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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 197 52 it is the complementary color RGB 116 58 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 197 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 197 52 shade: RGB 144 197 47, RGB 161 215 66, RGB 178 233 85, RGB 195 251 104 and RGB 212 255 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 197 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 197 52 shade: RGB 139 197 52, RGB 122 179 33, RGB 105 161 14, RGB 88 143 0 and RGB 71 125 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 197 52 shade: RGB 139 197 52, RGB 178 197 52, RGB 197 177 52, RGB 197 138 52 and RGB 197 99 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 197 52 shade: RGB 139 197 52, RGB 100 197 52, RGB 61 197 52, RGB 52 197 82 and RGB 52 197 121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 197 52 shade matches the following richer shades: RGB 139 197 52, RGB 143 217 32 and RGB 147 237 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 197 52 shade: RGB 139 197 52, RGB 135 177 72, RGB 131 156 92, RGB 127 136 113 and RGB 123 116 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 197 52 shade: RGB 197 178 52, RGB 178 197 52, RGB 139 197 52, RGB 100 197 52 and RGB 62 197 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 197 52 shade: RGB 93 132 35, RGB 116 164 43, RGB 139 197 52, RGB 158 209 82 and RGB 176 217 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 197 52 shade: RGB 139 197 52, RGB 52 197 139 and RGB 197 52 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 197 52 shade: RGB 139 197 52, RGB 52 139 197 and RGB 197 52 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 197 52 shade: RGB 139 197 52, RGB 52 197 139, RGB 110 52 197 and RGB 197 52 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 197 52 shade: RGB 139 197 52, RGB 52 197 182, RGB 110 52 197 and RGB 197 52 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 74 / 23

HEX #8BC534

RGB 139 197 52

HSL 84, 0.58%, 0.49%

LAB 73.33, -40.01, 62.54

 

Complementary color

CMYK 43 / 71 / 0 / 20

HEX #743ACB

RGB 116 58 203

HSL 264, 0.58%, 0.51%

LAB 39.67, 54.93, -65.78

 

CMYK 27 / 0 / 76 / 23

HEX #90C52F

RGB 144 197 47

HSL 81.2, 0.61%, 0.48%

LAB 73.59, -38.39, 64.54

 

CMYK 25 / 0 / 69 / 16

HEX #A1D742

RGB 161 215 66

HSL 81.74, 0.65%, 0.55%

LAB 79.94, -38.89, 64.55

 

CMYK 24 / 0 / 64 / 9

HEX #B2E955

RGB 178 233 85

HSL 82.3, 0.77%, 0.62%

LAB 86.21, -39.24, 64.05

 

CMYK 22 / 0 / 59 / 2

HEX #C3FB68

RGB 195 251 104

HSL 82.86, 0.95%, 0.7%

LAB 92.4, -39.5, 63.27

 

CMYK 17 / 0 / 52 / 0

HEX #D4FF7B

RGB 212 255 123

HSL 79.55, 1%, 0.74%

LAB 94.72, -33.37, 57.89

 

CMYK 29 / 0 / 74 / 23

HEX #8BC534

RGB 139 197 52

HSL 84, 0.58%, 0.49%

LAB 73.33, -40.01, 62.54

 

CMYK 32 / 0 / 82 / 30

HEX #7AB321

RGB 122 179 33

HSL 83.42, 0.69%, 0.42%

LAB 66.89, -39.42, 62.06

 

CMYK 35 / 0 / 91 / 37

HEX #69A10E

RGB 105 161 14

HSL 82.86, 0.84%, 0.34%

LAB 60.36, -38.59, 60.33

 

CMYK 38 / 0 / 100 / 44

HEX #588F00

RGB 88 143 0

HSL 83.08, 1%, 0.28%

LAB 53.73, -37.46, 56.86

 

CMYK 43 / 0 / 100 / 51

HEX #477D00

RGB 71 125 0

HSL 85.92, 1%, 0.25%

LAB 46.98, -35.97, 51.25

 

CMYK 29 / 0 / 74 / 23

HEX #8BC534

RGB 139 197 52

HSL 84, 0.58%, 0.49%

LAB 73.33, -40.01, 62.54

 

