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Color name
RGB 139 142 8

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 142 8 it is the complementary color RGB 116 113 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 142 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 142 8 shade: RGB 144 142 3, RGB 161 160 22, RGB 178 178 41, RGB 195 196 60 and RGB 212 214 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 142 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 142 8 shade: RGB 139 142 8, RGB 122 124 0, RGB 105 106 0, RGB 88 88 0 and RGB 71 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 142 8 shade: RGB 136 139 8, RGB 139 107 8, RGB 139 71 8, RGB 139 36 8 and RGB 139 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 142 8 shade: RGB 136 139 8, RGB 101 139 8, RGB 65 139 8, RGB 30 139 8 and RGB 8 139 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 142 8 shade matches the following richer shades: RGB 136 139 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 142 8 shade: RGB 136 139 8, RGB 125 127 20, RGB 113 115 32, RGB 102 103 44 and RGB 91 91 55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 142 8 shade: RGB 139 71 8, RGB 139 106 8, RGB 137 139 8, RGB 102 139 8 and RGB 67 139 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 142 8 shade: RGB 60 61 3, RGB 98 100 5, RGB 136 139 8, RGB 174 178 10 and RGB 213 217 12

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 142 8 shade: RGB 139 142 8, RGB 8 139 36 and RGB 89 8 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 142 8 shade: RGB 139 142 8, RGB 8 137 139 and RGB 139 8 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 142 8 shade: RGB 139 142 8, RGB 8 139 36, RGB 10 8 139 and RGB 139 8 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 142 8 shade: RGB 139 142 8, RGB 8 139 76, RGB 10 8 139 and RGB 139 8 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 94 / 44

HEX #8B8E08

RGB 139 142 8

HSL 61.34, 0.89%, 0.29%

LAB 56.93, -15.17, 59.52

 

Complementary color

CMYK 53 / 54 / 0 / 3

HEX #7471F7

RGB 116 113 247

HSL 241.34, 0.89%, 0.71%

LAB 54.28, 37.11, -67.02

 

CMYK 0 / 1 / 98 / 44

HEX #908E03

RGB 144 142 3

HSL 59.15, 0.96%, 0.29%

LAB 57.35, -12.97, 60.82

 

CMYK 0 / 1 / 86 / 37

HEX #A1A016

RGB 161 160 22

HSL 59.57, 0.76%, 0.36%

LAB 63.98, -14.39, 63.34

 

CMYK 0 / 0 / 77 / 30

HEX #B2B229

RGB 178 178 41

HSL 60, 0.63%, 0.43%

LAB 70.5, -15.56, 64.43

 

CMYK 1 / 0 / 69 / 23

HEX #C3C43C

RGB 195 196 60

HSL 60.44, 0.54%, 0.5%

LAB 76.93, -16.52, 64.52

 

CMYK 1 / 0 / 63 / 16

HEX #D4D64F

RGB 212 214 79

HSL 60.89, 0.62%, 0.57%

LAB 83.26, -17.32, 64.04

 

CMYK 2 / 0 / 94 / 44

HEX #8B8E08

RGB 139 142 8

HSL 61.34, 0.89%, 0.29%

LAB 56.93, -15.17, 59.52

 

CMYK 2 / 0 / 100 / 51

HEX #7A7C00

RGB 122 124 0

HSL 60.97, 1%, 0.24%

LAB 50.16, -13.57, 55.19

 

CMYK 1 / 0 / 100 / 58

HEX #696A00

RGB 105 106 0

HSL 60.57, 1%, 0.21%

LAB 43.23, -11.78, 49.43

 

CMYK 0 / 0 / 100 / 65

HEX #585800

RGB 88 88 0

HSL 60, 1%, 0.17%

LAB 36.09, -9.92, 43.5

 

CMYK 0 / 1 / 100 / 72

HEX #474600

RGB 71 70 0

HSL 59.15, 1%, 0.14%

LAB 28.69, -7.98, 37.29

 

