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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 180 63 it is the complementary color RGB 238 75 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 180 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 180 63 shade: RGB 22 180 58, RGB 39 198 77, RGB 56 216 96, RGB 73 234 115 and RGB 90 252 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 180 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 180 63 shade: RGB 17 180 63, RGB 0 162 44, RGB 0 144 25, RGB 0 126 6 and RGB 0 108 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 180 63 shade: RGB 16 181 63, RGB 16 181 18, RGB 59 181 16, RGB 103 181 16 and RGB 148 181 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 180 63 shade: RGB 16 181 63, RGB 16 181 108, RGB 16 181 152, RGB 16 166 181 and RGB 16 122 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 180 63 shade matches the following richer shades: RGB 16 181 63 and RGB 0 198 56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 180 63 shade: RGB 16 181 63, RGB 32 165 70, RGB 49 149 77, RGB 65 133 84 and RGB 81 117 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 180 63 shade: RGB 60 181 16, RGB 16 181 16, RGB 16 181 60, RGB 16 181 104 and RGB 16 181 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 180 63 shade: RGB 9 106 37, RGB 13 144 50, RGB 16 181 63, RGB 20 219 76 and RGB 45 235 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 180 63 shade: RGB 17 180 63, RGB 16 104 181 and RGB 181 16 38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 180 63 shade: RGB 17 180 63, RGB 60 16 181 and RGB 181 60 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 180 63 shade: RGB 17 180 63, RGB 16 104 181, RGB 181 16 137 and RGB 181 93 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 180 63 shade: RGB 17 180 63, RGB 16 55 181, RGB 181 16 137 and RGB 181 143 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 65 / 29

HEX #11B43F

RGB 17 180 63

HSL 136.93, 0.83%, 0.39%

LAB 64.26, -61.77, 47.62

 

Complementary color

CMYK 0 / 68 / 19 / 7

HEX #EE4BC0

RGB 238 75 192

HSL 316.93, 0.83%, 0.61%

LAB 58.99, 72.98, -27.63

 

CMYK 88 / 0 / 68 / 29

HEX #16B43A

RGB 22 180 58

HSL 133.67, 0.78%, 0.4%

LAB 64.26, -61.94, 49.74

 

CMYK 80 / 0 / 61 / 22

HEX #27C64D

RGB 39 198 77

HSL 134.34, 0.67%, 0.46%

LAB 70.42, -63.81, 48.49

 

CMYK 74 / 0 / 56 / 15

HEX #38D860

RGB 56 216 96

HSL 135, 0.67%, 0.53%

LAB 76.56, -65.08, 47.08

 

CMYK 69 / 0 / 51 / 8

HEX #49EA73

RGB 73 234 115

HSL 135.65, 0.79%, 0.6%

LAB 82.65, -65.92, 45.63

 

CMYK 64 / 0 / 47 / 1

HEX #5AFC86

RGB 90 252 134

HSL 136.3, 0.96%, 0.67%

LAB 88.69, -66.45, 44.21

 

CMYK 91 / 0 / 65 / 29

HEX #11B43F

RGB 17 180 63

HSL 136.93, 0.83%, 0.39%

LAB 64.26, -61.77, 47.62

 

CMYK 100 / 0 / 73 / 36

HEX #00A22C

RGB 0 162 44

HSL 136.3, 1%, 0.32%

LAB 58.06, -59.15, 48.72

 

CMYK 100 / 0 / 83 / 44

HEX #009019

RGB 0 144 25

HSL 130.42, 1%, 0.28%

LAB 51.86, -55.28, 49.16

 

CMYK 100 / 0 / 95 / 51

HEX #007E06

RGB 0 126 6

HSL 122.86, 1%, 0.25%

LAB 45.54, -50.88, 48.08

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 91 / 0 / 65 / 29

HEX #10B53F

RGB 16 181 63

HSL 137.09, 0.84%, 0.39%

LAB 64.58, -62.14, 47.97

 

