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Color name
RGB 139 200 110

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 200 110 it is the complementary color RGB 116 55 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 200 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 200 110 shade: RGB 144 200 105, RGB 161 218 124, RGB 178 236 143, RGB 195 254 162 and RGB 212 255 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 200 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 200 110 shade: RGB 139 200 110, RGB 122 182 91, RGB 105 164 72, RGB 88 146 53 and RGB 71 128 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 200 110 shade: RGB 139 200 110, RGB 163 200 110, RGB 187 200 110, RGB 200 188 110 and RGB 200 164 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 200 110 shade: RGB 139 200 110, RGB 115 200 110, RGB 110 200 130, RGB 110 200 154 and RGB 110 200 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 200 110 shade matches the following richer shades: RGB 139 200 110, RGB 133 216 94, RGB 128 232 78 and RGB 122 248 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 200 110 shade: RGB 139 200 110, RGB 145 184 126, RGB 151 168 142, RGB 156 152 159 and RGB 162 135 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 200 110 shade: RGB 188 200 110, RGB 164 200 110, RGB 140 200 110, RGB 116 200 110 and RGB 110 200 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 200 110 shade: RGB 95 165 62, RGB 115 188 80, RGB 139 200 110, RGB 163 211 140 and RGB 187 222 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 200 110 shade: RGB 139 200 110, RGB 110 200 188 and RGB 200 110 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 200 110 shade: RGB 139 200 110, RGB 110 140 200 and RGB 200 110 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 200 110 shade: RGB 139 200 110, RGB 110 200 188, RGB 170 110 200 and RGB 200 110 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 200 110 shade: RGB 139 200 110, RGB 110 185 200, RGB 170 110 200 and RGB 200 125 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 45 / 22

HEX #8BC86E

RGB 139 200 110

HSL 100.67, 0.45%, 0.61%

LAB 74.78, -35.94, 38.79

 

Complementary color

CMYK 20 / 62 / 0 / 43

HEX #743791

RGB 116 55 145

HSL 280.67, 0.45%, 0.39%

LAB 34.98, 42.27, -38.83

 

CMYK 28 / 0 / 48 / 22

HEX #90C869

RGB 144 200 105

HSL 95.37, 0.46%, 0.6%

LAB 74.99, -34.81, 41.6

 

CMYK 26 / 0 / 43 / 15

HEX #A1DA7C

RGB 161 218 124

HSL 96.38, 0.56%, 0.67%

LAB 81.39, -34.73, 40.42

 

CMYK 25 / 0 / 39 / 7

HEX #B2EC8F

RGB 178 236 143

HSL 97.42, 0.71%, 0.74%

LAB 87.7, -34.62, 39.27

 

CMYK 23 / 0 / 36 / 0

HEX #C3FEA2

RGB 195 254 162

HSL 98.48, 0.98%, 0.82%

LAB 93.92, -34.5, 38.15

 

CMYK 17 / 0 / 29 / 0

HEX #D4FFB5

RGB 212 255 181

HSL 94.86, 1%, 0.85%

LAB 95.52, -26.48, 30.98

 

CMYK 31 / 0 / 45 / 22

HEX #8BC86E

RGB 139 200 110

HSL 100.67, 0.45%, 0.61%

LAB 74.78, -35.94, 38.79

 

CMYK 33 / 0 / 50 / 29

HEX #7AB65B

RGB 122 182 91

HSL 99.56, 0.38%, 0.54%

LAB 68.28, -36.04, 40

 

CMYK 36 / 0 / 56 / 36

HEX #69A448

RGB 105 164 72

HSL 98.48, 0.39%, 0.46%

LAB 61.67, -36.07, 41.18

 

CMYK 40 / 0 / 64 / 43

HEX #589235

RGB 88 146 53

HSL 97.42, 0.47%, 0.39%

LAB 54.96, -35.98, 42.23

 

CMYK 45 / 0 / 73 / 50

HEX #478022

RGB 71 128 34

HSL 96.38, 0.58%, 0.32%

LAB 48.13, -35.68, 42.9

 

CMYK 31 / 0 / 45 / 22

HEX #8BC86E

RGB 139 200 110

HSL 100.67, 0.45%, 0.61%

LAB 74.78, -35.94, 38.79

 

