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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 48 197 it is the complementary color RGB 238 207 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 48 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 48 197 shade: RGB 22 48 192, RGB 39 66 211, RGB 56 84 230, RGB 73 102 249 and RGB 90 120 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 48 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 48 197 shade: RGB 17 48 197, RGB 0 30 178, RGB 0 12 159, RGB 0 0 140 and RGB 0 0 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 48 197 shade: RGB 17 48 197, RGB 34 17 197, RGB 83 17 197, RGB 131 17 197 and RGB 180 17 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 48 197 shade: RGB 17 48 197 and RGB 17 17 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 48 197 shade matches the following richer shades: RGB 17 48 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 48 197 shade: RGB 17 48 197, RGB 34 59 179, RGB 51 70 162, RGB 69 82 145 and RGB 86 93 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 48 197 shade: RGB 17 146 197, RGB 17 98 197, RGB 17 50 197, RGB 32 17 197 and RGB 80 17 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 48 197 shade: RGB 10 29 121, RGB 13 38 159, RGB 17 48 197, RGB 20 57 234 and RGB 58 89 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 48 197 shade: RGB 17 48 197, RGB 197 17 194 and RGB 122 197 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 48 197 shade: RGB 17 48 197, RGB 197 17 50 and RGB 50 197 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 48 197 shade: RGB 17 48 197, RGB 197 17 194, RGB 197 164 17 and RGB 17 197 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 48 197 shade: RGB 17 48 197, RGB 197 17 140, RGB 197 164 17 and RGB 17 197 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 76 / 0 / 23

HEX #1130C5

RGB 17 48 197

HSL 229.67, 0.84%, 0.42%

LAB 30.07, 47.76, -78.32

 

Complementary color

CMYK 0 / 13 / 76 / 7

HEX #EECF3A

RGB 238 207 58

HSL 49.67, 0.84%, 0.58%

LAB 83.5, -3.96, 72.79

 

CMYK 89 / 75 / 0 / 25

HEX #1630C0

RGB 22 48 192

HSL 230.82, 0.79%, 0.42%

LAB 29.64, 46.22, -76.09

 

CMYK 82 / 69 / 0 / 17

HEX #2742D3

RGB 39 66 211

HSL 230.58, 0.69%, 0.49%

LAB 36.04, 43.1, -76.58

 

CMYK 76 / 63 / 0 / 10

HEX #3854E6

RGB 56 84 230

HSL 230.34, 0.78%, 0.56%

LAB 42.6, 40.18, -76.64

 

CMYK 71 / 59 / 0 / 2

HEX #4966F9

RGB 73 102 249

HSL 230.11, 0.94%, 0.63%

LAB 49.2, 37.59, -76.49

 

CMYK 65 / 53 / 0 / 0

HEX #5A78FF

RGB 90 120 255

HSL 229.09, 1%, 0.68%

LAB 54.89, 30.97, -70.53

 

CMYK 91 / 76 / 0 / 23

HEX #1130C5

RGB 17 48 197

HSL 229.67, 0.84%, 0.42%

LAB 30.07, 47.76, -78.32

 

CMYK 100 / 83 / 0 / 30

HEX #001EB2

RGB 0 30 178

HSL 229.89, 1%, 0.35%

LAB 24.14, 50.59, -76.93

 

CMYK 100 / 92 / 0 / 38

HEX #000C9F

RGB 0 12 159

HSL 235.47, 1%, 0.31%

LAB 19.08, 52.09, -73.85

 

CMYK 100 / 100 / 0 / 45

HEX #00008C

RGB 0 0 140

HSL 240, 1%, 0.27%

LAB 14.92, 50.69, -69.04

 

CMYK 100 / 100 / 0 / 53

HEX #000079

RGB 0 0 121

HSL 240, 1%, 0.24%

LAB 11.83, 45.63, -62.14

 

CMYK 91 / 76 / 0 / 23

HEX #1130C5

RGB 17 48 197

HSL 229.67, 0.84%, 0.42%

LAB 30.07, 47.76, -78.32

 

CMYK 83 / 91 / 0 / 23

HEX #2211C5

RGB 34 17 197

HSL 245.67, 0.84%, 0.42%

LAB 26.08, 61.84, -84.95

 

CMYK 58 / 91 / 0 / 23

HEX #5311C5

RGB 83 17 197

HSL 262, 0.84%, 0.42%

LAB 30.09, 64.44, -78.17

 

CMYK 34 / 91 / 0 / 23

HEX #8311C5

RGB 131 17 197

HSL 278, 0.84%, 0.42%

LAB 36.48, 69.41, -67.42

 

CMYK 9 / 91 / 0 / 23

HEX #B411C5

RGB 180 17 197

HSL 294.33, 0.84%, 0.42%

LAB 44.43, 76.54, -54.14

 

CMYK 91 / 76 / 0 / 23

HEX #1130C5

RGB 17 48 197

HSL 229.67, 0.84%, 0.42%

LAB 30.07, 47.76, -78.32

 

CMYK 91 / 91 / 0 / 23

HEX #1111C5

RGB 17 17 197

HSL 240, 0.84%, 0.42%

LAB 25.42, 61.47, -86.07

 

CMYK 91 / 76 / 0 / 23

HEX #1130C5

RGB 17 48 197

HSL 229.67, 0.84%, 0.42%

LAB 30.07, 47.76, -78.32

 

CMYK 91 / 76 / 0 / 23

HEX #1130C5

RGB 17 48 197

HSL 229.67, 0.84%, 0.42%

LAB 30.07, 47.76, -78.32

 

