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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 114 50 it is the complementary color RGB 238 141 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 114 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 114 50 shade: RGB 22 114 45, RGB 39 132 64, RGB 56 150 83, RGB 73 168 102 and RGB 90 186 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 114 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 114 50 shade: RGB 17 114 50, RGB 0 96 31, RGB 0 78 12, RGB 0 60 0 and RGB 0 42 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 114 50 shade: RGB 17 115 50, RGB 17 115 24, RGB 36 115 17, RGB 63 115 17 and RGB 89 115 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 114 50 shade: RGB 17 115 50, RGB 17 115 77, RGB 17 115 103, RGB 17 100 115 and RGB 17 74 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 114 50 shade matches the following richer shades: RGB 17 115 50 and RGB 6 126 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 114 50 shade: RGB 17 115 50, RGB 27 104 54, RGB 38 93 57, RGB 49 83 60 and RGB 60 72 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 114 50 shade: RGB 36 115 17, RGB 17 115 23, RGB 17 115 49, RGB 17 115 76 and RGB 17 115 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 114 50 shade: RGB 6 43 19, RGB 11 79 34, RGB 17 115 50, RGB 22 151 66 and RGB 27 187 82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 114 50 shade: RGB 17 114 50, RGB 17 63 115 and RGB 115 17 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 114 50 shade: RGB 17 114 50, RGB 49 17 115 and RGB 115 49 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 114 50 shade: RGB 17 114 50, RGB 17 63 115, RGB 115 17 82 and RGB 115 69 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 114 50 shade: RGB 17 114 50, RGB 17 33 115, RGB 115 17 82 and RGB 115 99 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 56 / 55

HEX #117232

RGB 17 114 50

HSL 140.41, 0.74%, 0.26%

LAB 41.82, -41.41, 27.84

 

Complementary color

CMYK 0 / 41 / 14 / 7

HEX #EE8DCD

RGB 238 141 205

HSL 320.41, 0.74%, 0.74%

LAB 70.62, 45.32, -17.19

 

CMYK 81 / 0 / 61 / 55

HEX #16722D

RGB 22 114 45

HSL 135, 0.68%, 0.27%

LAB 41.84, -41.51, 30.49

 

CMYK 70 / 0 / 52 / 48

HEX #278440

RGB 39 132 64

HSL 136.13, 0.54%, 0.34%

LAB 48.64, -42.48, 28.88

 

CMYK 63 / 0 / 45 / 41

HEX #389653

RGB 56 150 83

HSL 137.23, 0.46%, 0.4%

LAB 55.36, -42.9, 27.32

 

CMYK 57 / 0 / 39 / 34

HEX #49A866

RGB 73 168 102

HSL 138.32, 0.39%, 0.47%

LAB 61.98, -43.01, 25.87

 

CMYK 52 / 0 / 35 / 27

HEX #5ABA79

RGB 90 186 121

HSL 139.38, 0.41%, 0.54%

LAB 68.51, -42.96, 24.52

 

CMYK 85 / 0 / 56 / 55

HEX #117232

RGB 17 114 50

HSL 140.41, 0.74%, 0.26%

LAB 41.82, -41.41, 27.84

 

CMYK 100 / 0 / 68 / 62

HEX #00601F

RGB 0 96 31

HSL 139.38, 1%, 0.19%

LAB 34.93, -39.59, 29.52

 

CMYK 100 / 0 / 85 / 69

HEX #004E0C

RGB 0 78 12

HSL 129.23, 1%, 0.15%

LAB 28.05, -35.61, 30.74

 

CMYK 100 / 0 / 100 / 76

HEX #003C00

RGB 0 60 0

HSL 120, 1%, 0.12%

LAB 20.95, -30.7, 28.41

 

CMYK 100 / 0 / 100 / 84

HEX #002A00

RGB 0 42 0

HSL 120, 1%, 0.08%

LAB 13.57, -24.56, 19.44

 

