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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 12 176 it is the complementary color RGB 116 243 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 12 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 12 176 shade: RGB 144 12 171, RGB 161 30 190, RGB 178 48 209, RGB 195 66 228 and RGB 212 84 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 12 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 12 176 shade: RGB 139 12 176, RGB 122 0 157, RGB 105 0 138, RGB 88 0 119 and RGB 71 0 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 12 176 shade: RGB 139 12 176, RGB 176 12 169, RGB 176 12 124, RGB 176 12 80 and RGB 176 12 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 12 176 shade: RGB 139 12 176, RGB 95 12 176, RGB 50 12 176 and RGB 12 12 176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 12 176 shade matches the following richer shades: RGB 139 12 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 12 176 shade: RGB 139 12 176, RGB 131 27 161, RGB 122 42 145, RGB 114 58 130 and RGB 105 73 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 12 176 shade: RGB 50 12 176, RGB 94 12 176, RGB 138 12 176, RGB 176 12 170 and RGB 176 12 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 12 176 shade: RGB 78 6 99, RGB 108 9 137, RGB 139 12 176, RGB 169 14 215 and RGB 192 31 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 12 176 shade: RGB 139 12 176, RGB 176 12 17 and RGB 12 176 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 12 176 shade: RGB 139 12 176, RGB 176 138 12 and RGB 12 176 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 12 176 shade: RGB 139 12 176, RGB 176 12 17, RGB 50 176 12 and RGB 12 176 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 12 176 shade: RGB 139 12 176, RGB 176 56 12, RGB 50 176 12 and RGB 12 132 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 93 / 0 / 31

HEX #8B0CB0

RGB 139 12 176

HSL 286.46, 0.87%, 0.37%

LAB 35.76, 67.24, -56.12

 

Complementary color

CMYK 52 / 0 / 67 / 5

HEX #74F34F

RGB 116 243 79

HSL 106.46, 0.87%, 0.63%

LAB 86.2, -63.74, 65.52

 

CMYK 16 / 93 / 0 / 33

HEX #900CAB

RGB 144 12 171

HSL 289.81, 0.87%, 0.36%

LAB 36.24, 67.11, -52.32

 

CMYK 15 / 84 / 0 / 25

HEX #A11EBE

RGB 161 30 190

HSL 289.13, 0.73%, 0.43%

LAB 41.57, 69.88, -54.82

 

CMYK 15 / 77 / 0 / 18

HEX #B230D1

RGB 178 48 209

HSL 288.45, 0.64%, 0.5%

LAB 47.21, 71.43, -56.62

 

CMYK 14 / 71 / 0 / 11

HEX #C342E4

RGB 195 66 228

HSL 287.78, 0.75%, 0.58%

LAB 53.06, 72.15, -57.91

 

CMYK 14 / 66 / 0 / 3

HEX #D454F7

RGB 212 84 247

HSL 287.12, 0.91%, 0.65%

LAB 59.02, 72.32, -58.86

 

CMYK 21 / 93 / 0 / 31

HEX #8B0CB0

RGB 139 12 176

HSL 286.46, 0.87%, 0.37%

LAB 35.76, 67.24, -56.12

 

CMYK 22 / 100 / 0 / 38

HEX #7A009D

RGB 122 0 157

HSL 286.62, 1%, 0.31%

LAB 30.81, 62.98, -52.85

 

CMYK 24 / 100 / 0 / 46

HEX #69008A

RGB 105 0 138

HSL 285.65, 1%, 0.27%

LAB 26.27, 57.06, -48.65

 

CMYK 26 / 100 / 0 / 53

HEX #580077

RGB 88 0 119

HSL 284.37, 1%, 0.23%

LAB 21.6, 50.98, -44.37

 

CMYK 29 / 100 / 0 / 61

HEX #470064

RGB 71 0 100

HSL 282.6, 1%, 0.2%

LAB 16.8, 44.72, -39.97

 