CMYK 81 / 67 / 0 / 30

HEX #223BB3

RGB 34 59 179

HSL 229.66, 0.68%, 0.42%

LAB 31.17, 35.54, -65.87

 

CMYK 69 / 57 / 0 / 36

HEX #3346A2

RGB 51 70 162

HSL 229.73, 0.52%, 0.42%

LAB 33.33, 24, -52.12

 

CMYK 52 / 43 / 0 / 43

HEX #455291

RGB 69 82 145

HSL 229.74, 0.36%, 0.42%

LAB 36.64, 13.65, -36.48

 

CMYK 32 / 27 / 0 / 50

HEX #565D7F

RGB 86 93 127

HSL 229.76, 0.19%, 0.42%

LAB 40.15, 5.88, -19.94

 

CMYK 91 / 26 / 0 / 23

HEX #1192C5

RGB 17 146 197

HSL 197, 0.84%, 0.42%

LAB 56.79, -13.47, -35.22

 

CMYK 91 / 50 / 0 / 23

HEX #1162C5

RGB 17 98 197

HSL 213, 0.84%, 0.42%

LAB 42.59, 15.7, -57.81

 

CMYK 91 / 75 / 0 / 23

HEX #1132C5

RGB 17 50 197

HSL 229, 0.84%, 0.42%

LAB 30.48, 46.61, -77.65

 

CMYK 84 / 91 / 0 / 23

HEX #2011C5

RGB 32 17 197

HSL 245, 0.84%, 0.42%

LAB 25.98, 61.79, -85.11

 

CMYK 59 / 91 / 0 / 23

HEX #5011C5

RGB 80 17 197

HSL 261, 0.84%, 0.42%

LAB 29.76, 64.21, -78.72

 

CMYK 92 / 76 / 0 / 53

HEX #0A1D79

RGB 10 29 121

HSL 229.73, 0.85%, 0.26%

LAB 17.1, 31.46, -53.35

 

CMYK 92 / 76 / 0 / 38

HEX #0D269F

RGB 13 38 159

HSL 229.73, 0.85%, 0.34%

LAB 23.59, 40.1, -66.35

 

CMYK 91 / 76 / 0 / 23

HEX #1130C5

RGB 17 48 197

HSL 229.67, 0.84%, 0.42%

LAB 30.07, 47.76, -78.32

 

CMYK 91 / 76 / 0 / 8

HEX #1439EA

RGB 20 57 234

HSL 229.63, 0.84%, 0.5%

LAB 36.01, 55.3, -89.81

 

CMYK 76 / 62 / 0 / 7

HEX #3A59ED

RGB 58 89 237

HSL 229.61, 0.83%, 0.58%

LAB 44.46, 39.75, -77.55

 

CMYK 91 / 76 / 0 / 23

HEX #1130C5

RGB 17 48 197

HSL 229.67, 0.84%, 0.42%

LAB 30.07, 47.76, -78.32

 

CMYK 0 / 91 / 2 / 23

HEX #C511C2

RGB 197 17 194

HSL 301, 0.84%, 0.42%

LAB 47.19, 78.92, -47.8

 

CMYK 38 / 0 / 91 / 23

HEX #7AC511

RGB 122 197 17

HSL 85, 0.84%, 0.42%

LAB 72.3, -47.55, 70.03

 

CMYK 91 / 76 / 0 / 23

HEX #1130C5

RGB 17 48 197

HSL 229.67, 0.84%, 0.42%

LAB 30.07, 47.76, -78.32

 

CMYK 0 / 91 / 75 / 23

HEX #C51132

RGB 197 17 50

HSL 349, 0.84%, 0.42%

LAB 42, 65.15, 32.56

 

CMYK 75 / 0 / 91 / 23

HEX #32C511

RGB 50 197 17

HSL 109, 0.84%, 0.42%

LAB 69.93, -66.29, 67.09

 

CMYK 91 / 76 / 0 / 23

HEX #1130C5

RGB 17 48 197

HSL 229.67, 0.84%, 0.42%

LAB 30.07, 47.76, -78.32

 

CMYK 0 / 91 / 2 / 23

HEX #C511C2

RGB 197 17 194

HSL 301, 0.84%, 0.42%

LAB 47.19, 78.92, -47.8

 

CMYK 0 / 17 / 91 / 23

HEX #C5A411

RGB 197 164 17

HSL 49, 0.84%, 0.42%

LAB 68.36, -0.51, 69.19

 

CMYK 91 / 0 / 90 / 23

HEX #11C514

RGB 17 197 20

HSL 121, 0.84%, 0.42%

LAB 69.54, -69.73, 66.12

 

CMYK 91 / 76 / 0 / 23

HEX #1130C5

RGB 17 48 197

HSL 229.67, 0.84%, 0.42%

LAB 30.07, 47.76, -78.32

 

CMYK 0 / 91 / 29 / 23

HEX #C5118C

RGB 197 17 140

HSL 319, 0.84%, 0.42%

LAB 44.47, 71.9, -19.94

 

CMYK 0 / 17 / 91 / 23

HEX #C5A411

RGB 197 164 17

HSL 49, 0.84%, 0.42%

LAB 68.36, -0.51, 69.19

 

CMYK 91 / 0 / 62 / 23

HEX #11C54A

RGB 17 197 74

HSL 139, 0.84%, 0.42%

LAB 69.86, -65.74, 49.11

 

Description

Color code: RGB 17 48 197 | qconv.com Color code: RGB 17 48 197 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 48 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 48 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 76 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 76% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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