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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 139 227 it is the complementary color RGB 238 116 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 139 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 139 227 shade: RGB 22 139 222, RGB 39 157 241, RGB 56 175 255, RGB 73 193 255 and RGB 90 211 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 139 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 139 227 shade: RGB 17 139 227, RGB 0 121 208, RGB 0 103 189, RGB 0 85 170 and RGB 0 67 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 139 227 shade: RGB 17 139 227, RGB 17 82 227, RGB 17 25 227, RGB 65 17 227 and RGB 121 17 227

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 139 227 shade: RGB 17 139 227, RGB 17 82 227, RGB 17 25 227 and RGB 17 17 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 139 227 shade matches the following richer shades: RGB 17 139 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 139 227 shade: RGB 17 139 227, RGB 36 136 207, RGB 56 133 188, RGB 76 129 168 and RGB 96 126 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 139 227 shade: RGB 17 227 203, RGB 17 196 227, RGB 17 139 227, RGB 17 83 227 and RGB 17 27 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 139 227 shade: RGB 11 92 150, RGB 14 115 189, RGB 17 139 227, RGB 46 158 239 and RGB 85 176 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 139 227 shade: RGB 17 139 227, RGB 146 17 227 and RGB 224 227 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 139 227 shade: RGB 17 139 227, RGB 227 17 139 and RGB 139 227 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 139 227 shade: RGB 17 139 227, RGB 146 17 227, RGB 227 104 17 and RGB 97 227 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 139 227 shade: RGB 17 139 227, RGB 210 17 227, RGB 227 104 17 and RGB 34 227 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 39 / 0 / 11

HEX #118BE3

RGB 17 139 227

HSL 205.14, 0.86%, 0.48%

LAB 56.22, 1.77, -52.98

 

Complementary color

CMYK 0 / 51 / 88 / 7

HEX #EE741C

RGB 238 116 28

HSL 25.14, 0.86%, 0.52%

LAB 62.3, 42.48, 64.17

 

CMYK 90 / 37 / 0 / 13

HEX #168BDE

RGB 22 139 222

HSL 204.9, 0.82%, 0.48%

LAB 56, 0.1, -50.53

 

CMYK 84 / 35 / 0 / 5

HEX #279DF1

RGB 39 157 241

HSL 204.95, 0.88%, 0.55%

LAB 62.42, -2.3, -50.85

 

CMYK 78 / 31 / 0 / 0

HEX #38AFFF

RGB 56 175 255

HSL 204.12, 1%, 0.61%

LAB 68.55, -6.01, -48.79

 

CMYK 71 / 24 / 0 / 0

HEX #49C1FF

RGB 73 193 255

HSL 200.44, 1%, 0.64%

LAB 74.05, -13.85, -40.14

 

CMYK 65 / 17 / 0 / 0

HEX #5AD3FF

RGB 90 211 255

HSL 196, 1%, 0.68%

LAB 79.6, -20.78, -31.5

 

CMYK 93 / 39 / 0 / 11

HEX #118BE3

RGB 17 139 227

HSL 205.14, 0.86%, 0.48%

LAB 56.22, 1.77, -52.98

 

CMYK 100 / 42 / 0 / 18

HEX #0079D0

RGB 0 121 208

HSL 205.1, 1%, 0.41%

LAB 49.77, 4.81, -52.58

 

CMYK 100 / 46 / 0 / 26

HEX #0067BD

RGB 0 103 189

HSL 207.3, 1%, 0.37%

LAB 43.32, 8.58, -52.01

 

CMYK 100 / 50 / 0 / 33

HEX #0055AA

RGB 0 85 170

HSL 210, 1%, 0.33%

LAB 36.74, 12.61, -51.45

 

CMYK 100 / 56 / 0 / 41

HEX #004397

RGB 0 67 151

HSL 213.38, 1%, 0.3%

LAB 30.03, 16.93, -50.9

 

