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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 153 123 it is the complementary color RGB 116 102 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 153 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 153 123 shade: RGB 144 153 118, RGB 161 171 137, RGB 178 189 156, RGB 195 207 175 and RGB 212 225 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 153 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 153 123 shade: RGB 139 153 123, RGB 122 135 104, RGB 105 117 85, RGB 88 99 66 and RGB 71 81 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 153 123 shade: RGB 138 152 122, RGB 146 152 122, RGB 152 150 122, RGB 152 142 122 and RGB 152 134 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 153 123 shade: RGB 138 152 122, RGB 130 152 122, RGB 122 152 122, RGB 122 152 130 and RGB 122 152 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 153 123 shade matches the following richer shades: RGB 138 152 122, RGB 139 171 103, RGB 141 190 84, RGB 142 209 65 and RGB 143 228 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 153 123 shade: RGB 138 152 122, RGB 137 133 141, RGB 136 114 160, RGB 134 96 179 and RGB 133 77 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 153 123 shade: RGB 152 150 122, RGB 146 152 122, RGB 138 152 122, RGB 130 152 122 and RGB 122 152 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 153 123 shade: RGB 97 108 83, RGB 118 132 101, RGB 138 152 122, RGB 159 170 145 and RGB 179 188 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 153 123 shade: RGB 139 153 123, RGB 122 152 142 and RGB 152 122 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 153 123 shade: RGB 139 153 123, RGB 122 138 152 and RGB 152 122 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 153 123 shade: RGB 139 153 123, RGB 122 152 142, RGB 136 122 152 and RGB 152 122 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 153 123 shade: RGB 139 153 123, RGB 122 152 151, RGB 136 122 152 and RGB 152 122 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 20 / 40

HEX #8B997B

RGB 139 153 123

HSL 88, 0.13%, 0.54%

LAB 61.4, -10.64, 14.12

 

Complementary color

CMYK 12 / 23 / 0 / 48

HEX #746684

RGB 116 102 132

HSL 268, 0.13%, 0.46%

LAB 45.47, 11.79, -14.58

 

CMYK 6 / 0 / 23 / 40

HEX #909976

RGB 144 153 118

HSL 75.43, 0.15%, 0.53%

LAB 61.67, -9.54, 17.35

 

CMYK 6 / 0 / 20 / 33

HEX #A1AB89

RGB 161 171 137

HSL 77.65, 0.17%, 0.6%

LAB 68.39, -9.61, 16.36

 

CMYK 6 / 0 / 17 / 26

HEX #B2BD9C

RGB 178 189 156

HSL 80, 0.2%, 0.68%

LAB 74.99, -9.68, 15.42

 

CMYK 6 / 0 / 15 / 19

HEX #C3CFAF

RGB 195 207 175

HSL 82.5, 0.25%, 0.75%

LAB 81.47, -9.73, 14.54

 

CMYK 6 / 0 / 14 / 12

HEX #D4E1C2

RGB 212 225 194

HSL 85.16, 0.34%, 0.82%

LAB 87.84, -9.78, 13.7

 

CMYK 9 / 0 / 20 / 40

HEX #8B997B

RGB 139 153 123

HSL 88, 0.13%, 0.54%

LAB 61.4, -10.64, 14.12

 

CMYK 10 / 0 / 23 / 47

HEX #7A8768

RGB 122 135 104

HSL 85.16, 0.13%, 0.47%

LAB 54.52, -10.63, 15.12

 

CMYK 10 / 0 / 27 / 54

HEX #697555

RGB 105 117 85

HSL 82.5, 0.16%, 0.4%

LAB 47.47, -10.62, 16.21

 

CMYK 11 / 0 / 33 / 61

HEX #586342

RGB 88 99 66

HSL 80, 0.2%, 0.32%

LAB 40.23, -10.59, 17.39

 

CMYK 12 / 0 / 42 / 68

HEX #47512F

RGB 71 81 47

HSL 77.65, 0.27%, 0.25%

LAB 32.77, -10.52, 18.7

 

CMYK 9 / 0 / 20 / 40

HEX #8A987A

RGB 138 152 122

HSL 88, 0.13%, 0.54%

LAB 61.01, -10.65, 14.14

 

