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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 194 80 it is the complementary color RGB 116 61 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 194 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 194 80 shade: RGB 144 194 75, RGB 161 212 94, RGB 178 230 113, RGB 195 248 132 and RGB 212 255 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 194 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 194 80 shade: RGB 139 194 80, RGB 122 176 61, RGB 105 158 42, RGB 88 140 23 and RGB 71 122 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 194 80 shade: RGB 139 194 81, RGB 170 194 81, RGB 194 187 81, RGB 194 157 81 and RGB 194 126 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 194 80 shade: RGB 139 194 81, RGB 109 194 81, RGB 81 194 83, RGB 81 194 114 and RGB 81 194 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 194 80 shade matches the following richer shades: RGB 139 194 81, RGB 140 212 62, RGB 140 231 43 and RGB 141 250 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 194 80 shade: RGB 139 194 81, RGB 139 175 100, RGB 138 156 119, RGB 137 137 138 and RGB 137 118 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 194 80 shade: RGB 194 186 81, RGB 171 194 81, RGB 141 194 81, RGB 111 194 81 and RGB 81 194 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 194 80 shade: RGB 98 142 50, RGB 119 173 60, RGB 139 194 81, RGB 159 204 111 and RGB 180 215 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 194 80 shade: RGB 139 194 80, RGB 81 194 156 and RGB 194 81 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 194 80 shade: RGB 139 194 80, RGB 81 141 194 and RGB 194 81 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 194 80 shade: RGB 139 194 80, RGB 81 194 156, RGB 133 81 194 and RGB 194 81 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 194 80 shade: RGB 139 194 80, RGB 81 194 190, RGB 133 81 194 and RGB 194 81 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 59 / 24

HEX #8BC250

RGB 139 194 80

HSL 88.95, 0.48%, 0.54%

LAB 72.66, -36.56, 50.61

 

Complementary color

CMYK 34 / 65 / 0 / 31

HEX #743DAF

RGB 116 61 175

HSL 268.95, 0.48%, 0.46%

LAB 38.1, 46.34, -51.89

 

CMYK 26 / 0 / 61 / 24

HEX #90C24B

RGB 144 194 75

HSL 85.21, 0.49%, 0.53%

LAB 72.91, -35.15, 53.17

 

CMYK 24 / 0 / 56 / 17

HEX #A1D45E

RGB 161 212 94

HSL 85.93, 0.58%, 0.6%

LAB 79.31, -35.32, 52.23

 

CMYK 23 / 0 / 51 / 10

HEX #B2E671

RGB 178 230 113

HSL 86.67, 0.7%, 0.67%

LAB 85.63, -35.41, 51.17

 

CMYK 21 / 0 / 47 / 3

HEX #C3F884

RGB 195 248 132

HSL 87.41, 0.89%, 0.75%

LAB 91.87, -35.45, 50.06

 

CMYK 17 / 0 / 41 / 0

HEX #D4FF97

RGB 212 255 151

HSL 84.81, 1%, 0.8%

LAB 95.06, -30.41, 45.19

 

CMYK 28 / 0 / 59 / 24

HEX #8BC250

RGB 139 194 80

HSL 88.95, 0.48%, 0.54%

LAB 72.66, -36.56, 50.61

 

CMYK 31 / 0 / 65 / 31

HEX #7AB03D

RGB 122 176 61

HSL 88.17, 0.49%, 0.46%

LAB 66.16, -36.37, 51.45

 

CMYK 34 / 0 / 73 / 38

HEX #699E2A

RGB 105 158 42

HSL 87.41, 0.58%, 0.39%

LAB 59.55, -36.02, 51.89

 

CMYK 37 / 0 / 84 / 45

HEX #588C17

RGB 88 140 23

HSL 86.67, 0.72%, 0.32%

LAB 52.83, -35.44, 51.48

 

CMYK 42 / 0 / 97 / 52

HEX #477A04

RGB 71 122 4

HSL 85.93, 0.94%, 0.25%

LAB 46, -34.54, 49.62

 

CMYK 28 / 0 / 58 / 24

HEX #8BC251

RGB 139 194 81

HSL 89.2, 0.48%, 0.54%

LAB 72.67, -36.47, 50.17

 

