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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 196 69 it is the complementary color RGB 238 59 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 196 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 196 69 shade: RGB 22 196 64, RGB 39 214 83, RGB 56 232 102, RGB 73 250 121 and RGB 90 255 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 196 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 196 69 shade: RGB 17 196 69, RGB 0 178 50, RGB 0 160 31, RGB 0 142 12 and RGB 0 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 196 69 shade: RGB 17 197 69, RGB 17 197 20, RGB 61 197 17, RGB 110 197 17 and RGB 158 197 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 196 69 shade: RGB 17 197 69, RGB 17 197 117, RGB 17 197 166, RGB 17 179 197 and RGB 17 130 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 196 69 shade matches the following richer shades: RGB 17 197 69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 196 69 shade: RGB 17 197 69, RGB 34 179 76, RGB 51 162 83, RGB 69 145 91 and RGB 86 127 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 196 69 shade: RGB 62 197 17, RGB 17 197 20, RGB 17 197 68, RGB 17 197 116 and RGB 17 197 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 196 69 shade: RGB 10 121 42, RGB 13 159 56, RGB 17 197 69, RGB 20 234 82 and RGB 58 237 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 196 69 shade: RGB 17 196 69, RGB 17 110 197 and RGB 197 17 38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 196 69 shade: RGB 17 196 69, RGB 68 17 197 and RGB 197 68 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 196 69 shade: RGB 17 196 69, RGB 17 110 197, RGB 197 17 146 and RGB 197 104 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 196 69 shade: RGB 17 196 69, RGB 17 56 197, RGB 197 17 146 and RGB 197 158 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 65 / 23

HEX #11C445

RGB 17 196 69

HSL 137.43, 0.84%, 0.42%

LAB 69.49, -66, 50.85

 

Complementary color

CMYK 0 / 75 / 22 / 7

HEX #EE3BBA

RGB 238 59 186

HSL 317.43, 0.84%, 0.58%

LAB 56.93, 77.32, -27.36

 

CMYK 89 / 0 / 67 / 23

HEX #16C440

RGB 22 196 64

HSL 134.48, 0.8%, 0.43%

LAB 69.48, -66.21, 52.93

 

CMYK 82 / 0 / 61 / 16

HEX #27D653

RGB 39 214 83

HSL 135.09, 0.69%, 0.5%

LAB 75.54, -68.17, 51.69

 

CMYK 76 / 0 / 56 / 9

HEX #38E866

RGB 56 232 102

HSL 135.68, 0.79%, 0.56%

LAB 81.57, -69.56, 50.3

 

CMYK 71 / 0 / 52 / 2

HEX #49FA79

RGB 73 250 121

HSL 136.27, 0.95%, 0.63%

LAB 87.57, -70.52, 48.86

 

CMYK 65 / 0 / 45 / 0

HEX #5AFF8C

RGB 90 255 140

HSL 138.18, 1%, 0.68%

LAB 89.67, -66.6, 42.56

 

CMYK 91 / 0 / 65 / 23

HEX #11C445

RGB 17 196 69

HSL 137.43, 0.84%, 0.42%

LAB 69.49, -66, 50.85

 

CMYK 100 / 0 / 72 / 30

HEX #00B232

RGB 0 178 50

HSL 136.85, 1%, 0.35%

LAB 63.4, -63.35, 51.97

 

CMYK 100 / 0 / 81 / 37

HEX #00A01F

RGB 0 160 31

HSL 131.63, 1%, 0.31%

LAB 57.31, -59.58, 52.5

 

CMYK 100 / 0 / 92 / 44

HEX #008E0C

RGB 0 142 12

HSL 125.07, 1%, 0.28%

LAB 51.12, -55.34, 51.69

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 91 / 0 / 65 / 23

HEX #11C545

RGB 17 197 69

HSL 137.33, 0.84%, 0.42%

LAB 69.81, -66.31, 51.21

 

CMYK 91 / 0 / 90 / 23

HEX #11C514

RGB 17 197 20

HSL 121, 0.84%, 0.42%

LAB 69.54, -69.73, 66.12

 

CMYK 69 / 0 / 91 / 23

HEX #3DC511

RGB 61 197 17

HSL 105.33, 0.84%, 0.42%

LAB 70.15, -64.39, 67.37

 

CMYK 44 / 0 / 91 / 23

HEX #6EC511

RGB 110 197 17

HSL 89, 0.84%, 0.42%

LAB 71.75, -51.6, 69.35

 

CMYK 20 / 0 / 91 / 23

HEX #9EC511

RGB 158 197 17

HSL 73, 0.84%, 0.42%

LAB 74.34, -33.9, 72.53

 

CMYK 91 / 0 / 65 / 23

HEX #11C545

RGB 17 197 69

HSL 137.33, 0.84%, 0.42%

LAB 69.81, -66.31, 51.21

 

CMYK 91 / 0 / 41 / 23

HEX #11C575

RGB 17 197 117

HSL 153.33, 0.84%, 0.42%

LAB 70.41, -59.05, 28.89

 

CMYK 91 / 0 / 16 / 23

HEX #11C5A6

RGB 17 197 166

HSL 169.67, 0.84%, 0.42%

LAB 71.42, -47.81, 4.09

 

CMYK 91 / 9 / 0 / 23

HEX #11B3C5

RGB 17 179 197

HSL 186, 0.84%, 0.42%

LAB 66.82, -30.62, -19.76

 

CMYK 91 / 34 / 0 / 23

HEX #1182C5

RGB 17 130 197

HSL 202.33, 0.84%, 0.42%

LAB 51.97, -4.29, -42.81

 

CMYK 91 / 0 / 65 / 23

HEX #11C545

RGB 17 197 69

HSL 137.33, 0.84%, 0.42%

LAB 69.81, -66.31, 51.21

 