CMYK 85 / 0 / 57 / 55

HEX #117332

RGB 17 115 50

HSL 140.2, 0.74%, 0.26%

LAB 42.17, -41.78, 28.27

 

CMYK 85 / 0 / 79 / 55

HEX #117318

RGB 17 115 24

HSL 124.29, 0.74%, 0.26%

LAB 41.92, -44.89, 39.97

 

CMYK 69 / 0 / 85 / 55

HEX #247311

RGB 36 115 17

HSL 108.37, 0.74%, 0.26%

LAB 42.27, -42, 42.8

 

CMYK 45 / 0 / 85 / 55

HEX #3F7311

RGB 63 115 17

HSL 91.84, 0.74%, 0.26%

LAB 43.3, -33.93, 44.12

 

CMYK 23 / 0 / 85 / 55

HEX #597311

RGB 89 115 17

HSL 75.92, 0.74%, 0.26%

LAB 44.84, -23.45, 46.08

 

CMYK 85 / 0 / 57 / 55

HEX #117332

RGB 17 115 50

HSL 140.2, 0.74%, 0.26%

LAB 42.17, -41.78, 28.27

 

CMYK 85 / 0 / 33 / 55

HEX #11734D

RGB 17 115 77

HSL 156.73, 0.74%, 0.26%

LAB 42.64, -36.38, 13.63

 

CMYK 85 / 0 / 10 / 55

HEX #117367

RGB 17 115 103

HSL 172.65, 0.74%, 0.26%

LAB 43.3, -29.32, -0.93

 

CMYK 85 / 13 / 0 / 55

HEX #116473

RGB 17 100 115

HSL 189.18, 0.74%, 0.26%

LAB 38.68, -17.62, -15.14

 

CMYK 85 / 36 / 0 / 55

HEX #114A73

RGB 17 74 115

HSL 205.1, 0.74%, 0.26%

LAB 30.05, -1.91, -28.56

 

CMYK 85 / 0 / 57 / 55

HEX #117332

RGB 17 115 50

HSL 140.2, 0.74%, 0.26%

LAB 42.17, -41.78, 28.27

 

CMYK 95 / 0 / 63 / 51

HEX #067E2F

RGB 6 126 47

HSL 140.5, 0.91%, 0.26%

LAB 45.86, -47.07, 34.13

 

CMYK 85 / 0 / 57 / 55

HEX #117332

RGB 17 115 50

HSL 140.2, 0.74%, 0.26%

LAB 42.17, -41.78, 28.27

 

CMYK 74 / 0 / 48 / 59

HEX #1B6836

RGB 27 104 54

HSL 141.04, 0.59%, 0.26%

LAB 38.55, -35.3, 21.6

 

CMYK 59 / 0 / 39 / 64

HEX #265D39

RGB 38 93 57

HSL 140.73, 0.42%, 0.26%

LAB 35.08, -27.32, 15.35

 

CMYK 41 / 0 / 28 / 67

HEX #31533C

RGB 49 83 60

HSL 139.41, 0.26%, 0.26%

LAB 32.18, -18.16, 9.66

 

CMYK 17 / 0 / 11 / 72

HEX #3C4840

RGB 60 72 64

HSL 140, 0.09%, 0.26%

LAB 29.33, -6.7, 3.19

 

CMYK 69 / 0 / 85 / 55

HEX #247311

RGB 36 115 17

HSL 108.37, 0.74%, 0.26%

LAB 42.27, -42, 42.8

 

CMYK 85 / 0 / 80 / 55

HEX #117317

RGB 17 115 23

HSL 123.67, 0.74%, 0.26%

LAB 41.91, -44.97, 40.33

 

CMYK 85 / 0 / 57 / 55

HEX #117331

RGB 17 115 49

HSL 139.59, 0.74%, 0.26%

LAB 42.16, -41.94, 28.78

 

CMYK 85 / 0 / 34 / 55

HEX #11734C

RGB 17 115 76

HSL 156.12, 0.74%, 0.26%

LAB 42.62, -36.62, 14.19

 