CMYK 19 / 0 / 45 / 22

HEX #A3C86E

RGB 163 200 110

HSL 84.67, 0.45%, 0.61%

LAB 76.2, -27.25, 40.89

 

CMYK 7 / 0 / 45 / 22

HEX #BBC86E

RGB 187 200 110

HSL 68.67, 0.45%, 0.61%

LAB 77.87, -17.95, 43.32

 

CMYK 0 / 6 / 45 / 22

HEX #C8BC6E

RGB 200 188 110

HSL 52, 0.45%, 0.61%

LAB 75.68, -6.59, 40.84

 

CMYK 0 / 18 / 45 / 22

HEX #C8A46E

RGB 200 164 110

HSL 36, 0.45%, 0.61%

LAB 69.44, 6.14, 32.94

 

CMYK 31 / 0 / 45 / 22

HEX #8BC86E

RGB 139 200 110

HSL 100.67, 0.45%, 0.61%

LAB 74.78, -35.94, 38.79

 

CMYK 43 / 0 / 45 / 22

HEX #73C86E

RGB 115 200 110

HSL 116.67, 0.45%, 0.61%

LAB 73.6, -43.73, 37.05

 

CMYK 45 / 0 / 35 / 22

HEX #6EC882

RGB 110 200 130

HSL 133.33, 0.45%, 0.61%

LAB 73.7, -42.03, 26.86

 

CMYK 45 / 0 / 23 / 22

HEX #6EC89A

RGB 110 200 154

HSL 149.33, 0.45%, 0.61%

LAB 74.16, -37.5, 14.76

 

CMYK 45 / 0 / 11 / 22

HEX #6EC8B2

RGB 110 200 178

HSL 165.33, 0.45%, 0.61%

LAB 74.72, -32.25, 2.63

 

CMYK 31 / 0 / 45 / 22

HEX #8BC86E

RGB 139 200 110

HSL 100.67, 0.45%, 0.61%

LAB 74.78, -35.94, 38.79

 

CMYK 38 / 0 / 56 / 15

HEX #85D85E

RGB 133 216 94

HSL 100.82, 0.61%, 0.61%

LAB 78.99, -46.83, 51.47

 

CMYK 45 / 0 / 66 / 9

HEX #80E84E

RGB 128 232 78

HSL 100.52, 0.77%, 0.61%

LAB 83.36, -56.33, 63.04

 

CMYK 51 / 0 / 75 / 3

HEX #7AF83E

RGB 122 248 62

HSL 100.65, 0.93%, 0.61%

LAB 87.79, -65.12, 73.09

 

CMYK 31 / 0 / 45 / 22

HEX #8BC86E

RGB 139 200 110

HSL 100.67, 0.45%, 0.61%

LAB 74.78, -35.94, 38.79

 

CMYK 21 / 0 / 32 / 28

HEX #91B87E

RGB 145 184 126

HSL 100.34, 0.29%, 0.61%

LAB 70.74, -23.93, 25.32

 

CMYK 10 / 0 / 15 / 34

HEX #97A88E

RGB 151 168 142

HSL 99.23, 0.13%, 0.61%

LAB 66.93, -10.9, 11.44

 

CMYK 2 / 4 / 0 / 38

HEX #9C989F

RGB 156 152 159

HSL 274.29, 0.04%, 0.61%

LAB 63.37, 2.81, -3.15

 

CMYK 7 / 23 / 0 / 31

HEX #A287AF

RGB 162 135 175

HSL 280.5, 0.2%, 0.61%

LAB 59.98, 17.78, -17.23

 

CMYK 6 / 0 / 45 / 22

HEX #BCC86E

RGB 188 200 110

HSL 68, 0.45%, 0.61%

LAB 77.95, -17.56, 43.43

 

CMYK 18 / 0 / 45 / 22

HEX #A4C86E

RGB 164 200 110

HSL 84, 0.45%, 0.61%

LAB 76.27, -26.87, 40.98

 

CMYK 30 / 0 / 45 / 22

HEX #8CC86E

RGB 140 200 110

HSL 100, 0.45%, 0.61%

LAB 74.83, -35.59, 38.87

 