CMYK 91 / 0 / 90 / 29

HEX #10B512

RGB 16 181 18

HSL 120.73, 0.84%, 0.39%

LAB 64.32, -65.36, 61.99

 

CMYK 67 / 0 / 91 / 29

HEX #3BB510

RGB 59 181 16

HSL 104.36, 0.84%, 0.39%

LAB 64.97, -59.67, 63.15

 

CMYK 43 / 0 / 91 / 29

HEX #67B510

RGB 103 181 16

HSL 88.36, 0.84%, 0.39%

LAB 66.5, -47.61, 65.03

 

CMYK 18 / 0 / 91 / 29

HEX #94B510

RGB 148 181 16

HSL 72, 0.84%, 0.39%

LAB 69.03, -30.54, 68.14

 

CMYK 91 / 0 / 65 / 29

HEX #10B53F

RGB 16 181 63

HSL 137.09, 0.84%, 0.39%

LAB 64.58, -62.14, 47.97

 

CMYK 91 / 0 / 40 / 29

HEX #10B56C

RGB 16 181 108

HSL 153.45, 0.84%, 0.39%

LAB 65.15, -55.18, 26.66

 

CMYK 91 / 0 / 16 / 29

HEX #10B598

RGB 16 181 152

HSL 169.45, 0.84%, 0.39%

LAB 66.08, -44.92, 4.04

 

CMYK 91 / 8 / 0 / 29

HEX #10A6B5

RGB 16 166 181

HSL 185.45, 0.84%, 0.39%

LAB 62.27, -29.49, -17.77

 

CMYK 91 / 33 / 0 / 29

HEX #107AB5

RGB 16 122 181

HSL 201.45, 0.84%, 0.39%

LAB 48.72, -5.7, -38.76

 

CMYK 91 / 0 / 65 / 29

HEX #10B53F

RGB 16 181 63

HSL 137.09, 0.84%, 0.39%

LAB 64.58, -62.14, 47.97

 

CMYK 100 / 0 / 72 / 22

HEX #00C638

RGB 0 198 56

HSL 136.97, 1%, 0.39%

LAB 69.95, -68.63, 56.5

 

CMYK 91 / 0 / 65 / 29

HEX #10B53F

RGB 16 181 63

HSL 137.09, 0.84%, 0.39%

LAB 64.58, -62.14, 47.97

 

CMYK 81 / 0 / 58 / 35

HEX #20A546

RGB 32 165 70

HSL 137.14, 0.68%, 0.39%

LAB 59.58, -54.64, 39.08

 

CMYK 67 / 0 / 48 / 42

HEX #31954D

RGB 49 149 77

HSL 136.8, 0.51%, 0.39%

LAB 54.75, -45.01, 29.69

 

CMYK 51 / 0 / 37 / 48

HEX #418554

RGB 65 133 84

HSL 136.76, 0.34%, 0.39%

LAB 50.14, -33.1, 19.98

 

CMYK 31 / 0 / 22 / 54

HEX #51755B

RGB 81 117 91

HSL 136.67, 0.18%, 0.39%

LAB 45.94, -18.68, 10.32

 

CMYK 67 / 0 / 91 / 29

HEX #3CB510

RGB 60 181 16

HSL 104, 0.84%, 0.39%

LAB 65, -59.47, 63.18

 

CMYK 91 / 0 / 91 / 29

HEX #10B510

RGB 16 181 16

HSL 120, 0.84%, 0.39%

LAB 64.32, -65.42, 62.33

 

CMYK 91 / 0 / 67 / 29

HEX #10B53C

RGB 16 181 60

HSL 136, 0.84%, 0.39%

LAB 64.55, -62.47, 49.21

 

CMYK 91 / 0 / 43 / 29

HEX #10B568

RGB 16 181 104

HSL 152, 0.84%, 0.39%

LAB 65.09, -55.95, 28.68

 

