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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 94 105 it is the complementary color RGB 238 161 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 94 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 94 105 shade: RGB 22 94 100, RGB 39 112 119, RGB 56 130 138, RGB 73 148 157 and RGB 90 166 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 94 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 94 105 shade: RGB 17 94 105, RGB 0 76 86, RGB 0 58 67, RGB 0 40 48 and RGB 0 22 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 94 105 shade: RGB 17 94 105, RGB 17 70 105, RGB 17 46 105, RGB 17 22 105 and RGB 35 17 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 94 105 shade: RGB 17 94 105, RGB 17 70 105, RGB 17 46 105, RGB 17 22 105 and RGB 17 17 105

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 94 105 shade matches the following richer shades: RGB 17 94 105 and RGB 7 101 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 94 105 shade: RGB 17 94 105, RGB 27 86 95, RGB 36 79 85, RGB 46 71 75 and RGB 56 64 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 94 105 shade: RGB 17 105 68, RGB 17 105 92, RGB 17 94 105, RGB 17 71 105 and RGB 17 47 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 94 105 shade: RGB 5 30 34, RGB 11 62 69, RGB 17 94 105, RGB 22 126 140 and RGB 28 157 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 94 105 shade: RGB 17 94 105, RGB 45 17 105 and RGB 105 80 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 94 105 shade: RGB 17 94 105, RGB 105 17 94 and RGB 94 105 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 94 105 shade: RGB 17 94 105, RGB 45 17 105, RGB 105 27 17 and RGB 77 105 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 94 105 shade: RGB 17 94 105, RGB 71 17 105, RGB 105 27 17 and RGB 50 105 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 10 / 0 / 59

HEX #115E69

RGB 17 94 105

HSL 187.5, 0.72%, 0.24%

LAB 36.26, -17.86, -12.66

 

Complementary color

CMYK 0 / 32 / 37 / 7

HEX #EEA196

RGB 238 161 150

HSL 7.5, 0.72%, 0.76%

LAB 73.46, 27.25, 17.39

 

CMYK 78 / 6 / 0 / 61

HEX #165E64

RGB 22 94 100

HSL 184.62, 0.64%, 0.24%

LAB 36.17, -19, -9.69

 

CMYK 67 / 6 / 0 / 53

HEX #277077

RGB 39 112 119

HSL 185.25, 0.51%, 0.31%

LAB 43.29, -19.82, -10.52

 

CMYK 59 / 6 / 0 / 46

HEX #38828A

RGB 56 130 138

HSL 185.85, 0.42%, 0.38%

LAB 50.26, -20.31, -11.24

 

CMYK 54 / 6 / 0 / 38

HEX #49949D

RGB 73 148 157

HSL 186.43, 0.37%, 0.45%

LAB 57.11, -20.6, -11.88

 

CMYK 49 / 6 / 0 / 31

HEX #5AA6B0

RGB 90 166 176

HSL 186.98, 0.35%, 0.52%

LAB 63.82, -20.78, -12.46

 

CMYK 84 / 10 / 0 / 59

HEX #115E69

RGB 17 94 105

HSL 187.5, 0.72%, 0.24%

LAB 36.26, -17.86, -12.66

 

CMYK 100 / 12 / 0 / 66

HEX #004C56

RGB 0 76 86

HSL 186.98, 1%, 0.17%

LAB 29.01, -16.33, -11.75

 

CMYK 100 / 13 / 0 / 74

HEX #003A43

RGB 0 58 67

HSL 188.06, 1%, 0.13%

LAB 21.69, -13.26, -10.43

 

CMYK 100 / 17 / 0 / 81

HEX #002830

RGB 0 40 48

HSL 190, 1%, 0.09%

LAB 14.01, -10, -9.09

 

CMYK 100 / 24 / 0 / 89

HEX #00161D

RGB 0 22 29

HSL 194.48, 1%, 0.06%

LAB 5.98, -4.96, -7.37

 

