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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 177 236 it is the complementary color RGB 238 78 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 177 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 177 236 shade: RGB 22 177 231, RGB 39 195 250, RGB 56 213 255, RGB 73 231 255 and RGB 90 249 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 177 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 177 236 shade: RGB 17 177 236, RGB 0 159 217, RGB 0 141 198, RGB 0 123 179 and RGB 0 105 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 177 236 shade: RGB 16 178 238, RGB 16 118 238, RGB 16 59 238, RGB 33 16 238 and RGB 93 16 238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 177 236 shade: RGB 16 178 238, RGB 16 118 238, RGB 16 59 238 and RGB 16 16 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 177 236 shade matches the following richer shades: RGB 16 178 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 177 236 shade: RGB 16 178 238, RGB 37 169 217, RGB 57 159 197, RGB 78 150 176 and RGB 99 140 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 177 236 shade: RGB 16 238 179, RGB 16 238 238, RGB 16 179 238, RGB 16 120 238 and RGB 16 60 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 177 236 shade: RGB 11 120 161, RGB 13 149 199, RGB 16 178 238, RGB 55 191 241 and RGB 93 203 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 177 236 shade: RGB 17 177 236, RGB 120 16 238 and RGB 238 208 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 177 236 shade: RGB 17 177 236, RGB 238 16 179 and RGB 179 238 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 177 236 shade: RGB 17 177 236, RGB 120 16 238, RGB 238 75 16 and RGB 134 238 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 177 236 shade: RGB 17 177 236, RGB 186 16 238, RGB 238 75 16 and RGB 68 238 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 25 / 0 / 7

HEX #11B1EC

RGB 17 177 236

HSL 196.16, 0.87%, 0.5%

LAB 67.74, -16.43, -39.76

 

Complementary color

CMYK 0 / 67 / 92 / 7

HEX #EE4E13

RGB 238 78 19

HSL 16.16, 0.87%, 0.5%

LAB 55.76, 59.37, 62.15

 

CMYK 90 / 23 / 0 / 9

HEX #16B1E7

RGB 22 177 231

HSL 195.5, 0.83%, 0.5%

LAB 67.56, -17.96, -37.3

 

CMYK 84 / 22 / 0 / 2

HEX #27C3FA

RGB 39 195 250

HSL 195.64, 0.95%, 0.57%

LAB 73.78, -19.92, -37.92

 

CMYK 78 / 16 / 0 / 0

HEX #38D5FF

RGB 56 213 255

HSL 192.66, 1%, 0.61%

LAB 79.41, -26.02, -31.86

 

CMYK 71 / 9 / 0 / 0

HEX #49E7FF

RGB 73 231 255

HSL 187.91, 1%, 0.64%

LAB 84.89, -32.93, -23.46

 

CMYK 65 / 2 / 0 / 0

HEX #5AF9FF

RGB 90 249 255

HSL 182.18, 1%, 0.68%

LAB 90.39, -39.05, -15.13

 

CMYK 93 / 25 / 0 / 7

HEX #11B1EC

RGB 17 177 236

HSL 196.16, 0.87%, 0.5%

LAB 67.74, -16.43, -39.76

 

CMYK 100 / 27 / 0 / 15

HEX #009FD9

RGB 0 159 217

HSL 196.04, 1%, 0.43%

LAB 61.49, -13.97, -39.09

 

CMYK 100 / 29 / 0 / 22

HEX #008DC6

RGB 0 141 198

HSL 197.27, 1%, 0.39%

LAB 55.2, -10.92, -38.28

 

CMYK 100 / 31 / 0 / 30

HEX #007BB3

RGB 0 123 179

HSL 198.77, 1%, 0.35%

LAB 48.79, -7.73, -37.51

 

CMYK 100 / 34 / 0 / 37

HEX #0069A0

RGB 0 105 160

HSL 200.63, 1%, 0.31%

LAB 42.22, -4.38, -36.76

 