CMYK 91 / 0 / 18 / 29

HEX #10B594

RGB 16 181 148

HSL 168, 0.84%, 0.39%

LAB 65.98, -45.98, 6.1

 

CMYK 92 / 0 / 65 / 58

HEX #096A25

RGB 9 106 37

HSL 137.32, 0.84%, 0.23%

LAB 38.72, -41.32, 30.87

 

CMYK 91 / 0 / 65 / 44

HEX #0D9032

RGB 13 144 50

HSL 136.95, 0.83%, 0.31%

LAB 52.13, -52.14, 39.85

 

CMYK 91 / 0 / 65 / 29

HEX #10B53F

RGB 16 181 63

HSL 137.09, 0.84%, 0.39%

LAB 64.58, -62.14, 47.97

 

CMYK 91 / 0 / 65 / 14

HEX #14DB4C

RGB 20 219 76

HSL 136.88, 0.83%, 0.47%

LAB 76.88, -71.97, 56.1

 

CMYK 81 / 0 / 58 / 8

HEX #2DEB63

RGB 45 235 99

HSL 137.05, 0.83%, 0.55%

LAB 82.31, -72.18, 52.48

 

CMYK 91 / 0 / 65 / 29

HEX #11B43F

RGB 17 180 63

HSL 136.93, 0.83%, 0.39%

LAB 64.26, -61.77, 47.62

 

CMYK 91 / 43 / 0 / 29

HEX #1068B5

RGB 16 104 181

HSL 208, 0.84%, 0.39%

LAB 43.28, 5.38, -47.4

 

CMYK 0 / 91 / 79 / 29

HEX #B51026

RGB 181 16 38

HSL 352, 0.84%, 0.39%

LAB 38.44, 60.72, 34.85

 

CMYK 91 / 0 / 65 / 29

HEX #11B43F

RGB 17 180 63

HSL 136.93, 0.83%, 0.39%

LAB 64.26, -61.77, 47.62

 

CMYK 67 / 91 / 0 / 29

HEX #3C10B5

RGB 60 16 181

HSL 256, 0.84%, 0.39%

LAB 25.77, 59.04, -75.93

 

CMYK 0 / 67 / 91 / 29

HEX #B53C10

RGB 181 60 16

HSL 16, 0.84%, 0.39%

LAB 42.9, 47.25, 49.47

 

CMYK 91 / 0 / 65 / 29

HEX #11B43F

RGB 17 180 63

HSL 136.93, 0.83%, 0.39%

LAB 64.26, -61.77, 47.62

 

CMYK 91 / 43 / 0 / 29

HEX #1068B5

RGB 16 104 181

HSL 208, 0.84%, 0.39%

LAB 43.28, 5.38, -47.4

 

CMYK 0 / 91 / 24 / 29

HEX #B51089

RGB 181 16 137

HSL 316, 0.84%, 0.39%

LAB 41.22, 68.33, -23.38

 

CMYK 0 / 49 / 91 / 29

HEX #B55D10

RGB 181 93 16

HSL 28, 0.84%, 0.39%

LAB 49.12, 31.19, 54.03

 

CMYK 91 / 0 / 65 / 29

HEX #11B43F

RGB 17 180 63

HSL 136.93, 0.83%, 0.39%

LAB 64.26, -61.77, 47.62

 

CMYK 91 / 70 / 0 / 29

HEX #1037B5

RGB 16 55 181

HSL 225.82, 0.84%, 0.39%

LAB 29.86, 37.75, -69.23

 

CMYK 0 / 91 / 24 / 29

HEX #B51089

RGB 181 16 137

HSL 316, 0.84%, 0.39%

LAB 41.22, 68.33, -23.38

 

CMYK 0 / 21 / 91 / 29

HEX #B58F10

RGB 181 143 16

HSL 46.18, 0.84%, 0.39%

LAB 61.23, 3.63, 63.2

 

Description

Color code: RGB 17 180 63 | qconv.com Color code: RGB 17 180 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 180 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 180 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 65 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 65% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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