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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 171 156 it is the complementary color RGB 116 84 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 171 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 171 156 shade: RGB 144 171 151, RGB 161 189 170, RGB 178 207 189, RGB 195 225 208 and RGB 212 243 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 171 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 171 156 shade: RGB 139 171 156, RGB 122 153 137, RGB 105 135 118, RGB 88 117 99 and RGB 71 99 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 171 156 shade: RGB 139 171 156, RGB 139 171 147, RGB 139 171 139, RGB 148 171 139 and RGB 157 171 139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 171 156 shade: RGB 139 171 156, RGB 139 171 165, RGB 139 169 171, RGB 139 160 171 and RGB 139 152 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 171 156 shade matches the following richer shades: RGB 139 171 156, RGB 123 187 157, RGB 107 203 158, RGB 91 219 159 and RGB 75 235 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 171 156 shade: RGB 139 171 156, RGB 155 155 155, RGB 171 139 154, RGB 187 123 153 and RGB 204 107 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 171 156 shade: RGB 140 171 139, RGB 139 171 147, RGB 139 171 156, RGB 139 171 164 and RGB 139 169 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 171 156 shade: RGB 96 132 115, RGB 115 154 136, RGB 139 171 156, RGB 163 188 176 and RGB 187 206 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 171 156 shade: RGB 139 171 156, RGB 139 148 171 and RGB 171 143 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 171 156 shade: RGB 139 171 156, RGB 156 139 171 and RGB 171 156 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 171 156 shade: RGB 139 171 156, RGB 139 148 171, RGB 171 139 155 and RGB 171 162 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 171 156 shade: RGB 139 171 156, RGB 140 139 171, RGB 171 139 155 and RGB 170 171 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 9 / 33

HEX #8BAB9C

RGB 139 171 156

HSL 151.88, 0.16%, 0.61%

LAB 67.29, -14.05, 4.1

 

Complementary color

CMYK 0 / 28 / 15 / 55

HEX #745463

RGB 116 84 99

HSL 331.88, 0.16%, 0.39%

LAB 39.5, 15.87, -3.42

 

CMYK 16 / 0 / 12 / 33

HEX #90AB97

RGB 144 171 151

HSL 135.56, 0.14%, 0.62%

LAB 67.49, -13.32, 7.2

 

CMYK 15 / 0 / 10 / 26

HEX #A1BDAA

RGB 161 189 170

HSL 139.29, 0.18%, 0.69%

LAB 74.11, -13.24, 6.43

 

CMYK 14 / 0 / 9 / 19

HEX #B2CFBD

RGB 178 207 189

HSL 142.76, 0.23%, 0.75%

LAB 80.61, -13.17, 5.69

 

CMYK 13 / 0 / 8 / 12

HEX #C3E1D0

RGB 195 225 208

HSL 146, 0.33%, 0.82%

LAB 87, -13.11, 4.99

 

CMYK 13 / 0 / 7 / 5

HEX #D4F3E3

RGB 212 243 227

HSL 149.03, 0.56%, 0.89%

LAB 93.3, -13.07, 4.31

 

CMYK 19 / 0 / 9 / 33

HEX #8BAB9C

RGB 139 171 156

HSL 151.88, 0.16%, 0.61%

LAB 67.29, -14.05, 4.1

 

CMYK 20 / 0 / 10 / 40

HEX #7A9989

RGB 122 153 137

HSL 149.03, 0.13%, 0.54%

LAB 60.54, -14.18, 4.86

 

CMYK 22 / 0 / 13 / 47

HEX #698776

RGB 105 135 118

HSL 146, 0.13%, 0.47%

LAB 53.64, -14.33, 5.67

 

CMYK 25 / 0 / 15 / 54

HEX #587563

RGB 88 117 99

HSL 142.76, 0.14%, 0.4%

LAB 46.58, -14.52, 6.54

 

CMYK 28 / 0 / 19 / 61

HEX #476350

RGB 71 99 80

HSL 139.29, 0.16%, 0.33%

LAB 39.31, -14.75, 7.5

 

CMYK 19 / 0 / 9 / 33

HEX #8BAB9C

RGB 139 171 156

HSL 151.88, 0.16%, 0.61%

LAB 67.29, -14.05, 4.1

 

