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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 108 103 it is the complementary color RGB 115 147 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 108 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 108 103 shade: RGB 145 108 98, RGB 162 126 117, RGB 179 144 136, RGB 196 162 155 and RGB 213 180 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 108 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 108 103 shade: RGB 140 108 103, RGB 123 90 84, RGB 106 72 65, RGB 89 54 46 and RGB 72 36 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 108 103 shade: RGB 140 109 104 and RGB 140 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 108 103 shade: RGB 140 109 104, RGB 140 118 104, RGB 140 128 104, RGB 140 138 104 and RGB 132 140 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 108 103 shade matches the following richer shades: RGB 140 109 104, RGB 160 94 84, RGB 180 80 64, RGB 200 65 44 and RGB 219 51 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 108 103 shade: RGB 140 109 104, RGB 120 123 123, RGB 101 137 143, RGB 81 152 163 and RGB 61 166 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 108 103 shade: RGB 140 104 118, RGB 140 104 108, RGB 140 108 104, RGB 140 118 104 and RGB 140 128 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 108 103 shade: RGB 93 72 68, RGB 117 90 86, RGB 140 109 104, RGB 159 130 126 and RGB 177 153 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 108 103 shade: RGB 140 108 103, RGB 128 140 104 and RGB 104 113 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 108 103 shade: RGB 140 108 103, RGB 104 140 108 and RGB 108 104 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 108 103 shade: RGB 140 108 103, RGB 128 140 104, RGB 104 135 140 and RGB 116 104 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 108 103 shade: RGB 140 108 103, RGB 117 140 104, RGB 104 135 140 and RGB 127 104 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 26 / 45

HEX #8C6C67

RGB 140 108 103

HSL 8.11, 0.15%, 0.48%

LAB 48.61, 11.93, 7.68

 

Complementary color

CMYK 24 / 3 / 0 / 40

HEX #739398

RGB 115 147 152

HSL 188.11, 0.15%, 0.52%

LAB 58.77, -9.93, -6.31

 

CMYK 0 / 26 / 32 / 43

HEX #916C62

RGB 145 108 98

HSL 12.77, 0.19%, 0.48%

LAB 49.04, 13.26, 11.33

 

CMYK 0 / 22 / 28 / 36

HEX #A27E75

RGB 162 126 117

HSL 12, 0.19%, 0.55%

LAB 55.97, 12.55, 10.23

 

CMYK 0 / 20 / 24 / 30

HEX #B39088

RGB 179 144 136

HSL 11.16, 0.22%, 0.62%

LAB 62.77, 11.94, 9.24

 

CMYK 0 / 17 / 21 / 23

HEX #C4A29B

RGB 196 162 155

HSL 10.24, 0.26%, 0.69%

LAB 69.43, 11.4, 8.32

 

CMYK 0 / 15 / 18 / 16

HEX #D5B4AE

RGB 213 180 174

HSL 9.23, 0.32%, 0.76%

LAB 75.97, 10.93, 7.47

 

CMYK 0 / 23 / 26 / 45

HEX #8C6C67

RGB 140 108 103

HSL 8.11, 0.15%, 0.48%

LAB 48.61, 11.93, 7.68

 

CMYK 0 / 27 / 32 / 52

HEX #7B5A54

RGB 123 90 84

HSL 9.23, 0.19%, 0.41%

LAB 41.47, 12.66, 8.78

 

CMYK 0 / 32 / 39 / 58

HEX #6A4841

RGB 106 72 65

HSL 10.24, 0.24%, 0.34%

LAB 34.15, 13.54, 10.04

 

CMYK 0 / 39 / 48 / 65

HEX #59362E

RGB 89 54 46

HSL 11.16, 0.32%, 0.26%

LAB 26.62, 14.63, 11.57

 

CMYK 0 / 50 / 63 / 72

HEX #48241B

RGB 72 36 27

HSL 12, 0.45%, 0.19%

LAB 18.88, 16.02, 13.54

 