CMYK 2 / 0 / 94 / 45

HEX #888B08

RGB 136 139 8

HSL 61.37, 0.89%, 0.29%

LAB 55.8, -14.96, 58.53

 

CMYK 0 / 23 / 94 / 45

HEX #8B6B08

RGB 139 107 8

HSL 45.34, 0.89%, 0.29%

LAB 47, 4.22, 51.92

 

CMYK 0 / 49 / 94 / 45

HEX #8B4708

RGB 139 71 8

HSL 28.85, 0.89%, 0.29%

LAB 37.87, 25.07, 45.14

 

CMYK 0 / 74 / 94 / 45

HEX #8B2408

RGB 139 36 8

HSL 12.82, 0.89%, 0.29%

LAB 31.27, 42.25, 40.48

 

CMYK 0 / 94 / 94 / 45

HEX #8B0808

RGB 139 8 8

HSL 0, 0.89%, 0.29%

LAB 28.59, 49.81, 38.45

 

CMYK 2 / 0 / 94 / 45

HEX #888B08

RGB 136 139 8

HSL 61.37, 0.89%, 0.29%

LAB 55.8, -14.96, 58.53

 

CMYK 27 / 0 / 94 / 45

HEX #658B08

RGB 101 139 8

HSL 77.4, 0.89%, 0.29%

LAB 53.22, -30.33, 55.4

 

CMYK 53 / 0 / 94 / 45

HEX #418B08

RGB 65 139 8

HSL 93.89, 0.89%, 0.29%

LAB 51.39, -43.49, 53.14

 

CMYK 78 / 0 / 94 / 45

HEX #1E8B08

RGB 30 139 8

HSL 109.92, 0.89%, 0.29%

LAB 50.4, -51.67, 51.92

 

CMYK 94 / 0 / 85 / 45

HEX #088B15

RGB 8 139 21

HSL 125.95, 0.89%, 0.29%

LAB 50.18, -53.48, 48.78

 

CMYK 2 / 0 / 94 / 45

HEX #888B08

RGB 136 139 8

HSL 61.37, 0.89%, 0.29%

LAB 55.8, -14.96, 58.53

 

CMYK 2 / 0 / 94 / 45

HEX #888B08

RGB 136 139 8

HSL 61.37, 0.89%, 0.29%

LAB 55.8, -14.96, 58.53

 

CMYK 2 / 0 / 84 / 50

HEX #7D7F14

RGB 125 127 20

HSL 61.12, 0.73%, 0.29%

LAB 51.37, -13.32, 52.02

 

CMYK 2 / 0 / 72 / 55

HEX #717320

RGB 113 115 32

HSL 61.45, 0.56%, 0.29%

LAB 46.81, -11.8, 43.31

 

CMYK 1 / 0 / 57 / 60

HEX #66672C

RGB 102 103 44

HSL 61.02, 0.4%, 0.29%

LAB 42.32, -9.31, 32.61

 

CMYK 0 / 0 / 40 / 64

HEX #5B5B37

RGB 91 91 55

HSL 60, 0.25%, 0.29%

LAB 37.81, -6.22, 20.78

 

CMYK 0 / 49 / 94 / 45

HEX #8B4708

RGB 139 71 8

HSL 28.85, 0.89%, 0.29%

LAB 37.87, 25.07, 45.14

 

CMYK 0 / 24 / 94 / 45

HEX #8B6A08

RGB 139 106 8

HSL 44.89, 0.89%, 0.29%

LAB 46.73, 4.8, 51.71

 

CMYK 1 / 0 / 94 / 45

HEX #898B08

RGB 137 139 8

HSL 60.92, 0.89%, 0.29%

LAB 55.89, -14.5, 58.64

 

CMYK 27 / 0 / 94 / 45

HEX #668B08

RGB 102 139 8

HSL 76.95, 0.89%, 0.29%

LAB 53.28, -29.91, 55.47

 

CMYK 52 / 0 / 94 / 45

HEX #438B08

RGB 67 139 8

HSL 92.98, 0.89%, 0.29%

LAB 51.47, -42.86, 53.24

 