CMYK 93 / 25 / 0 / 7

HEX #10B2EE

RGB 16 178 238

HSL 196.22, 0.87%, 0.5%

LAB 68.11, -16.29, -40.27

 

CMYK 93 / 50 / 0 / 7

HEX #1076EE

RGB 16 118 238

HSL 212.43, 0.87%, 0.5%

LAB 50.97, 18.92, -67.56

 

CMYK 93 / 75 / 0 / 7

HEX #103BEE

RGB 16 59 238

HSL 228.38, 0.87%, 0.5%

LAB 36.76, 55.44, -90.84

 

CMYK 86 / 93 / 0 / 7

HEX #2110EE

RGB 33 16 238

HSL 244.59, 0.87%, 0.5%

LAB 31.5, 72.73, -99.59

 

CMYK 61 / 93 / 0 / 7

HEX #5D10EE

RGB 93 16 238

HSL 260.81, 0.87%, 0.5%

LAB 35.73, 75.06, -92.42

 

CMYK 93 / 25 / 0 / 7

HEX #10B2EE

RGB 16 178 238

HSL 196.22, 0.87%, 0.5%

LAB 68.11, -16.29, -40.27

 

CMYK 93 / 50 / 0 / 7

HEX #1076EE

RGB 16 118 238

HSL 212.43, 0.87%, 0.5%

LAB 50.97, 18.92, -67.56

 

CMYK 93 / 75 / 0 / 7

HEX #103BEE

RGB 16 59 238

HSL 228.38, 0.87%, 0.5%

LAB 36.76, 55.44, -90.84

 

CMYK 93 / 93 / 0 / 7

HEX #1010EE

RGB 16 16 238

HSL 240, 0.87%, 0.5%

LAB 31.01, 72.5, -100.43

 

CMYK 93 / 25 / 0 / 7

HEX #10B2EE

RGB 16 178 238

HSL 196.22, 0.87%, 0.5%

LAB 68.11, -16.29, -40.27

 

CMYK 93 / 25 / 0 / 7

HEX #10B2EE

RGB 16 178 238

HSL 196.22, 0.87%, 0.5%

LAB 68.11, -16.29, -40.27

 

CMYK 83 / 22 / 0 / 15

HEX #25A9D9

RGB 37 169 217

HSL 196, 0.71%, 0.5%

LAB 64.79, -17.62, -33.91

 

CMYK 71 / 19 / 0 / 23

HEX #399FC5

RGB 57 159 197

HSL 196.29, 0.55%, 0.5%

LAB 61.39, -16.84, -28.02

 

CMYK 56 / 15 / 0 / 31

HEX #4E96B0

RGB 78 150 176

HSL 195.92, 0.39%, 0.5%

LAB 58.57, -14.97, -20.46

 

CMYK 36 / 10 / 0 / 39

HEX #638C9B

RGB 99 140 155

HSL 196.07, 0.22%, 0.5%

LAB 55.86, -10.19, -12.48

 

CMYK 93 / 0 / 25 / 7

HEX #10EEB3

RGB 16 238 179

HSL 164.05, 0.87%, 0.5%

LAB 84.23, -60.73, 15.44

 

CMYK 93 / 0 / 0 / 7

HEX #10EEEE

RGB 16 238 238

HSL 180, 0.87%, 0.5%

LAB 85.72, -45.27, -13.33

 

CMYK 93 / 25 / 0 / 7

HEX #10B3EE

RGB 16 179 238

HSL 195.95, 0.87%, 0.5%

LAB 68.4, -16.83, -39.81

 

CMYK 93 / 50 / 0 / 7

HEX #1078EE

RGB 16 120 238

HSL 211.89, 0.87%, 0.5%

LAB 51.51, 17.66, -66.67

 

CMYK 93 / 75 / 0 / 7

HEX #103CEE

RGB 16 60 238

HSL 228.11, 0.87%, 0.5%

LAB 36.96, 54.89, -90.52

 

