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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 209 4 it is the complementary color RGB 238 46 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 209 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 209 4 shade: RGB 22 209 0, RGB 39 227 18, RGB 56 245 37, RGB 73 255 56 and RGB 90 255 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 209 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 209 4 shade: RGB 17 209 4, RGB 0 191 0, RGB 0 173 0, RGB 0 155 0 and RGB 0 137 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 209 4 shade: RGB 17 209 4, RGB 72 209 4, RGB 128 209 4, RGB 183 209 4 and RGB 209 180 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 209 4 shade: RGB 17 209 4, RGB 4 209 46, RGB 4 209 102, RGB 4 209 157 and RGB 4 206 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 209 4 shade matches the following richer shades: RGB 17 209 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 209 4 shade: RGB 17 209 4, RGB 32 192 21, RGB 47 175 38, RGB 62 157 56 and RGB 77 140 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 209 4 shade: RGB 127 209 4, RGB 72 209 4, RGB 17 209 4, RGB 4 209 45 and RGB 4 209 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 209 4 shade: RGB 10 129 2, RGB 13 169 3, RGB 17 209 4, RGB 21 249 5 and RGB 58 250 45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 209 4 shade: RGB 17 209 4, RGB 4 182 209 and RGB 209 4 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 209 4 shade: RGB 17 209 4, RGB 4 17 209 and RGB 209 4 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 209 4 shade: RGB 17 209 4, RGB 4 182 209, RGB 196 4 209 and RGB 209 31 4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 209 4 shade: RGB 17 209 4, RGB 4 120 209, RGB 196 4 209 and RGB 209 93 4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 98 / 18

HEX #11D104

RGB 17 209 4

HSL 116.2, 0.96%, 0.42%

LAB 73.37, -73.39, 71.28

 

Complementary color

CMYK 5 / 82 / 0 / 2

HEX #EE2EFB

RGB 238 46 251

HSL 296.2, 0.96%, 0.58%

LAB 59.06, 89.67, -60.79

 

CMYK 89 / 0 / 100 / 18

HEX #16D100

RGB 22 209 0

HSL 113.68, 1%, 0.41%

LAB 73.4, -73.16, 71.73

 

CMYK 83 / 0 / 92 / 11

HEX #27E312

RGB 39 227 18

HSL 113.97, 0.85%, 0.48%

LAB 79.28, -76.36, 74.73

 

CMYK 77 / 0 / 85 / 4

HEX #38F525

RGB 56 245 37

HSL 114.52, 0.91%, 0.55%

LAB 85.14, -78.87, 76.61

 

CMYK 71 / 0 / 78 / 0

HEX #49FF38

RGB 73 255 56

HSL 114.87, 1%, 0.61%

LAB 88.55, -78.41, 75.15

 

CMYK 65 / 0 / 71 / 0

HEX #5AFF4B

RGB 90 255 75

HSL 115, 1%, 0.65%

LAB 89.02, -74.12, 69.69

 

CMYK 92 / 0 / 98 / 18

HEX #11D104

RGB 17 209 4

HSL 116.2, 0.96%, 0.42%

LAB 73.37, -73.39, 71.28

 

CMYK 100 / 0 / 100 / 25

HEX #00BF00

RGB 0 191 0

HSL 120, 1%, 0.37%

LAB 67.47, -69.35, 66.93

 

CMYK 100 / 0 / 100 / 32

HEX #00AD00

RGB 0 173 0

HSL 120, 1%, 0.34%

LAB 61.56, -64.43, 62.19

 

CMYK 100 / 0 / 100 / 39

HEX #009B00

RGB 0 155 0

HSL 120, 1%, 0.3%

LAB 55.53, -59.42, 57.35

 

CMYK 100 / 0 / 100 / 46

HEX #008900

RGB 0 137 0

HSL 120, 1%, 0.27%

LAB 49.36, -54.3, 52.41

 

