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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 30 244 it is the complementary color RGB 116 225 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 30 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 30 244 shade: RGB 144 30 239, RGB 161 48 255, RGB 178 66 255, RGB 195 84 255 and RGB 212 102 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 30 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 30 244 shade: RGB 139 30 244, RGB 122 12 225, RGB 105 0 206, RGB 88 0 187 and RGB 71 0 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 30 244 shade: RGB 139 30 244, RGB 197 30 244, RGB 244 30 234, RGB 244 30 176 and RGB 244 30 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 30 244 shade: RGB 139 30 244, RGB 82 30 244 and RGB 30 30 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 30 244 shade matches the following richer shades: RGB 139 30 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 30 244 shade: RGB 139 30 244, RGB 139 49 225, RGB 138 68 206, RGB 138 87 187 and RGB 138 106 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 30 244 shade: RGB 30 38 244, RGB 80 30 244, RGB 137 30 244, RGB 194 30 244 and RGB 244 30 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 30 244 shade: RGB 98 8 184, RGB 119 10 223, RGB 139 30 244, RGB 159 70 246 and RGB 180 109 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 30 244 shade: RGB 139 30 244, RGB 244 30 95 and RGB 30 244 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 30 244 shade: RGB 139 30 244, RGB 244 137 30 and RGB 30 244 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 30 244 shade: RGB 139 30 244, RGB 244 30 95, RGB 137 244 30 and RGB 30 244 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 30 244 shade: RGB 139 30 244, RGB 244 30 30, RGB 137 244 30 and RGB 30 244 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 88 / 0 / 4

HEX #8B1EF4

RGB 139 30 244

HSL 270.56, 0.91%, 0.54%

LAB 42.69, 77.5, -84.15

 

Complementary color

CMYK 48 / 0 / 95 / 12

HEX #74E10B

RGB 116 225 11

HSL 90.56, 0.91%, 0.46%

LAB 80.51, -60.4, 77.29

 

CMYK 40 / 87 / 0 / 6

HEX #901EEF

RGB 144 30 239

HSL 272.73, 0.87%, 0.53%

LAB 42.9, 77.01, -80.96

 

CMYK 37 / 81 / 0 / 0

HEX #A130FF

RGB 161 48 255

HSL 272.75, 1%, 0.59%

LAB 48.15, 77.76, -81.24

 

CMYK 30 / 74 / 0 / 0

HEX #B242FF

RGB 178 66 255

HSL 275.56, 1%, 0.63%

LAB 52.49, 74.29, -74.07

 

CMYK 24 / 67 / 0 / 0

HEX #C354FF

RGB 195 84 255

HSL 278.95, 1%, 0.66%

LAB 57.23, 70.32, -66.28

 

CMYK 17 / 60 / 0 / 0

HEX #D466FF

RGB 212 102 255

HSL 283.14, 1%, 0.7%

LAB 62.27, 66.13, -58.09

 

CMYK 43 / 88 / 0 / 4

HEX #8B1EF4

RGB 139 30 244

HSL 270.56, 0.91%, 0.54%

LAB 42.69, 77.5, -84.15

 

CMYK 46 / 95 / 0 / 12

HEX #7A0CE1

RGB 122 12 225

HSL 270.99, 0.9%, 0.46%

LAB 37.55, 75.01, -81.91

 

CMYK 49 / 100 / 0 / 19

HEX #6900CE

RGB 105 0 206

HSL 270.58, 1%, 0.4%

LAB 32.83, 71.05, -78.8

 

CMYK 53 / 100 / 0 / 27

HEX #5800BB

RGB 88 0 187

HSL 268.24, 1%, 0.37%

LAB 28.54, 65.57, -74.8

 

CMYK 58 / 100 / 0 / 34

HEX #4700A8

RGB 71 0 168

HSL 265.36, 1%, 0.33%

LAB 24.22, 60.05, -70.66

 

CMYK 43 / 88 / 0 / 4

HEX #8B1EF4

RGB 139 30 244

HSL 270.56, 0.91%, 0.54%

LAB 42.69, 77.5, -84.15

 

CMYK 19 / 88 / 0 / 4

HEX #C51EF4

RGB 197 30 244

HSL 286.82, 0.91%, 0.54%

LAB 51.07, 85.03, -70.1

 

CMYK 0 / 88 / 4 / 4

HEX #F41EEA

RGB 244 30 234

HSL 302.8, 0.91%, 0.54%

LAB 58.13, 91.02, -52.73

 

CMYK 0 / 88 / 28 / 4

HEX #F41EB0

RGB 244 30 176

HSL 319.07, 0.91%, 0.54%

LAB 55.38, 83.79, -23.86

 

CMYK 0 / 88 / 52 / 4

HEX #F41E76

RGB 244 30 118

HSL 335.33, 0.91%, 0.54%

LAB 53.46, 78.53, 7.76

 

CMYK 43 / 88 / 0 / 4

HEX #8B1EF4

RGB 139 30 244

HSL 270.56, 0.91%, 0.54%

LAB 42.69, 77.5, -84.15

 

CMYK 66 / 88 / 0 / 4

HEX #521EF4

RGB 82 30 244

HSL 254.58, 0.91%, 0.54%

LAB 36.47, 72.58, -94.63

 

CMYK 88 / 88 / 0 / 4

HEX #1E1EF4

RGB 30 30 244

HSL 240, 0.91%, 0.54%

LAB 33.43, 70.47, -99.77

 

CMYK 43 / 88 / 0 / 4

HEX #8B1EF4

RGB 139 30 244

HSL 270.56, 0.91%, 0.54%

LAB 42.69, 77.5, -84.15

 