CMYK 4 / 0 / 20 / 40

HEX #92987A

RGB 146 152 122

HSL 72, 0.13%, 0.54%

LAB 61.63, -7.58, 15.09

 

CMYK 0 / 1 / 20 / 40

HEX #98967A

RGB 152 150 122

HSL 56, 0.13%, 0.54%

LAB 61.56, -4.15, 15.07

 

CMYK 0 / 7 / 20 / 40

HEX #988E7A

RGB 152 142 122

HSL 40, 0.13%, 0.54%

LAB 59.37, 0.28, 12

 

CMYK 0 / 12 / 20 / 40

HEX #98867A

RGB 152 134 122

HSL 24, 0.13%, 0.54%

LAB 57.2, 4.77, 8.95

 

CMYK 9 / 0 / 20 / 40

HEX #8A987A

RGB 138 152 122

HSL 88, 0.13%, 0.54%

LAB 61.01, -10.65, 14.14

 

CMYK 14 / 0 / 20 / 40

HEX #82987A

RGB 130 152 122

HSL 104, 0.13%, 0.54%

LAB 60.43, -13.66, 13.24

 

CMYK 20 / 0 / 20 / 40

HEX #7A987A

RGB 122 152 122

HSL 120, 0.13%, 0.54%

LAB 59.89, -16.58, 12.4

 

CMYK 20 / 0 / 14 / 40

HEX #7A9882

RGB 122 152 130

HSL 136, 0.13%, 0.54%

LAB 60.07, -15.05, 8.15

 

CMYK 20 / 0 / 9 / 40

HEX #7A988B

RGB 122 152 139

HSL 154, 0.13%, 0.54%

LAB 60.3, -13.23, 3.38

 

CMYK 9 / 0 / 20 / 40

HEX #8A987A

RGB 138 152 122

HSL 88, 0.13%, 0.54%

LAB 61.01, -10.65, 14.14

 

CMYK 19 / 0 / 40 / 33

HEX #8BAB67

RGB 139 171 103

HSL 88.24, 0.29%, 0.54%

LAB 66.21, -23.01, 31.48

 

CMYK 26 / 0 / 56 / 25

HEX #8DBE54

RGB 141 190 84

HSL 87.74, 0.45%, 0.54%

LAB 71.64, -33.6, 47.63

 

CMYK 32 / 0 / 69 / 18

HEX #8ED141

RGB 142 209 65

HSL 87.92, 0.61%, 0.54%

LAB 77.12, -43.31, 61.7

 

CMYK 37 / 0 / 80 / 11

HEX #8FE42E

RGB 143 228 46

HSL 88.02, 0.77%, 0.54%

LAB 82.66, -51.93, 73.23

 

CMYK 9 / 0 / 20 / 40

HEX #8A987A

RGB 138 152 122

HSL 88, 0.13%, 0.54%

LAB 61.01, -10.65, 14.14

 

CMYK 3 / 6 / 0 / 45

HEX #89858D

RGB 137 133 141

HSL 270, 0.03%, 0.54%

LAB 56.1, 3.08, -3.76

 

CMYK 15 / 29 / 0 / 37

HEX #8872A0

RGB 136 114 160

HSL 268.7, 0.19%, 0.54%

LAB 51.62, 17.92, -21.58

 

CMYK 25 / 46 / 0 / 30

HEX #8660B3

RGB 134 96 179

HSL 267.47, 0.35%, 0.54%

LAB 47.87, 32.41, -38.53

 

CMYK 33 / 61 / 0 / 22

HEX #854DC6

RGB 133 77 198

HSL 267.77, 0.51%, 0.54%

LAB 44.76, 47.49, -54.53

 

CMYK 0 / 1 / 20 / 40

HEX #98967A

RGB 152 150 122

HSL 56, 0.13%, 0.54%

LAB 61.56, -4.15, 15.07

 

CMYK 4 / 0 / 20 / 40

HEX #92987A

RGB 146 152 122

HSL 72, 0.13%, 0.54%

LAB 61.63, -7.58, 15.09

 

CMYK 9 / 0 / 20 / 40

HEX #8A987A

RGB 138 152 122

HSL 88, 0.13%, 0.54%

LAB 61.01, -10.65, 14.14

 

