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Color name
RGB 138 51 108

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 51 108 it is the complementary color RGB 117 204 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 51 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 51 108 shade: RGB 143 51 103, RGB 160 69 122, RGB 177 87 141, RGB 194 105 160 and RGB 211 123 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 51 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 51 108 shade: RGB 138 51 108, RGB 121 33 89, RGB 104 15 70, RGB 87 0 51 and RGB 70 0 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 51 108 shade: RGB 137 50 107, RGB 137 50 84, RGB 137 50 61 and RGB 137 50 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 51 108 shade: RGB 137 50 107, RGB 137 50 131, RGB 120 50 137, RGB 97 50 137 and RGB 74 50 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 51 108 shade matches the following richer shades: RGB 137 50 107, RGB 153 35 112, RGB 168 20 117 and RGB 183 5 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 51 108 shade: RGB 137 50 107, RGB 122 66 103, RGB 107 81 98, RGB 91 96 93 and RGB 76 112 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 51 108 shade: RGB 120 50 137, RGB 137 50 131, RGB 137 50 108, RGB 137 50 85 and RGB 137 50 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 51 108 shade: RGB 77 28 60, RGB 107 39 84, RGB 137 50 107, RGB 167 62 131 and RGB 190 80 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 51 108 shade: RGB 138 51 108, RGB 137 97 50 and RGB 50 137 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 51 108 shade: RGB 138 51 108, RGB 108 137 50 and RGB 50 108 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 51 108 shade: RGB 138 51 108, RGB 137 97 50, RGB 50 137 79 and RGB 50 91 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 51 108 shade: RGB 138 51 108, RGB 137 123 50, RGB 50 137 79 and RGB 50 65 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 22 / 46

HEX #8A336C

RGB 138 51 108

HSL 320.69, 0.46%, 0.37%

LAB 35.7, 43.53, -14.47

 

Complementary color

CMYK 43 / 0 / 28 / 20

HEX #75CC93

RGB 117 204 147

HSL 140.69, 0.46%, 0.63%

LAB 75.5, -38.77, 20.39

 

CMYK 0 / 64 / 28 / 44

HEX #8F3367

RGB 143 51 103

HSL 326.09, 0.47%, 0.38%

LAB 36.34, 44.35, -10.26

 

CMYK 0 / 57 / 24 / 37

HEX #A0457A

RGB 160 69 122

HSL 325.05, 0.4%, 0.45%

LAB 42.97, 43.92, -11.81

 

CMYK 0 / 51 / 20 / 31

HEX #B1578D

RGB 177 87 141

HSL 324, 0.37%, 0.52%

LAB 49.6, 43.25, -13.01

 

CMYK 0 / 46 / 18 / 24

HEX #C269A0

RGB 194 105 160

HSL 322.92, 0.42%, 0.59%

LAB 56.2, 42.5, -13.99

 

CMYK 0 / 42 / 15 / 17

HEX #D37BB3

RGB 211 123 179

HSL 321.82, 0.5%, 0.65%

LAB 62.73, 41.72, -14.83

 

CMYK 0 / 63 / 22 / 46

HEX #8A336C

RGB 138 51 108

HSL 320.69, 0.46%, 0.37%

LAB 35.7, 43.53, -14.47

 

CMYK 0 / 73 / 26 / 53

HEX #792159

RGB 121 33 89

HSL 321.82, 0.57%, 0.3%

LAB 29.09, 43.49, -12.63

 

CMYK 0 / 86 / 33 / 59

HEX #680F46

RGB 104 15 70

HSL 322.92, 0.75%, 0.23%

LAB 22.75, 42.42, -9.91

 

CMYK 0 / 100 / 41 / 66

HEX #570033

RGB 87 0 51

HSL 324.83, 1%, 0.17%

LAB 16.82, 39.78, -5.96

 

CMYK 0 / 100 / 54 / 73

HEX #460020

RGB 70 0 32

HSL 332.57, 1%, 0.14%

LAB 12, 33.48, 0.43

 