CMYK 12 / 0 / 58 / 24

HEX #AAC251

RGB 170 194 81

HSL 72.74, 0.48%, 0.54%

LAB 74.65, -24.49, 52.94

 

CMYK 0 / 4 / 58 / 24

HEX #C2BB51

RGB 194 187 81

HSL 56.28, 0.48%, 0.54%

LAB 74.57, -11.08, 53.36

 

CMYK 0 / 19 / 58 / 24

HEX #C29D51

RGB 194 157 81

HSL 40.35, 0.48%, 0.54%

LAB 66.66, 4.79, 44.33

 

CMYK 0 / 35 / 58 / 24

HEX #C27E51

RGB 194 126 81

HSL 23.89, 0.48%, 0.54%

LAB 58.96, 21.79, 35.12

 

CMYK 28 / 0 / 58 / 24

HEX #8BC251

RGB 139 194 81

HSL 89.2, 0.48%, 0.54%

LAB 72.67, -36.47, 50.17

 

CMYK 44 / 0 / 58 / 24

HEX #6DC251

RGB 109 194 81

HSL 105.13, 0.48%, 0.54%

LAB 71.17, -46.69, 48.04

 

CMYK 58 / 0 / 57 / 24

HEX #51C253

RGB 81 194 83

HSL 121.06, 0.48%, 0.54%

LAB 70.15, -54.21, 45.67

 

CMYK 58 / 0 / 41 / 24

HEX #51C272

RGB 81 194 114

HSL 137.52, 0.48%, 0.54%

LAB 70.56, -49.68, 30.85

 

CMYK 58 / 0 / 26 / 24

HEX #51C290

RGB 81 194 144

HSL 153.45, 0.48%, 0.54%

LAB 71.11, -43.89, 15.71

 

CMYK 28 / 0 / 58 / 24

HEX #8BC251

RGB 139 194 81

HSL 89.2, 0.48%, 0.54%

LAB 72.67, -36.47, 50.17

 

CMYK 34 / 0 / 71 / 17

HEX #8CD43E

RGB 140 212 62

HSL 88.8, 0.64%, 0.54%

LAB 77.88, -45.5, 63.55

 

CMYK 39 / 0 / 81 / 9

HEX #8CE72B

RGB 140 231 43

HSL 89.04, 0.8%, 0.54%

LAB 83.39, -54.25, 74.61

 

CMYK 44 / 0 / 90 / 2

HEX #8DFA18

RGB 141 250 24

HSL 88.94, 0.96%, 0.54%

LAB 88.97, -61.79, 83.07

 

CMYK 28 / 0 / 58 / 24

HEX #8BC251

RGB 139 194 81

HSL 89.2, 0.48%, 0.54%

LAB 72.67, -36.47, 50.17

 

CMYK 21 / 0 / 43 / 31

HEX #8BAF64

RGB 139 175 100

HSL 88.8, 0.32%, 0.54%

LAB 67.33, -25.39, 34.47

 

CMYK 12 / 0 / 24 / 39

HEX #8A9C77

RGB 138 156 119

HSL 89.19, 0.16%, 0.54%

LAB 62.09, -13.29, 17.31

 

CMYK 1 / 1 / 0 / 46

HEX #89898A

RGB 137 137 138

HSL 240, 0%, 0.54%

LAB 57.12, 0.2, -0.54

 

CMYK 13 / 25 / 0 / 38

HEX #89769D

RGB 137 118 157

HSL 269.23, 0.17%, 0.54%

LAB 52.63, 15.22, -18.27

 

CMYK 0 / 4 / 58 / 24

HEX #C2BA51

RGB 194 186 81

HSL 55.75, 0.48%, 0.54%

LAB 74.31, -10.56, 53.06

 

CMYK 12 / 0 / 58 / 24

HEX #ABC251

RGB 171 194 81

HSL 72.21, 0.48%, 0.54%

LAB 74.72, -24.09, 53.04

 

CMYK 27 / 0 / 58 / 24

HEX #8DC251

RGB 141 194 81

HSL 88.14, 0.48%, 0.54%

LAB 72.79, -35.73, 50.33

 

