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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 177 153 it is the complementary color RGB 238 78 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 177 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 177 153 shade: RGB 22 177 148, RGB 39 195 167, RGB 56 213 186, RGB 73 231 205 and RGB 90 249 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 177 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 177 153 shade: RGB 17 177 153, RGB 0 159 134, RGB 0 141 115, RGB 0 123 96 and RGB 0 105 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 177 153 shade: RGB 17 176 152, RGB 17 176 109, RGB 17 176 66, RGB 17 176 23 and RGB 53 176 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 177 153 shade: RGB 17 176 152, RGB 17 157 176, RGB 17 114 176, RGB 17 71 176 and RGB 17 28 176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 177 153 shade matches the following richer shades: RGB 17 176 152 and RGB 1 192 163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 177 153 shade: RGB 17 176 152, RGB 33 160 141, RGB 48 145 130, RGB 64 129 119 and RGB 80 113 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 177 153 shade: RGB 17 176 67, RGB 17 176 110, RGB 17 176 152, RGB 17 157 176 and RGB 17 115 176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 177 153 shade: RGB 10 101 87, RGB 13 138 120, RGB 17 176 152, RGB 21 213 184 and RGB 42 233 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 177 153 shade: RGB 17 177 153, RGB 25 17 176 and RGB 176 88 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 177 153 shade: RGB 17 177 153, RGB 152 17 176 and RGB 176 152 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 177 153 shade: RGB 17 177 153, RGB 25 17 176, RGB 176 17 41 and RGB 168 176 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 177 153 shade: RGB 17 177 153, RGB 73 17 176, RGB 176 17 41 and RGB 120 176 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 14 / 31

HEX #11B199

RGB 17 177 153

HSL 171, 0.82%, 0.38%

LAB 64.85, -42.9, 1.71

 

Complementary color

CMYK 0 / 67 / 57 / 7

HEX #EE4E66

RGB 238 78 102

HSL 351, 0.82%, 0.62%

LAB 56.67, 62.66, 21.57

 

CMYK 88 / 0 / 16 / 31

HEX #16B194

RGB 22 177 148

HSL 168.77, 0.78%, 0.39%

LAB 64.77, -43.96, 4.36

 

CMYK 80 / 0 / 14 / 24

HEX #27C3A7

RGB 39 195 167

HSL 169.23, 0.67%, 0.46%

LAB 71.04, -45.18, 3.03

 

CMYK 74 / 0 / 13 / 16

HEX #38D5BA

RGB 56 213 186

HSL 169.68, 0.65%, 0.53%

LAB 77.27, -46.07, 1.83

 

CMYK 68 / 0 / 11 / 9

HEX #49E7CD

RGB 73 231 205

HSL 170.13, 0.77%, 0.6%

LAB 83.43, -46.7, 0.74

 

CMYK 64 / 0 / 10 / 2

HEX #5AF9E0

RGB 90 249 224

HSL 170.57, 0.93%, 0.66%

LAB 89.54, -47.15, -0.25

 

CMYK 90 / 0 / 14 / 31

HEX #11B199

RGB 17 177 153

HSL 171, 0.82%, 0.38%

LAB 64.85, -42.9, 1.71

 

CMYK 100 / 0 / 16 / 38

HEX #009F86

RGB 0 159 134

HSL 170.57, 1%, 0.31%

LAB 58.53, -41.18, 3.16

 

CMYK 100 / 0 / 18 / 45

HEX #008D73

RGB 0 141 115

HSL 168.94, 1%, 0.28%

LAB 52.16, -38.72, 4.84

 

CMYK 100 / 0 / 22 / 52

HEX #007B60

RGB 0 123 96

HSL 166.83, 1%, 0.24%

LAB 45.65, -36.2, 6.61

 

CMYK 100 / 0 / 27 / 59

HEX #00694D

RGB 0 105 77

HSL 164, 1%, 0.21%

LAB 38.97, -33.6, 8.5

 