CMYK 19 / 0 / 14 / 33

HEX #8BAB93

RGB 139 171 147

HSL 135, 0.16%, 0.61%

LAB 67.07, -15.82, 8.76

 

CMYK 19 / 0 / 19 / 33

HEX #8BAB8B

RGB 139 171 139

HSL 120, 0.16%, 0.61%

LAB 66.88, -17.32, 12.92

 

CMYK 13 / 0 / 19 / 33

HEX #94AB8B

RGB 148 171 139

HSL 103.13, 0.16%, 0.61%

LAB 67.49, -14.1, 13.86

 

CMYK 8 / 0 / 19 / 33

HEX #9DAB8B

RGB 157 171 139

HSL 86.25, 0.16%, 0.61%

LAB 68.14, -10.78, 14.86

 

CMYK 19 / 0 / 9 / 33

HEX #8BAB9C

RGB 139 171 156

HSL 151.88, 0.16%, 0.61%

LAB 67.29, -14.05, 4.1

 

CMYK 19 / 0 / 4 / 33

HEX #8BABA5

RGB 139 171 165

HSL 168.75, 0.16%, 0.61%

LAB 67.52, -12.18, -0.55

 

CMYK 19 / 1 / 0 / 33

HEX #8BA9AB

RGB 139 169 171

HSL 183.75, 0.16%, 0.61%

LAB 67.13, -9.81, -4.46

 

CMYK 19 / 6 / 0 / 33

HEX #8BA0AB

RGB 139 160 171

HSL 200.63, 0.16%, 0.61%

LAB 64.62, -4.93, -8.18

 

CMYK 19 / 11 / 0 / 33

HEX #8B98AB

RGB 139 152 171

HSL 215.63, 0.16%, 0.61%

LAB 62.41, -0.5, -11.49

 

CMYK 19 / 0 / 9 / 33

HEX #8BAB9C

RGB 139 171 156

HSL 151.88, 0.16%, 0.61%

LAB 67.29, -14.05, 4.1

 

CMYK 34 / 0 / 16 / 27

HEX #7BBB9D

RGB 123 187 157

HSL 151.88, 0.32%, 0.61%

LAB 71, -27.07, 8.75

 

CMYK 47 / 0 / 22 / 20

HEX #6BCB9E

RGB 107 203 158

HSL 151.88, 0.48%, 0.61%

LAB 75.02, -38.81, 13.81

 

CMYK 58 / 0 / 27 / 14

HEX #5BDB9F

RGB 91 219 159

HSL 151.88, 0.64%, 0.61%

LAB 79.27, -49.19, 19.13

 

CMYK 68 / 0 / 32 / 8

HEX #4BEBA0

RGB 75 235 160

HSL 151.88, 0.8%, 0.61%

LAB 83.68, -58.25, 24.61

 

CMYK 19 / 0 / 9 / 33

HEX #8BAB9C

RGB 139 171 156

HSL 151.88, 0.16%, 0.61%

LAB 67.29, -14.05, 4.1

 

CMYK 0 / 0 / 0 / 39

HEX #9B9B9B

RGB 155 155 155

HSL 0, 0%, 0.61%

LAB 63.98, 0, -0.01

 

CMYK 0 / 19 / 10 / 33

HEX #AB8B9A

RGB 171 139 154

HSL 331.88, 0.16%, 0.61%

LAB 61.18, 14.65, -3.38

 

CMYK 0 / 34 / 18 / 27

HEX #BB7B99

RGB 187 123 153

HSL 331.88, 0.32%, 0.61%

LAB 59, 29.29, -5.83

 

CMYK 0 / 48 / 25 / 20

HEX #CC6B98

RGB 204 107 152

HSL 332.16, 0.49%, 0.61%

LAB 57.67, 43.62, -7

 

CMYK 18 / 0 / 19 / 33

HEX #8CAB8B

RGB 140 171 139

HSL 118.13, 0.16%, 0.61%

LAB 66.95, -16.96, 13.02

 

CMYK 19 / 0 / 14 / 33

HEX #8BAB93

RGB 139 171 147

HSL 135, 0.16%, 0.61%

LAB 67.07, -15.82, 8.76

 

CMYK 19 / 0 / 9 / 33

HEX #8BAB9C

RGB 139 171 156

HSL 151.88, 0.16%, 0.61%

LAB 67.29, -14.05, 4.1

 