CMYK 93 / 25 / 0 / 37

HEX #0B78A1

RGB 11 120 161

HSL 196.4, 0.87%, 0.34%

LAB 47.08, -12.38, -29.7

 

CMYK 93 / 25 / 0 / 22

HEX #0D95C7

RGB 13 149 199

HSL 196.13, 0.88%, 0.42%

LAB 57.75, -14.58, -34.85

 

CMYK 93 / 25 / 0 / 7

HEX #10B2EE

RGB 16 178 238

HSL 196.22, 0.87%, 0.5%

LAB 68.11, -16.29, -40.27

 

CMYK 77 / 21 / 0 / 5

HEX #37BFF1

RGB 55 191 241

HSL 196.13, 0.87%, 0.58%

LAB 72.51, -19.47, -35.02

 

CMYK 62 / 16 / 0 / 5

HEX #5DCBF3

RGB 93 203 243

HSL 196, 0.86%, 0.66%

LAB 76.99, -19.82, -29.11

 

CMYK 93 / 25 / 0 / 7

HEX #11B1EC

RGB 17 177 236

HSL 196.16, 0.87%, 0.5%

LAB 67.74, -16.43, -39.76

 

CMYK 50 / 93 / 0 / 7

HEX #7810EE

RGB 120 16 238

HSL 268.11, 0.87%, 0.5%

LAB 38.79, 77.05, -87.27

 

CMYK 0 / 13 / 93 / 7

HEX #EED010

RGB 238 208 16

HSL 51.89, 0.87%, 0.5%

LAB 83.61, -5.49, 82.54

 

CMYK 93 / 25 / 0 / 7

HEX #11B1EC

RGB 17 177 236

HSL 196.16, 0.87%, 0.5%

LAB 67.74, -16.43, -39.76

 

CMYK 0 / 93 / 25 / 7

HEX #EE10B3

RGB 238 16 179

HSL 315.95, 0.87%, 0.5%

LAB 53.82, 84.63, -28.11

 

CMYK 25 / 0 / 93 / 7

HEX #B3EE10

RGB 179 238 16

HSL 75.95, 0.87%, 0.5%

LAB 87.37, -43.95, 83.54

 

CMYK 93 / 25 / 0 / 7

HEX #11B1EC

RGB 17 177 236

HSL 196.16, 0.87%, 0.5%

LAB 67.74, -16.43, -39.76

 

CMYK 50 / 93 / 0 / 7

HEX #7810EE

RGB 120 16 238

HSL 268.11, 0.87%, 0.5%

LAB 38.79, 77.05, -87.27

 

CMYK 0 / 68 / 93 / 7

HEX #EE4B10

RGB 238 75 16

HSL 15.95, 0.87%, 0.5%

LAB 55.33, 60.48, 62.69

 

CMYK 44 / 0 / 93 / 7

HEX #86EE10

RGB 134 238 16

HSL 88.11, 0.87%, 0.5%

LAB 85.13, -59.64, 80.8

 

CMYK 93 / 25 / 0 / 7

HEX #11B1EC

RGB 17 177 236

HSL 196.16, 0.87%, 0.5%

LAB 67.74, -16.43, -39.76

 

CMYK 22 / 93 / 0 / 7

HEX #BA10EE

RGB 186 16 238

HSL 285.95, 0.87%, 0.5%

LAB 48.24, 84.43, -71.41

 

CMYK 0 / 68 / 93 / 7

HEX #EE4B10

RGB 238 75 16

HSL 15.95, 0.87%, 0.5%

LAB 55.33, 60.48, 62.69

 

CMYK 71 / 0 / 93 / 7

HEX #44EE10

RGB 68 238 16

HSL 105.95, 0.87%, 0.5%

LAB 83.13, -75.7, 78.35

 

Description

Color code: RGB 17 177 236 | qconv.com Color code: RGB 17 177 236 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 177 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 177 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 25 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 25% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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