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Color name
RGB 139 116 197

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 116 197 it is the complementary color RGB 116 139 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 116 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 116 197 shade: RGB 144 116 192, RGB 161 134 211, RGB 178 152 230, RGB 195 170 249 and RGB 212 188 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 116 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 116 197 shade: RGB 139 116 197, RGB 122 98 178, RGB 105 80 159, RGB 88 62 140 and RGB 71 44 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 116 197 shade: RGB 137 114 196, RGB 159 114 196, RGB 181 114 196, RGB 196 114 188 and RGB 196 114 166

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 116 197 shade: RGB 137 114 196, RGB 115 114 196 and RGB 114 114 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 116 197 shade matches the following richer shades: RGB 137 114 196, RGB 130 98 212, RGB 124 82 228 and RGB 117 66 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 116 197 shade: RGB 137 114 196, RGB 144 130 180, RGB 151 146 164, RGB 158 163 148 and RGB 165 179 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 116 197 shade: RGB 114 135 196, RGB 116 114 196, RGB 137 114 196, RGB 159 114 196 and RGB 181 114 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 116 197 shade: RGB 94 67 161, RGB 113 85 184, RGB 137 114 196, RGB 162 143 208 and RGB 186 172 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 116 197 shade: RGB 139 116 197, RGB 196 114 156 and RGB 124 196 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 116 197 shade: RGB 139 116 197, RGB 196 137 114 and RGB 114 196 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 116 197 shade: RGB 139 116 197, RGB 196 114 156, RGB 173 196 114 and RGB 114 196 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 116 197 shade: RGB 139 116 197, RGB 196 114 132, RGB 173 196 114 and RGB 114 196 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 41 / 0 / 23

HEX #8B74C5

RGB 139 116 197

HSL 257.04, 0.41%, 0.61%

LAB 54.04, 26.68, -39.15

 

Complementary color

CMYK 17 / 0 / 58 / 45

HEX #748B3A

RGB 116 139 58

HSL 77.04, 0.41%, 0.39%

LAB 54.54, -21.23, 39.86

 

CMYK 25 / 40 / 0 / 25

HEX #9074C0

RGB 144 116 192

HSL 262.11, 0.38%, 0.6%

LAB 54.27, 26.87, -35.9

 

CMYK 24 / 36 / 0 / 17

HEX #A186D3

RGB 161 134 211

HSL 261.04, 0.47%, 0.68%

LAB 61.07, 26.11, -35.9

 

CMYK 23 / 34 / 0 / 10

HEX #B298E6

RGB 178 152 230

HSL 260, 0.61%, 0.75%

LAB 67.75, 25.42, -35.93

 

CMYK 22 / 32 / 0 / 2

HEX #C3AAF9

RGB 195 170 249

HSL 258.99, 0.87%, 0.82%

LAB 74.31, 24.79, -35.99

 

CMYK 17 / 26 / 0 / 0

HEX #D4BCFF

RGB 212 188 255

HSL 261.49, 1%, 0.87%

LAB 80.28, 21.36, -29.89

 

CMYK 29 / 41 / 0 / 23

HEX #8B74C5

RGB 139 116 197

HSL 257.04, 0.41%, 0.61%

LAB 54.04, 26.68, -39.15

 

CMYK 31 / 45 / 0 / 30

HEX #7A62B2

RGB 122 98 178

HSL 258, 0.34%, 0.54%

LAB 47.09, 27.57, -39.26

 

CMYK 34 / 50 / 0 / 38

HEX #69509F

RGB 105 80 159

HSL 258.99, 0.33%, 0.47%

LAB 39.99, 28.59, -39.4

 

CMYK 37 / 56 / 0 / 45

HEX #583E8C

RGB 88 62 140

HSL 260, 0.39%, 0.4%

LAB 32.73, 29.72, -39.57

 

CMYK 41 / 64 / 0 / 53

HEX #472C79

RGB 71 44 121

HSL 261.04, 0.47%, 0.32%

LAB 25.33, 30.96, -39.71

 