CMYK 10 / 0 / 74 / 23

HEX #B2C534

RGB 178 197 52

HSL 67.86, 0.58%, 0.49%

LAB 75.85, -24.54, 65.84

 

CMYK 0 / 10 / 74 / 23

HEX #C5B134

RGB 197 177 52

HSL 51.72, 0.58%, 0.49%

LAB 71.94, -6.32, 62.65

 

CMYK 0 / 30 / 74 / 23

HEX #C58A34

RGB 197 138 52

HSL 35.59, 0.58%, 0.49%

LAB 61.91, 14.67, 52.81

 

CMYK 0 / 50 / 74 / 23

HEX #C56334

RGB 197 99 52

HSL 19.45, 0.58%, 0.49%

LAB 53, 35.72, 43.58

 

CMYK 29 / 0 / 74 / 23

HEX #8BC534

RGB 139 197 52

HSL 84, 0.58%, 0.49%

LAB 73.33, -40.01, 62.54

 

CMYK 49 / 0 / 74 / 23

HEX #64C534

RGB 100 197 52

HSL 100.14, 0.58%, 0.49%

LAB 71.48, -53.15, 60.1

 

CMYK 69 / 0 / 74 / 23

HEX #3DC534

RGB 61 197 52

HSL 116.28, 0.58%, 0.49%

LAB 70.3, -62.62, 58.52

 

CMYK 74 / 0 / 58 / 23

HEX #34C552

RGB 52 197 82

HSL 132.41, 0.58%, 0.49%

LAB 70.37, -61.12, 46.21

 

CMYK 74 / 0 / 39 / 23

HEX #34C579

RGB 52 197 121

HSL 148.55, 0.58%, 0.49%

LAB 70.9, -54.92, 27.53

 

CMYK 29 / 0 / 74 / 23

HEX #8BC534

RGB 139 197 52

HSL 84, 0.58%, 0.49%

LAB 73.33, -40.01, 62.54

 

CMYK 34 / 0 / 85 / 15

HEX #8FD920

RGB 143 217 32

HSL 84, 0.74%, 0.49%

LAB 79.37, -47.97, 73.67

 

CMYK 38 / 0 / 95 / 7

HEX #93ED0C

RGB 147 237 12

HSL 84, 0.9%, 0.49%

LAB 85.4, -55.08, 81.66

 

CMYK 29 / 0 / 74 / 23

HEX #8BC534

RGB 139 197 52

HSL 84, 0.58%, 0.49%

LAB 73.33, -40.01, 62.54

 

CMYK 24 / 0 / 59 / 31

HEX #87B148

RGB 135 177 72

HSL 84, 0.42%, 0.49%

LAB 67.32, -30.95, 48.13

 

CMYK 16 / 0 / 41 / 39

HEX #839C5C

RGB 131 156 92

HSL 83.44, 0.26%, 0.49%

LAB 61.11, -19.99, 30.65

 

CMYK 7 / 0 / 17 / 47

HEX #7F8871

RGB 127 136 113

HSL 83.48, 0.09%, 0.49%

LAB 55.39, -7.69, 11.25

 

CMYK 8 / 13 / 0 / 48

HEX #7B7485

RGB 123 116 133

HSL 264.71, 0.07%, 0.49%

LAB 49.97, 6.17, -8.33

 

CMYK 0 / 10 / 74 / 23

HEX #C5B234

RGB 197 178 52

HSL 52.14, 0.58%, 0.49%

LAB 72.2, -6.84, 62.91

 

CMYK 10 / 0 / 74 / 23

HEX #B2C534

RGB 178 197 52

HSL 67.86, 0.58%, 0.49%

LAB 75.85, -24.54, 65.84

 

CMYK 29 / 0 / 74 / 23

HEX #8BC534

RGB 139 197 52

HSL 84, 0.58%, 0.49%

LAB 73.33, -40.01, 62.54

 

CMYK 49 / 0 / 74 / 23

HEX #64C534

RGB 100 197 52

HSL 100.14, 0.58%, 0.49%

LAB 71.48, -53.15, 60.1

 

