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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 130 17 it is the complementary color RGB 238 125 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 130 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 130 17 shade: RGB 22 130 12, RGB 39 148 31, RGB 56 166 50, RGB 73 184 69 and RGB 90 202 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 130 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 130 17 shade: RGB 17 130 17, RGB 0 112 0, RGB 0 94 0, RGB 0 76 0 and RGB 0 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 130 17 shade: RGB 17 130 17, RGB 47 130 17, RGB 78 130 17, RGB 109 130 17 and RGB 130 121 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 130 17 shade: RGB 17 130 17, RGB 17 130 47, RGB 17 130 78, RGB 17 130 109 and RGB 17 121 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 130 17 shade matches the following richer shades: RGB 17 130 17 and RGB 5 142 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 130 17 shade: RGB 17 130 17, RGB 28 118 28, RGB 40 106 40, RGB 52 94 52 and RGB 64 83 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 130 17 shade: RGB 77 130 17, RGB 47 130 17, RGB 17 130 17, RGB 17 130 47 and RGB 17 130 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 130 17 shade: RGB 7 57 7, RGB 12 94 12, RGB 17 130 17, RGB 21 167 21 and RGB 26 203 26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 130 17 shade: RGB 17 130 17, RGB 17 108 130 and RGB 130 17 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 130 17 shade: RGB 17 130 17, RGB 17 17 130 and RGB 130 17 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 130 17 shade: RGB 17 130 17, RGB 17 108 130, RGB 130 17 130 and RGB 130 39 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 130 17 shade: RGB 17 130 17, RGB 17 73 130, RGB 130 17 130 and RGB 130 73 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 87 / 49

HEX #118211

RGB 17 130 17

HSL 120, 0.77%, 0.29%

LAB 47.14, -50.18, 47.11

 

Complementary color

CMYK 0 / 47 / 0 / 7

HEX #EE7DEE

RGB 238 125 238

HSL 300, 0.77%, 0.71%

LAB 68.76, 58.8, -38.27

 

CMYK 83 / 0 / 91 / 49

HEX #16820C

RGB 22 130 12

HSL 114.92, 0.83%, 0.28%

LAB 47.19, -49.82, 48.36

 

CMYK 74 / 0 / 79 / 42

HEX #27941F

RGB 39 148 31

HSL 115.9, 0.65%, 0.35%

LAB 53.72, -51.97, 49.2

 

CMYK 66 / 0 / 70 / 35

HEX #38A632

RGB 56 166 50

HSL 116.9, 0.54%, 0.42%

LAB 60.2, -53.27, 48.84

 

CMYK 60 / 0 / 63 / 28

HEX #49B845

RGB 73 184 69

HSL 117.91, 0.45%, 0.5%

LAB 66.62, -54.02, 47.91

 

CMYK 55 / 0 / 56 / 21

HEX #5ACA58

RGB 90 202 88

HSL 118.95, 0.52%, 0.57%

LAB 72.97, -54.41, 46.74

 

CMYK 87 / 0 / 87 / 49

HEX #118211

RGB 17 130 17

HSL 120, 0.77%, 0.29%

LAB 47.14, -50.18, 47.11

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 100 / 0 / 100 / 63

HEX #005E00

RGB 0 94 0

HSL 120, 1%, 0.18%

LAB 33.99, -41.54, 40.09

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 87 / 0 / 87 / 49

HEX #118211

RGB 17 130 17

HSL 120, 0.77%, 0.29%

LAB 47.14, -50.18, 47.11

 

CMYK 64 / 0 / 87 / 49

HEX #2F8211

RGB 47 130 17

HSL 104.07, 0.77%, 0.29%

LAB 47.76, -44.81, 47.91

 

CMYK 40 / 0 / 87 / 49

HEX #4E8211

RGB 78 130 17

HSL 87.61, 0.77%, 0.29%

LAB 49.04, -35.02, 49.52

 

CMYK 16 / 0 / 87 / 49

HEX #6D8211

RGB 109 130 17

HSL 71.15, 0.77%, 0.29%

LAB 50.99, -22.24, 51.97

 

CMYK 0 / 7 / 87 / 49

HEX #827911

RGB 130 121 17

HSL 55.22, 0.77%, 0.29%

LAB 50.05, -7.8, 51.89

 

CMYK 87 / 0 / 87 / 49

HEX #118211

RGB 17 130 17

HSL 120, 0.77%, 0.29%

LAB 47.14, -50.18, 47.11

 

CMYK 87 / 0 / 64 / 49

HEX #11822F

RGB 17 130 47

HSL 135.93, 0.77%, 0.29%

LAB 47.35, -47.5, 35.87

 

CMYK 87 / 0 / 40 / 49

HEX #11824E

RGB 17 130 78

HSL 152.39, 0.77%, 0.29%

LAB 47.8, -42.22, 20.02

 

CMYK 87 / 0 / 16 / 49

HEX #11826D

RGB 17 130 109

HSL 168.85, 0.77%, 0.29%

LAB 48.5, -34.53, 3.07

 

CMYK 87 / 7 / 0 / 49

HEX #117982

RGB 17 121 130

HSL 184.78, 0.77%, 0.29%

LAB 46.18, -23.66, -12.77

 

CMYK 87 / 0 / 87 / 49

HEX #118211

RGB 17 130 17

HSL 120, 0.77%, 0.29%

LAB 47.14, -50.18, 47.11

 

CMYK 96 / 0 / 96 / 44

HEX #058E05

RGB 5 142 5

HSL 120, 0.93%, 0.29%

LAB 51.14, -55.23, 52.95

 

