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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 236 47 it is the complementary color RGB 117 19 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 236 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 236 47 shade: RGB 143 236 42, RGB 160 254 61, RGB 177 255 80, RGB 194 255 99 and RGB 211 255 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 236 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 236 47 shade: RGB 138 236 47, RGB 121 218 28, RGB 104 200 9, RGB 87 182 0 and RGB 70 164 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 236 47 shade: RGB 136 235 45, RGB 188 235 45, RGB 235 231 45, RGB 235 180 45 and RGB 235 128 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 236 47 shade: RGB 136 235 45, RGB 85 235 45, RGB 45 235 56, RGB 45 235 107 and RGB 45 235 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 236 47 shade matches the following richer shades: RGB 136 235 45 and RGB 136 254 26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 236 47 shade: RGB 136 235 45, RGB 137 216 63, RGB 138 198 82, RGB 138 179 100 and RGB 139 161 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 236 47 shade: RGB 235 232 45, RGB 187 235 45, RGB 137 235 45, RGB 86 235 45 and RGB 45 235 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 236 47 shade: RGB 95 181 16, RGB 115 218 20, RGB 136 235 45, RGB 157 238 82 and RGB 179 242 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 236 47 shade: RGB 138 236 47, RGB 45 235 181 and RGB 235 45 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 236 47 shade: RGB 138 236 47, RGB 45 137 235 and RGB 235 45 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 236 47 shade: RGB 138 236 47, RGB 45 235 181, RGB 143 45 235 and RGB 235 45 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 236 47 shade: RGB 138 236 47, RGB 45 232 235, RGB 143 45 235 and RGB 235 48 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 80 / 7

HEX #8AEC2F

RGB 138 236 47

HSL 91.11, 0.83%, 0.55%

LAB 84.79, -56.69, 74.82

 

Complementary color

CMYK 44 / 91 / 0 / 18

HEX #7513D0

RGB 117 19 208

HSL 271.11, 0.83%, 0.45%

LAB 35.6, 69.71, -75.34

 

CMYK 39 / 0 / 82 / 7

HEX #8FEC2A

RGB 143 236 42

HSL 88.76, 0.84%, 0.55%

LAB 85, -55.27, 76.34

 

CMYK 37 / 0 / 76 / 0

HEX #A0FE3D

RGB 160 254 61

HSL 89.22, 0.99%, 0.62%

LAB 91.1, -55.9, 77.11

 

CMYK 31 / 0 / 69 / 0

HEX #B1FF50

RGB 177 255 80

HSL 86.74, 1%, 0.66%

LAB 92.33, -49.43, 72.35

 

CMYK 24 / 0 / 61 / 0

HEX #C2FF63

RGB 194 255 99

HSL 83.46, 1%, 0.69%

LAB 93.4, -42.03, 66.45

 

CMYK 17 / 0 / 54 / 0

HEX #D3FF76

RGB 211 255 118

HSL 79.27, 1%, 0.73%

LAB 94.6, -34.2, 59.98

 

CMYK 42 / 0 / 80 / 7

HEX #8AEC2F

RGB 138 236 47

HSL 91.11, 0.83%, 0.55%

LAB 84.79, -56.69, 74.82

 

CMYK 44 / 0 / 87 / 15

HEX #79DA1C

RGB 121 218 28

HSL 90.63, 0.77%, 0.48%

LAB 78.63, -55.88, 73.44

 

CMYK 48 / 0 / 96 / 22

HEX #68C809

RGB 104 200 9

HSL 90.16, 0.91%, 0.41%

LAB 72.41, -54.79, 70.77

 

CMYK 52 / 0 / 100 / 29

HEX #57B600

RGB 87 182 0

HSL 91.32, 1%, 0.36%

LAB 66.12, -53.35, 66.51

 

CMYK 57 / 0 / 100 / 36

HEX #46A400

RGB 70 164 0

HSL 94.39, 1%, 0.32%

LAB 59.76, -51.6, 61.24

 

CMYK 42 / 0 / 81 / 8

HEX #88EB2D

RGB 136 235 45

HSL 91.26, 0.83%, 0.55%

LAB 84.4, -57.03, 74.95

 

