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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 154 12 it is the complementary color RGB 116 101 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 154 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 154 12 shade: RGB 144 154 7, RGB 161 172 26, RGB 178 190 45, RGB 195 208 64 and RGB 212 226 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 154 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 154 12 shade: RGB 139 154 12, RGB 122 136 0, RGB 105 118 0, RGB 88 100 0 and RGB 71 82 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 154 12 shade: RGB 141 156 11, RGB 156 132 11, RGB 156 93 11, RGB 156 54 11 and RGB 156 15 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 154 12 shade: RGB 141 156 11, RGB 102 156 11, RGB 63 156 11, RGB 24 156 11 and RGB 11 156 38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 154 12 shade matches the following richer shades: RGB 141 156 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 154 12 shade: RGB 141 156 11, RGB 130 142 25, RGB 119 129 39, RGB 109 115 52 and RGB 98 102 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 154 12 shade: RGB 156 93 11, RGB 156 132 11, RGB 142 156 11, RGB 103 156 11 and RGB 64 156 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 154 12 shade: RGB 71 79 6, RGB 106 118 8, RGB 141 156 11, RGB 175 194 14 and RGB 210 233 17

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 154 12 shade: RGB 139 154 12, RGB 11 156 55 and RGB 113 11 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 154 12 shade: RGB 139 154 12, RGB 11 142 156 and RGB 156 11 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 154 12 shade: RGB 139 154 12, RGB 11 156 55, RGB 26 11 156 and RGB 156 11 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 154 12 shade: RGB 139 154 12, RGB 11 156 98, RGB 26 11 156 and RGB 156 11 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 92 / 40

HEX #8B9A0C

RGB 139 154 12

HSL 66.34, 0.86%, 0.33%

LAB 60.45, -21.29, 61.66

 

Complementary color

CMYK 52 / 58 / 0 / 5

HEX #7465F3

RGB 116 101 243

HSL 246.34, 0.86%, 0.67%

LAB 51.26, 42.92, -69.68

 

CMYK 6 / 0 / 95 / 40

HEX #909A07

RGB 144 154 7

HSL 64.08, 0.91%, 0.32%

LAB 60.83, -19.16, 62.85

 

CMYK 6 / 0 / 85 / 33

HEX #A1AC1A

RGB 161 172 26

HSL 64.52, 0.74%, 0.39%

LAB 67.39, -20.41, 65.27

 

CMYK 6 / 0 / 76 / 25

HEX #B2BE2D

RGB 178 190 45

HSL 64.97, 0.62%, 0.46%

LAB 73.86, -21.42, 66.25

 

CMYK 6 / 0 / 69 / 18

HEX #C3D040

RGB 195 208 64

HSL 65.42, 0.61%, 0.53%

LAB 80.23, -22.24, 66.31

 

CMYK 6 / 0 / 63 / 11

HEX #D4E253

RGB 212 226 83

HSL 65.87, 0.71%, 0.61%

LAB 86.51, -22.92, 65.85

 

CMYK 10 / 0 / 92 / 40

HEX #8B9A0C

RGB 139 154 12

HSL 66.34, 0.86%, 0.33%

LAB 60.45, -21.29, 61.66

 

CMYK 10 / 0 / 100 / 47

HEX #7A8800

RGB 122 136 0

HSL 66.18, 1%, 0.27%

LAB 53.76, -19.9, 57.85

 

CMYK 11 / 0 / 100 / 54

HEX #697600

RGB 105 118 0

HSL 66.61, 1%, 0.23%

LAB 46.92, -18.28, 52.16

 

CMYK 12 / 0 / 100 / 61

HEX #586400

RGB 88 100 0

HSL 67.2, 1%, 0.2%

LAB 39.9, -16.63, 46.31

 

CMYK 13 / 0 / 100 / 68

HEX #475200

RGB 71 82 0

HSL 68.05, 1%, 0.16%

LAB 32.64, -14.93, 40.28

 