CMYK 14 / 0 / 20 / 40

HEX #82987A

RGB 130 152 122

HSL 104, 0.13%, 0.54%

LAB 60.43, -13.66, 13.24

 

CMYK 20 / 0 / 20 / 40

HEX #7A987A

RGB 122 152 122

HSL 120, 0.13%, 0.54%

LAB 59.89, -16.58, 12.4

 

CMYK 10 / 0 / 23 / 58

HEX #616C53

RGB 97 108 83

HSL 86.4, 0.13%, 0.37%

LAB 44.08, -9.14, 12.63

 

CMYK 11 / 0 / 23 / 48

HEX #768465

RGB 118 132 101

HSL 87.1, 0.13%, 0.46%

LAB 53.27, -11.06, 15.07

 

CMYK 9 / 0 / 20 / 40

HEX #8A987A

RGB 138 152 122

HSL 88, 0.13%, 0.54%

LAB 61.01, -10.65, 14.14

 

CMYK 6 / 0 / 15 / 33

HEX #9FAA91

RGB 159 170 145

HSL 86.4, 0.13%, 0.62%

LAB 68.14, -8.5, 11.58

 

CMYK 5 / 0 / 10 / 26

HEX #B3BCA9

RGB 179 188 169

HSL 88.42, 0.12%, 0.7%

LAB 75.09, -6.6, 8.54

 

CMYK 9 / 0 / 20 / 40

HEX #8B997B

RGB 139 153 123

HSL 88, 0.13%, 0.54%

LAB 61.4, -10.64, 14.12

 

CMYK 20 / 0 / 7 / 40

HEX #7A988E

RGB 122 152 142

HSL 160, 0.13%, 0.54%

LAB 60.38, -12.59, 1.79

 

CMYK 0 / 20 / 1 / 40

HEX #987A96

RGB 152 122 150

HSL 304, 0.13%, 0.54%

LAB 54.86, 16.68, -10.68

 

CMYK 9 / 0 / 20 / 40

HEX #8B997B

RGB 139 153 123

HSL 88, 0.13%, 0.54%

LAB 61.4, -10.64, 14.12

 

CMYK 20 / 9 / 0 / 40

HEX #7A8A98

RGB 122 138 152

HSL 208, 0.13%, 0.54%

LAB 56.67, -2.62, -9.4

 

CMYK 0 / 20 / 9 / 40

HEX #987A8A

RGB 152 122 138

HSL 328, 0.13%, 0.54%

LAB 54.48, 14.4, -4.26

 

CMYK 9 / 0 / 20 / 40

HEX #8B997B

RGB 139 153 123

HSL 88, 0.13%, 0.54%

LAB 61.4, -10.64, 14.12

 

CMYK 20 / 0 / 7 / 40

HEX #7A988E

RGB 122 152 142

HSL 160, 0.13%, 0.54%

LAB 60.38, -12.59, 1.79

 

CMYK 11 / 20 / 0 / 40

HEX #887A98

RGB 136 122 152

HSL 268, 0.13%, 0.54%

LAB 53.41, 11.42, -14.19

 

CMYK 0 / 20 / 13 / 40

HEX #987A84

RGB 152 122 132

HSL 340, 0.13%, 0.54%

LAB 54.3, 13.32, -1.02

 

CMYK 9 / 0 / 20 / 40

HEX #8B997B

RGB 139 153 123

HSL 88, 0.13%, 0.54%

LAB 61.4, -10.64, 14.12

 

CMYK 20 / 0 / 1 / 40

HEX #7A9897

RGB 122 152 151

HSL 178, 0.13%, 0.54%

LAB 60.63, -10.63, -2.94

 

CMYK 11 / 20 / 0 / 40

HEX #887A98

RGB 136 122 152

HSL 268, 0.13%, 0.54%

LAB 53.41, 11.42, -14.19

 

CMYK 0 / 20 / 19 / 40

HEX #987A7B

RGB 152 122 123

HSL 358, 0.13%, 0.54%

LAB 54.05, 11.79, 3.86

 

Description

Color code: RGB 139 153 123 | qconv.com Color code: RGB 139 153 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 153 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 153 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 20 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 20% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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