CMYK 30 / 42 / 0 / 23

HEX #8972C4

RGB 137 114 196

HSL 256.83, 0.41%, 0.61%

LAB 53.32, 27.02, -39.73

 

CMYK 19 / 42 / 0 / 23

HEX #9F72C4

RGB 159 114 196

HSL 272.93, 0.41%, 0.61%

LAB 55.47, 33.41, -36.19

 

CMYK 8 / 42 / 0 / 23

HEX #B572C4

RGB 181 114 196

HSL 289.02, 0.41%, 0.61%

LAB 57.89, 40.02, -32.24

 

CMYK 0 / 42 / 4 / 23

HEX #C472BC

RGB 196 114 188

HSL 305.85, 0.41%, 0.61%

LAB 59.34, 43.13, -25.29

 

CMYK 0 / 42 / 15 / 23

HEX #C472A6

RGB 196 114 166

HSL 321.95, 0.41%, 0.61%

LAB 58.53, 39.39, -13.92

 

CMYK 30 / 42 / 0 / 23

HEX #8972C4

RGB 137 114 196

HSL 256.83, 0.41%, 0.61%

LAB 53.32, 27.02, -39.73

 

CMYK 41 / 42 / 0 / 23

HEX #7372C4

RGB 115 114 196

HSL 240.73, 0.41%, 0.61%

LAB 51.46, 21.05, -42.79

 

CMYK 42 / 42 / 0 / 23

HEX #7272C4

RGB 114 114 196

HSL 240, 0.41%, 0.61%

LAB 51.38, 20.79, -42.92

 

CMYK 30 / 42 / 0 / 23

HEX #8972C4

RGB 137 114 196

HSL 256.83, 0.41%, 0.61%

LAB 53.32, 27.02, -39.73

 

CMYK 39 / 54 / 0 / 17

HEX #8262D4

RGB 130 98 212

HSL 256.84, 0.57%, 0.61%

LAB 49.78, 38.77, -54.53

 

CMYK 46 / 64 / 0 / 11

HEX #7C52E4

RGB 124 82 228

HSL 257.26, 0.73%, 0.61%

LAB 46.87, 50.78, -68.34

 

CMYK 52 / 73 / 0 / 4

HEX #7542F4

RGB 117 66 244

HSL 257.19, 0.89%, 0.61%

LAB 44.53, 62.04, -81.21

 

CMYK 30 / 42 / 0 / 23

HEX #8972C4

RGB 137 114 196

HSL 256.83, 0.41%, 0.61%

LAB 53.32, 27.02, -39.73

 

CMYK 20 / 28 / 0 / 29

HEX #9082B4

RGB 144 130 180

HSL 256.8, 0.25%, 0.61%

LAB 57.26, 15.81, -24.39

 

CMYK 8 / 11 / 0 / 36

HEX #9792A4

RGB 151 146 164

HSL 256.67, 0.09%, 0.61%

LAB 61.5, 5.42, -8.8

 

CMYK 3 / 0 / 9 / 36

HEX #9EA394

RGB 158 163 148

HSL 80, 0.08%, 0.61%

LAB 66.21, -4.58, 7.17

 

CMYK 8 / 0 / 27 / 30

HEX #A5B383

RGB 165 179 131

HSL 77.5, 0.24%, 0.61%

LAB 70.79, -13.21, 22.95

 

CMYK 42 / 31 / 0 / 23

HEX #7287C4

RGB 114 135 196

HSL 224.63, 0.41%, 0.61%

LAB 56.97, 8.24, -34.13

 

CMYK 41 / 42 / 0 / 23

HEX #7472C4

RGB 116 114 196

HSL 241.46, 0.41%, 0.61%

LAB 51.53, 21.31, -42.66

 

CMYK 30 / 42 / 0 / 23

HEX #8972C4

RGB 137 114 196

HSL 256.83, 0.41%, 0.61%

LAB 53.32, 27.02, -39.73

 

CMYK 19 / 42 / 0 / 23

HEX #9F72C4

RGB 159 114 196

HSL 272.93, 0.41%, 0.61%

LAB 55.47, 33.41, -36.19

 