CMYK 10 / 0 / 93 / 39

HEX #8D9C0B

RGB 141 156 11

HSL 66.21, 0.87%, 0.33%

LAB 61.19, -21.43, 62.46

 

CMYK 0 / 15 / 93 / 39

HEX #9C840B

RGB 156 132 11

HSL 50.07, 0.87%, 0.33%

LAB 55.68, -1.87, 58.75

 

CMYK 0 / 40 / 93 / 39

HEX #9C5D0B

RGB 156 93 11

HSL 33.93, 0.87%, 0.33%

LAB 45.53, 20.25, 51.08

 

CMYK 0 / 65 / 93 / 39

HEX #9C360B

RGB 156 54 11

HSL 17.79, 0.87%, 0.33%

LAB 37.35, 40.77, 45.14

 

CMYK 0 / 90 / 93 / 39

HEX #9C0F0B

RGB 156 15 11

HSL 1.66, 0.87%, 0.33%

LAB 32.77, 53.45, 41.98

 

CMYK 10 / 0 / 93 / 39

HEX #8D9C0B

RGB 141 156 11

HSL 66.21, 0.87%, 0.33%

LAB 61.19, -21.43, 62.46

 

CMYK 35 / 0 / 93 / 39

HEX #669C0B

RGB 102 156 11

HSL 82.34, 0.87%, 0.33%

LAB 58.63, -37.61, 59.33

 

CMYK 60 / 0 / 93 / 39

HEX #3F9C0B

RGB 63 156 11

HSL 98.48, 0.87%, 0.33%

LAB 56.94, -50.33, 57.24

 

CMYK 85 / 0 / 93 / 39

HEX #189C0B

RGB 24 156 11

HSL 114.62, 0.87%, 0.33%

LAB 56.08, -57.62, 56.18

 

CMYK 93 / 0 / 76 / 39

HEX #0B9C26

RGB 11 156 38

HSL 131.17, 0.87%, 0.33%

LAB 56.08, -57.24, 48.97

 

CMYK 10 / 0 / 93 / 39

HEX #8D9C0B

RGB 141 156 11

HSL 66.21, 0.87%, 0.33%

LAB 61.19, -21.43, 62.46

 

CMYK 10 / 0 / 93 / 39

HEX #8D9C0B

RGB 141 156 11

HSL 66.21, 0.87%, 0.33%

LAB 61.19, -21.43, 62.46

 

CMYK 8 / 0 / 82 / 44

HEX #828E19

RGB 130 142 25

HSL 66.15, 0.7%, 0.33%

LAB 56.25, -18.79, 55.02

 

CMYK 8 / 0 / 70 / 49

HEX #778127

RGB 119 129 39

HSL 66.67, 0.54%, 0.33%

LAB 51.57, -16.21, 45.36

 

CMYK 5 / 0 / 55 / 55

HEX #6D7334

RGB 109 115 52

HSL 65.71, 0.38%, 0.33%

LAB 46.66, -12.09, 33.64

 

CMYK 4 / 0 / 35 / 60

HEX #626642

RGB 98 102 66

HSL 66.67, 0.21%, 0.33%

LAB 41.99, -7.99, 19.87

 

CMYK 0 / 40 / 93 / 39

HEX #9C5D0B

RGB 156 93 11

HSL 33.93, 0.87%, 0.33%

LAB 45.53, 20.25, 51.08

 

CMYK 0 / 15 / 93 / 39

HEX #9C840B

RGB 156 132 11

HSL 50.07, 0.87%, 0.33%

LAB 55.68, -1.87, 58.75

 

CMYK 9 / 0 / 93 / 39

HEX #8E9C0B

RGB 142 156 11

HSL 65.79, 0.87%, 0.33%

LAB 61.27, -20.99, 62.55

 

CMYK 34 / 0 / 93 / 39

HEX #679C0B

RGB 103 156 11

HSL 81.93, 0.87%, 0.33%

LAB 58.68, -37.22, 59.39

 

CMYK 59 / 0 / 93 / 39

HEX #409C0B

RGB 64 156 11

HSL 98.07, 0.87%, 0.33%

LAB 56.97, -50.07, 57.28

 