CMYK 90 / 0 / 14 / 31

HEX #11B098

RGB 17 176 152

HSL 170.94, 0.82%, 0.38%

LAB 64.51, -42.75, 1.77

 

CMYK 90 / 0 / 38 / 31

HEX #11B06D

RGB 17 176 109

HSL 154.72, 0.82%, 0.38%

LAB 63.57, -53.11, 24.03

 

CMYK 90 / 0 / 63 / 31

HEX #11B042

RGB 17 176 66

HSL 138.49, 0.82%, 0.38%

LAB 62.98, -60.16, 44.85

 

CMYK 90 / 0 / 87 / 31

HEX #11B017

RGB 17 176 23

HSL 122.26, 0.82%, 0.38%

LAB 62.7, -63.67, 59.59

 

CMYK 70 / 0 / 90 / 31

HEX #35B011

RGB 53 176 17

HSL 106.42, 0.82%, 0.38%

LAB 63.22, -59.22, 61.43

 

CMYK 90 / 0 / 14 / 31

HEX #11B098

RGB 17 176 152

HSL 170.94, 0.82%, 0.38%

LAB 64.51, -42.75, 1.77

 

CMYK 90 / 11 / 0 / 31

HEX #119DB0

RGB 17 157 176

HSL 187.17, 0.82%, 0.38%

LAB 59.31, -26.61, -19.45

 

CMYK 90 / 35 / 0 / 31

HEX #1172B0

RGB 17 114 176

HSL 203.4, 0.82%, 0.38%

LAB 46.03, -2.77, -40.11

 

CMYK 90 / 60 / 0 / 31

HEX #1147B0

RGB 17 71 176

HSL 219.62, 0.82%, 0.38%

LAB 33.48, 25.27, -60.31

 

CMYK 90 / 84 / 0 / 31

HEX #111CB0

RGB 17 28 176

HSL 235.85, 0.82%, 0.38%

LAB 23.95, 51.26, -76.03

 

CMYK 90 / 0 / 14 / 31

HEX #11B098

RGB 17 176 152

HSL 170.94, 0.82%, 0.38%

LAB 64.51, -42.75, 1.77

 

CMYK 99 / 0 / 15 / 25

HEX #01C0A3

RGB 1 192 163

HSL 170.89, 0.99%, 0.38%

LAB 69.72, -47.11, 3.25

 

CMYK 90 / 0 / 14 / 31

HEX #11B098

RGB 17 176 152

HSL 170.94, 0.82%, 0.38%

LAB 64.51, -42.75, 1.77

 

CMYK 79 / 0 / 12 / 37

HEX #21A08D

RGB 33 160 141

HSL 171.02, 0.66%, 0.38%

LAB 59.33, -37.54, 0.41

 

CMYK 67 / 0 / 10 / 43

HEX #309182

RGB 48 145 130

HSL 170.72, 0.5%, 0.38%

LAB 54.54, -31.64, -0.27

 

CMYK 50 / 0 / 8 / 49

HEX #408177

RGB 64 129 119

HSL 170.77, 0.34%, 0.38%

LAB 49.64, -23.4, -0.98

 

CMYK 29 / 0 / 4 / 56

HEX #50716C

RGB 80 113 108

HSL 170.91, 0.17%, 0.38%

LAB 45.08, -13, -1.05

 

CMYK 90 / 0 / 62 / 31

HEX #11B043

RGB 17 176 67

HSL 138.87, 0.82%, 0.38%

LAB 62.99, -60.04, 44.41

 

CMYK 90 / 0 / 38 / 31

HEX #11B06E

RGB 17 176 110

HSL 155.09, 0.82%, 0.38%

LAB 63.59, -52.91, 23.52

 

CMYK 90 / 0 / 14 / 31

HEX #11B098

RGB 17 176 152

HSL 170.94, 0.82%, 0.38%

LAB 64.51, -42.75, 1.77

 

CMYK 90 / 11 / 0 / 31

HEX #119DB0

RGB 17 157 176

HSL 187.17, 0.82%, 0.38%

LAB 59.31, -26.61, -19.45

 