CMYK 2 / 0 / 95 / 76

HEX #3C3D03

RGB 60 61 3

HSL 61.03, 0.91%, 0.13%

LAB 24.65, -8.12, 32.07

 

CMYK 2 / 0 / 95 / 61

HEX #626405

RGB 98 100 5

HSL 61.26, 0.9%, 0.21%

LAB 40.77, -11.67, 46.01

 

CMYK 2 / 0 / 94 / 45

HEX #888B08

RGB 136 139 8

HSL 61.37, 0.89%, 0.29%

LAB 55.8, -14.96, 58.53

 

CMYK 2 / 0 / 94 / 30

HEX #AEB20A

RGB 174 178 10

HSL 61.43, 0.89%, 0.37%

LAB 70.08, -18.08, 70.6

 

CMYK 2 / 0 / 94 / 15

HEX #D5D90C

RGB 213 217 12

HSL 61.17, 0.9%, 0.45%

LAB 83.86, -20.66, 82.23

 

CMYK 2 / 0 / 94 / 44

HEX #8B8E08

RGB 139 142 8

HSL 61.34, 0.89%, 0.29%

LAB 56.93, -15.17, 59.52

 

CMYK 94 / 0 / 74 / 45

HEX #088B24

RGB 8 139 36

HSL 132.82, 0.89%, 0.29%

LAB 50.27, -52.37, 43.81

 

CMYK 36 / 94 / 0 / 45

HEX #59088B

RGB 89 8 139

HSL 277.1, 0.89%, 0.29%

LAB 24.2, 53.5, -52.77

 

CMYK 2 / 0 / 94 / 44

HEX #8B8E08

RGB 139 142 8

HSL 61.34, 0.89%, 0.29%

LAB 56.93, -15.17, 59.52

 

CMYK 94 / 1 / 0 / 45

HEX #08898B

RGB 8 137 139

HSL 180.92, 0.89%, 0.29%

LAB 51.62, -29.26, -9.88

 

CMYK 0 / 94 / 1 / 45

HEX #8B0889

RGB 139 8 137

HSL 300.92, 0.89%, 0.29%

LAB 32.85, 61.13, -37.1

 

CMYK 2 / 0 / 94 / 44

HEX #8B8E08

RGB 139 142 8

HSL 61.34, 0.89%, 0.29%

LAB 56.93, -15.17, 59.52

 

CMYK 94 / 0 / 74 / 45

HEX #088B24

RGB 8 139 36

HSL 132.82, 0.89%, 0.29%

LAB 50.27, -52.37, 43.81

 

CMYK 93 / 94 / 0 / 45

HEX #0A088B

RGB 10 8 139

HSL 240.92, 0.89%, 0.29%

LAB 16.02, 47.74, -66.57

 

CMYK 0 / 94 / 20 / 45

HEX #8B086F

RGB 139 8 111

HSL 312.82, 0.89%, 0.29%

LAB 31.37, 57.36, -23.06

 

CMYK 2 / 0 / 94 / 44

HEX #8B8E08

RGB 139 142 8

HSL 61.34, 0.89%, 0.29%

LAB 56.93, -15.17, 59.52

 

CMYK 94 / 0 / 45 / 45

HEX #088B4C

RGB 8 139 76

HSL 151.15, 0.89%, 0.29%

LAB 50.73, -46.69, 24.97

 

CMYK 93 / 94 / 0 / 45

HEX #0A088B

RGB 10 8 139

HSL 240.92, 0.89%, 0.29%

LAB 16.02, 47.74, -66.57

 

CMYK 0 / 94 / 49 / 45

HEX #8B0847

RGB 139 8 71

HSL 331.15, 0.89%, 0.29%

LAB 29.71, 52.92, 0.57

 

Description

Color code: RGB 139 142 8 | qconv.com Color code: RGB 139 142 8 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 142 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 142 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 94 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 94% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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