CMYK 0 / 22 / 26 / 45

HEX #8C6D68

RGB 140 109 104

HSL 8.33, 0.15%, 0.48%

LAB 48.9, 11.5, 7.5

 

CMYK 0 / 26 / 26 / 45

HEX #8C6868

RGB 140 104 104

HSL 0, 0.15%, 0.48%

LAB 47.59, 14.43, 5.63

 

CMYK 0 / 22 / 26 / 45

HEX #8C6D68

RGB 140 109 104

HSL 8.33, 0.15%, 0.48%

LAB 48.9, 11.5, 7.5

 

CMYK 0 / 16 / 26 / 45

HEX #8C7668

RGB 140 118 104

HSL 23.33, 0.15%, 0.48%

LAB 51.3, 6.26, 10.89

 

CMYK 0 / 9 / 26 / 45

HEX #8C8068

RGB 140 128 104

HSL 40, 0.15%, 0.48%

LAB 54.04, 0.53, 14.7

 

CMYK 0 / 1 / 26 / 45

HEX #8C8A68

RGB 140 138 104

HSL 56.67, 0.15%, 0.48%

LAB 56.83, -5.08, 18.53

 

CMYK 6 / 0 / 26 / 45

HEX #848C68

RGB 132 140 104

HSL 73.33, 0.15%, 0.48%

LAB 56.74, -9.41, 18.3

 

CMYK 0 / 22 / 26 / 45

HEX #8C6D68

RGB 140 109 104

HSL 8.33, 0.15%, 0.48%

LAB 48.9, 11.5, 7.5

 

CMYK 0 / 41 / 48 / 37

HEX #A05E54

RGB 160 94 84

HSL 7.89, 0.31%, 0.48%

LAB 47.13, 25.78, 17.31

 

CMYK 0 / 56 / 64 / 29

HEX #B45040

RGB 180 80 64

HSL 8.28, 0.48%, 0.48%

LAB 46.73, 39.47, 29.15

 

CMYK 0 / 68 / 78 / 22

HEX #C8412C

RGB 200 65 44

HSL 8.08, 0.64%, 0.48%

LAB 47.29, 52.46, 41.87

 

CMYK 0 / 77 / 89 / 14

HEX #DB3318

RGB 219 51 24

HSL 8.31, 0.8%, 0.48%

LAB 48.88, 62.91, 54.04

 

CMYK 0 / 22 / 26 / 45

HEX #8C6D68

RGB 140 109 104

HSL 8.33, 0.15%, 0.48%

LAB 48.9, 11.5, 7.5

 

CMYK 2 / 0 / 0 / 52

HEX #787B7B

RGB 120 123 123

HSL 180, 0.01%, 0.48%

LAB 51.37, -1.12, -0.4

 

CMYK 29 / 4 / 0 / 44

HEX #65898F

RGB 101 137 143

HSL 188.57, 0.17%, 0.48%

LAB 54.7, -11.01, -7.28

 

CMYK 50 / 7 / 0 / 36

HEX #5198A3

RGB 81 152 163

HSL 188.05, 0.34%, 0.48%

LAB 58.84, -19.18, -12.66

 

CMYK 67 / 9 / 0 / 28

HEX #3DA6B7

RGB 61 166 183

HSL 188.36, 0.5%, 0.48%

LAB 63.08, -24.36, -17.59

 

CMYK 0 / 26 / 16 / 45

HEX #8C6876

RGB 140 104 118

HSL 336.67, 0.15%, 0.48%

LAB 47.99, 16.73, -2.17

 

CMYK 0 / 26 / 23 / 45

HEX #8C686C

RGB 140 104 108

HSL 353.33, 0.15%, 0.48%

LAB 47.7, 15.06, 3.39

 

CMYK 0 / 23 / 26 / 45

HEX #8C6C68

RGB 140 108 104

HSL 6.67, 0.15%, 0.48%

LAB 48.64, 12.08, 7.12

 

CMYK 0 / 16 / 26 / 45

HEX #8C7668

RGB 140 118 104

HSL 23.33, 0.15%, 0.48%

LAB 51.3, 6.26, 10.89

 

