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Color name
RGB 140 104 27

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 104 27 it is the complementary color RGB 115 151 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 104 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 104 27 shade: RGB 145 104 22, RGB 162 122 41, RGB 179 140 60, RGB 196 158 79 and RGB 213 176 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 104 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 104 27 shade: RGB 140 104 27, RGB 123 86 8, RGB 106 68 0, RGB 89 50 0 and RGB 72 32 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 104 27 shade: RGB 141 104 26, RGB 141 74 26, RGB 141 43 26 and RGB 141 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 104 27 shade: RGB 141 104 26, RGB 141 135 26, RGB 116 141 26, RGB 85 141 26 and RGB 54 141 26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 104 27 shade matches the following richer shades: RGB 141 104 26 and RGB 154 109 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 104 27 shade: RGB 141 104 26, RGB 127 99 40, RGB 114 95 54, RGB 100 90 67 and RGB 86 85 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 104 27 shade: RGB 141 42 26, RGB 141 72 26, RGB 141 103 26, RGB 141 133 26 and RGB 118 141 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 104 27 shade: RGB 72 53 13, RGB 106 79 20, RGB 141 104 26, RGB 176 130 33 and RGB 210 156 40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 104 27 shade: RGB 140 104 27, RGB 42 141 26 and RGB 57 26 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 104 27 shade: RGB 140 104 27, RGB 26 141 103 and RGB 103 26 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 104 27 shade: RGB 140 104 27, RGB 42 141 26, RGB 26 65 141 and RGB 126 26 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 104 27 shade: RGB 140 104 27, RGB 26 141 46, RGB 26 65 141 and RGB 141 26 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 81 / 45

HEX #8C681B

RGB 140 104 27

HSL 40.88, 0.68%, 0.33%

LAB 46.39, 6.96, 45.85

 

Complementary color

CMYK 50 / 34 / 0 / 11

HEX #7397E4

RGB 115 151 228

HSL 220.88, 0.68%, 0.67%

LAB 62.83, 8.57, -42.86

 

CMYK 0 / 28 / 85 / 43

HEX #916816

RGB 145 104 22

HSL 40, 0.74%, 0.33%

LAB 46.95, 9.13, 48.4

 

CMYK 0 / 25 / 75 / 36

HEX #A27A29

RGB 162 122 41

HSL 40.17, 0.6%, 0.4%

LAB 53.77, 7.46, 48.09

 

CMYK 0 / 22 / 66 / 30

HEX #B38C3C

RGB 179 140 60

HSL 40.34, 0.5%, 0.47%

LAB 60.49, 6.09, 47.1

 

CMYK 0 / 19 / 60 / 23

HEX #C49E4F

RGB 196 158 79

HSL 40.51, 0.5%, 0.54%

LAB 67.09, 4.95, 45.87

 

CMYK 0 / 17 / 54 / 16

HEX #D5B062

RGB 213 176 98

HSL 40.7, 0.58%, 0.61%

LAB 73.6, 4, 44.57

 

CMYK 0 / 26 / 81 / 45

HEX #8C681B

RGB 140 104 27

HSL 40.88, 0.68%, 0.33%

LAB 46.39, 6.96, 45.85

 

CMYK 0 / 30 / 93 / 52

HEX #7B5608

RGB 123 86 8

HSL 40.7, 0.88%, 0.26%

LAB 39.38, 8.86, 45.29

 

CMYK 0 / 36 / 100 / 58

HEX #6A4400

RGB 106 68 0

HSL 38.49, 1%, 0.21%

LAB 32.25, 11.23, 41.78

 

CMYK 0 / 44 / 100 / 65

HEX #593200

RGB 89 50 0

HSL 33.71, 1%, 0.17%

LAB 24.97, 13.96, 34.85

 

CMYK 0 / 56 / 100 / 72

HEX #482000

RGB 72 32 0

HSL 26.67, 1%, 0.14%

LAB 17.51, 16.83, 25.94

 