CMYK 90 / 35 / 0 / 31

HEX #1173B0

RGB 17 115 176

HSL 203.02, 0.82%, 0.38%

LAB 46.33, -3.37, -39.63

 

CMYK 90 / 0 / 14 / 60

HEX #0A6557

RGB 10 101 87

HSL 170.77, 0.82%, 0.22%

LAB 37.95, -28.08, 0.97

 

CMYK 91 / 0 / 13 / 46

HEX #0D8A78

RGB 13 138 120

HSL 171.36, 0.83%, 0.3%

LAB 51.4, -35.28, 0.86

 

CMYK 90 / 0 / 14 / 31

HEX #11B098

RGB 17 176 152

HSL 170.94, 0.82%, 0.38%

LAB 64.51, -42.75, 1.77

 

CMYK 90 / 0 / 14 / 16

HEX #15D5B8

RGB 21 213 184

HSL 170.94, 0.82%, 0.46%

LAB 76.81, -49.47, 2.18

 

CMYK 82 / 0 / 12 / 9

HEX #2AE9CD

RGB 42 233 205

HSL 171.2, 0.81%, 0.54%

LAB 83.54, -50.9, 0.84

 

CMYK 90 / 0 / 14 / 31

HEX #11B199

RGB 17 177 153

HSL 171, 0.82%, 0.38%

LAB 64.85, -42.9, 1.71

 

CMYK 86 / 90 / 0 / 31

HEX #1911B0

RGB 25 17 176

HSL 243.02, 0.82%, 0.38%

LAB 22.8, 55.81, -77.94

 

CMYK 0 / 50 / 90 / 31

HEX #B05811

RGB 176 88 17

HSL 26.79, 0.82%, 0.38%

LAB 47.3, 31.78, 52.04

 

CMYK 90 / 0 / 14 / 31

HEX #11B199

RGB 17 177 153

HSL 171, 0.82%, 0.38%

LAB 64.85, -42.9, 1.71

 

CMYK 14 / 90 / 0 / 31

HEX #9811B0

RGB 152 17 176

HSL 290.94, 0.82%, 0.38%

LAB 38.22, 68.5, -52.04

 

CMYK 0 / 14 / 90 / 31

HEX #B09811

RGB 176 152 17

HSL 50.94, 0.82%, 0.38%

LAB 63.12, -3.51, 64.25

 

CMYK 90 / 0 / 14 / 31

HEX #11B199

RGB 17 177 153

HSL 171, 0.82%, 0.38%

LAB 64.85, -42.9, 1.71

 

CMYK 86 / 90 / 0 / 31

HEX #1911B0

RGB 25 17 176

HSL 243.02, 0.82%, 0.38%

LAB 22.8, 55.81, -77.94

 

CMYK 0 / 90 / 77 / 31

HEX #B01129

RGB 176 17 41

HSL 350.94, 0.82%, 0.38%

LAB 37.46, 59.34, 31.69

 

CMYK 5 / 0 / 90 / 31

HEX #A8B011

RGB 168 176 17

HSL 63.02, 0.82%, 0.38%

LAB 69.05, -19.58, 68.62

 

CMYK 90 / 0 / 14 / 31

HEX #11B199

RGB 17 177 153

HSL 171, 0.82%, 0.38%

LAB 64.85, -42.9, 1.71

 

CMYK 59 / 90 / 0 / 31

HEX #4911B0

RGB 73 17 176

HSL 261.13, 0.82%, 0.38%

LAB 26.6, 58.45, -71.52

 

CMYK 0 / 90 / 77 / 31

HEX #B01129

RGB 176 17 41

HSL 350.94, 0.82%, 0.38%

LAB 37.46, 59.34, 31.69

 

CMYK 32 / 0 / 90 / 31

HEX #78B011

RGB 120 176 17

HSL 81.13, 0.82%, 0.38%

LAB 65.81, -39.4, 64.65

 

Description

Color code: RGB 17 177 153 | qconv.com Color code: RGB 17 177 153 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 177 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 177 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 14 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 14% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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