CMYK 0 / 9 / 26 / 45

HEX #8C8068

RGB 140 128 104

HSL 40, 0.15%, 0.48%

LAB 54.04, 0.53, 14.7

 

CMYK 0 / 23 / 27 / 64

HEX #5D4844

RGB 93 72 68

HSL 9.6, 0.16%, 0.32%

LAB 32.66, 8.25, 5.81

 

CMYK 0 / 23 / 26 / 54

HEX #755A56

RGB 117 90 86

HSL 7.74, 0.15%, 0.4%

LAB 40.84, 10.42, 6.56

 

CMYK 0 / 22 / 26 / 45

HEX #8C6D68

RGB 140 109 104

HSL 8.33, 0.15%, 0.48%

LAB 48.9, 11.5, 7.5

 

CMYK 0 / 18 / 21 / 38

HEX #9F827E

RGB 159 130 126

HSL 7.27, 0.15%, 0.56%

LAB 56.92, 10.45, 6.34

 

CMYK 0 / 14 / 16 / 31

HEX #B19995

RGB 177 153 149

HSL 8.57, 0.15%, 0.64%

LAB 65.2, 8.2, 5.37

 

CMYK 0 / 23 / 26 / 45

HEX #8C6C67

RGB 140 108 103

HSL 8.11, 0.15%, 0.48%

LAB 48.61, 11.93, 7.68

 

CMYK 9 / 0 / 26 / 45

HEX #808C68

RGB 128 140 104

HSL 80, 0.15%, 0.48%

LAB 56.43, -11, 17.82

 

CMYK 26 / 19 / 0 / 45

HEX #68718C

RGB 104 113 140

HSL 225, 0.15%, 0.48%

LAB 47.81, 3.01, -15.88

 

CMYK 0 / 23 / 26 / 45

HEX #8C6C67

RGB 140 108 103

HSL 8.11, 0.15%, 0.48%

LAB 48.61, 11.93, 7.68

 

CMYK 26 / 0 / 23 / 45

HEX #688C6C

RGB 104 140 108

HSL 126.67, 0.15%, 0.48%

LAB 54.85, -19.34, 13.11

 

CMYK 23 / 26 / 0 / 45

HEX #6C688C

RGB 108 104 140

HSL 246.67, 0.15%, 0.48%

LAB 45.61, 9.76, -19.22

 

CMYK 0 / 23 / 26 / 45

HEX #8C6C67

RGB 140 108 103

HSL 8.11, 0.15%, 0.48%

LAB 48.61, 11.93, 7.68

 

CMYK 9 / 0 / 26 / 45

HEX #808C68

RGB 128 140 104

HSL 80, 0.15%, 0.48%

LAB 56.43, -11, 17.82

 

CMYK 26 / 4 / 0 / 45

HEX #68878C

RGB 104 135 140

HSL 188.33, 0.15%, 0.48%

LAB 54.2, -9.69, -6.27

 

CMYK 17 / 26 / 0 / 45

HEX #74688C

RGB 116 104 140

HSL 260, 0.15%, 0.48%

LAB 46.32, 12.46, -18.07

 

CMYK 0 / 23 / 26 / 45

HEX #8C6C67

RGB 140 108 103

HSL 8.11, 0.15%, 0.48%

LAB 48.61, 11.93, 7.68

 

CMYK 16 / 0 / 26 / 45

HEX #758C68

RGB 117 140 104

HSL 98.33, 0.15%, 0.48%

LAB 55.62, -15.27, 16.58

 

CMYK 26 / 4 / 0 / 45

HEX #68878C

RGB 104 135 140

HSL 188.33, 0.15%, 0.48%

LAB 54.2, -9.69, -6.27

 

CMYK 9 / 26 / 0 / 45

HEX #7F688C

RGB 127 104 140

HSL 278.33, 0.15%, 0.48%

LAB 47.37, 16.27, -16.37

 

Description

Color code: RGB 140 108 103 | qconv.com Color code: RGB 140 108 103 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 108 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 108 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 26 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 26% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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