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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 244 109 it is the complementary color RGB 117 11 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 244 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 244 109 shade: RGB 143 244 104, RGB 160 255 123, RGB 177 255 142, RGB 194 255 161 and RGB 211 255 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 244 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 244 109 shade: RGB 138 244 109, RGB 121 226 90, RGB 104 208 71, RGB 87 190 52 and RGB 70 172 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 244 109 shade: RGB 137 243 107, RGB 173 243 107, RGB 210 243 107, RGB 243 240 107 and RGB 243 204 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 244 109 shade: RGB 137 243 107, RGB 107 243 115, RGB 107 243 152, RGB 107 243 188 and RGB 107 243 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 244 109 shade matches the following richer shades: RGB 137 243 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 244 109 shade: RGB 137 243 107, RGB 144 231 120, RGB 151 218 133, RGB 159 205 146 and RGB 166 192 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 244 109 shade: RGB 209 243 107, RGB 173 243 107, RGB 137 243 107, RGB 107 243 114 and RGB 107 243 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 244 109 shade: RGB 75 238 31, RGB 106 241 69, RGB 137 243 107, RGB 167 246 146 and RGB 198 249 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 244 109 shade: RGB 138 244 109, RGB 107 243 241 and RGB 243 107 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 244 109 shade: RGB 138 244 109, RGB 107 137 243 and RGB 243 107 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 244 109 shade: RGB 138 244 109, RGB 107 243 241, RGB 214 107 243 and RGB 243 107 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 244 109 shade: RGB 138 244 109, RGB 107 205 243, RGB 214 107 243 and RGB 243 146 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 55 / 4

HEX #8AF46D

RGB 138 244 109

HSL 107.11, 0.86%, 0.69%

LAB 87.59, -55.09, 54.82

 

Complementary color

CMYK 20 / 92 / 0 / 43

HEX #750B92

RGB 117 11 146

HSL 287.11, 0.86%, 0.31%

LAB 29.65, 58.45, -48.02

 

CMYK 41 / 0 / 57 / 4

HEX #8FF468

RGB 143 244 104

HSL 103.29, 0.86%, 0.68%

LAB 87.75, -54.12, 57.27

 

CMYK 37 / 0 / 52 / 0

HEX #A0FF7B

RGB 160 255 123

HSL 103.18, 1%, 0.74%

LAB 91.87, -51.29, 53.82

 

CMYK 31 / 0 / 44 / 0

HEX #B1FF8E

RGB 177 255 142

HSL 101.42, 1%, 0.78%

LAB 92.94, -43.57, 46.42

 

CMYK 24 / 0 / 37 / 0

HEX #C2FFA1

RGB 194 255 161

HSL 98.94, 1%, 0.82%

LAB 94.12, -35.43, 38.9

 

CMYK 17 / 0 / 29 / 0

HEX #D3FFB4

RGB 211 255 180

HSL 95.2, 1%, 0.85%

LAB 95.44, -26.96, 31.37

 

CMYK 43 / 0 / 55 / 4

HEX #8AF46D

RGB 138 244 109

HSL 107.11, 0.86%, 0.69%

LAB 87.59, -55.09, 54.82

 

CMYK 46 / 0 / 60 / 11

HEX #79E25A

RGB 121 226 90

HSL 106.32, 0.7%, 0.62%

LAB 81.4, -54.98, 55.87

 

CMYK 50 / 0 / 66 / 18

HEX #68D047

RGB 104 208 71

HSL 105.55, 0.59%, 0.55%

LAB 75.15, -54.71, 56.75

 

CMYK 54 / 0 / 73 / 25

HEX #57BE34

RGB 87 190 52

HSL 104.78, 0.57%, 0.47%

LAB 68.82, -54.21, 57.28

 

CMYK 59 / 0 / 81 / 33

HEX #46AC21

RGB 70 172 33

HSL 104.03, 0.68%, 0.4%

LAB 62.44, -53.36, 57.15

 

