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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 238 176 it is the complementary color RGB 116 17 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 238 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 238 176 shade: RGB 144 238 171, RGB 161 255 190, RGB 178 255 209, RGB 195 255 228 and RGB 212 255 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 238 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 238 176 shade: RGB 139 238 176, RGB 122 220 157, RGB 105 202 138, RGB 88 184 119 and RGB 71 166 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 238 176 shade: RGB 139 237 176, RGB 139 237 149, RGB 155 237 139, RGB 182 237 139 and RGB 208 237 139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 238 176 shade: RGB 139 237 176, RGB 139 237 202, RGB 139 237 229, RGB 139 219 237 and RGB 139 193 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 238 176 shade matches the following richer shades: RGB 139 237 176 and RGB 128 248 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 238 176 shade: RGB 139 237 176, RGB 150 227 179, RGB 161 216 181, RGB 171 205 184 and RGB 182 194 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 238 176 shade: RGB 155 237 139, RGB 139 237 149, RGB 139 237 175, RGB 139 237 201 and RGB 139 237 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 238 176 shade: RGB 67 227 127, RGB 103 232 151, RGB 139 237 176, RGB 175 243 200 and RGB 211 248 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 238 176 shade: RGB 139 238 176, RGB 139 182 237 and RGB 237 139 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 238 176 shade: RGB 139 238 176, RGB 175 139 237 and RGB 237 175 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 238 176 shade: RGB 139 238 176, RGB 139 182 237, RGB 237 139 201 and RGB 237 195 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 238 176 shade: RGB 139 238 176, RGB 139 152 237, RGB 237 139 201 and RGB 237 224 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 26 / 7

HEX #8BEEB0

RGB 139 238 176

HSL 142.42, 0.74%, 0.74%

LAB 86.89, -42.39, 21.1

 

Complementary color

CMYK 0 / 85 / 32 / 55

HEX #74114F

RGB 116 17 79

HSL 322.42, 0.74%, 0.26%

LAB 25.8, 46.15, -11.12

 

CMYK 39 / 0 / 28 / 7

HEX #90EEAB

RGB 144 238 171

HSL 137.23, 0.73%, 0.75%

LAB 87.01, -41.91, 23.88

 

CMYK 37 / 0 / 25 / 0

HEX #A1FFBE

RGB 161 255 190

HSL 138.51, 1%, 0.82%

LAB 92.93, -41.21, 22.45

 

CMYK 30 / 0 / 18 / 0

HEX #B2FFD1

RGB 178 255 209

HSL 144.16, 1%, 0.85%

LAB 94.14, -32.79, 14.54

 

CMYK 24 / 0 / 11 / 0

HEX #C3FFE4

RGB 195 255 228

HSL 153, 1%, 0.88%

LAB 95.46, -24.09, 6.8

 

CMYK 17 / 0 / 3 / 0

HEX #D4FFF7

RGB 212 255 247

HSL 168.84, 1%, 0.92%

LAB 96.92, -15.21, -0.75

 

CMYK 42 / 0 / 26 / 7

HEX #8BEEB0

RGB 139 238 176

HSL 142.42, 0.74%, 0.74%

LAB 86.89, -42.39, 21.1

 

CMYK 45 / 0 / 29 / 14

HEX #7ADC9D

RGB 122 220 157

HSL 141.43, 0.58%, 0.67%

LAB 80.6, -42.63, 22.19

 

CMYK 48 / 0 / 32 / 21

HEX #69CA8A

RGB 105 202 138

HSL 140.41, 0.48%, 0.6%

LAB 74.24, -42.83, 23.35

 

CMYK 52 / 0 / 35 / 28

HEX #58B877

RGB 88 184 119

HSL 139.38, 0.4%, 0.53%

LAB 67.79, -42.98, 24.61

 

CMYK 57 / 0 / 40 / 35

HEX #47A664

RGB 71 166 100

HSL 138.32, 0.4%, 0.46%

LAB 61.25, -43.02, 25.96

 

CMYK 41 / 0 / 26 / 7

HEX #8BEDB0

RGB 139 237 176

HSL 142.65, 0.73%, 0.74%

LAB 86.6, -41.95, 20.71

 

