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Color name
RGB 138 44 9

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 44 9 it is the complementary color RGB 117 211 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 44 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 44 9 shade: RGB 143 44 4, RGB 160 62 23, RGB 177 80 42, RGB 194 98 61 and RGB 211 116 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 44 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 44 9 shade: RGB 138 44 9, RGB 121 26 0, RGB 104 8 0, RGB 87 0 0 and RGB 70 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 44 9 shade: RGB 139 44 8, RGB 139 9 8 and RGB 139 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 44 9 shade: RGB 139 44 8, RGB 139 79 8, RGB 139 114 8, RGB 128 139 8 and RGB 93 139 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 44 9 shade matches the following richer shades: RGB 139 44 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 44 9 shade: RGB 139 44 8, RGB 127 49 20, RGB 115 55 32, RGB 103 60 44 and RGB 91 66 56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 44 9 shade: RGB 139 8 43, RGB 139 8 8, RGB 139 43 8, RGB 139 78 8 and RGB 139 112 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 44 9 shade: RGB 61 19 3, RGB 100 31 6, RGB 139 44 8, RGB 177 56 11 and RGB 216 68 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 44 9 shade: RGB 138 44 9, RGB 78 139 8 and RGB 8 26 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 44 9 shade: RGB 138 44 9, RGB 8 139 43 and RGB 43 8 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 44 9 shade: RGB 138 44 9, RGB 78 139 8, RGB 8 104 139 and RGB 69 8 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 44 9 shade: RGB 138 44 9, RGB 39 139 8, RGB 8 104 139 and RGB 108 8 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 93 / 46

HEX #8A2C09

RGB 138 44 9

HSL 16.28, 0.88%, 0.29%

LAB 32.31, 38.56, 40.72

 

Complementary color

CMYK 52 / 14 / 0 / 4

HEX #75D3F6

RGB 117 211 246

HSL 196.28, 0.88%, 0.71%

LAB 80.19, -18.5, -25.73

 

CMYK 0 / 69 / 97 / 44

HEX #8F2C04

RGB 143 44 4

HSL 17.27, 0.95%, 0.29%

LAB 33.24, 40.31, 43.79

 

CMYK 0 / 61 / 86 / 37

HEX #A03E17

RGB 160 62 23

HSL 17.08, 0.75%, 0.36%

LAB 39.55, 38.78, 42.42

 

CMYK 0 / 55 / 76 / 31

HEX #B1502A

RGB 177 80 42

HSL 16.89, 0.62%, 0.43%

LAB 45.98, 37.12, 40.34

 

CMYK 0 / 49 / 69 / 24

HEX #C2623D

RGB 194 98 61

HSL 16.69, 0.52%, 0.5%

LAB 52.44, 35.51, 38.14

 

CMYK 0 / 45 / 62 / 17

HEX #D37450

RGB 211 116 80

HSL 16.49, 0.6%, 0.57%

LAB 58.9, 34.02, 36.09

 

CMYK 0 / 68 / 93 / 46

HEX #8A2C09

RGB 138 44 9

HSL 16.28, 0.88%, 0.29%

LAB 32.31, 38.56, 40.72

 

CMYK 0 / 79 / 100 / 53

HEX #791A00

RGB 121 26 0

HSL 12.89, 1%, 0.24%

LAB 26.17, 39.66, 38.08

 

CMYK 0 / 92 / 100 / 59

HEX #680800

RGB 104 8 0

HSL 4.62, 1%, 0.2%

LAB 20.51, 39.45, 31.12

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 100 / 100 / 73

HEX #460000

RGB 70 0 0

HSL 0, 1%, 0.14%

LAB 11.29, 31.58, 17.77

 

CMYK 0 / 68 / 94 / 45

HEX #8B2C08

RGB 139 44 8

HSL 16.49, 0.89%, 0.29%

LAB 32.5, 38.92, 41.33

 

CMYK 0 / 94 / 94 / 45

HEX #8B0908

RGB 139 9 8

HSL 0.46, 0.89%, 0.29%

LAB 28.65, 49.65, 38.5

 

CMYK 0 / 94 / 94 / 45

HEX #8B0808

RGB 139 8 8

HSL 0, 0.89%, 0.29%

LAB 28.59, 49.81, 38.45

 

CMYK 0 / 68 / 94 / 45

HEX #8B2C08

RGB 139 44 8

HSL 16.49, 0.89%, 0.29%

LAB 32.5, 38.92, 41.33

 

CMYK 0 / 43 / 94 / 45

HEX #8B4F08

RGB 139 79 8

HSL 32.52, 0.89%, 0.29%

LAB 39.75, 20.51, 46.51

 

CMYK 0 / 18 / 94 / 45

HEX #8B7208

RGB 139 114 8

HSL 48.55, 0.89%, 0.29%

LAB 48.93, 0.2, 53.38

 

CMYK 8 / 0 / 94 / 45

HEX #808B08

RGB 128 139 8

HSL 65.04, 0.89%, 0.29%

LAB 55.15, -18.59, 57.74

 

CMYK 33 / 0 / 94 / 45

HEX #5D8B08

RGB 93 139 8

HSL 81.07, 0.89%, 0.29%

LAB 52.74, -33.56, 54.81

 

CMYK 0 / 68 / 94 / 45

HEX #8B2C08

RGB 139 44 8

HSL 16.49, 0.89%, 0.29%

LAB 32.5, 38.92, 41.33

 

CMYK 0 / 68 / 94 / 45

HEX #8B2C08

RGB 139 44 8

HSL 16.49, 0.89%, 0.29%

LAB 32.5, 38.92, 41.33

 