CMYK 93 / 39 / 0 / 11

HEX #118BE3

RGB 17 139 227

HSL 205.14, 0.86%, 0.48%

LAB 56.22, 1.77, -52.98

 

CMYK 93 / 64 / 0 / 11

HEX #1152E3

RGB 17 82 227

HSL 221.43, 0.86%, 0.48%

LAB 40.73, 37.79, -78.05

 

CMYK 93 / 89 / 0 / 11

HEX #1119E3

RGB 17 25 227

HSL 237.71, 0.86%, 0.48%

LAB 30.3, 67.23, -95.32

 

CMYK 71 / 93 / 0 / 11

HEX #4111E3

RGB 65 17 227

HSL 253.71, 0.86%, 0.48%

LAB 31.97, 70.73, -92.49

 

CMYK 47 / 93 / 0 / 11

HEX #7911E3

RGB 121 17 227

HSL 269.71, 0.86%, 0.48%

LAB 37.86, 74.59, -82.53

 

CMYK 93 / 39 / 0 / 11

HEX #118BE3

RGB 17 139 227

HSL 205.14, 0.86%, 0.48%

LAB 56.22, 1.77, -52.98

 

CMYK 93 / 64 / 0 / 11

HEX #1152E3

RGB 17 82 227

HSL 221.43, 0.86%, 0.48%

LAB 40.73, 37.79, -78.05

 

CMYK 93 / 89 / 0 / 11

HEX #1119E3

RGB 17 25 227

HSL 237.71, 0.86%, 0.48%

LAB 30.3, 67.23, -95.32

 

CMYK 93 / 93 / 0 / 11

HEX #1111E3

RGB 17 17 227

HSL 240, 0.86%, 0.48%

LAB 29.58, 69.45, -96.53

 

CMYK 93 / 39 / 0 / 11

HEX #118BE3

RGB 17 139 227

HSL 205.14, 0.86%, 0.48%

LAB 56.22, 1.77, -52.98

 

CMYK 93 / 39 / 0 / 11

HEX #118BE3

RGB 17 139 227

HSL 205.14, 0.86%, 0.48%

LAB 56.22, 1.77, -52.98

 

CMYK 83 / 34 / 0 / 19

HEX #2488CF

RGB 36 136 207

HSL 204.91, 0.7%, 0.48%

LAB 54.54, -2.78, -44.39

 

CMYK 70 / 29 / 0 / 26

HEX #3885BC

RGB 56 133 188

HSL 205, 0.54%, 0.48%

LAB 53.22, -5.51, -35.65

 

CMYK 55 / 23 / 0 / 34

HEX #4C81A8

RGB 76 129 168

HSL 205.43, 0.38%, 0.48%

LAB 51.91, -6.12, -26.12

 

CMYK 35 / 15 / 0 / 42

HEX #607E94

RGB 96 126 148

HSL 205.38, 0.21%, 0.48%

LAB 51.32, -5.02, -15.3

 

CMYK 93 / 0 / 11 / 11

HEX #11E3CB

RGB 17 227 203

HSL 173.14, 0.86%, 0.48%

LAB 81.49, -50.35, -1.11

 

CMYK 93 / 14 / 0 / 11

HEX #11C4E3

RGB 17 196 227

HSL 188.86, 0.86%, 0.48%

LAB 72.99, -29.2, -26.75

 

CMYK 93 / 39 / 0 / 11

HEX #118BE3

RGB 17 139 227

HSL 205.14, 0.86%, 0.48%

LAB 56.22, 1.77, -52.98

 

CMYK 93 / 63 / 0 / 11

HEX #1153E3

RGB 17 83 227

HSL 221.14, 0.86%, 0.48%

LAB 40.98, 37.15, -77.64

 

CMYK 93 / 88 / 0 / 11

HEX #111BE3

RGB 17 27 227

HSL 237.14, 0.86%, 0.48%

LAB 30.52, 66.58, -94.96

 