CMYK 91 / 0 / 65 / 23

HEX #11C545

RGB 17 197 69

HSL 137.33, 0.84%, 0.42%

LAB 69.81, -66.31, 51.21

 

CMYK 81 / 0 / 58 / 30

HEX #22B34C

RGB 34 179 76

HSL 137.38, 0.68%, 0.42%

LAB 64.24, -58.3, 41.74

 

CMYK 69 / 0 / 49 / 36

HEX #33A253

RGB 51 162 83

HSL 137.3, 0.52%, 0.42%

LAB 59.13, -48.64, 32.09

 

CMYK 52 / 0 / 37 / 43

HEX #45915B

RGB 69 145 91

HSL 137.37, 0.36%, 0.42%

LAB 54.31, -36.11, 21.66

 

CMYK 32 / 0 / 23 / 50

HEX #567F62

RGB 86 127 98

HSL 137.56, 0.19%, 0.42%

LAB 49.54, -20.79, 11.3

 

CMYK 69 / 0 / 91 / 23

HEX #3EC511

RGB 62 197 17

HSL 105, 0.84%, 0.42%

LAB 70.17, -64.19, 67.4

 

CMYK 91 / 0 / 90 / 23

HEX #11C514

RGB 17 197 20

HSL 121, 0.84%, 0.42%

LAB 69.54, -69.73, 66.12

 

CMYK 91 / 0 / 65 / 23

HEX #11C544

RGB 17 197 68

HSL 137, 0.84%, 0.42%

LAB 69.8, -66.42, 51.62

 

CMYK 91 / 0 / 41 / 23

HEX #11C574

RGB 17 197 116

HSL 153, 0.84%, 0.42%

LAB 70.39, -59.24, 29.39

 

CMYK 91 / 0 / 17 / 23

HEX #11C5A4

RGB 17 197 164

HSL 169, 0.84%, 0.42%

LAB 71.37, -48.34, 5.11

 

CMYK 92 / 0 / 65 / 53

HEX #0A792A

RGB 10 121 42

HSL 137.3, 0.85%, 0.26%

LAB 44.1, -45.73, 34.54

 

CMYK 92 / 0 / 65 / 38

HEX #0D9F38

RGB 13 159 56

HSL 137.67, 0.85%, 0.34%

LAB 57.24, -56.24, 42.86

 

CMYK 91 / 0 / 65 / 23

HEX #11C545

RGB 17 197 69

HSL 137.33, 0.84%, 0.42%

LAB 69.81, -66.31, 51.21

 

CMYK 91 / 0 / 65 / 8

HEX #14EA52

RGB 20 234 82

HSL 137.38, 0.84%, 0.5%

LAB 81.62, -75.75, 58.87

 

CMYK 76 / 0 / 54 / 7

HEX #3AED6E

RGB 58 237 110

HSL 137.43, 0.83%, 0.58%

LAB 83.23, -69.86, 48.62

 

CMYK 91 / 0 / 65 / 23

HEX #11C445

RGB 17 196 69

HSL 137.43, 0.84%, 0.42%

LAB 69.49, -66, 50.85

 

CMYK 91 / 44 / 0 / 23

HEX #116EC5

RGB 17 110 197

HSL 209, 0.84%, 0.42%

LAB 46.05, 7.98, -52.25

 

CMYK 0 / 91 / 81 / 23

HEX #C51126

RGB 197 17 38

HSL 353, 0.84%, 0.42%

LAB 41.86, 64.75, 39.45

 

CMYK 91 / 0 / 65 / 23

HEX #11C445

RGB 17 196 69

HSL 137.43, 0.84%, 0.42%

LAB 69.49, -66, 50.85

 

CMYK 65 / 91 / 0 / 23

HEX #4411C5

RGB 68 17 197

HSL 257, 0.84%, 0.42%

LAB 28.54, 63.38, -80.78

 

CMYK 0 / 65 / 91 / 23

HEX #C54411

RGB 197 68 17

HSL 17, 0.84%, 0.42%

LAB 47.03, 49.49, 53.4

 

CMYK 91 / 0 / 65 / 23

HEX #11C445

RGB 17 196 69

HSL 137.43, 0.84%, 0.42%

LAB 69.49, -66, 50.85

 

CMYK 91 / 44 / 0 / 23

HEX #116EC5

RGB 17 110 197

HSL 209, 0.84%, 0.42%

LAB 46.05, 7.98, -52.25

 

CMYK 0 / 91 / 26 / 23

HEX #C51192

RGB 197 17 146

HSL 317, 0.84%, 0.42%

LAB 44.73, 72.58, -23.18

 

CMYK 0 / 47 / 91 / 23

HEX #C56811

RGB 197 104 17

HSL 29, 0.84%, 0.42%

LAB 53.83, 32.02, 58.28

 

CMYK 91 / 0 / 65 / 23

HEX #11C445

RGB 17 196 69

HSL 137.43, 0.84%, 0.42%

LAB 69.49, -66, 50.85

 

CMYK 91 / 72 / 0 / 23

HEX #1138C5

RGB 17 56 197

HSL 227, 0.84%, 0.42%

LAB 31.76, 43.04, -75.53

 

CMYK 0 / 91 / 26 / 23

HEX #C51192

RGB 197 17 146

HSL 317, 0.84%, 0.42%

LAB 44.73, 72.58, -23.18

 

CMYK 0 / 20 / 91 / 23

HEX #C59E11

RGB 197 158 17

HSL 47, 0.84%, 0.42%

LAB 66.8, 2.7, 68

 

Description

Color code: RGB 17 196 69 | qconv.com Color code: RGB 17 196 69 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 196 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 196 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 65 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 65% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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