CMYK 44 / 0 / 56 / 5

HEX #89F36B

RGB 137 243 107

HSL 106.76, 0.85%, 0.69%

LAB 87.23, -55.21, 55.29

 

CMYK 29 / 0 / 56 / 5

HEX #ADF36B

RGB 173 243 107

HSL 90.88, 0.85%, 0.69%

LAB 88.94, -43.57, 57.72

 

CMYK 14 / 0 / 56 / 5

HEX #D2F36B

RGB 210 243 107

HSL 74.56, 0.85%, 0.69%

LAB 91.17, -30, 60.86

 

CMYK 0 / 1 / 56 / 5

HEX #F3F06B

RGB 243 240 107

HSL 58.68, 0.85%, 0.69%

LAB 92.77, -15.63, 63.3

 

CMYK 0 / 16 / 56 / 5

HEX #F3CC6B

RGB 243 204 107

HSL 42.79, 0.85%, 0.69%

LAB 83.6, 2.46, 52.78

 

CMYK 44 / 0 / 56 / 5

HEX #89F36B

RGB 137 243 107

HSL 106.76, 0.85%, 0.69%

LAB 87.23, -55.21, 55.29

 

CMYK 56 / 0 / 53 / 5

HEX #6BF373

RGB 107 243 115

HSL 123.53, 0.85%, 0.69%

LAB 86.24, -62.25, 50.22

 

CMYK 56 / 0 / 37 / 5

HEX #6BF398

RGB 107 243 152

HSL 139.85, 0.85%, 0.69%

LAB 86.75, -56.73, 32.95

 

CMYK 56 / 0 / 23 / 5

HEX #6BF3BC

RGB 107 243 188

HSL 155.74, 0.85%, 0.69%

LAB 87.42, -49.84, 15.47

 

CMYK 56 / 0 / 7 / 5

HEX #6BF3E1

RGB 107 243 225

HSL 172.06, 0.85%, 0.69%

LAB 88.29, -41.35, -2.55

 

CMYK 44 / 0 / 56 / 5

HEX #89F36B

RGB 137 243 107

HSL 106.76, 0.85%, 0.69%

LAB 87.23, -55.21, 55.29

 

CMYK 44 / 0 / 56 / 5

HEX #89F36B

RGB 137 243 107

HSL 106.76, 0.85%, 0.69%

LAB 87.23, -55.21, 55.29

 

CMYK 38 / 0 / 48 / 9

HEX #90E778

RGB 144 231 120

HSL 107.03, 0.7%, 0.69%

LAB 84.19, -46.64, 45.69

 

CMYK 31 / 0 / 39 / 15

HEX #97DA85

RGB 151 218 133

HSL 107.29, 0.53%, 0.69%

LAB 80.97, -36.93, 35.27

 

CMYK 22 / 0 / 29 / 20

HEX #9FCD92

RGB 159 205 146

HSL 106.78, 0.37%, 0.69%

LAB 77.94, -26.15, 24.61

 

CMYK 14 / 0 / 17 / 25

HEX #A6C09F

RGB 166 192 159

HSL 107.27, 0.21%, 0.69%

LAB 75.02, -15.05, 13.72

 

CMYK 14 / 0 / 56 / 5

HEX #D1F36B

RGB 209 243 107

HSL 75, 0.85%, 0.69%

LAB 91.11, -30.38, 60.76

 

CMYK 29 / 0 / 56 / 5

HEX #ADF36B

RGB 173 243 107

HSL 90.88, 0.85%, 0.69%

LAB 88.94, -43.57, 57.72

 

CMYK 44 / 0 / 56 / 5

HEX #89F36B

RGB 137 243 107

HSL 106.76, 0.85%, 0.69%

LAB 87.23, -55.21, 55.29

 

CMYK 56 / 0 / 53 / 5

HEX #6BF372

RGB 107 243 114

HSL 123.09, 0.85%, 0.69%

LAB 86.23, -62.38, 50.66

 

CMYK 56 / 0 / 38 / 5

HEX #6BF397

RGB 107 243 151

HSL 139.41, 0.85%, 0.69%

LAB 86.73, -56.9, 33.43

 