CMYK 41 / 0 / 37 / 7

HEX #8BED95

RGB 139 237 149

HSL 126.12, 0.73%, 0.74%

LAB 86.12, -46.6, 33.84

 

CMYK 35 / 0 / 41 / 7

HEX #9BED8B

RGB 155 237 139

HSL 110.2, 0.73%, 0.74%

LAB 86.7, -43.24, 39.72

 

CMYK 23 / 0 / 41 / 7

HEX #B6ED8B

RGB 182 237 139

HSL 93.67, 0.73%, 0.74%

LAB 88.15, -34.2, 41.87

 

CMYK 12 / 0 / 41 / 7

HEX #D0ED8B

RGB 208 237 139

HSL 77.76, 0.73%, 0.74%

LAB 89.79, -24.79, 44.28

 

CMYK 41 / 0 / 26 / 7

HEX #8BEDB0

RGB 139 237 176

HSL 142.65, 0.73%, 0.74%

LAB 86.6, -41.95, 20.71

 

CMYK 41 / 0 / 15 / 7

HEX #8BEDCA

RGB 139 237 202

HSL 158.57, 0.73%, 0.74%

LAB 87.15, -36.76, 7.97

 

CMYK 41 / 0 / 3 / 7

HEX #8BEDE5

RGB 139 237 229

HSL 175.1, 0.73%, 0.74%

LAB 87.83, -30.7, -5.19

 

CMYK 41 / 8 / 0 / 7

HEX #8BDBED

RGB 139 219 237

HSL 191.02, 0.73%, 0.74%

LAB 83.05, -19.96, -16.52

 

CMYK 41 / 19 / 0 / 7

HEX #8BC1ED

RGB 139 193 237

HSL 206.94, 0.73%, 0.74%

LAB 75.91, -6.46, -27.37

 

CMYK 41 / 0 / 26 / 7

HEX #8BEDB0

RGB 139 237 176

HSL 142.65, 0.73%, 0.74%

LAB 86.6, -41.95, 20.71

 

CMYK 48 / 0 / 30 / 3

HEX #80F8AD

RGB 128 248 173

HSL 142.5, 0.9%, 0.74%

LAB 89.27, -50.1, 25.85

 

CMYK 41 / 0 / 26 / 7

HEX #8BEDB0

RGB 139 237 176

HSL 142.65, 0.73%, 0.74%

LAB 86.6, -41.95, 20.71

 

CMYK 34 / 0 / 21 / 11

HEX #96E3B3

RGB 150 227 179

HSL 142.6, 0.58%, 0.74%

LAB 84.32, -33.72, 16.04

 

CMYK 25 / 0 / 16 / 15

HEX #A1D8B5

RGB 161 216 181

HSL 141.82, 0.41%, 0.74%

LAB 81.85, -24.73, 11.59

 

CMYK 17 / 0 / 10 / 20

HEX #ABCDB8

RGB 171 205 184

HSL 142.94, 0.25%, 0.74%

LAB 79.49, -15.43, 6.7

 

CMYK 6 / 0 / 4 / 24

HEX #B6C2BB

RGB 182 194 187

HSL 145, 0.09%, 0.74%

LAB 77.35, -5.44, 2.09

 

CMYK 35 / 0 / 41 / 7

HEX #9BED8B

RGB 155 237 139

HSL 110.2, 0.73%, 0.74%

LAB 86.7, -43.24, 39.72

 

CMYK 41 / 0 / 37 / 7

HEX #8BED95

RGB 139 237 149

HSL 126.12, 0.73%, 0.74%

LAB 86.12, -46.6, 33.84

 

CMYK 41 / 0 / 26 / 7

HEX #8BEDAF

RGB 139 237 175

HSL 142.04, 0.73%, 0.74%

LAB 86.58, -42.14, 21.19

 

CMYK 41 / 0 / 15 / 7

HEX #8BEDC9

RGB 139 237 201

HSL 157.96, 0.73%, 0.74%

LAB 87.13, -36.98, 8.46

 