CMYK 0 / 64 / 22 / 46

HEX #89326B

RGB 137 50 107

HSL 320.69, 0.47%, 0.37%

LAB 35.32, 43.53, -14.43

 

CMYK 0 / 64 / 39 / 46

HEX #893254

RGB 137 50 84

HSL 336.55, 0.47%, 0.37%

LAB 34.48, 40.42, -1.02

 

CMYK 0 / 64 / 55 / 46

HEX #89323D

RGB 137 50 61

HSL 352.41, 0.47%, 0.37%

LAB 33.85, 38.03, 12.93

 

CMYK 0 / 64 / 64 / 46

HEX #893232

RGB 137 50 50

HSL 0, 0.47%, 0.37%

LAB 33.63, 37.16, 19.66

 

CMYK 0 / 64 / 22 / 46

HEX #89326B

RGB 137 50 107

HSL 320.69, 0.47%, 0.37%

LAB 35.32, 43.53, -14.43

 

CMYK 0 / 64 / 4 / 46

HEX #893283

RGB 137 50 131

HSL 304.14, 0.47%, 0.37%

LAB 36.44, 47.46, -27.72

 

CMYK 12 / 64 / 0 / 46

HEX #783289

RGB 120 50 137

HSL 288.28, 0.47%, 0.37%

LAB 34.15, 44.08, -35.21

 

CMYK 29 / 64 / 0 / 46

HEX #613289

RGB 97 50 137

HSL 272.41, 0.47%, 0.37%

LAB 30.95, 38.21, -40.52

 

CMYK 46 / 64 / 0 / 46

HEX #4A3289

RGB 74 50 137

HSL 256.55, 0.47%, 0.37%

LAB 28.23, 32.78, -45.04

 

CMYK 0 / 64 / 22 / 46

HEX #89326B

RGB 137 50 107

HSL 320.69, 0.47%, 0.37%

LAB 35.32, 43.53, -14.43

 

CMYK 0 / 77 / 27 / 40

HEX #992370

RGB 153 35 112

HSL 320.85, 0.63%, 0.37%

LAB 36.26, 54.58, -15.91

 

CMYK 0 / 88 / 30 / 34

HEX #A81475

RGB 168 20 117

HSL 320.68, 0.79%, 0.37%

LAB 38.04, 62.52, -16.08

 

CMYK 0 / 97 / 33 / 28

HEX #B7057A

RGB 183 5 122

HSL 320.56, 0.95%, 0.37%

LAB 40.54, 68.29, -15.11

 

CMYK 0 / 64 / 22 / 46

HEX #89326B

RGB 137 50 107

HSL 320.69, 0.47%, 0.37%

LAB 35.32, 43.53, -14.43

 

CMYK 0 / 46 / 16 / 52

HEX #7A4267

RGB 122 66 103

HSL 320.36, 0.3%, 0.37%

LAB 36.01, 29.56, -11.07

 

CMYK 0 / 24 / 8 / 58

HEX #6B5162

RGB 107 81 98

HSL 320.77, 0.14%, 0.37%

LAB 37.65, 13.96, -5.66

 

CMYK 5 / 0 / 3 / 62

HEX #5B605D

RGB 91 96 93

HSL 144, 0.03%, 0.37%

LAB 40.21, -2.59, 1.03

 

CMYK 32 / 0 / 21 / 56

HEX #4C7058

RGB 76 112 88

HSL 140, 0.19%, 0.37%

LAB 43.99, -18.38, 9.31

 

CMYK 12 / 64 / 0 / 46

HEX #783289

RGB 120 50 137

HSL 288.28, 0.47%, 0.37%

LAB 34.15, 44.08, -35.21

 

CMYK 0 / 64 / 4 / 46

HEX #893283

RGB 137 50 131

HSL 304.14, 0.47%, 0.37%

LAB 36.44, 47.46, -27.72

 

CMYK 0 / 64 / 21 / 46

HEX #89326C

RGB 137 50 108

HSL 320, 0.47%, 0.37%

LAB 35.37, 43.68, -15

 

CMYK 0 / 64 / 38 / 46

HEX #893255

RGB 137 50 85

HSL 335.86, 0.47%, 0.37%

LAB 34.51, 40.54, -1.61

 