CMYK 68 / 0 / 87 / 7

HEX #4BEE1F

RGB 75 238 31

HSL 107.25, 0.86%, 0.53%

LAB 83.31, -74.08, 76.33

 

CMYK 56 / 0 / 71 / 5

HEX #6AF145

RGB 106 241 69

HSL 107.09, 0.86%, 0.61%

LAB 85.2, -66.35, 68.03

 

CMYK 44 / 0 / 56 / 5

HEX #89F36B

RGB 137 243 107

HSL 106.76, 0.85%, 0.69%

LAB 87.23, -55.21, 55.29

 

CMYK 32 / 0 / 41 / 4

HEX #A7F692

RGB 167 246 146

HSL 107.4, 0.85%, 0.77%

LAB 89.95, -42.37, 40.58

 

CMYK 20 / 0 / 26 / 2

HEX #C6F9B8

RGB 198 249 184

HSL 107.08, 0.84%, 0.85%

LAB 93.11, -27.95, 26.05

 

CMYK 43 / 0 / 55 / 4

HEX #8AF46D

RGB 138 244 109

HSL 107.11, 0.86%, 0.69%

LAB 87.59, -55.09, 54.82

 

CMYK 56 / 0 / 1 / 5

HEX #6BF3F1

RGB 107 243 241

HSL 179.12, 0.85%, 0.69%

LAB 88.72, -37.3, -10.27

 

CMYK 0 / 56 / 21 / 5

HEX #F36BBF

RGB 243 107 191

HSL 322.94, 0.85%, 0.69%

LAB 64.43, 61.28, -18.66

 

CMYK 43 / 0 / 55 / 4

HEX #8AF46D

RGB 138 244 109

HSL 107.11, 0.86%, 0.69%

LAB 87.59, -55.09, 54.82

 

CMYK 56 / 44 / 0 / 5

HEX #6B89F3

RGB 107 137 243

HSL 226.76, 0.85%, 0.69%

LAB 59.42, 19.76, -56.58

 

CMYK 0 / 56 / 44 / 5

HEX #F36B89

RGB 243 107 137

HSL 346.76, 0.85%, 0.69%

LAB 62.82, 54.89, 9.85

 

CMYK 43 / 0 / 55 / 4

HEX #8AF46D

RGB 138 244 109

HSL 107.11, 0.86%, 0.69%

LAB 87.59, -55.09, 54.82

 

CMYK 56 / 0 / 1 / 5

HEX #6BF3F1

RGB 107 243 241

HSL 179.12, 0.85%, 0.69%

LAB 88.72, -37.3, -10.27

 

CMYK 12 / 56 / 0 / 5

HEX #D66BF3

RGB 214 107 243

HSL 287.21, 0.85%, 0.69%

LAB 62.75, 61.95, -50.7

 

CMYK 0 / 56 / 55 / 5

HEX #F36B6E

RGB 243 107 110

HSL 358.68, 0.85%, 0.69%

LAB 62.25, 52.51, 24.54

 

CMYK 43 / 0 / 55 / 4

HEX #8AF46D

RGB 138 244 109

HSL 107.11, 0.86%, 0.69%

LAB 87.59, -55.09, 54.82

 

CMYK 56 / 16 / 0 / 5

HEX #6BCDF3

RGB 107 205 243

HSL 196.76, 0.85%, 0.69%

LAB 78.03, -18.29, -27.47

 

CMYK 12 / 56 / 0 / 5

HEX #D66BF3

RGB 214 107 243

HSL 287.21, 0.85%, 0.69%

LAB 62.75, 61.95, -50.7

 

CMYK 0 / 40 / 56 / 5

HEX #F3926B

RGB 243 146 107

HSL 17.21, 0.85%, 0.69%

LAB 69.95, 32.88, 36.17

 

Description

Color code: RGB 138 244 109 | qconv.com Color code: RGB 138 244 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 244 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 244 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 55 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 55% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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