CMYK 19 / 0 / 4 / 33

HEX #8BABA4

RGB 139 171 164

HSL 166.88, 0.16%, 0.61%

LAB 67.5, -12.39, -0.04

 

CMYK 19 / 1 / 0 / 33

HEX #8BA9AB

RGB 139 169 171

HSL 183.75, 0.16%, 0.61%

LAB 67.13, -9.81, -4.46

 

CMYK 27 / 0 / 13 / 48

HEX #608473

RGB 96 132 115

HSL 151.67, 0.16%, 0.45%

LAB 52.09, -16.45, 5.11

 

CMYK 25 / 0 / 12 / 40

HEX #739A88

RGB 115 154 136

HSL 152.31, 0.16%, 0.53%

LAB 60.37, -17.28, 5.12

 

CMYK 19 / 0 / 9 / 33

HEX #8BAB9C

RGB 139 171 156

HSL 151.88, 0.16%, 0.61%

LAB 67.29, -14.05, 4.1

 

CMYK 13 / 0 / 6 / 26

HEX #A3BCB0

RGB 163 188 176

HSL 151.2, 0.16%, 0.69%

LAB 74.12, -10.88, 3.19

 

CMYK 9 / 0 / 4 / 19

HEX #BBCEC5

RGB 187 206 197

HSL 151.58, 0.16%, 0.77%

LAB 81.15, -8.12, 2.27

 

CMYK 19 / 0 / 9 / 33

HEX #8BAB9C

RGB 139 171 156

HSL 151.88, 0.16%, 0.61%

LAB 67.29, -14.05, 4.1

 

CMYK 19 / 13 / 0 / 33

HEX #8B94AB

RGB 139 148 171

HSL 223.13, 0.16%, 0.61%

LAB 61.32, 1.75, -13.13

 

CMYK 0 / 16 / 19 / 33

HEX #AB8F8B

RGB 171 143 139

HSL 7.5, 0.16%, 0.61%

LAB 61.8, 9.86, 6.05

 

CMYK 19 / 0 / 9 / 33

HEX #8BAB9C

RGB 139 171 156

HSL 151.88, 0.16%, 0.61%

LAB 67.29, -14.05, 4.1

 

CMYK 9 / 19 / 0 / 33

HEX #9C8BAB

RGB 156 139 171

HSL 271.88, 0.16%, 0.61%

LAB 60.31, 12.6, -14.5

 

CMYK 0 / 9 / 19 / 33

HEX #AB9C8B

RGB 171 156 139

HSL 31.88, 0.16%, 0.61%

LAB 65.2, 2.64, 10.89

 

CMYK 19 / 0 / 9 / 33

HEX #8BAB9C

RGB 139 171 156

HSL 151.88, 0.16%, 0.61%

LAB 67.29, -14.05, 4.1

 

CMYK 19 / 13 / 0 / 33

HEX #8B94AB

RGB 139 148 171

HSL 223.13, 0.16%, 0.61%

LAB 61.32, 1.75, -13.13

 

CMYK 0 / 19 / 9 / 33

HEX #AB8B9B

RGB 171 139 155

HSL 330, 0.16%, 0.61%

LAB 61.21, 14.82, -3.91

 

CMYK 0 / 5 / 19 / 33

HEX #ABA28B

RGB 171 162 139

HSL 43.13, 0.16%, 0.61%

LAB 66.8, -0.64, 13.14

 

CMYK 19 / 0 / 9 / 33

HEX #8BAB9C

RGB 139 171 156

HSL 151.88, 0.16%, 0.61%

LAB 67.29, -14.05, 4.1

 

CMYK 18 / 19 / 0 / 33

HEX #8C8BAB

RGB 140 139 171

HSL 241.88, 0.16%, 0.61%

LAB 58.96, 7.2, -16.69

 

CMYK 0 / 19 / 9 / 33

HEX #AB8B9B

RGB 171 139 155

HSL 330, 0.16%, 0.61%

LAB 61.21, 14.82, -3.91

 

CMYK 1 / 0 / 19 / 33

HEX #AAAB8B

RGB 170 171 139

HSL 61.88, 0.16%, 0.61%

LAB 69.14, -5.88, 16.4

 

Description

Color code: RGB 139 171 156 | qconv.com Color code: RGB 139 171 156 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 171 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 171 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 9 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 9% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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