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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 44 164 it is the complementary color RGB 117 211 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 44 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 44 164 shade: RGB 143 44 159, RGB 160 62 178, RGB 177 80 197, RGB 194 98 216 and RGB 211 116 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 44 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 44 164 shade: RGB 138 44 164, RGB 121 26 145, RGB 104 8 126, RGB 87 0 107 and RGB 70 0 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 44 164 shade: RGB 138 43 165, RGB 165 43 158, RGB 165 43 126, RGB 165 43 93 and RGB 165 43 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 44 164 shade: RGB 138 43 165, RGB 106 43 165, RGB 73 43 165 and RGB 43 43 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 44 164 shade matches the following richer shades: RGB 138 43 165, RGB 148 26 182 and RGB 158 10 199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 44 164 shade: RGB 138 43 165, RGB 129 60 148, RGB 119 77 131, RGB 110 94 114 and RGB 100 111 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 44 164 shade: RGB 74 43 165, RGB 106 43 165, RGB 138 43 165, RGB 165 43 159 and RGB 165 43 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 44 164 shade: RGB 84 26 99, RGB 111 35 132, RGB 138 43 165, RGB 166 52 197 and RGB 181 82 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 44 164 shade: RGB 138 44 164, RGB 165 43 45 and RGB 43 165 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 44 164 shade: RGB 138 44 164, RGB 165 138 43 and RGB 43 165 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 44 164 shade: RGB 138 44 164, RGB 165 43 45, RGB 70 165 43 and RGB 43 165 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 44 164 shade: RGB 138 44 164, RGB 165 78 43, RGB 70 165 43 and RGB 43 130 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 73 / 0 / 36

HEX #8A2CA4

RGB 138 44 164

HSL 287, 0.58%, 0.41%

LAB 37.64, 56.39, -45.92

 

Complementary color

CMYK 45 / 0 / 57 / 17

HEX #75D35B

RGB 117 211 91

HSL 107, 0.58%, 0.59%

LAB 76.76, -50.1, 50.05

 

CMYK 10 / 72 / 0 / 38

HEX #8F2C9F

RGB 143 44 159

HSL 291.65, 0.57%, 0.4%

LAB 38.1, 56.51, -42.12

 

CMYK 10 / 65 / 0 / 30

HEX #A03EB2

RGB 160 62 178

HSL 290.69, 0.48%, 0.47%

LAB 44.42, 56.7, -43.2

 

CMYK 10 / 59 / 0 / 23

HEX #B150C5

RGB 177 80 197

HSL 289.74, 0.5%, 0.54%

LAB 50.82, 56.44, -43.95

 

CMYK 10 / 55 / 0 / 15

HEX #C262D8

RGB 194 98 216

HSL 288.81, 0.6%, 0.62%

LAB 57.23, 55.92, -44.49

 

CMYK 10 / 51 / 0 / 8

HEX #D374EB

RGB 211 116 235

HSL 287.9, 0.75%, 0.69%

LAB 63.62, 55.27, -44.91

 

CMYK 16 / 73 / 0 / 36

HEX #8A2CA4

RGB 138 44 164

HSL 287, 0.58%, 0.41%

LAB 37.64, 56.39, -45.92

 

CMYK 17 / 82 / 0 / 43

HEX #791A91

RGB 121 26 145

HSL 287.9, 0.7%, 0.34%

LAB 31.46, 55.44, -44.45

 

CMYK 17 / 94 / 0 / 51

HEX #68087E

RGB 104 8 126

HSL 288.81, 0.88%, 0.26%

LAB 25.63, 53.09, -42.15

 

CMYK 19 / 100 / 0 / 58

HEX #57006B

RGB 87 0 107

HSL 288.79, 1%, 0.21%

LAB 20.39, 48.49, -38.58

 

CMYK 20 / 100 / 0 / 65

HEX #460058

RGB 70 0 88

HSL 287.73, 1%, 0.17%

LAB 15.52, 42.11, -34.03

 

CMYK 16 / 74 / 0 / 35

HEX #8A2BA5

RGB 138 43 165

HSL 286.72, 0.59%, 0.41%

LAB 37.57, 56.96, -46.63

 