CMYK 41 / 0 / 4 / 7

HEX #8BEDE3

RGB 139 237 227

HSL 173.88, 0.73%, 0.74%

LAB 87.78, -31.17, -4.22

 

CMYK 70 / 0 / 44 / 11

HEX #43E37F

RGB 67 227 127

HSL 142.5, 0.74%, 0.58%

LAB 80.55, -62.58, 37.15

 

CMYK 56 / 0 / 35 / 9

HEX #67E897

RGB 103 232 151

HSL 142.33, 0.74%, 0.66%

LAB 83.35, -53.44, 28.91

 

CMYK 41 / 0 / 26 / 7

HEX #8BEDB0

RGB 139 237 176

HSL 142.65, 0.73%, 0.74%

LAB 86.6, -41.95, 20.71

 

CMYK 28 / 0 / 18 / 5

HEX #AFF3C8

RGB 175 243 200

HSL 142.06, 0.74%, 0.82%

LAB 90.5, -29.76, 14.01

 

CMYK 15 / 0 / 9 / 3

HEX #D3F8E1

RGB 211 248 225

HSL 142.7, 0.73%, 0.9%

LAB 94.49, -16.24, 7.06

 

CMYK 42 / 0 / 26 / 7

HEX #8BEEB0

RGB 139 238 176

HSL 142.42, 0.74%, 0.74%

LAB 86.89, -42.39, 21.1

 

CMYK 41 / 23 / 0 / 7

HEX #8BB6ED

RGB 139 182 237

HSL 213.67, 0.73%, 0.74%

LAB 72.93, -0.5, -31.95

 

CMYK 0 / 41 / 40 / 7

HEX #ED8B8E

RGB 237 139 142

HSL 358.16, 0.73%, 0.74%

LAB 68.33, 37.53, 14.65

 

CMYK 42 / 0 / 26 / 7

HEX #8BEEB0

RGB 139 238 176

HSL 142.42, 0.74%, 0.74%

LAB 86.89, -42.39, 21.1

 

CMYK 26 / 41 / 0 / 7

HEX #AF8BED

RGB 175 139 237

HSL 262.04, 0.73%, 0.74%

LAB 64.72, 33.51, -44.55

 

CMYK 0 / 26 / 41 / 7

HEX #EDAF8B

RGB 237 175 139

HSL 22.04, 0.73%, 0.74%

LAB 76.39, 18.2, 27.32

 

CMYK 42 / 0 / 26 / 7

HEX #8BEEB0

RGB 139 238 176

HSL 142.42, 0.74%, 0.74%

LAB 86.89, -42.39, 21.1

 

CMYK 41 / 23 / 0 / 7

HEX #8BB6ED

RGB 139 182 237

HSL 213.67, 0.73%, 0.74%

LAB 72.93, -0.5, -31.95

 

CMYK 0 / 41 / 15 / 7

HEX #ED8BC9

RGB 237 139 201

HSL 322.04, 0.73%, 0.74%

LAB 69.96, 45.4, -15.98

 

CMYK 0 / 18 / 41 / 7

HEX #EDC38B

RGB 237 195 139

HSL 34.29, 0.73%, 0.74%

LAB 81.24, 7.64, 33.74

 

CMYK 42 / 0 / 26 / 7

HEX #8BEEB0

RGB 139 238 176

HSL 142.42, 0.74%, 0.74%

LAB 86.89, -42.39, 21.1

 

CMYK 41 / 36 / 0 / 7

HEX #8B98ED

RGB 139 152 237

HSL 232.04, 0.73%, 0.74%

LAB 65.01, 16.43, -44.29

 

CMYK 0 / 41 / 15 / 7

HEX #ED8BC9

RGB 237 139 201

HSL 322.04, 0.73%, 0.74%

LAB 69.96, 45.4, -15.98

 

CMYK 0 / 5 / 41 / 7

HEX #EDE08B

RGB 237 224 139

HSL 52.04, 0.73%, 0.74%

LAB 88.53, -7.27, 43.15

 

Description

Color code: RGB 139 238 176 | qconv.com Color code: RGB 139 238 176 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 238 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 238 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 26 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 26% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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