB 50.26, 4.34, 20.49

 

CMYK 0 / 27 / 39 / 45

HEX #8B6655

RGB 139 102 85

HSL 18.89, 0.24%, 0.44%

LAB 46.51, 12.49, 15.43

 

CMYK 0 / 37 / 39 / 45

HEX #8B5755

RGB 139 87 85

HSL 2.22, 0.24%, 0.44%

LAB 42.7, 21.28, 10.18

 

CMYK 0 / 39 / 39 / 45

HEX #8B5555

RGB 139 85 85

HSL 0, 0.24%, 0.44%

LAB 42.22, 22.44, 9.5

 

CMYK 0 / 6 / 39 / 45

HEX #8B8355

RGB 139 131 85

HSL 51.11, 0.24%, 0.44%

LAB 54.43, -4.18, 25.97

 

CMYK 5 / 0 / 39 / 45

HEX #848B55

RGB 132 139 85

HSL 67.78, 0.24%, 0.44%

LAB 56.11, -11.53, 28.03

 

CMYK 15 / 0 / 39 / 45

HEX #768B55

RGB 118 139 85

HSL 83.33, 0.24%, 0.44%

LAB 55.04, -17.28, 26.44

 

CMYK 26 / 0 / 39 / 45

HEX #678B55

RGB 103 139 85

HSL 100, 0.24%, 0.44%

LAB 54.03, -23.13, 24.93

 

CMYK 36 / 0 / 39 / 45

HEX #598B55

RGB 89 139 85

HSL 115.56, 0.24%, 0.44%

LAB 53.22, -28.19, 23.7

 

CMYK 0 / 6 / 39 / 45

HEX #8B8355

RGB 139 131 85

HSL 51.11, 0.24%, 0.44%

LAB 54.43, -4.18, 25.97

 

CMYK 0 / 9 / 57 / 38

HEX #9D8F43

RGB 157 143 67

HSL 50.67, 0.4%, 0.44%

LAB 59.18, -4.79, 41.66

 

CMYK 0 / 11 / 73 / 31

HEX #AF9C30

RGB 175 156 48

HSL 51.02, 0.57%, 0.44%

LAB 64.25, -5.07, 56.01

 

CMYK 0 / 12 / 84 / 24

HEX #C1A91E

RGB 193 169 30

HSL 51.17, 0.73%, 0.44%

LAB 69.33, -4.66, 67.03

 

CMYK 0 / 14 / 94 / 17

HEX #D3B60C

RGB 211 182 12

HSL 51.26, 0.89%, 0.44%

LAB 74.4, -3.87, 75.05

 

CMYK 0 / 6 / 39 / 45

HEX #8B8355

RGB 139 131 85

HSL 51.11, 0.24%, 0.44%

LAB 54.43, -4.18, 25.97

 

CMYK 0 / 2 / 14 / 53

HEX #787667

RGB 120 118 103

HSL 52.94, 0.08%, 0.44%

LAB 49.41, -2.05, 8.54

 

CMYK 16 / 13 / 0 / 53

HEX #666979

RGB 102 105 121

HSL 230.53, 0.09%, 0.44%

LAB 44.67, 2.43, -9.3

 

CMYK 40 / 34 / 0 / 45

HEX #545C8B

RGB 84 92 139

HSL 231.27, 0.25%, 0.44%

LAB 40.25, 9.37, -27.07

 

CMYK 58 / 49 / 0 / 38

HEX #42509D

RGB 66 80 157

HSL 230.77, 0.41%, 0.44%

LAB 36.61, 18.36, -43.78

 

CMYK 0 / 27 / 39 / 45

HEX #8B6655

RGB 139 102 85

HSL 18.89, 0.24%, 0.44%

LAB 46.51, 12.49, 15.43

 

CMYK 0 / 17 / 39 / 45

HEX #8B7455

RGB 139 116 85

HSL 34.44, 0.24%, 0.44%

LAB 50.26, 4.34, 20.49

 

CMYK 0 / 6 / 39 / 45

HEX #8B8355

RGB 139 131 85

HSL 51.11, 0.24%, 0.44%

LAB 54.43, -4.18, 25.97

 