CMYK 43 / 0 / 58 / 24

HEX #6FC251

RGB 111 194 81

HSL 104.07, 0.48%, 0.54%

LAB 71.25, -46.06, 48.17

 

CMYK 58 / 0 / 58 / 24

HEX #51C251

RGB 81 194 81

HSL 120, 0.48%, 0.54%

LAB 70.12, -54.45, 46.57

 

CMYK 31 / 0 / 65 / 44

HEX #628E32

RGB 98 142 50

HSL 88.7, 0.48%, 0.38%

LAB 54.21, -30.72, 42.92

 

CMYK 31 / 0 / 65 / 32

HEX #77AD3C

RGB 119 173 60

HSL 88.67, 0.48%, 0.46%

LAB 65.07, -36.21, 50.66

 

CMYK 28 / 0 / 58 / 24

HEX #8BC251

RGB 139 194 81

HSL 89.2, 0.48%, 0.54%

LAB 72.67, -36.47, 50.17

 

CMYK 22 / 0 / 46 / 20

HEX #9FCC6F

RGB 159 204 111

HSL 89.03, 0.48%, 0.62%

LAB 77.1, -30.53, 41.45

 

CMYK 16 / 0 / 34 / 16

HEX #B4D78E

RGB 180 215 142

HSL 88.77, 0.48%, 0.7%

LAB 81.98, -24.13, 32.33

 

CMYK 28 / 0 / 59 / 24

HEX #8BC250

RGB 139 194 80

HSL 88.95, 0.48%, 0.54%

LAB 72.66, -36.56, 50.61

 

CMYK 58 / 0 / 20 / 24

HEX #51C29C

RGB 81 194 156

HSL 159.82, 0.48%, 0.54%

LAB 71.37, -41.22, 9.6

 

CMYK 0 / 58 / 4 / 24

HEX #C251BA

RGB 194 81 186

HSL 304.25, 0.48%, 0.54%

LAB 52.84, 58.4, -34.26

 

CMYK 28 / 0 / 59 / 24

HEX #8BC250

RGB 139 194 80

HSL 88.95, 0.48%, 0.54%

LAB 72.66, -36.56, 50.61

 

CMYK 58 / 27 / 0 / 24

HEX #518DC2

RGB 81 141 194

HSL 208.14, 0.48%, 0.54%

LAB 56.78, -3.67, -33.43

 

CMYK 0 / 58 / 27 / 24

HEX #C2518D

RGB 194 81 141

HSL 328.14, 0.48%, 0.54%

LAB 51.01, 51.59, -10.64

 

CMYK 28 / 0 / 59 / 24

HEX #8BC250

RGB 139 194 80

HSL 88.95, 0.48%, 0.54%

LAB 72.66, -36.56, 50.61

 

CMYK 58 / 0 / 20 / 24

HEX #51C29C

RGB 81 194 156

HSL 159.82, 0.48%, 0.54%

LAB 71.37, -41.22, 9.6

 

CMYK 31 / 58 / 0 / 24

HEX #8551C2

RGB 133 81 194

HSL 267.61, 0.48%, 0.54%

LAB 45.31, 44.35, -51.33

 

CMYK 0 / 58 / 39 / 24

HEX #C25176

RGB 194 81 118

HSL 340.35, 0.48%, 0.54%

LAB 50.29, 48.78, 2.06

 

CMYK 28 / 0 / 59 / 24

HEX #8BC250

RGB 139 194 80

HSL 88.95, 0.48%, 0.54%

LAB 72.66, -36.56, 50.61

 

CMYK 58 / 0 / 2 / 24

HEX #51C2BE

RGB 81 194 190

HSL 177.88, 0.48%, 0.54%

LAB 72.26, -32.68, -7.62

 

CMYK 31 / 58 / 0 / 24

HEX #8551C2

RGB 133 81 194

HSL 267.61, 0.48%, 0.54%

LAB 45.31, 44.35, -51.33

 

CMYK 0 / 58 / 56 / 24

HEX #C25155

RGB 194 81 85

HSL 357.88, 0.48%, 0.54%

LAB 49.51, 45.63, 20.78

 

Description

Color code: RGB 139 194 80 | qconv.com Color code: RGB 139 194 80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 194 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 194 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 59 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 59% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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