CMYK 20 / 0 / 81 / 8

HEX #BCEB2D

RGB 188 235 45

HSL 74.84, 0.83%, 0.55%

LAB 87.14, -38.49, 78.43

 

CMYK 0 / 2 / 81 / 8

HEX #EBE72D

RGB 235 231 45

HSL 58.74, 0.83%, 0.55%

LAB 89.39, -17.62, 81.68

 

CMYK 0 / 23 / 81 / 8

HEX #EBB42D

RGB 235 180 45

HSL 42.63, 0.83%, 0.55%

LAB 76.37, 8.3, 70.44

 

CMYK 0 / 46 / 81 / 8

HEX #EB802D

RGB 235 128 45

HSL 26.21, 0.83%, 0.55%

LAB 64.4, 35.67, 59.77

 

CMYK 42 / 0 / 81 / 8

HEX #88EB2D

RGB 136 235 45

HSL 91.26, 0.83%, 0.55%

LAB 84.4, -57.03, 74.95

 

CMYK 64 / 0 / 81 / 8

HEX #55EB2D

RGB 85 235 45

HSL 107.37, 0.83%, 0.55%

LAB 82.67, -70.6, 72.72

 

CMYK 81 / 0 / 76 / 8

HEX #2DEB38

RGB 45 235 56

HSL 123.47, 0.83%, 0.55%

LAB 81.98, -76.29, 68.68

 

CMYK 81 / 0 / 54 / 8

HEX #2DEB6B

RGB 45 235 107

HSL 139.58, 0.83%, 0.55%

LAB 82.4, -71.14, 48.96

 

CMYK 81 / 0 / 33 / 8

HEX #2DEB9E

RGB 45 235 158

HSL 155.68, 0.83%, 0.55%

LAB 83.15, -62.41, 24.84

 

CMYK 42 / 0 / 81 / 8

HEX #88EB2D

RGB 136 235 45

HSL 91.26, 0.83%, 0.55%

LAB 84.4, -57.03, 74.95

 

CMYK 46 / 0 / 90 / 0

HEX #88FE1A

RGB 136 254 26

HSL 91.05, 0.99%, 0.55%

LAB 89.95, -64.73, 83.51

 

CMYK 42 / 0 / 81 / 8

HEX #88EB2D

RGB 136 235 45

HSL 91.26, 0.83%, 0.55%

LAB 84.4, -57.03, 74.95

 

CMYK 37 / 0 / 71 / 15

HEX #89D83F

RGB 137 216 63

HSL 90.98, 0.66%, 0.55%

LAB 78.92, -48.15, 64.19

 

CMYK 30 / 0 / 59 / 22

HEX #8AC652

RGB 138 198 82

HSL 91.03, 0.5%, 0.55%

LAB 73.8, -38.54, 50.99

 

CMYK 23 / 0 / 44 / 30

HEX #8AB364

RGB 138 179 100

HSL 91.14, 0.34%, 0.55%

LAB 68.43, -27.71, 35.86

 

CMYK 14 / 0 / 26 / 37

HEX #8BA177

RGB 139 161 119

HSL 91.43, 0.18%, 0.55%

LAB 63.6, -15.55, 19.38

 

CMYK 0 / 1 / 81 / 8

HEX #EBE82D

RGB 235 232 45

HSL 59.05, 0.83%, 0.55%

LAB 89.66, -18.11, 81.91

 

CMYK 20 / 0 / 81 / 8

HEX #BBEB2D

RGB 187 235 45

HSL 75.16, 0.83%, 0.55%

LAB 87.08, -38.88, 78.35

 

CMYK 42 / 0 / 81 / 8

HEX #89EB2D

RGB 137 235 45

HSL 90.95, 0.83%, 0.55%

LAB 84.44, -56.71, 75

 

CMYK 63 / 0 / 81 / 8

HEX #56EB2D

RGB 86 235 45

HSL 107.05, 0.83%, 0.55%

LAB 82.69, -70.39, 72.76

 