CMYK 5 / 0 / 39 / 45

HEX #848B55

RGB 132 139 85

HSL 67.78, 0.24%, 0.44%

LAB 56.11, -11.53, 28.03

 

CMYK 15 / 0 / 39 / 45

HEX #768B55

RGB 118 139 85

HSL 83.33, 0.24%, 0.44%

LAB 55.04, -17.28, 26.44

 

CMYK 0 / 6 / 39 / 66

HEX #575235

RGB 87 82 53

HSL 51.18, 0.24%, 0.27%

LAB 34.64, -2.94, 17.78

 

CMYK 0 / 5 / 39 / 56

HEX #716B45

RGB 113 107 69

HSL 51.82, 0.24%, 0.36%

LAB 44.88, -3.86, 22.16

 

CMYK 0 / 6 / 39 / 45

HEX #8B8355

RGB 139 131 85

HSL 51.11, 0.24%, 0.44%

LAB 54.43, -4.18, 25.97

 

CMYK 0 / 6 / 36 / 36

HEX #A29967

RGB 162 153 103

HSL 50.85, 0.24%, 0.52%

LAB 62.88, -4.4, 27.5

 

CMYK 0 / 4 / 27 / 31

HEX #B1AA81

RGB 177 170 129

HSL 51.25, 0.24%, 0.6%

LAB 69.24, -4.1, 22.09

 

CMYK 0 / 6 / 39 / 45

HEX #8C8456

RGB 140 132 86

HSL 51.11, 0.24%, 0.44%

LAB 54.81, -4.18, 25.93

 

CMYK 39 / 0 / 37 / 45

HEX #558B57

RGB 85 139 87

HSL 122.22, 0.24%, 0.44%

LAB 53.04, -29.21, 22.33

 

CMYK 22 / 39 / 0 / 45

HEX #6D558B

RGB 109 85 139

HSL 266.67, 0.24%, 0.44%

LAB 40.59, 21.47, -26.38

 

CMYK 0 / 6 / 39 / 45

HEX #8C8456

RGB 140 132 86

HSL 51.11, 0.24%, 0.44%

LAB 54.81, -4.18, 25.93

 

CMYK 39 / 0 / 6 / 45

HEX #558B83

RGB 85 139 131

HSL 171.11, 0.24%, 0.44%

LAB 54.06, -19.87, -1.38

 

CMYK 6 / 39 / 0 / 45

HEX #83558B

RGB 131 85 139

HSL 291.11, 0.24%, 0.44%

LAB 43.04, 28.7, -22.38

 

CMYK 0 / 6 / 39 / 45

HEX #8C8456

RGB 140 132 86

HSL 51.11, 0.24%, 0.44%

LAB 54.81, -4.18, 25.93

 

CMYK 39 / 0 / 37 / 45

HEX #558B57

RGB 85 139 87

HSL 122.22, 0.24%, 0.44%

LAB 53.04, -29.21, 22.33

 

CMYK 39 / 33 / 0 / 45

HEX #555D8B

RGB 85 93 139

HSL 231.11, 0.24%, 0.44%

LAB 40.61, 9.03, -26.5

 

CMYK 0 / 39 / 2 / 45

HEX #8B5588

RGB 139 85 136

HSL 303.33, 0.24%, 0.44%

LAB 43.89, 30.77, -19.18

 

CMYK 0 / 6 / 39 / 45

HEX #8C8456

RGB 140 132 86

HSL 51.11, 0.24%, 0.44%

LAB 54.81, -4.18, 25.93

 

CMYK 39 / 0 / 25 / 45

HEX #558B68

RGB 85 139 104

HSL 141.11, 0.24%, 0.44%

LAB 53.38, -26.01, 13.19

 

CMYK 39 / 33 / 0 / 45

HEX #555D8B

RGB 85 93 139

HSL 231.11, 0.24%, 0.44%

LAB 40.61, 9.03, -26.5

 

CMYK 0 / 39 / 14 / 45

HEX #8B5578

RGB 139 85 120

HSL 321.11, 0.24%, 0.44%

LAB 43.27, 27.79, -10.41

 

Description

Color code: RGB 140 132 86 | qconv.com Color code: RGB 140 132 86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 132 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 132 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 39 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 39% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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