CMYK 0 / 74 / 4 / 35

HEX #A52B9E

RGB 165 43 158

HSL 303.44, 0.59%, 0.41%

LAB 41.53, 61.59, -35.85

 

CMYK 0 / 74 / 24 / 35

HEX #A52B7E

RGB 165 43 126

HSL 319.18, 0.59%, 0.41%

LAB 39.97, 56.87, -18.77

 

CMYK 0 / 74 / 44 / 35

HEX #A52B5D

RGB 165 43 93

HSL 335.41, 0.59%, 0.41%

LAB 38.76, 53, 0.09

 

CMYK 0 / 74 / 64 / 35

HEX #A52B3C

RGB 165 43 60

HSL 351.64, 0.59%, 0.41%

LAB 37.94, 50.3, 19.93

 

CMYK 16 / 74 / 0 / 35

HEX #8A2BA5

RGB 138 43 165

HSL 286.72, 0.59%, 0.41%

LAB 37.57, 56.96, -46.63

 

CMYK 36 / 74 / 0 / 35

HEX #6A2BA5

RGB 106 43 165

HSL 270.98, 0.59%, 0.41%

LAB 32.94, 50.58, -54.34

 

CMYK 56 / 74 / 0 / 35

HEX #492BA5

RGB 73 43 165

HSL 254.75, 0.59%, 0.41%

LAB 29.06, 44.95, -60.84

 

CMYK 74 / 74 / 0 / 35

HEX #2B2BA5

RGB 43 43 165

HSL 240, 0.59%, 0.41%

LAB 26.61, 41.23, -64.95

 

CMYK 16 / 74 / 0 / 35

HEX #8A2BA5

RGB 138 43 165

HSL 286.72, 0.59%, 0.41%

LAB 37.57, 56.96, -46.63

 

CMYK 19 / 86 / 0 / 29

HEX #941AB6

RGB 148 26 182

HSL 286.92, 0.75%, 0.41%

LAB 38.57, 67.17, -55.06

 

CMYK 21 / 95 / 0 / 22

HEX #9E0AC7

RGB 158 10 199

HSL 286.98, 0.9%, 0.41%

LAB 40.59, 74.37, -61.7

 

CMYK 16 / 74 / 0 / 35

HEX #8A2BA5

RGB 138 43 165

HSL 286.72, 0.59%, 0.41%

LAB 37.57, 56.96, -46.63

 

CMYK 13 / 59 / 0 / 42

HEX #813C94

RGB 129 60 148

HSL 287.05, 0.42%, 0.41%

LAB 37.91, 43.8, -35.9

 

CMYK 9 / 41 / 0 / 49

HEX #774D83

RGB 119 77 131

HSL 286.67, 0.26%, 0.41%

LAB 39.36, 27.68, -23.34

 

CMYK 4 / 18 / 0 / 55

HEX #6E5E72

RGB 110 94 114

HSL 288, 0.1%, 0.41%

LAB 42.05, 10.45, -8.91

 

CMYK 10 / 0 / 13 / 56

HEX #646F61

RGB 100 111 97

HSL 107.14, 0.07%, 0.41%

LAB 45.55, -7.06, 6.39

 

CMYK 55 / 74 / 0 / 35

HEX #4A2BA5

RGB 74 43 165

HSL 255.25, 0.59%, 0.41%

LAB 29.16, 45.1, -60.67

 

CMYK 36 / 74 / 0 / 35

HEX #6A2BA5

RGB 106 43 165

HSL 270.98, 0.59%, 0.41%

LAB 32.94, 50.58, -54.34

 

CMYK 16 / 74 / 0 / 35

HEX #8A2BA5

RGB 138 43 165

HSL 286.72, 0.59%, 0.41%

LAB 37.57, 56.96, -46.63

 

CMYK 0 / 74 / 4 / 35

HEX #A52B9F

RGB 165 43 159

HSL 302.95, 0.59%, 0.41%

LAB 41.58, 61.75, -36.37

 