CMYK 0 / 26 / 82 / 45

HEX #8D681A

RGB 141 104 26

HSL 40.7, 0.69%, 0.33%

LAB 46.5, 7.39, 46.38

 

CMYK 0 / 48 / 82 / 45

HEX #8D4A1A

RGB 141 74 26

HSL 25.04, 0.69%, 0.33%

LAB 38.96, 24.76, 39.37

 

CMYK 0 / 70 / 82 / 45

HEX #8D2B1A

RGB 141 43 26

HSL 8.87, 0.69%, 0.33%

LAB 32.84, 40.55, 33.42

 

CMYK 0 / 82 / 82 / 45

HEX #8D1A1A

RGB 141 26 26

HSL 0, 0.69%, 0.33%

LAB 30.58, 46.8, 31.13

 

CMYK 0 / 26 / 82 / 45

HEX #8D681A

RGB 141 104 26

HSL 40.7, 0.69%, 0.33%

LAB 46.5, 7.39, 46.38

 

CMYK 0 / 4 / 82 / 45

HEX #8D871A

RGB 141 135 26

HSL 56.87, 0.69%, 0.33%

LAB 55.14, -10.06, 54.11

 

CMYK 18 / 0 / 82 / 45

HEX #748D1A

RGB 116 141 26

HSL 73.04, 0.69%, 0.33%

LAB 54.9, -24.39, 53.13

 

CMYK 40 / 0 / 82 / 45

HEX #558D1A

RGB 85 141 26

HSL 89.22, 0.69%, 0.33%

LAB 53.01, -36.85, 50.71

 

CMYK 62 / 0 / 82 / 45

HEX #368D1A

RGB 54 141 26

HSL 105.39, 0.69%, 0.33%

LAB 51.73, -46.59, 49.06

 

CMYK 0 / 26 / 82 / 45

HEX #8D681A

RGB 141 104 26

HSL 40.7, 0.69%, 0.33%

LAB 46.5, 7.39, 46.38

 

CMYK 0 / 29 / 92 / 40

HEX #9A6D0D

RGB 154 109 13

HSL 40.85, 0.84%, 0.33%

LAB 49.3, 10.22, 53.34

 

CMYK 0 / 26 / 82 / 45

HEX #8D681A

RGB 141 104 26

HSL 40.7, 0.69%, 0.33%

LAB 46.5, 7.39, 46.38

 

CMYK 0 / 22 / 69 / 50

HEX #7F6328

RGB 127 99 40

HSL 40.69, 0.52%, 0.33%

LAB 43.64, 4.44, 36.82

 

CMYK 0 / 17 / 53 / 55

HEX #725F36

RGB 114 95 54

HSL 41, 0.36%, 0.33%

LAB 41.26, 1.89, 26.19

 

CMYK 0 / 10 / 33 / 61

HEX #645A43

RGB 100 90 67

HSL 41.82, 0.2%, 0.33%

LAB 38.6, 0.11, 14.79

 

CMYK 0 / 1 / 6 / 66

HEX #565551

RGB 86 85 81

HSL 48, 0.03%, 0.33%

LAB 36.12, -0.43, 2.47

 

CMYK 0 / 70 / 82 / 45

HEX #8D2A1A

RGB 141 42 26

HSL 8.35, 0.69%, 0.33%

LAB 32.69, 40.97, 33.26

 

CMYK 0 / 49 / 82 / 45

HEX #8D481A

RGB 141 72 26

HSL 24, 0.69%, 0.33%

LAB 38.5, 25.88, 38.94

 

CMYK 0 / 27 / 82 / 45

HEX #8D671A

RGB 141 103 26

HSL 40.17, 0.69%, 0.33%

LAB 46.23, 7.97, 46.14

 

CMYK 0 / 6 / 82 / 45

HEX #8D851A

RGB 141 133 26

HSL 55.83, 0.69%, 0.33%

LAB 54.57, -8.98, 53.6

 

CMYK 16 / 0 / 82 / 45

HEX #768D1A

RGB 118 141 26

HSL 72, 0.69%, 0.33%

LAB 55.05, -23.52, 53.31

 

