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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 105 30 it is the complementary color RGB 238 150 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 105 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 105 30 shade: RGB 22 105 25, RGB 39 123 44, RGB 56 141 63, RGB 73 159 82 and RGB 90 177 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 105 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 105 30 shade: RGB 17 105 30, RGB 0 87 11, RGB 0 69 0, RGB 0 51 0 and RGB 0 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 105 30 shade: RGB 17 105 30, RGB 27 105 17, RGB 51 105 17, RGB 75 105 17 and RGB 99 105 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 105 30 shade: RGB 17 105 30, RGB 17 105 53, RGB 17 105 77, RGB 17 105 101 and RGB 17 85 105

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 105 30 shade matches the following richer shades: RGB 17 105 30 and RGB 7 115 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 105 30 shade: RGB 17 105 30, RGB 27 95 37, RGB 36 85 44, RGB 46 75 51 and RGB 56 65 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 105 30 shade: RGB 52 105 17, RGB 28 105 17, RGB 17 105 28, RGB 17 105 52 and RGB 17 105 75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 105 30 shade: RGB 5 34 9, RGB 11 69 19, RGB 17 105 30, RGB 22 140 40 and RGB 28 176 50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 105 30 shade: RGB 17 105 30, RGB 17 75 105 and RGB 105 17 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 105 30 shade: RGB 17 105 30, RGB 28 17 105 and RGB 105 28 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 105 30 shade: RGB 17 105 30, RGB 17 75 105, RGB 105 17 93 and RGB 105 46 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 105 30 shade: RGB 17 105 30, RGB 17 49 105, RGB 105 17 93 and RGB 105 72 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 71 / 59

HEX #11691E

RGB 17 105 30

HSL 128.86, 0.72%, 0.24%

LAB 38.4, -40.9, 33.88

 

Complementary color

CMYK 0 / 37 / 5 / 7

HEX #EE96E1

RGB 238 150 225

HSL 308.86, 0.72%, 0.76%

LAB 73.17, 43.98, -24.33

 

CMYK 79 / 0 / 76 / 59

HEX #166919

RGB 22 105 25

HSL 122.17, 0.65%, 0.25%

LAB 38.45, -40.64, 36.12

 

CMYK 68 / 0 / 64 / 52

HEX #277B2C

RGB 39 123 44

HSL 123.57, 0.52%, 0.32%

LAB 45.33, -41.87, 35.12

 

CMYK 60 / 0 / 55 / 45

HEX #388D3F

RGB 56 141 63

HSL 124.94, 0.43%, 0.39%

LAB 52.12, -42.41, 33.76

 

CMYK 54 / 0 / 48 / 38

HEX #499F52

RGB 73 159 82

HSL 126.28, 0.37%, 0.45%

LAB 58.81, -42.58, 32.35

 

CMYK 49 / 0 / 43 / 31

HEX #5AB165

RGB 90 177 101

HSL 127.59, 0.36%, 0.52%

LAB 65.4, -42.55, 30.98

 

CMYK 84 / 0 / 71 / 59

HEX #11691E

RGB 17 105 30

HSL 128.86, 0.72%, 0.24%

LAB 38.4, -40.9, 33.88

 

CMYK 100 / 0 / 87 / 66

HEX #00570B

RGB 0 87 11

HSL 127.59, 1%, 0.17%

LAB 31.44, -38.64, 34.34

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 84 / 0 / 71 / 59

HEX #11691E

RGB 17 105 30

HSL 128.86, 0.72%, 0.24%

LAB 38.4, -40.9, 33.88

 

CMYK 74 / 0 / 84 / 59

HEX #1B6911

RGB 27 105 17

HSL 113.18, 0.72%, 0.24%

LAB 38.51, -40.34, 39.2

 

CMYK 51 / 0 / 84 / 59

HEX #336911

RGB 51 105 17

HSL 96.82, 0.72%, 0.24%

LAB 39.32, -33.8, 40.25

 

CMYK 29 / 0 / 84 / 59

HEX #4B6911

RGB 75 105 17

HSL 80.45, 0.72%, 0.24%

LAB 40.64, -24.51, 41.95

 

CMYK 6 / 0 / 84 / 59

HEX #636911

RGB 99 105 17

HSL 64.09, 0.72%, 0.24%

LAB 42.45, -13.59, 44.26

 

CMYK 84 / 0 / 71 / 59

HEX #11691E

RGB 17 105 30

HSL 128.86, 0.72%, 0.24%

LAB 38.4, -40.9, 33.88

 

CMYK 84 / 0 / 50 / 59

HEX #116935

RGB 17 105 53

HSL 144.55, 0.72%, 0.24%

LAB 38.69, -37.47, 22.3

 

CMYK 84 / 0 / 27 / 59

HEX #11694D

RGB 17 105 77

HSL 160.91, 0.72%, 0.24%

LAB 39.17, -32.06, 8.82

 

CMYK 84 / 0 / 4 / 59

HEX #116965

RGB 17 105 101

HSL 177.27, 0.72%, 0.24%

LAB 39.85, -25.03, -4.8

 

CMYK 84 / 19 / 0 / 59

HEX #115569

RGB 17 85 105

HSL 193.64, 0.72%, 0.24%

LAB 33.21, -12.71, -17.33

 

CMYK 84 / 0 / 71 / 59

HEX #11691E

RGB 17 105 30

HSL 128.86, 0.72%, 0.24%

LAB 38.4, -40.9, 33.88

 

CMYK 94 / 0 / 80 / 55

HEX #077317

RGB 7 115 23

HSL 128.89, 0.89%, 0.24%

LAB 41.8, -45.99, 40.18

 