CMYK 92 / 0 / 98 / 18

HEX #11D104

RGB 17 209 4

HSL 116.2, 0.96%, 0.42%

LAB 73.37, -73.39, 71.28

 

CMYK 66 / 0 / 98 / 18

HEX #48D104

RGB 72 209 4

HSL 100.1, 0.96%, 0.42%

LAB 74.18, -66.26, 72.28

 

CMYK 39 / 0 / 98 / 18

HEX #80D104

RGB 128 209 4

HSL 83.71, 0.96%, 0.42%

LAB 76.19, -50.54, 74.72

 

CMYK 12 / 0 / 98 / 18

HEX #B7D104

RGB 183 209 4

HSL 67.61, 0.96%, 0.42%

LAB 79.43, -29.44, 78.62

 

CMYK 0 / 14 / 98 / 18

HEX #D1B404

RGB 209 180 4

HSL 51.51, 0.96%, 0.42%

LAB 73.68, -3.79, 75.32

 

CMYK 92 / 0 / 98 / 18

HEX #11D104

RGB 17 209 4

HSL 116.2, 0.96%, 0.42%

LAB 73.37, -73.39, 71.28

 

CMYK 98 / 0 / 78 / 18

HEX #04D12E

RGB 4 209 46

HSL 132.29, 0.96%, 0.42%

LAB 73.43, -72.36, 63.36

 

CMYK 98 / 0 / 51 / 18

HEX #04D166

RGB 4 209 102

HSL 148.68, 0.96%, 0.42%

LAB 73.92, -66.19, 40.92

 

CMYK 98 / 0 / 25 / 18

HEX #04D19D

RGB 4 209 157

HSL 164.78, 0.96%, 0.42%

LAB 74.86, -55.29, 13.84

 

CMYK 98 / 1 / 0 / 18

HEX #04CED1

RGB 4 206 209

HSL 180.88, 0.96%, 0.42%

LAB 75.31, -39.93, -13.49

 

CMYK 92 / 0 / 98 / 18

HEX #11D104

RGB 17 209 4

HSL 116.2, 0.96%, 0.42%

LAB 73.37, -73.39, 71.28

 

CMYK 92 / 0 / 98 / 18

HEX #11D104

RGB 17 209 4

HSL 116.2, 0.96%, 0.42%

LAB 73.37, -73.39, 71.28

 

CMYK 83 / 0 / 89 / 25

HEX #20C015

RGB 32 192 21

HSL 116.14, 0.8%, 0.42%

LAB 68.07, -67.05, 64.73

 

CMYK 73 / 0 / 78 / 31

HEX #2FAF26

RGB 47 175 38

HSL 116.06, 0.64%, 0.42%

LAB 62.85, -58.97, 55.8

 

CMYK 61 / 0 / 64 / 38

HEX #3E9D38

RGB 62 157 56

HSL 116.44, 0.47%, 0.42%

LAB 57.49, -48.01, 43.39

 

CMYK 45 / 0 / 48 / 45

HEX #4D8C49

RGB 77 140 73

HSL 116.42, 0.31%, 0.42%

LAB 52.75, -34.54, 29.51

 

CMYK 39 / 0 / 98 / 18

HEX #7FD104

RGB 127 209 4

HSL 84, 0.96%, 0.42%

LAB 76.14, -50.88, 74.67

 

CMYK 66 / 0 / 98 / 18

HEX #48D104

RGB 72 209 4

HSL 100.1, 0.96%, 0.42%

LAB 74.18, -66.26, 72.28

 

CMYK 92 / 0 / 98 / 18

HEX #11D104

RGB 17 209 4

HSL 116.2, 0.96%, 0.42%

LAB 73.37, -73.39, 71.28

 

CMYK 98 / 0 / 78 / 18

HEX #04D12D

RGB 4 209 45

HSL 132, 0.96%, 0.42%

LAB 73.43, -72.42, 63.66

 

CMYK 98 / 0 / 52 / 18

HEX #04D164

RGB 4 209 100

HSL 148.1, 0.96%, 0.42%

LAB 73.9, -66.49, 41.85

 