CMYK 42 / 0 / 45 / 22

HEX #74C86E

RGB 116 200 110

HSL 116, 0.45%, 0.61%

LAB 73.64, -43.43, 37.12

 

CMYK 45 / 0 / 36 / 22

HEX #6EC880

RGB 110 200 128

HSL 132, 0.45%, 0.61%

LAB 73.66, -42.38, 27.86

 

CMYK 42 / 0 / 62 / 35

HEX #5FA53E

RGB 95 165 62

HSL 100.78, 0.45%, 0.45%

LAB 61.39, -40.98, 45.4

 

CMYK 39 / 0 / 57 / 26

HEX #73BC50

RGB 115 188 80

HSL 100.56, 0.45%, 0.53%

LAB 69.6, -42.34, 46.77

 

CMYK 31 / 0 / 45 / 22

HEX #8BC86E

RGB 139 200 110

HSL 100.67, 0.45%, 0.61%

LAB 74.78, -35.94, 38.79

 

CMYK 23 / 0 / 34 / 17

HEX #A3D38C

RGB 163 211 140

HSL 100.56, 0.45%, 0.69%

LAB 79.77, -28.56, 30.23

 

CMYK 16 / 0 / 23 / 13

HEX #BBDEAA

RGB 187 222 170

HSL 100.38, 0.44%, 0.77%

LAB 84.85, -20.91, 21.79

 

CMYK 31 / 0 / 45 / 22

HEX #8BC86E

RGB 139 200 110

HSL 100.67, 0.45%, 0.61%

LAB 74.78, -35.94, 38.79

 

CMYK 45 / 0 / 6 / 22

HEX #6EC8BC

RGB 110 200 188

HSL 172, 0.45%, 0.61%

LAB 74.99, -29.87, -2.4

 

CMYK 0 / 45 / 12 / 22

HEX #C86EB0

RGB 200 110 176

HSL 316, 0.45%, 0.61%

LAB 58.57, 44.42, -19.56

 

CMYK 31 / 0 / 45 / 22

HEX #8BC86E

RGB 139 200 110

HSL 100.67, 0.45%, 0.61%

LAB 74.78, -35.94, 38.79

 

CMYK 45 / 30 / 0 / 22

HEX #6E8CC8

RGB 110 140 200

HSL 220, 0.45%, 0.61%

LAB 58.27, 5.44, -34.39

 

CMYK 0 / 45 / 30 / 22

HEX #C86E8C

RGB 200 110 140

HSL 340, 0.45%, 0.61%

LAB 57.39, 39.05, -0.5

 

CMYK 31 / 0 / 45 / 22

HEX #8BC86E

RGB 139 200 110

HSL 100.67, 0.45%, 0.61%

LAB 74.78, -35.94, 38.79

 

CMYK 45 / 0 / 6 / 22

HEX #6EC8BC

RGB 110 200 188

HSL 172, 0.45%, 0.61%

LAB 74.99, -29.87, -2.4

 

CMYK 15 / 45 / 0 / 22

HEX #AA6EC8

RGB 170 110 200

HSL 280, 0.45%, 0.61%

LAB 55.96, 39.77, -37.63

 

CMYK 0 / 45 / 39 / 22

HEX #C86E7A

RGB 200 110 122

HSL 352, 0.45%, 0.61%

LAB 56.92, 36.8, 9.3

 

CMYK 31 / 0 / 45 / 22

HEX #8BC86E

RGB 139 200 110

HSL 100.67, 0.45%, 0.61%

LAB 74.78, -35.94, 38.79

 

CMYK 45 / 8 / 0 / 22

HEX #6EB9C8

RGB 110 185 200

HSL 190, 0.45%, 0.61%

LAB 71, -19.34, -14.86

 

CMYK 15 / 45 / 0 / 22

HEX #AA6EC8

RGB 170 110 200

HSL 280, 0.45%, 0.61%

LAB 55.96, 39.77, -37.63

 

CMYK 0 / 38 / 45 / 22

HEX #C87D6E

RGB 200 125 110

HSL 10, 0.45%, 0.61%

LAB 59.95, 27.43, 20.42

 

Description

Color code: RGB 139 200 110 | qconv.com Color code: RGB 139 200 110 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 200 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 200 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 45 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 45% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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