CMYK 85 / 0 / 11 / 55

HEX #117366

RGB 17 115 102

HSL 172.04, 0.74%, 0.26%

LAB 43.27, -29.62, -0.37

 

CMYK 86 / 0 / 56 / 83

HEX #062B13

RGB 6 43 19

HSL 141.08, 0.76%, 0.1%

LAB 14.48, -19.78, 11.94

 

CMYK 86 / 0 / 57 / 69

HEX #0B4F22

RGB 11 79 34

HSL 140.29, 0.76%, 0.18%

LAB 28.85, -31.47, 20.79

 

CMYK 85 / 0 / 57 / 55

HEX #117332

RGB 17 115 50

HSL 140.2, 0.74%, 0.26%

LAB 42.17, -41.78, 28.27

 

CMYK 85 / 0 / 56 / 41

HEX #169742

RGB 22 151 66

HSL 140.47, 0.75%, 0.34%

LAB 54.76, -51.54, 35.26

 

CMYK 86 / 0 / 56 / 27

HEX #1BBB52

RGB 27 187 82

HSL 140.63, 0.75%, 0.42%

LAB 66.81, -60.82, 41.92

 

CMYK 85 / 0 / 56 / 55

HEX #117232

RGB 17 114 50

HSL 140.41, 0.74%, 0.26%

LAB 41.82, -41.41, 27.84

 

CMYK 85 / 45 / 0 / 55

HEX #113F73

RGB 17 63 115

HSL 211.84, 0.74%, 0.26%

LAB 26.48, 5.51, -34.23

 

CMYK 0 / 85 / 80 / 55

HEX #731117

RGB 115 17 23

HSL 356.33, 0.74%, 0.26%

LAB 24.02, 41.23, 24.35

 

CMYK 85 / 0 / 56 / 55

HEX #117232

RGB 17 114 50

HSL 140.41, 0.74%, 0.26%

LAB 41.82, -41.41, 27.84

 

CMYK 57 / 85 / 0 / 55

HEX #311173

RGB 49 17 115

HSL 259.59, 0.74%, 0.26%

LAB 16.95, 39.68, -49.65

 

CMYK 0 / 57 / 85 / 55

HEX #733111

RGB 115 49 17

HSL 19.59, 0.74%, 0.26%

LAB 29.11, 27.11, 32.91

 

CMYK 85 / 0 / 56 / 55

HEX #117232

RGB 17 114 50

HSL 140.41, 0.74%, 0.26%

LAB 41.82, -41.41, 27.84

 

CMYK 85 / 45 / 0 / 55

HEX #113F73

RGB 17 63 115

HSL 211.84, 0.74%, 0.26%

LAB 26.48, 5.51, -34.23

 

CMYK 0 / 85 / 29 / 55

HEX #731152

RGB 115 17 82

HSL 320.2, 0.74%, 0.26%

LAB 25.73, 46.28, -13.26

 

CMYK 0 / 40 / 85 / 55

HEX #734511

RGB 115 69 17

HSL 31.84, 0.74%, 0.26%

LAB 33.86, 15.48, 37.26

 

CMYK 85 / 0 / 56 / 55

HEX #117232

RGB 17 114 50

HSL 140.41, 0.74%, 0.26%

LAB 41.82, -41.41, 27.84

 

CMYK 85 / 71 / 0 / 55

HEX #112173

RGB 17 33 115

HSL 230.2, 0.74%, 0.26%

LAB 17.67, 26.89, -48.56

 

CMYK 0 / 85 / 29 / 55

HEX #731152

RGB 115 17 82

HSL 320.2, 0.74%, 0.26%

LAB 25.73, 46.28, -13.26

 

CMYK 0 / 14 / 85 / 55

HEX #736311

RGB 115 99 17

HSL 50.2, 0.74%, 0.26%

LAB 42.17, -2.47, 44.6

 

Description

Color code: RGB 17 114 50 | qconv.com Color code: RGB 17 114 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 114 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 114 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 56 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 56% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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