CMYK 0 / 61 / 84 / 50

HEX #7F3114

RGB 127 49 20

HSL 16.26, 0.73%, 0.29%

LAB 31.25, 32.19, 34.17

 

CMYK 0 / 52 / 72 / 55

HEX #733720

RGB 115 55 32

HSL 16.63, 0.56%, 0.29%

LAB 30.6, 24.47, 26.2

 

CMYK 0 / 42 / 57 / 60

HEX #673C2C

RGB 103 60 44

HSL 16.27, 0.4%, 0.29%

LAB 30.15, 17.09, 17.88

 

CMYK 0 / 27 / 38 / 64

HEX #5B4238

RGB 91 66 56

HSL 17.14, 0.24%, 0.29%

LAB 30.41, 9.28, 10.32

 

CMYK 0 / 94 / 69 / 45

HEX #8B082B

RGB 139 8 43

HSL 343.97, 0.89%, 0.29%

LAB 29, 50.96, 18.38

 

CMYK 0 / 94 / 94 / 45

HEX #8B0808

RGB 139 8 8

HSL 0, 0.89%, 0.29%

LAB 28.59, 49.81, 38.45

 

CMYK 0 / 69 / 94 / 45

HEX #8B2B08

RGB 139 43 8

HSL 16.03, 0.89%, 0.29%

LAB 32.33, 39.36, 41.21

 

CMYK 0 / 44 / 94 / 45

HEX #8B4E08

RGB 139 78 8

HSL 32.06, 0.89%, 0.29%

LAB 39.51, 21.09, 46.33

 

CMYK 0 / 19 / 94 / 45

HEX #8B7008

RGB 139 112 8

HSL 47.63, 0.89%, 0.29%

LAB 48.38, 1.34, 52.96

 

CMYK 0 / 69 / 95 / 76

HEX #3D1303

RGB 61 19 3

HSL 16.55, 0.91%, 0.13%

LAB 12.38, 19.6, 17.71

 

CMYK 0 / 69 / 94 / 61

HEX #641F06

RGB 100 31 6

HSL 15.96, 0.89%, 0.21%

LAB 22.66, 29.96, 30.74

 

CMYK 0 / 68 / 94 / 45

HEX #8B2C08

RGB 139 44 8

HSL 16.49, 0.89%, 0.29%

LAB 32.5, 38.92, 41.33

 

CMYK 0 / 68 / 94 / 31

HEX #B1380B

RGB 177 56 11

HSL 16.27, 0.88%, 0.37%

LAB 41.53, 47.45, 49.82

 

CMYK 0 / 69 / 94 / 15

HEX #D8440D

RGB 216 68 13

HSL 16.26, 0.89%, 0.45%

LAB 50.41, 55.92, 58.44

 

CMYK 0 / 68 / 93 / 46

HEX #8A2C09

RGB 138 44 9

HSL 16.28, 0.88%, 0.29%

LAB 32.31, 38.56, 40.72

 

CMYK 44 / 0 / 94 / 45

HEX #4E8B08

RGB 78 139 8

HSL 87.94, 0.89%, 0.29%

LAB 51.95, -39.19, 53.84

 

CMYK 94 / 81 / 0 / 45

HEX #081A8B

RGB 8 26 139

HSL 231.76, 0.89%, 0.29%

LAB 18.6, 39.8, -62.26

 

CMYK 0 / 68 / 93 / 46

HEX #8A2C09

RGB 138 44 9

HSL 16.28, 0.88%, 0.29%

LAB 32.31, 38.56, 40.72

 

CMYK 94 / 0 / 69 / 45

HEX #088B2B

RGB 8 139 43

HSL 136.03, 0.89%, 0.29%

LAB 50.32, -51.67, 40.97

 

CMYK 69 / 94 / 0 / 45

HEX #2B088B

RGB 43 8 139

HSL 256.03, 0.89%, 0.29%

LAB 18.15, 49.01, -62.96

 

CMYK 0 / 68 / 93 / 46

HEX #8A2C09

RGB 138 44 9

HSL 16.28, 0.88%, 0.29%

LAB 32.31, 38.56, 40.72

 

CMYK 44 / 0 / 94 / 45

HEX #4E8B08

RGB 78 139 8

HSL 87.94, 0.89%, 0.29%

LAB 51.95, -39.19, 53.84

 

CMYK 94 / 25 / 0 / 45

HEX #08688B

RGB 8 104 139

HSL 196.03, 0.89%, 0.29%

LAB 40.92, -11.61, -26.25

 

CMYK 50 / 94 / 0 / 45

HEX #45088B

RGB 69 8 139

HSL 267.94, 0.89%, 0.29%

LAB 21.22, 51.15, -57.78

 

CMYK 0 / 68 / 93 / 46

HEX #8A2C09

RGB 138 44 9

HSL 16.28, 0.88%, 0.29%

LAB 32.31, 38.56, 40.72

 

CMYK 72 / 0 / 94 / 45

HEX #278B08

RGB 39 139 8

HSL 105.8, 0.89%, 0.29%

LAB 50.59, -50.08, 52.15

 

CMYK 94 / 25 / 0 / 45

HEX #08688B

RGB 8 104 139

HSL 196.03, 0.89%, 0.29%

LAB 40.92, -11.61, -26.25

 

CMYK 22 / 94 / 0 / 45

HEX #6C088B

RGB 108 8 139

HSL 285.8, 0.89%, 0.29%

LAB 27.37, 56.22, -47.46

 

Description

Color code: RGB 138 44 9 | qconv.com Color code: RGB 138 44 9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 44 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 44 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 93 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 93% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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