CMYK 0 / 26 / 82 / 72

HEX #48350D

RGB 72 53 13

HSL 40.68, 0.69%, 0.17%

LAB 23.52, 3.86, 27.21

 

CMYK 0 / 25 / 81 / 58

HEX #6A4F14

RGB 106 79 20

HSL 41.16, 0.68%, 0.25%

LAB 35.41, 5.15, 37

 

CMYK 0 / 26 / 82 / 45

HEX #8D681A

RGB 141 104 26

HSL 40.7, 0.69%, 0.33%

LAB 46.5, 7.39, 46.38

 

CMYK 0 / 26 / 81 / 31

HEX #B08221

RGB 176 130 33

HSL 40.7, 0.68%, 0.41%

LAB 57.37, 8.99, 55.15

 

CMYK 0 / 26 / 81 / 18

HEX #D29C28

RGB 210 156 40

HSL 40.94, 0.68%, 0.49%

LAB 67.75, 10.08, 63.43

 

CMYK 0 / 26 / 81 / 45

HEX #8C681B

RGB 140 104 27

HSL 40.88, 0.68%, 0.33%

LAB 46.39, 6.96, 45.85

 

CMYK 70 / 0 / 82 / 45

HEX #2A8D1A

RGB 42 141 26

HSL 111.65, 0.69%, 0.33%

LAB 51.4, -49.35, 48.62

 

CMYK 60 / 82 / 0 / 45

HEX #391A8D

RGB 57 26 141

HSL 256.17, 0.69%, 0.33%

LAB 22.06, 44.18, -57.69

 

CMYK 0 / 26 / 81 / 45

HEX #8C681B

RGB 140 104 27

HSL 40.88, 0.68%, 0.33%

LAB 46.39, 6.96, 45.85

 

CMYK 82 / 0 / 27 / 45

HEX #1A8D67

RGB 26 141 103

HSL 160.17, 0.69%, 0.33%

LAB 52.12, -40.03, 11.71

 

CMYK 27 / 82 / 0 / 45

HEX #671A8D

RGB 103 26 141

HSL 280.17, 0.69%, 0.33%

LAB 28.24, 51.29, -47.34

 

CMYK 0 / 26 / 81 / 45

HEX #8C681B

RGB 140 104 27

HSL 40.88, 0.68%, 0.33%

LAB 46.39, 6.96, 45.85

 

CMYK 70 / 0 / 82 / 45

HEX #2A8D1A

RGB 42 141 26

HSL 111.65, 0.69%, 0.33%

LAB 51.4, -49.35, 48.62

 

CMYK 82 / 54 / 0 / 45

HEX #1A418D

RGB 26 65 141

HSL 219.65, 0.69%, 0.33%

LAB 29.22, 15.91, -46.07

 

CMYK 11 / 82 / 0 / 45

HEX #7E1A8D

RGB 126 26 141

HSL 292.17, 0.69%, 0.33%

LAB 32.03, 55.66, -41.02

 

CMYK 0 / 26 / 81 / 45

HEX #8C681B

RGB 140 104 27

HSL 40.88, 0.68%, 0.33%

LAB 46.39, 6.96, 45.85

 

CMYK 82 / 0 / 67 / 45

HEX #1A8D2E

RGB 26 141 46

HSL 130.43, 0.69%, 0.33%

LAB 51.23, -50.29, 40.7

 

CMYK 82 / 54 / 0 / 45

HEX #1A418D

RGB 26 65 141

HSL 219.65, 0.69%, 0.33%

LAB 29.22, 15.91, -46.07

 

CMYK 0 / 82 / 13 / 45

HEX #8D1A7A

RGB 141 26 122

HSL 309.91, 0.69%, 0.33%

LAB 33.58, 55.71, -26.55

 

Description

Color code: RGB 140 104 27 | qconv.com Color code: RGB 140 104 27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 104 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 104 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 81 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 81% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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