CMYK 10 / 0 / 92 / 69

HEX #474F06

RGB 71 79 6

HSL 66.58, 0.86%, 0.17%

LAB 31.68, -12.98, 37.37

 

CMYK 10 / 0 / 93 / 54

HEX #6A7608

RGB 106 118 8

HSL 66.55, 0.87%, 0.25%

LAB 47.03, -17.62, 50.57

 

CMYK 10 / 0 / 93 / 39

HEX #8D9C0B

RGB 141 156 11

HSL 66.21, 0.87%, 0.33%

LAB 61.19, -21.43, 62.46

 

CMYK 10 / 0 / 93 / 24

HEX #AFC20E

RGB 175 194 14

HSL 66.33, 0.87%, 0.41%

LAB 74.65, -25.5, 73.68

 

CMYK 10 / 0 / 93 / 9

HEX #D2E911

RGB 210 233 17

HSL 66.39, 0.86%, 0.49%

LAB 87.98, -29.47, 84.76

 

CMYK 10 / 0 / 92 / 40

HEX #8B9A0C

RGB 139 154 12

HSL 66.34, 0.86%, 0.33%

LAB 60.45, -21.29, 61.66

 

CMYK 93 / 0 / 65 / 39

HEX #0B9C37

RGB 11 156 55

HSL 138.21, 0.87%, 0.33%

LAB 56.21, -55.53, 42.15

 

CMYK 28 / 93 / 0 / 39

HEX #710B9C

RGB 113 11 156

HSL 282.21, 0.87%, 0.33%

LAB 29.79, 59.79, -53.97

 

CMYK 10 / 0 / 92 / 40

HEX #8B9A0C

RGB 139 154 12

HSL 66.34, 0.86%, 0.33%

LAB 60.45, -21.29, 61.66

 

CMYK 93 / 9 / 0 / 39

HEX #0B8E9C

RGB 11 142 156

HSL 185.79, 0.87%, 0.33%

LAB 53.83, -26.01, -16.38

 

CMYK 0 / 93 / 9 / 39

HEX #9C0B8E

RGB 156 11 142

HSL 305.79, 0.87%, 0.33%

LAB 36.48, 64.66, -34.22

 

CMYK 10 / 0 / 92 / 40

HEX #8B9A0C

RGB 139 154 12

HSL 66.34, 0.86%, 0.33%

LAB 60.45, -21.29, 61.66

 

CMYK 93 / 0 / 65 / 39

HEX #0B9C37

RGB 11 156 55

HSL 138.21, 0.87%, 0.33%

LAB 56.21, -55.53, 42.15

 

CMYK 83 / 93 / 0 / 39

HEX #1A0B9C

RGB 26 11 156

HSL 246.21, 0.87%, 0.33%

LAB 19.47, 52.06, -71.34

 

CMYK 0 / 93 / 28 / 39

HEX #9C0B71

RGB 156 11 113

HSL 317.79, 0.87%, 0.33%

LAB 35, 60.83, -18.43

 

CMYK 10 / 0 / 92 / 40

HEX #8B9A0C

RGB 139 154 12

HSL 66.34, 0.86%, 0.33%

LAB 60.45, -21.29, 61.66

 

CMYK 93 / 0 / 37 / 39

HEX #0B9C62

RGB 11 156 98

HSL 156, 0.87%, 0.33%

LAB 56.81, -48.34, 20.93

 

CMYK 83 / 93 / 0 / 39

HEX #1A0B9C

RGB 26 11 156

HSL 246.21, 0.87%, 0.33%

LAB 19.47, 52.06, -71.34

 

CMYK 0 / 93 / 56 / 39

HEX #9C0B45

RGB 156 11 69

HSL 336, 0.87%, 0.33%

LAB 33.43, 56.57, 7.71

 

Description

Color code: RGB 139 154 12 | qconv.com Color code: RGB 139 154 12 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 154 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 154 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 92 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 92% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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