CMYK 21 / 93 / 0 / 31

HEX #8B0CB0

RGB 139 12 176

HSL 286.46, 0.87%, 0.37%

LAB 35.76, 67.24, -56.12

 

CMYK 0 / 93 / 4 / 31

HEX #B00CA9

RGB 176 12 169

HSL 302.56, 0.87%, 0.37%

LAB 41.78, 72.15, -41.92

 

CMYK 0 / 93 / 30 / 31

HEX #B00C7C

RGB 176 12 124

HSL 319.02, 0.87%, 0.37%

LAB 39.49, 66.28, -18.09

 

CMYK 0 / 93 / 55 / 31

HEX #B00C50

RGB 176 12 80

HSL 335.12, 0.87%, 0.37%

LAB 37.97, 62.18, 7.56

 

CMYK 0 / 93 / 80 / 31

HEX #B00C24

RGB 176 12 36

HSL 351.22, 0.87%, 0.37%

LAB 37.15, 59.9, 34.36

 

CMYK 21 / 93 / 0 / 31

HEX #8B0CB0

RGB 139 12 176

HSL 286.46, 0.87%, 0.37%

LAB 35.76, 67.24, -56.12

 

CMYK 46 / 93 / 0 / 31

HEX #5F0CB0

RGB 95 12 176

HSL 270.37, 0.87%, 0.37%

LAB 28.98, 61.65, -67.49

 

CMYK 72 / 93 / 0 / 31

HEX #320CB0

RGB 50 12 176

HSL 253.9, 0.87%, 0.37%

LAB 23.92, 58.19, -76.03

 

CMYK 93 / 93 / 0 / 31

HEX #0C0CB0

RGB 12 12 176

HSL 240, 0.87%, 0.37%

LAB 21.86, 57.03, -79.53

 

CMYK 21 / 93 / 0 / 31

HEX #8B0CB0

RGB 139 12 176

HSL 286.46, 0.87%, 0.37%

LAB 35.76, 67.24, -56.12

 

CMYK 21 / 93 / 0 / 31

HEX #8B0CB0

RGB 139 12 176

HSL 286.46, 0.87%, 0.37%

LAB 35.76, 67.24, -56.12

 

CMYK 19 / 83 / 0 / 37

HEX #831BA1

RGB 131 27 161

HSL 286.57, 0.71%, 0.37%

LAB 34.36, 60.07, -49.45

 

CMYK 16 / 71 / 0 / 43

HEX #7A2A91

RGB 122 42 145

HSL 286.6, 0.55%, 0.37%

LAB 33.64, 49.86, -40.93

 

CMYK 12 / 55 / 0 / 49

HEX #723A82

RGB 114 58 130

HSL 286.67, 0.38%, 0.37%

LAB 34.43, 36.79, -30.5

 

CMYK 9 / 37 / 0 / 55

HEX #694973

RGB 105 73 115

HSL 285.71, 0.22%, 0.37%

LAB 36, 21.76, -18.81

 

CMYK 72 / 93 / 0 / 31

HEX #320CB0

RGB 50 12 176

HSL 253.9, 0.87%, 0.37%

LAB 23.92, 58.19, -76.03

 

CMYK 47 / 93 / 0 / 31

HEX #5E0CB0

RGB 94 12 176

HSL 270, 0.87%, 0.37%

LAB 28.84, 61.55, -67.72

 

CMYK 22 / 93 / 0 / 31

HEX #8A0CB0

RGB 138 12 176

HSL 286.1, 0.87%, 0.37%

LAB 35.6, 67.1, -56.4

 

CMYK 0 / 93 / 3 / 31

HEX #B00CAA

RGB 176 12 170

HSL 302.2, 0.87%, 0.37%

LAB 41.84, 72.3, -42.42

 

CMYK 0 / 93 / 28 / 31

HEX #B00C7F

RGB 176 12 127

HSL 317.93, 0.87%, 0.37%

LAB 39.62, 66.62, -19.75

 