CMYK 84 / 10 / 0 / 59

HEX #115E69

RGB 17 94 105

HSL 187.5, 0.72%, 0.24%

LAB 36.26, -17.86, -12.66

 

CMYK 84 / 33 / 0 / 59

HEX #114669

RGB 17 70 105

HSL 203.86, 0.72%, 0.24%

LAB 28.17, -3.39, -25.2

 

CMYK 84 / 56 / 0 / 59

HEX #112E69

RGB 17 46 105

HSL 220.23, 0.72%, 0.24%

LAB 20.41, 13.38, -37.59

 

CMYK 84 / 79 / 0 / 59

HEX #111669

RGB 17 22 105

HSL 236.59, 0.72%, 0.24%

LAB 13.9, 30.31, -48.26

 

CMYK 67 / 84 / 0 / 59

HEX #231169

RGB 35 17 105

HSL 252.27, 0.72%, 0.24%

LAB 14.28, 34.94, -47.59

 

CMYK 84 / 10 / 0 / 59

HEX #115E69

RGB 17 94 105

HSL 187.5, 0.72%, 0.24%

LAB 36.26, -17.86, -12.66

 

CMYK 84 / 33 / 0 / 59

HEX #114669

RGB 17 70 105

HSL 203.86, 0.72%, 0.24%

LAB 28.17, -3.39, -25.2

 

CMYK 84 / 56 / 0 / 59

HEX #112E69

RGB 17 46 105

HSL 220.23, 0.72%, 0.24%

LAB 20.41, 13.38, -37.59

 

CMYK 84 / 79 / 0 / 59

HEX #111669

RGB 17 22 105

HSL 236.59, 0.72%, 0.24%

LAB 13.9, 30.31, -48.26

 

CMYK 84 / 84 / 0 / 59

HEX #111169

RGB 17 17 105

HSL 240, 0.72%, 0.24%

LAB 12.86, 33.29, -49.98

 

CMYK 84 / 10 / 0 / 59

HEX #115E69

RGB 17 94 105

HSL 187.5, 0.72%, 0.24%

LAB 36.26, -17.86, -12.66

 

CMYK 94 / 12 / 0 / 55

HEX #076573

RGB 7 101 115

HSL 187.78, 0.89%, 0.24%

LAB 38.88, -18.95, -14.84

 

CMYK 84 / 10 / 0 / 59

HEX #115E69

RGB 17 94 105

HSL 187.5, 0.72%, 0.24%

LAB 36.26, -17.86, -12.66

 

CMYK 72 / 9 / 0 / 63

HEX #1B565F

RGB 27 86 95

HSL 187.94, 0.56%, 0.24%

LAB 33.38, -15.49, -10.77

 

CMYK 58 / 7 / 0 / 67

HEX #244F55

RGB 36 79 85

HSL 187.35, 0.4%, 0.24%

LAB 30.93, -12.93, -8.1

 

CMYK 39 / 5 / 0 / 71

HEX #2E474B

RGB 46 71 75

HSL 188.28, 0.24%, 0.24%

LAB 28.37, -8.37, -5.46

 

CMYK 14 / 2 / 0 / 75

HEX #384041

RGB 56 64 65

HSL 186.67, 0.07%, 0.24%

LAB 26.42, -3.05, -1.74

 

CMYK 84 / 0 / 35 / 59

HEX #116944

RGB 17 105 68

HSL 154.77, 0.72%, 0.24%

LAB 38.97, -34.3, 13.94

 

CMYK 84 / 0 / 12 / 59

HEX #11695C

RGB 17 105 92

HSL 171.14, 0.72%, 0.24%

LAB 39.57, -27.83, 0.28

 

CMYK 84 / 10 / 0 / 59

HEX #115E69

RGB 17 94 105

HSL 187.5, 0.72%, 0.24%

LAB 36.26, -17.86, -12.66

 

CMYK 84 / 32 / 0 / 59

HEX #114769

RGB 17 71 105

HSL 203.18, 0.72%, 0.24%

LAB 28.5, -4.04, -24.67

 