CMYK 0 / 64 / 55 / 46

HEX #89323E

RGB 137 50 62

HSL 351.72, 0.47%, 0.37%

LAB 33.87, 38.12, 12.32

 

CMYK 0 / 64 / 22 / 70

HEX #4D1C3C

RGB 77 28 60

HSL 320.82, 0.47%, 0.21%

LAB 18.95, 27.41, -9.28

 

CMYK 0 / 64 / 21 / 58

HEX #6B2754

RGB 107 39 84

HSL 320.29, 0.47%, 0.29%

LAB 27.34, 35.79, -12.24

 

CMYK 0 / 64 / 22 / 46

HEX #89326B

RGB 137 50 107

HSL 320.69, 0.47%, 0.37%

LAB 35.32, 43.53, -14.43

 

CMYK 0 / 63 / 22 / 35

HEX #A73E83

RGB 167 62 131

HSL 320.57, 0.46%, 0.45%

LAB 43.21, 50.63, -16.84

 

CMYK 0 / 58 / 20 / 25

HEX #BE5098

RGB 190 80 152

HSL 320.73, 0.46%, 0.53%

LAB 50.63, 52.37, -17.81

 

CMYK 0 / 63 / 22 / 46

HEX #8A336C

RGB 138 51 108

HSL 320.69, 0.46%, 0.37%

LAB 35.7, 43.53, -14.47

 

CMYK 0 / 29 / 64 / 46

HEX #896132

RGB 137 97 50

HSL 32.41, 0.47%, 0.37%

LAB 44.37, 10.97, 32.76

 

CMYK 64 / 0 / 4 / 46

HEX #328983

RGB 50 137 131

HSL 175.86, 0.47%, 0.37%

LAB 52.07, -27.12, -4.47

 

CMYK 0 / 63 / 22 / 46

HEX #8A336C

RGB 138 51 108

HSL 320.69, 0.46%, 0.37%

LAB 35.7, 43.53, -14.47

 

CMYK 21 / 0 / 64 / 46

HEX #6C8932

RGB 108 137 50

HSL 80, 0.47%, 0.37%

LAB 53.29, -24.28, 42.09

 

CMYK 64 / 21 / 0 / 46

HEX #326C89

RGB 50 108 137

HSL 200, 0.47%, 0.37%

LAB 43.08, -9.56, -21.63

 

CMYK 0 / 63 / 22 / 46

HEX #8A336C

RGB 138 51 108

HSL 320.69, 0.46%, 0.37%

LAB 35.7, 43.53, -14.47

 

CMYK 0 / 29 / 64 / 46

HEX #896132

RGB 137 97 50

HSL 32.41, 0.47%, 0.37%

LAB 44.37, 10.97, 32.76

 

CMYK 64 / 0 / 42 / 46

HEX #32894F

RGB 50 137 79

HSL 140, 0.47%, 0.37%

LAB 50.84, -39.59, 23.61

 

CMYK 64 / 34 / 0 / 46

HEX #325B89

RGB 50 91 137

HSL 211.72, 0.47%, 0.37%

LAB 37.78, 0.81, -29.88

 

CMYK 0 / 63 / 22 / 46

HEX #8A336C

RGB 138 51 108

HSL 320.69, 0.46%, 0.37%

LAB 35.7, 43.53, -14.47

 

CMYK 0 / 10 / 64 / 46

HEX #897B32

RGB 137 123 50

HSL 50.34, 0.47%, 0.37%

LAB 51.51, -4, 40.82

 

CMYK 64 / 0 / 42 / 46

HEX #32894F

RGB 50 137 79

HSL 140, 0.47%, 0.37%

LAB 50.84, -39.59, 23.61

 

CMYK 64 / 53 / 0 / 46

HEX #324189

RGB 50 65 137

HSL 229.66, 0.47%, 0.37%

LAB 30.07, 17.96, -42.16

 

Description

Color code: RGB 138 51 108 | qconv.com Color code: RGB 138 51 108 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 51 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 51 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 22 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 22% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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