CMYK 81 / 0 / 77 / 8

HEX #2DEB36

RGB 45 235 54

HSL 122.84, 0.83%, 0.55%

LAB 81.97, -76.43, 69.28

 

CMYK 48 / 0 / 91 / 29

HEX #5FB510

RGB 95 181 16

HSL 91.27, 0.84%, 0.39%

LAB 66.15, -50.22, 64.61

 

CMYK 47 / 0 / 91 / 15

HEX #73DA14

RGB 115 218 20

HSL 91.21, 0.83%, 0.47%

LAB 78.37, -57.95, 74.46

 

CMYK 42 / 0 / 81 / 8

HEX #88EB2D

RGB 136 235 45

HSL 91.26, 0.83%, 0.55%

LAB 84.4, -57.03, 74.95

 

CMYK 34 / 0 / 66 / 7

HEX #9DEE52

RGB 157 238 82

HSL 91.15, 0.82%, 0.63%

LAB 86.47, -49.1, 65.18

 

CMYK 26 / 0 / 50 / 5

HEX #B3F278

RGB 179 242 120

HSL 90.98, 0.82%, 0.71%

LAB 89.13, -39.72, 52.13

 

CMYK 42 / 0 / 80 / 7

HEX #8AEC2F

RGB 138 236 47

HSL 91.11, 0.83%, 0.55%

LAB 84.79, -56.69, 74.82

 

CMYK 81 / 0 / 23 / 8

HEX #2DEBB5

RGB 45 235 181

HSL 162.95, 0.83%, 0.55%

LAB 83.61, -57.37, 13.55

 

CMYK 0 / 81 / 9 / 8

HEX #EB2DD5

RGB 235 45 213

HSL 306.95, 0.83%, 0.55%

LAB 56.43, 83.78, -43.66

 

CMYK 42 / 0 / 80 / 7

HEX #8AEC2F

RGB 138 236 47

HSL 91.11, 0.83%, 0.55%

LAB 84.79, -56.69, 74.82

 

CMYK 81 / 42 / 0 / 8

HEX #2D89EB

RGB 45 137 235

HSL 210.95, 0.83%, 0.55%

LAB 56.53, 7.82, -56.9

 

CMYK 0 / 81 / 42 / 8

HEX #EB2D89

RGB 235 45 137

HSL 330.95, 0.83%, 0.55%

LAB 53.33, 74.99, -4.06

 

CMYK 42 / 0 / 80 / 7

HEX #8AEC2F

RGB 138 236 47

HSL 91.11, 0.83%, 0.55%

LAB 84.79, -56.69, 74.82

 

CMYK 81 / 0 / 23 / 8

HEX #2DEBB5

RGB 45 235 181

HSL 162.95, 0.83%, 0.55%

LAB 83.61, -57.37, 13.55

 

CMYK 39 / 81 / 0 / 8

HEX #8F2DEB

RGB 143 45 235

HSL 270.95, 0.83%, 0.55%

LAB 43.82, 71.89, -77.19

 

CMYK 0 / 81 / 58 / 8

HEX #EB2D62

RGB 235 45 98

HSL 343.26, 0.83%, 0.55%

LAB 52.31, 71.97, 17.98

 

CMYK 42 / 0 / 80 / 7

HEX #8AEC2F

RGB 138 236 47

HSL 91.11, 0.83%, 0.55%

LAB 84.79, -56.69, 74.82

 

CMYK 81 / 1 / 0 / 8

HEX #2DE8EB

RGB 45 232 235

HSL 180.95, 0.83%, 0.55%

LAB 84.11, -41.98, -14.15

 

CMYK 39 / 81 / 0 / 8

HEX #8F2DEB

RGB 143 45 235

HSL 270.95, 0.83%, 0.55%

LAB 43.82, 71.89, -77.19

 

CMYK 0 / 80 / 81 / 8

HEX #EB302D

RGB 235 48 45

HSL 0.95, 0.83%, 0.55%

LAB 51.8, 68.83, 48

 

Description

Color code: RGB 138 236 47 | qconv.com Color code: RGB 138 236 47 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 236 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 236 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 80 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 80% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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