CMYK 92 / 0 / 98 / 49

HEX #0A8102

RGB 10 129 2

HSL 116.22, 0.97%, 0.26%

LAB 46.67, -51.13, 49.87

 

CMYK 92 / 0 / 98 / 34

HEX #0DA903

RGB 13 169 3

HSL 116.39, 0.97%, 0.34%

LAB 60.31, -62.55, 60.8

 

CMYK 92 / 0 / 98 / 18

HEX #11D104

RGB 17 209 4

HSL 116.2, 0.96%, 0.42%

LAB 73.37, -73.39, 71.28

 

CMYK 92 / 0 / 98 / 2

HEX #15F905

RGB 21 249 5

HSL 116.07, 0.96%, 0.5%

LAB 85.97, -83.84, 81.4

 

CMYK 77 / 0 / 82 / 2

HEX #3AFA2D

RGB 58 250 45

HSL 116.2, 0.95%, 0.58%

LAB 86.73, -79.7, 76.25

 

CMYK 92 / 0 / 98 / 18

HEX #11D104

RGB 17 209 4

HSL 116.2, 0.96%, 0.42%

LAB 73.37, -73.39, 71.28

 

CMYK 98 / 13 / 0 / 18

HEX #04B6D1

RGB 4 182 209

HSL 187.9, 0.96%, 0.42%

LAB 68.08, -28.6, -24.45

 

CMYK 0 / 98 / 52 / 18

HEX #D10464

RGB 209 4 100

HSL 331.9, 0.96%, 0.42%

LAB 45.03, 72.15, 5.84

 

CMYK 92 / 0 / 98 / 18

HEX #11D104

RGB 17 209 4

HSL 116.2, 0.96%, 0.42%

LAB 73.37, -73.39, 71.28

 

CMYK 98 / 92 / 0 / 18

HEX #0411D1

RGB 4 17 209

HSL 236.2, 0.96%, 0.42%

LAB 26.82, 64.57, -90.75

 

CMYK 0 / 98 / 92 / 18

HEX #D10411

RGB 209 4 17

HSL 356.2, 0.96%, 0.42%

LAB 43.77, 68.74, 52.32

 

CMYK 92 / 0 / 98 / 18

HEX #11D104

RGB 17 209 4

HSL 116.2, 0.96%, 0.42%

LAB 73.37, -73.39, 71.28

 

CMYK 98 / 13 / 0 / 18

HEX #04B6D1

RGB 4 182 209

HSL 187.9, 0.96%, 0.42%

LAB 68.08, -28.6, -24.45

 

CMYK 6 / 98 / 0 / 18

HEX #C404D1

RGB 196 4 209

HSL 296.2, 0.96%, 0.42%

LAB 47.53, 82.21, -55.96

 

CMYK 0 / 85 / 98 / 18

HEX #D11F04

RGB 209 31 4

HSL 7.9, 0.96%, 0.42%

LAB 45, 64.95, 57.13

 

CMYK 92 / 0 / 98 / 18

HEX #11D104

RGB 17 209 4

HSL 116.2, 0.96%, 0.42%

LAB 73.37, -73.39, 71.28

 

CMYK 98 / 43 / 0 / 18

HEX #0478D1

RGB 4 120 209

HSL 206.05, 0.96%, 0.42%

LAB 49.57, 5.95, -53.47

 

CMYK 6 / 98 / 0 / 18

HEX #C404D1

RGB 196 4 209

HSL 296.2, 0.96%, 0.42%

LAB 47.53, 82.21, -55.96

 

CMYK 0 / 56 / 98 / 18

HEX #D15D04

RGB 209 93 4

HSL 26.05, 0.96%, 0.42%

LAB 53.38, 42.27, 61.65

 

Description

Color code: RGB 17 209 4 | qconv.com Color code: RGB 17 209 4 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 209 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 209 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 98 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 98% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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