CMYK 8 / 42 / 0 / 23

HEX #B572C4

RGB 181 114 196

HSL 289.02, 0.41%, 0.61%

LAB 57.89, 40.02, -32.24

 

CMYK 42 / 58 / 0 / 37

HEX #5E43A1

RGB 94 67 161

HSL 257.23, 0.41%, 0.45%

LAB 35.92, 34.19, -47.17

 

CMYK 39 / 54 / 0 / 28

HEX #7155B8

RGB 113 85 184

HSL 256.97, 0.41%, 0.53%

LAB 43.46, 34.56, -48.59

 

CMYK 30 / 42 / 0 / 23

HEX #8972C4

RGB 137 114 196

HSL 256.83, 0.41%, 0.61%

LAB 53.32, 27.02, -39.73

 

CMYK 22 / 31 / 0 / 18

HEX #A28FD0

RGB 162 143 208

HSL 257.54, 0.41%, 0.69%

LAB 63.24, 20.56, -30.84

 

CMYK 15 / 22 / 0 / 14

HEX #BAACDC

RGB 186 172 220

HSL 257.5, 0.41%, 0.77%

LAB 72.97, 14.48, -22.37

 

CMYK 29 / 41 / 0 / 23

HEX #8B74C5

RGB 139 116 197

HSL 257.04, 0.41%, 0.61%

LAB 54.04, 26.68, -39.15

 

CMYK 0 / 42 / 20 / 23

HEX #C4729C

RGB 196 114 156

HSL 329.27, 0.41%, 0.61%

LAB 58.2, 37.82, -8.64

 

CMYK 37 / 0 / 42 / 23

HEX #7CC472

RGB 124 196 114

HSL 112.68, 0.41%, 0.61%

LAB 72.88, -38.59, 34.19

 

CMYK 29 / 41 / 0 / 23

HEX #8B74C5

RGB 139 116 197

HSL 257.04, 0.41%, 0.61%

LAB 54.04, 26.68, -39.15

 

CMYK 0 / 30 / 42 / 23

HEX #C48972

RGB 196 137 114

HSL 16.83, 0.41%, 0.61%

LAB 62.37, 19.7, 21.36

 

CMYK 42 / 0 / 30 / 23

HEX #72C489

RGB 114 196 137

HSL 136.83, 0.41%, 0.61%

LAB 72.8, -37.87, 21.99

 

CMYK 29 / 41 / 0 / 23

HEX #8B74C5

RGB 139 116 197

HSL 257.04, 0.41%, 0.61%

LAB 54.04, 26.68, -39.15

 

CMYK 0 / 42 / 20 / 23

HEX #C4729C

RGB 196 114 156

HSL 329.27, 0.41%, 0.61%

LAB 58.2, 37.82, -8.64

 

CMYK 12 / 0 / 42 / 23

HEX #ADC472

RGB 173 196 114

HSL 76.83, 0.41%, 0.61%

LAB 75.81, -21.01, 38.53

 

CMYK 42 / 0 / 21 / 23

HEX #72C49A

RGB 114 196 154

HSL 149.27, 0.41%, 0.61%

LAB 73.15, -34.58, 13.36

 

CMYK 29 / 41 / 0 / 23

HEX #8B74C5

RGB 139 116 197

HSL 257.04, 0.41%, 0.61%

LAB 54.04, 26.68, -39.15

 

CMYK 0 / 42 / 33 / 23

HEX #C47284

RGB 196 114 132

HSL 346.83, 0.41%, 0.61%

LAB 57.5, 34.43, 4.25

 

CMYK 12 / 0 / 42 / 23

HEX #ADC472

RGB 173 196 114

HSL 76.83, 0.41%, 0.61%

LAB 75.81, -21.01, 38.53

 

CMYK 42 / 0 / 9 / 23

HEX #72C4B2

RGB 114 196 178

HSL 166.83, 0.41%, 0.61%

LAB 73.72, -29.32, 1.2

 

Description

Color code: RGB 139 116 197 | qconv.com Color code: RGB 139 116 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 116 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 116 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 41 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 41% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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