CMYK 84 / 55 / 0 / 59

HEX #112F69

RGB 17 47 105

HSL 219.55, 0.72%, 0.24%

LAB 20.72, 12.65, -37.09

 

CMYK 85 / 12 / 0 / 87

HEX #051E22

RGB 5 30 34

HSL 188.28, 0.74%, 0.08%

LAB 9.61, -8.02, -5.61

 

CMYK 84 / 10 / 0 / 73

HEX #0B3E45

RGB 11 62 69

HSL 187.24, 0.73%, 0.16%

LAB 23.49, -13.36, -9.01

 

CMYK 84 / 10 / 0 / 59

HEX #115E69

RGB 17 94 105

HSL 187.5, 0.72%, 0.24%

LAB 36.26, -17.86, -12.66

 

CMYK 84 / 10 / 0 / 45

HEX #167E8C

RGB 22 126 140

HSL 187.12, 0.73%, 0.32%

LAB 48.24, -22.46, -15.55

 

CMYK 84 / 11 / 0 / 31

HEX #1C9DB0

RGB 28 157 176

HSL 187.7, 0.73%, 0.4%

LAB 59.43, -25.9, -19.26

 

CMYK 84 / 10 / 0 / 59

HEX #115E69

RGB 17 94 105

HSL 187.5, 0.72%, 0.24%

LAB 36.26, -17.86, -12.66

 

CMYK 57 / 84 / 0 / 59

HEX #2D1169

RGB 45 17 105

HSL 259.09, 0.72%, 0.24%

LAB 15.38, 36.22, -45.74

 

CMYK 0 / 24 / 84 / 59

HEX #695011

RGB 105 80 17

HSL 42.95, 0.72%, 0.24%

LAB 35.56, 3.92, 38.31

 

CMYK 84 / 10 / 0 / 59

HEX #115E69

RGB 17 94 105

HSL 187.5, 0.72%, 0.24%

LAB 36.26, -17.86, -12.66

 

CMYK 0 / 84 / 10 / 59

HEX #69115E

RGB 105 17 94

HSL 307.5, 0.72%, 0.24%

LAB 24.36, 45.58, -23.5

 

CMYK 10 / 0 / 84 / 59

HEX #5E6911

RGB 94 105 17

HSL 67.5, 0.72%, 0.24%

LAB 42.04, -15.95, 43.73

 

CMYK 84 / 10 / 0 / 59

HEX #115E69

RGB 17 94 105

HSL 187.5, 0.72%, 0.24%

LAB 36.26, -17.86, -12.66

 

CMYK 57 / 84 / 0 / 59

HEX #2D1169

RGB 45 17 105

HSL 259.09, 0.72%, 0.24%

LAB 15.38, 36.22, -45.74

 

CMYK 0 / 74 / 84 / 59

HEX #691B11

RGB 105 27 17

HSL 6.82, 0.72%, 0.24%

LAB 23.09, 34.05, 26.43

 

CMYK 27 / 0 / 84 / 59

HEX #4D6911

RGB 77 105 17

HSL 79.09, 0.72%, 0.24%

LAB 40.77, -23.64, 42.12

 

CMYK 84 / 10 / 0 / 59

HEX #115E69

RGB 17 94 105

HSL 187.5, 0.72%, 0.24%

LAB 36.26, -17.86, -12.66

 

CMYK 32 / 84 / 0 / 59

HEX #471169

RGB 71 17 105

HSL 276.82, 0.72%, 0.24%

LAB 19.06, 40.5, -39.57

 

CMYK 0 / 74 / 84 / 59

HEX #691B11

RGB 105 27 17

HSL 6.82, 0.72%, 0.24%

LAB 23.09, 34.05, 26.43

 

CMYK 52 / 0 / 84 / 59

HEX #326911

RGB 50 105 17

HSL 97.5, 0.72%, 0.24%

LAB 39.28, -34.13, 40.2

 

Description

Color code: RGB 17 94 105 | qconv.com Color code: RGB 17 94 105 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 94 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 94 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 10 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 10% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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