CMYK 21 / 94 / 0 / 61

HEX #4E0663

RGB 78 6 99

HSL 286.45, 0.89%, 0.21%

LAB 18.59, 43.83, -36.33

 

CMYK 21 / 93 / 0 / 46

HEX #6C0989

RGB 108 9 137

HSL 286.41, 0.88%, 0.29%

LAB 27.27, 55.66, -46.38

 

CMYK 21 / 93 / 0 / 31

HEX #8B0CB0

RGB 139 12 176

HSL 286.46, 0.87%, 0.37%

LAB 35.76, 67.24, -56.12

 

CMYK 21 / 93 / 0 / 16

HEX #A90ED7

RGB 169 14 215

HSL 286.27, 0.88%, 0.45%

LAB 43.73, 78.3, -65.76

 

CMYK 20 / 87 / 0 / 6

HEX #C01FEF

RGB 192 31 239

HSL 286.44, 0.87%, 0.53%

LAB 50, 83.24, -69.07

 

CMYK 21 / 93 / 0 / 31

HEX #8B0CB0

RGB 139 12 176

HSL 286.46, 0.87%, 0.37%

LAB 35.76, 67.24, -56.12

 

CMYK 0 / 93 / 90 / 31

HEX #B00C11

RGB 176 12 17

HSL 358.17, 0.87%, 0.37%

LAB 36.99, 59.45, 44.35

 

CMYK 93 / 0 / 59 / 31

HEX #0CB048

RGB 12 176 72

HSL 141.95, 0.87%, 0.37%

LAB 63.01, -59.69, 42.12

 

CMYK 21 / 93 / 0 / 31

HEX #8B0CB0

RGB 139 12 176

HSL 286.46, 0.87%, 0.37%

LAB 35.76, 67.24, -56.12

 

CMYK 0 / 22 / 93 / 31

HEX #B08A0C

RGB 176 138 12

HSL 46.1, 0.87%, 0.37%

LAB 59.37, 4.04, 62.29

 

CMYK 93 / 0 / 22 / 31

HEX #0CB08A

RGB 12 176 138

HSL 166.1, 0.87%, 0.37%

LAB 64.13, -46.69, 8.98

 

CMYK 21 / 93 / 0 / 31

HEX #8B0CB0

RGB 139 12 176

HSL 286.46, 0.87%, 0.37%

LAB 35.76, 67.24, -56.12

 

CMYK 0 / 93 / 90 / 31

HEX #B00C11

RGB 176 12 17

HSL 358.17, 0.87%, 0.37%

LAB 36.99, 59.45, 44.35

 

CMYK 72 / 0 / 93 / 31

HEX #32B00C

RGB 50 176 12

HSL 106.1, 0.87%, 0.37%

LAB 63.14, -59.92, 62.13

 

CMYK 93 / 0 / 3 / 31

HEX #0CB0AA

RGB 12 176 170

HSL 177.8, 0.87%, 0.37%

LAB 64.99, -37.81, -7.54

 

CMYK 21 / 93 / 0 / 31

HEX #8B0CB0

RGB 139 12 176

HSL 286.46, 0.87%, 0.37%

LAB 35.76, 67.24, -56.12

 

CMYK 0 / 68 / 93 / 31

HEX #B0380C

RGB 176 56 12

HSL 16.1, 0.87%, 0.37%

LAB 41.35, 47.11, 49.3

 

CMYK 72 / 0 / 93 / 31

HEX #32B00C

RGB 50 176 12

HSL 106.1, 0.87%, 0.37%

LAB 63.14, -59.92, 62.13

 

CMYK 93 / 25 / 0 / 31

HEX #0C84B0

RGB 12 132 176

HSL 196.1, 0.87%, 0.37%

LAB 51.51, -13.56, -31.49

 

Description

Color code: RGB 139 12 176 | qconv.com Color code: RGB 139 12 176 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 12 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 12 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 93 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 93% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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