CMYK 93 / 39 / 0 / 41

HEX #0B5C96

RGB 11 92 150

HSL 205.04, 0.86%, 0.32%

LAB 37.71, 0.28, -37.93

 

CMYK 93 / 39 / 0 / 26

HEX #0E73BD

RGB 14 115 189

HSL 205.37, 0.86%, 0.4%

LAB 47.01, 1.55, -46.09

 

CMYK 93 / 39 / 0 / 11

HEX #118BE3

RGB 17 139 227

HSL 205.14, 0.86%, 0.48%

LAB 56.22, 1.77, -52.98

 

CMYK 81 / 34 / 0 / 6

HEX #2E9EEF

RGB 46 158 239

HSL 205.18, 0.86%, 0.56%

LAB 62.73, -3.01, -49.25

 

CMYK 65 / 27 / 0 / 5

HEX #55B0F2

RGB 85 176 242

HSL 205.22, 0.86%, 0.64%

LAB 69.03, -7.13, -40.91

 

CMYK 93 / 39 / 0 / 11

HEX #118BE3

RGB 17 139 227

HSL 205.14, 0.86%, 0.48%

LAB 56.22, 1.77, -52.98

 

CMYK 36 / 93 / 0 / 11

HEX #9211E3

RGB 146 17 227

HSL 276.86, 0.86%, 0.48%

LAB 41.31, 77.22, -76.74

 

CMYK 1 / 0 / 93 / 11

HEX #E0E311

RGB 224 227 17

HSL 60.86, 0.86%, 0.48%

LAB 87.4, -20.84, 84.77

 

CMYK 93 / 39 / 0 / 11

HEX #118BE3

RGB 17 139 227

HSL 205.14, 0.86%, 0.48%

LAB 56.22, 1.77, -52.98

 

CMYK 0 / 93 / 39 / 11

HEX #E3118B

RGB 227 17 139

HSL 325.14, 0.86%, 0.48%

LAB 50.21, 78.17, -10.07

 

CMYK 39 / 0 / 93 / 11

HEX #8BE311

RGB 139 227 17

HSL 85.14, 0.86%, 0.48%

LAB 82.09, -53.76, 78.33

 

CMYK 93 / 39 / 0 / 11

HEX #118BE3

RGB 17 139 227

HSL 205.14, 0.86%, 0.48%

LAB 56.22, 1.77, -52.98

 

CMYK 36 / 93 / 0 / 11

HEX #9211E3

RGB 146 17 227

HSL 276.86, 0.86%, 0.48%

LAB 41.31, 77.22, -76.74

 

CMYK 0 / 54 / 93 / 11

HEX #E36811

RGB 227 104 17

HSL 24.86, 0.86%, 0.48%

LAB 58.29, 43.96, 63.52

 

CMYK 57 / 0 / 93 / 11

HEX #61E311

RGB 97 227 17

HSL 97.14, 0.86%, 0.48%

LAB 80.47, -66.19, 76.34

 

CMYK 93 / 39 / 0 / 11

HEX #118BE3

RGB 17 139 227

HSL 205.14, 0.86%, 0.48%

LAB 56.22, 1.77, -52.98

 

CMYK 7 / 93 / 0 / 11

HEX #D211E3

RGB 210 17 227

HSL 295.14, 0.86%, 0.48%

LAB 51.44, 86.02, -59.83

 

CMYK 0 / 54 / 93 / 11

HEX #E36811

RGB 227 104 17

HSL 24.86, 0.86%, 0.48%

LAB 58.29, 43.96, 63.52

 

CMYK 85 / 0 / 93 / 11

HEX #22E311

RGB 34 227 17

HSL 115.14, 0.86%, 0.48%

LAB 79.22, -76.85, 74.79

 

Description

Color code: RGB 17 139 227 | qconv.com Color code: RGB 17 139 227 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 139 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 139 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 39 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 39% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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