CMYK 84 / 0 / 71 / 59

HEX #11691E

RGB 17 105 30

HSL 128.86, 0.72%, 0.24%

LAB 38.4, -40.9, 33.88

 

CMYK 72 / 0 / 61 / 63

HEX #1B5F25

RGB 27 95 37

HSL 128.82, 0.56%, 0.24%

LAB 35.11, -34.47, 26.76

 

CMYK 58 / 0 / 48 / 67

HEX #24552C

RGB 36 85 44

HSL 129.8, 0.4%, 0.24%

LAB 31.93, -26.64, 18.98

 

CMYK 39 / 0 / 32 / 71

HEX #2E4B33

RGB 46 75 51

HSL 130.34, 0.24%, 0.24%

LAB 29.04, -16.79, 10.95

 

CMYK 14 / 0 / 11 / 75

HEX #38413A

RGB 56 65 58

HSL 133.33, 0.07%, 0.24%

LAB 26.53, -5.35, 3.02

 

CMYK 50 / 0 / 84 / 59

HEX #346911

RGB 52 105 17

HSL 96.14, 0.72%, 0.24%

LAB 39.37, -33.46, 40.31

 

CMYK 73 / 0 / 84 / 59

HEX #1C6911

RGB 28 105 17

HSL 112.5, 0.72%, 0.24%

LAB 38.53, -40.14, 39.23

 

CMYK 84 / 0 / 73 / 59

HEX #11691C

RGB 17 105 28

HSL 127.5, 0.72%, 0.24%

LAB 38.39, -41.12, 34.75

 

CMYK 84 / 0 / 50 / 59

HEX #116934

RGB 17 105 52

HSL 143.86, 0.72%, 0.24%

LAB 38.67, -37.66, 22.84

 

CMYK 84 / 0 / 29 / 59

HEX #11694B

RGB 17 105 75

HSL 159.55, 0.72%, 0.24%

LAB 39.12, -32.58, 9.96

 

CMYK 85 / 0 / 74 / 87

HEX #052209

RGB 5 34 9

HSL 128.28, 0.74%, 0.08%

LAB 10.53, -17.36, 11.67

 

CMYK 84 / 0 / 72 / 73

HEX #0B4513

RGB 11 69 19

HSL 128.28, 0.73%, 0.16%

LAB 24.87, -29.82, 24.35

 

CMYK 84 / 0 / 71 / 59

HEX #11691E

RGB 17 105 30

HSL 128.86, 0.72%, 0.24%

LAB 38.4, -40.9, 33.88

 

CMYK 84 / 0 / 71 / 45

HEX #168C28

RGB 22 140 40

HSL 129.15, 0.73%, 0.32%

LAB 50.78, -51.08, 42.77

 

CMYK 84 / 0 / 72 / 31

HEX #1CB032

RGB 28 176 50

HSL 128.92, 0.73%, 0.4%

LAB 62.95, -60.93, 51.56

 

CMYK 84 / 0 / 71 / 59

HEX #11691E

RGB 17 105 30

HSL 128.86, 0.72%, 0.24%

LAB 38.4, -40.9, 33.88

 

CMYK 84 / 29 / 0 / 59

HEX #114B69

RGB 17 75 105

HSL 200.45, 0.72%, 0.24%

LAB 29.84, -6.6, -22.57

 

CMYK 0 / 84 / 62 / 59

HEX #691128

RGB 105 17 40

HSL 344.32, 0.72%, 0.24%

LAB 22.15, 39.07, 10.04

 

CMYK 84 / 0 / 71 / 59

HEX #11691E

RGB 17 105 30

HSL 128.86, 0.72%, 0.24%

LAB 38.4, -40.9, 33.88

 

CMYK 73 / 84 / 0 / 59

HEX #1C1169

RGB 28 17 105

HSL 247.5, 0.72%, 0.24%

LAB 13.64, 34.2, -48.67

 

CMYK 0 / 73 / 84 / 59

HEX #691C11

RGB 105 28 17

HSL 7.5, 0.72%, 0.24%

LAB 23.25, 33.61, 26.59

 

CMYK 84 / 0 / 71 / 59

HEX #11691E

RGB 17 105 30

HSL 128.86, 0.72%, 0.24%

LAB 38.4, -40.9, 33.88

 

CMYK 84 / 29 / 0 / 59

HEX #114B69

RGB 17 75 105

HSL 200.45, 0.72%, 0.24%

LAB 29.84, -6.6, -22.57

 

CMYK 0 / 84 / 11 / 59

HEX #69115D

RGB 105 17 93

HSL 308.18, 0.72%, 0.24%

LAB 24.3, 45.42, -22.93

 

CMYK 0 / 56 / 84 / 59

HEX #692E11

RGB 105 46 17

HSL 19.77, 0.72%, 0.24%

LAB 26.73, 24.45, 30.03

 

CMYK 84 / 0 / 71 / 59

HEX #11691E

RGB 17 105 30

HSL 128.86, 0.72%, 0.24%

LAB 38.4, -40.9, 33.88

 

CMYK 84 / 53 / 0 / 59

HEX #113169

RGB 17 49 105

HSL 218.18, 0.72%, 0.24%

LAB 21.34, 11.2, -36.09

 

CMYK 0 / 84 / 11 / 59

HEX #69115D

RGB 105 17 93

HSL 308.18, 0.72%, 0.24%

LAB 24.3, 45.42, -22.93

 

CMYK 0 / 31 / 84 / 59

HEX #694811

RGB 105 72 17

HSL 37.5, 0.72%, 0.24%

LAB 33.3, 8.81, 36.25

 

Description

Color code: RGB 17 105 30 | qconv.com Color code: RGB 17 105 30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 105 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 105 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 71 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 71% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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