CMYK 43 / 88 / 0 / 4

HEX #8B1EF4

RGB 139 30 244

HSL 270.56, 0.91%, 0.54%

LAB 42.69, 77.5, -84.15

 

CMYK 38 / 78 / 0 / 12

HEX #8B31E1

RGB 139 49 225

HSL 270.68, 0.75%, 0.54%

LAB 42.95, 67.71, -72.96

 

CMYK 33 / 67 / 0 / 19

HEX #8A44CE

RGB 138 68 206

HSL 270.43, 0.58%, 0.54%

LAB 44.22, 55.07, -59.99

 

CMYK 26 / 53 / 0 / 27

HEX #8A57BB

RGB 138 87 187

HSL 270.6, 0.42%, 0.54%

LAB 46.72, 40.59, -44.98

 

CMYK 18 / 37 / 0 / 34

HEX #8A6AA8

RGB 138 106 168

HSL 270.97, 0.26%, 0.54%

LAB 50.14, 25.13, -28.51

 

CMYK 88 / 84 / 0 / 4

HEX #1E26F4

RGB 30 38 244

HSL 237.76, 0.91%, 0.54%

LAB 34.38, 67.59, -98.18

 

CMYK 67 / 88 / 0 / 4

HEX #501EF4

RGB 80 30 244

HSL 254.02, 0.91%, 0.54%

LAB 36.3, 72.46, -94.91

 

CMYK 44 / 88 / 0 / 4

HEX #891EF4

RGB 137 30 244

HSL 270, 0.91%, 0.54%

LAB 42.43, 77.29, -84.58

 

CMYK 20 / 88 / 0 / 4

HEX #C21EF4

RGB 194 30 244

HSL 285.98, 0.91%, 0.54%

LAB 50.6, 84.59, -70.88

 

CMYK 0 / 88 / 3 / 4

HEX #F41EED

RGB 244 30 237

HSL 301.96, 0.91%, 0.54%

LAB 58.3, 91.44, -54.15

 

CMYK 47 / 96 / 0 / 28

HEX #6208B8

RGB 98 8 184

HSL 270.68, 0.92%, 0.38%

LAB 29.99, 64.42, -70.59

 

CMYK 47 / 96 / 0 / 13

HEX #770ADF

RGB 119 10 223

HSL 270.7, 0.91%, 0.46%

LAB 36.87, 74.56, -81.9

 

CMYK 43 / 88 / 0 / 4

HEX #8B1EF4

RGB 139 30 244

HSL 270.56, 0.91%, 0.54%

LAB 42.69, 77.5, -84.15

 

CMYK 35 / 72 / 0 / 4

HEX #9F46F6

RGB 159 70 246

HSL 270.34, 0.91%, 0.62%

LAB 49.98, 67.44, -73.23

 

CMYK 27 / 56 / 0 / 3

HEX #B46DF8

RGB 180 109 248

HSL 270.65, 0.91%, 0.7%

LAB 59.36, 53.69, -59.1

 

CMYK 43 / 88 / 0 / 4

HEX #8B1EF4

RGB 139 30 244

HSL 270.56, 0.91%, 0.54%

LAB 42.69, 77.5, -84.15

 

CMYK 0 / 88 / 61 / 4

HEX #F41E5F

RGB 244 30 95

HSL 341.78, 0.91%, 0.54%

LAB 52.94, 77.05, 20.94

 

CMYK 88 / 0 / 79 / 4

HEX #1EF434

RGB 30 244 52

HSL 126.17, 0.91%, 0.54%

LAB 84.6, -80.41, 72.33

 

CMYK 43 / 88 / 0 / 4

HEX #8B1EF4

RGB 139 30 244

HSL 270.56, 0.91%, 0.54%

LAB 42.69, 77.5, -84.15

 

CMYK 0 / 44 / 88 / 4

HEX #F4891E

RGB 244 137 30

HSL 30, 0.91%, 0.54%

LAB 67.44, 34.29, 67.92

 

CMYK 88 / 0 / 44 / 4

HEX #1EF489

RGB 30 244 137

HSL 150, 0.91%, 0.54%

LAB 85.39, -70.65, 38.36

 

CMYK 43 / 88 / 0 / 4

HEX #8B1EF4

RGB 139 30 244

HSL 270.56, 0.91%, 0.54%

LAB 42.69, 77.5, -84.15

 

CMYK 0 / 88 / 61 / 4

HEX #F41E5F

RGB 244 30 95

HSL 341.78, 0.91%, 0.54%

LAB 52.94, 77.05, 20.94

 

CMYK 44 / 0 / 88 / 4

HEX #89F41E

RGB 137 244 30

HSL 90, 0.91%, 0.54%

LAB 87.05, -60.65, 80.47

 

CMYK 88 / 0 / 26 / 4

HEX #1EF4B4

RGB 30 244 180

HSL 162.06, 0.91%, 0.54%

LAB 86.14, -62.1, 17.61

 

CMYK 43 / 88 / 0 / 4

HEX #8B1EF4

RGB 139 30 244

HSL 270.56, 0.91%, 0.54%

LAB 42.69, 77.5, -84.15

 

CMYK 0 / 88 / 88 / 4

HEX #F41E1E

RGB 244 30 30

HSL 0, 0.91%, 0.54%

LAB 52.12, 74.72, 56.16

 

CMYK 44 / 0 / 88 / 4

HEX #89F41E

RGB 137 244 30

HSL 90, 0.91%, 0.54%

LAB 87.05, -60.65, 80.47

 

CMYK 88 / 0 / 0 / 4

HEX #1EF4F4

RGB 30 244 244

HSL 180, 0.91%, 0.54%

LAB 87.73, -45.62, -13.46

 

Description

Color code: RGB 139 30 244 | qconv.com Color code: RGB 139 30 244 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 30 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 30 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 88 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 88% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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