CMYK 87 / 0 / 87 / 49

HEX #118211

RGB 17 130 17

HSL 120, 0.77%, 0.29%

LAB 47.14, -50.18, 47.11

 

CMYK 76 / 0 / 76 / 54

HEX #1C761C

RGB 28 118 28

HSL 120, 0.62%, 0.29%

LAB 43.19, -43.91, 39.79

 

CMYK 62 / 0 / 62 / 58

HEX #286A28

RGB 40 106 40

HSL 120, 0.45%, 0.29%

LAB 39.43, -35.39, 30.35

 

CMYK 45 / 0 / 45 / 63

HEX #345E34

RGB 52 94 52

HSL 120, 0.29%, 0.29%

LAB 35.95, -24.42, 19.59

 

CMYK 23 / 0 / 23 / 67

HEX #405340

RGB 64 83 64

HSL 120, 0.13%, 0.29%

LAB 33.24, -11.68, 8.77

 

CMYK 41 / 0 / 87 / 49

HEX #4D8211

RGB 77 130 17

HSL 88.14, 0.77%, 0.29%

LAB 48.99, -35.39, 49.46

 

CMYK 64 / 0 / 87 / 49

HEX #2F8211

RGB 47 130 17

HSL 104.07, 0.77%, 0.29%

LAB 47.76, -44.81, 47.91

 

CMYK 87 / 0 / 87 / 49

HEX #118211

RGB 17 130 17

HSL 120, 0.77%, 0.29%

LAB 47.14, -50.18, 47.11

 

CMYK 87 / 0 / 64 / 49

HEX #11822F

RGB 17 130 47

HSL 135.93, 0.77%, 0.29%

LAB 47.35, -47.5, 35.87

 

CMYK 87 / 0 / 41 / 49

HEX #11824D

RGB 17 130 77

HSL 151.86, 0.77%, 0.29%

LAB 47.78, -42.43, 20.56

 

CMYK 88 / 0 / 88 / 78

HEX #073907

RGB 7 57 7

HSL 120, 0.78%, 0.13%

LAB 19.99, -27.28, 24.54

 

CMYK 87 / 0 / 87 / 63

HEX #0C5E0C

RGB 12 94 12

HSL 120, 0.77%, 0.21%

LAB 34.21, -39.37, 36.67

 

CMYK 87 / 0 / 87 / 49

HEX #118211

RGB 17 130 17

HSL 120, 0.77%, 0.29%

LAB 47.14, -50.18, 47.11

 

CMYK 87 / 0 / 87 / 35

HEX #15A715

RGB 21 167 21

HSL 120, 0.78%, 0.37%

LAB 59.75, -60.82, 57.43

 

CMYK 87 / 0 / 87 / 20

HEX #1ACB1A

RGB 26 203 26

HSL 120, 0.77%, 0.45%

LAB 71.56, -70.56, 66.78

 

CMYK 87 / 0 / 87 / 49

HEX #118211

RGB 17 130 17

HSL 120, 0.77%, 0.29%

LAB 47.14, -50.18, 47.11

 

CMYK 87 / 17 / 0 / 49

HEX #116C82

RGB 17 108 130

HSL 191.68, 0.77%, 0.29%

LAB 41.93, -16.67, -19.26

 

CMYK 0 / 87 / 52 / 49

HEX #82113E

RGB 130 17 62

HSL 336.11, 0.77%, 0.29%

LAB 28.1, 48.11, 4.05

 

CMYK 87 / 0 / 87 / 49

HEX #118211

RGB 17 130 17

HSL 120, 0.77%, 0.29%

LAB 47.14, -50.18, 47.11

 

CMYK 87 / 87 / 0 / 49

HEX #111182

RGB 17 17 130

HSL 240, 0.77%, 0.29%

LAB 16.16, 41.72, -60.64

 

CMYK 0 / 87 / 87 / 49

HEX #821111

RGB 130 17 17

HSL 0, 0.77%, 0.29%

LAB 27.26, 45.63, 32.28

 

CMYK 87 / 0 / 87 / 49

HEX #118211

RGB 17 130 17

HSL 120, 0.77%, 0.29%

LAB 47.14, -50.18, 47.11

 

CMYK 87 / 17 / 0 / 49

HEX #116C82

RGB 17 108 130

HSL 191.68, 0.77%, 0.29%

LAB 41.93, -16.67, -19.26

 

CMYK 0 / 87 / 0 / 49

HEX #821182

RGB 130 17 130

HSL 300, 0.77%, 0.29%

LAB 31.25, 56.8, -35.38

 

CMYK 0 / 70 / 87 / 49

HEX #822711

RGB 130 39 17

HSL 11.68, 0.77%, 0.29%

LAB 30, 38.01, 34.74

 

CMYK 87 / 0 / 87 / 49

HEX #118211

RGB 17 130 17

HSL 120, 0.77%, 0.29%

LAB 47.14, -50.18, 47.11

 

CMYK 87 / 44 / 0 / 49

HEX #114982

RGB 17 73 130

HSL 210.27, 0.77%, 0.29%

LAB 30.63, 4.96, -37

 

CMYK 0 / 87 / 0 / 49

HEX #821182

RGB 130 17 130

HSL 300, 0.77%, 0.29%

LAB 31.25, 56.8, -35.38

 

CMYK 0 / 44 / 87 / 49

HEX #824911

RGB 130 73 17

HSL 29.73, 0.77%, 0.29%

LAB 37.02, 20.1, 40.87

 

Description

Color code: RGB 17 130 17 | qconv.com Color code: RGB 17 130 17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 130 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 130 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 87 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 87% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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