CMYK 69 / 0 / 74 / 23

HEX #3EC534

RGB 62 197 52

HSL 115.86, 0.58%, 0.49%

LAB 70.32, -62.43, 58.55

 

CMYK 30 / 0 / 73 / 48

HEX #5D8423

RGB 93 132 35

HSL 84.12, 0.58%, 0.33%

LAB 50.63, -29.13, 45.43

 

CMYK 29 / 0 / 74 / 36

HEX #74A42B

RGB 116 164 43

HSL 83.8, 0.58%, 0.41%

LAB 62.03, -34.48, 54.19

 

CMYK 29 / 0 / 74 / 23

HEX #8BC534

RGB 139 197 52

HSL 84, 0.58%, 0.49%

LAB 73.33, -40.01, 62.54

 

CMYK 24 / 0 / 61 / 18

HEX #9ED152

RGB 158 209 82

HSL 84.09, 0.58%, 0.57%

LAB 78.16, -36.14, 56.19

 

CMYK 19 / 0 / 47 / 15

HEX #B0D972

RGB 176 217 114

HSL 83.88, 0.58%, 0.65%

LAB 81.88, -30.02, 46.12

 

CMYK 29 / 0 / 74 / 23

HEX #8BC534

RGB 139 197 52

HSL 84, 0.58%, 0.49%

LAB 73.33, -40.01, 62.54

 

CMYK 74 / 0 / 29 / 23

HEX #34C58B

RGB 52 197 139

HSL 156, 0.58%, 0.49%

LAB 71.23, -51.25, 18.46

 

CMYK 0 / 74 / 0 / 23

HEX #C534C5

RGB 197 52 197

HSL 300, 0.58%, 0.49%

LAB 49.93, 71.92, -45.19

 

CMYK 29 / 0 / 74 / 23

HEX #8BC534

RGB 139 197 52

HSL 84, 0.58%, 0.49%

LAB 73.33, -40.01, 62.54

 

CMYK 74 / 29 / 0 / 23

HEX #348BC5

RGB 52 139 197

HSL 204, 0.58%, 0.49%

LAB 55.3, -6.39, -37.51

 

CMYK 0 / 74 / 29 / 23

HEX #C5348B

RGB 197 52 139

HSL 324, 0.58%, 0.49%

LAB 47.22, 63.76, -15.12

 

CMYK 29 / 0 / 74 / 23

HEX #8BC534

RGB 139 197 52

HSL 84, 0.58%, 0.49%

LAB 73.33, -40.01, 62.54

 

CMYK 74 / 0 / 29 / 23

HEX #34C58B

RGB 52 197 139

HSL 156, 0.58%, 0.49%

LAB 71.23, -51.25, 18.46

 

CMYK 44 / 74 / 0 / 23

HEX #6E34C5

RGB 110 52 197

HSL 264, 0.58%, 0.49%

LAB 37.49, 55.18, -65.88

 

CMYK 0 / 74 / 44 / 23

HEX #C5346E

RGB 197 52 110

HSL 336, 0.58%, 0.49%

LAB 46.25, 60.65, 1.11

 

CMYK 29 / 0 / 74 / 23

HEX #8BC534

RGB 139 197 52

HSL 84, 0.58%, 0.49%

LAB 73.33, -40.01, 62.54

 

CMYK 74 / 0 / 8 / 23

HEX #34C5B6

RGB 52 197 182

HSL 173.79, 0.58%, 0.49%

LAB 72.26, -40.64, -3.35

 

CMYK 44 / 74 / 0 / 23

HEX #6E34C5

RGB 110 52 197

HSL 264, 0.58%, 0.49%

LAB 37.49, 55.18, -65.88

 

CMYK 0 / 74 / 66 / 23

HEX #C53442

RGB 197 52 66

HSL 354.21, 0.58%, 0.49%

LAB 45.25, 57.37, 26.78

 

Description

Color code: RGB 139 197 52 | qconv.com Color code: RGB 139 197 52 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 197 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 197 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 74 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 74% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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