CMYK 0 / 74 / 24 / 35

HEX #A52B7E

RGB 165 43 126

HSL 319.18, 0.59%, 0.41%

LAB 39.97, 56.87, -18.77

 

CMYK 15 / 74 / 0 / 61

HEX #541A63

RGB 84 26 99

HSL 287.67, 0.58%, 0.25%

LAB 22.03, 38.18, -30.72

 

CMYK 16 / 73 / 0 / 48

HEX #6F2384

RGB 111 35 132

HSL 287.01, 0.58%, 0.33%

LAB 30.03, 47.61, -38.78

 

CMYK 16 / 74 / 0 / 35

HEX #8A2BA5

RGB 138 43 165

HSL 286.72, 0.59%, 0.41%

LAB 37.57, 56.96, -46.63

 

CMYK 16 / 74 / 0 / 23

HEX #A634C5

RGB 166 52 197

HSL 287.17, 0.58%, 0.49%

LAB 45.07, 65.57, -53.22

 

CMYK 13 / 61 / 0 / 18

HEX #B552D1

RGB 181 82 209

HSL 286.77, 0.58%, 0.57%

LAB 52.36, 58.84, -48.36

 

CMYK 16 / 73 / 0 / 36

HEX #8A2CA4

RGB 138 44 164

HSL 287, 0.58%, 0.41%

LAB 37.64, 56.39, -45.92

 

CMYK 0 / 74 / 73 / 35

HEX #A52B2D

RGB 165 43 45

HSL 359.02, 0.59%, 0.41%

LAB 37.69, 49.48, 28.93

 

CMYK 74 / 0 / 45 / 35

HEX #2BA55A

RGB 43 165 90

HSL 143.11, 0.59%, 0.41%

LAB 60.03, -49.96, 29.55

 

CMYK 16 / 73 / 0 / 36

HEX #8A2CA4

RGB 138 44 164

HSL 287, 0.58%, 0.41%

LAB 37.64, 56.39, -45.92

 

CMYK 0 / 16 / 74 / 35

HEX #A58A2B

RGB 165 138 43

HSL 46.72, 0.59%, 0.41%

LAB 58.37, -0.02, 51.9

 

CMYK 74 / 0 / 16 / 35

HEX #2BA58A

RGB 43 165 138

HSL 166.72, 0.59%, 0.41%

LAB 61.01, -39.38, 4.56

 

CMYK 16 / 73 / 0 / 36

HEX #8A2CA4

RGB 138 44 164

HSL 287, 0.58%, 0.41%

LAB 37.64, 56.39, -45.92

 

CMYK 0 / 74 / 73 / 35

HEX #A52B2D

RGB 165 43 45

HSL 359.02, 0.59%, 0.41%

LAB 37.69, 49.48, 28.93

 

CMYK 58 / 0 / 74 / 35

HEX #46A52B

RGB 70 165 43

HSL 106.72, 0.59%, 0.41%

LAB 60.24, -50.15, 51.71

 

CMYK 74 / 0 / 1 / 35

HEX #2BA5A3

RGB 43 165 163

HSL 179.02, 0.59%, 0.41%

LAB 61.71, -32.4, -8.46

 

CMYK 16 / 73 / 0 / 36

HEX #8A2CA4

RGB 138 44 164

HSL 287, 0.58%, 0.41%

LAB 37.64, 56.39, -45.92

 

CMYK 0 / 53 / 74 / 35

HEX #A54E2B

RGB 165 78 43

HSL 17.21, 0.59%, 0.41%

LAB 43.69, 33.42, 36.81

 

CMYK 58 / 0 / 74 / 35

HEX #46A52B

RGB 70 165 43

HSL 106.72, 0.59%, 0.41%

LAB 60.24, -50.15, 51.71

 

CMYK 74 / 21 / 0 / 35

HEX #2B82A5

RGB 43 130 165

HSL 197.21, 0.59%, 0.41%

LAB 50.92, -13.68, -26.02

 

Description

Color code: RGB 138 44 164 | qconv.com Color code: RGB 138 44 164 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 44 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 44 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 73 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 73% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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