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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 235 9 it is the complementary color RGB 117 20 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 235 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 235 9 shade: RGB 143 235 4, RGB 160 253 23, RGB 177 255 42, RGB 194 255 61 and RGB 211 255 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 235 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 235 9 shade: RGB 138 235 9, RGB 121 217 0, RGB 104 199 0, RGB 87 181 0 and RGB 70 163 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 235 9 shade: RGB 138 236 8, RGB 199 236 8, RGB 236 211 8, RGB 236 149 8 and RGB 236 88 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 235 9 shade: RGB 138 236 8, RGB 77 236 8, RGB 15 236 8, RGB 8 236 62 and RGB 8 236 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 235 9 shade matches the following richer shades: RGB 138 236 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 235 9 shade: RGB 138 236 8, RGB 135 216 28, RGB 132 196 48, RGB 130 176 67 and RGB 127 157 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 235 9 shade: RGB 236 209 8, RGB 202 236 8, RGB 141 236 8, RGB 80 236 8 and RGB 19 236 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 235 9 shade: RGB 91 156 5, RGB 115 196 7, RGB 138 236 8, RGB 157 247 38 and RGB 175 248 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 235 9 shade: RGB 138 235 9, RGB 8 236 148 and RGB 236 8 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 235 9 shade: RGB 138 235 9, RGB 8 141 236 and RGB 236 8 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 235 9 shade: RGB 138 235 9, RGB 8 236 148, RGB 103 8 236 and RGB 236 8 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 235 9 shade: RGB 138 235 9, RGB 8 236 217, RGB 103 8 236 and RGB 236 8 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 96 / 8

HEX #8AEB09

RGB 138 235 9

HSL 85.75, 0.93%, 0.48%

LAB 84.4, -57.32, 80.95

 

Complementary color

CMYK 52 / 92 / 0 / 4

HEX #7514F6

RGB 117 20 246

HSL 265.75, 0.93%, 0.52%

LAB 39.47, 77.89, -90.67

 

CMYK 39 / 0 / 98 / 8

HEX #8FEB04

RGB 143 235 4

HSL 83.9, 0.97%, 0.47%

LAB 84.62, -55.74, 81.63

 

CMYK 37 / 0 / 91 / 1

HEX #A0FD17

RGB 160 253 23

HSL 84.26, 0.98%, 0.54%

LAB 90.68, -56.81, 84.95

 

CMYK 31 / 0 / 84 / 0

HEX #B1FF2A

RGB 177 255 42

HSL 81.97, 1%, 0.58%

LAB 92.15, -51.25, 83.24

 

CMYK 24 / 0 / 76 / 0

HEX #C2FF3D

RGB 194 255 61

HSL 78.87, 1%, 0.62%

LAB 93.16, -44.34, 79.68

 

CMYK 17 / 0 / 69 / 0

HEX #D3FF50

RGB 211 255 80

HSL 75.09, 1%, 0.66%

LAB 94.29, -36.98, 74.97

 

CMYK 41 / 0 / 96 / 8

HEX #8AEB09

RGB 138 235 9

HSL 85.75, 0.93%, 0.48%

LAB 84.4, -57.32, 80.95

 

CMYK 44 / 0 / 100 / 15

HEX #79D900

RGB 121 217 0

HSL 86.54, 1%, 0.43%

LAB 78.28, -56.04, 76.61

 

CMYK 48 / 0 / 100 / 22

HEX #68C700

RGB 104 199 0

HSL 88.64, 1%, 0.39%

LAB 72.09, -54.56, 71.47

 

CMYK 52 / 0 / 100 / 29

HEX #57B500

RGB 87 181 0

HSL 91.16, 1%, 0.35%

LAB 65.81, -52.98, 66.26

 

CMYK 57 / 0 / 100 / 36

HEX #46A300

RGB 70 163 0

HSL 94.23, 1%, 0.32%

LAB 59.43, -51.24, 60.99

 

CMYK 42 / 0 / 97 / 7

HEX #8AEC08

RGB 138 236 8

HSL 85.79, 0.93%, 0.48%

LAB 84.7, -57.72, 81.26

 

CMYK 16 / 0 / 97 / 7

HEX #C7EC08

RGB 199 236 8

HSL 69.74, 0.93%, 0.48%

LAB 88.04, -35.38, 85.31

 

CMYK 0 / 11 / 97 / 7

HEX #ECD308

RGB 236 211 8

HSL 53.42, 0.93%, 0.48%

LAB 84.19, -7.94, 83.69

 

CMYK 0 / 37 / 97 / 7

HEX #EC9508

RGB 236 149 8

HSL 37.11, 0.93%, 0.48%

LAB 69, 24.42, 72.93

 

CMYK 0 / 63 / 97 / 7

HEX #EC5808

RGB 236 88 8

HSL 21.05, 0.93%, 0.48%

LAB 56.91, 54.48, 65.21

 

CMYK 42 / 0 / 97 / 7

HEX #8AEC08

RGB 138 236 8

HSL 85.79, 0.93%, 0.48%

LAB 84.7, -57.72, 81.26

 

CMYK 67 / 0 / 97 / 7

HEX #4DEC08

RGB 77 236 8

HSL 101.84, 0.93%, 0.48%

LAB 82.69, -73.62, 78.82

 

CMYK 94 / 0 / 97 / 7

HEX #0FEC08

RGB 15 236 8

HSL 118.16, 0.93%, 0.48%

LAB 81.9, -80.65, 77.84

 

CMYK 97 / 0 / 74 / 7

HEX #08EC3E

RGB 8 236 62

HSL 134.21, 0.93%, 0.48%

LAB 82.05, -78.58, 66.73

 

CMYK 97 / 0 / 47 / 7

HEX #08EC7C

RGB 8 236 124

HSL 150.53, 0.93%, 0.48%

LAB 82.65, -71.19, 41.16

 

CMYK 42 / 0 / 97 / 7

HEX #8AEC08

RGB 138 236 8

HSL 85.79, 0.93%, 0.48%

LAB 84.7, -57.72, 81.26

 

CMYK 42 / 0 / 97 / 7

HEX #8AEC08

RGB 138 236 8

HSL 85.79, 0.93%, 0.48%

LAB 84.7, -57.72, 81.26

 

CMYK 38 / 0 / 87 / 15

HEX #87D81C

RGB 135 216 28

HSL 85.85, 0.77%, 0.48%

LAB 78.66, -50.48, 73.72

 

CMYK 33 / 0 / 76 / 23

HEX #84C430

RGB 132 196 48

HSL 85.95, 0.61%, 0.48%

LAB 72.63, -42.38, 63.07

 

CMYK 26 / 0 / 62 / 31

HEX #82B043

RGB 130 176 67

HSL 85.32, 0.45%, 0.48%

LAB 66.67, -32.84, 49.56

 

CMYK 19 / 0 / 45 / 38

HEX #7F9D57

RGB 127 157 87

HSL 85.71, 0.29%, 0.48%

LAB 61.06, -22.71, 33.16

 

CMYK 0 / 11 / 97 / 7

HEX #ECD108

RGB 236 209 8

HSL 52.89, 0.93%, 0.48%

LAB 83.68, -6.93, 83.31

 

CMYK 14 / 0 / 97 / 7

HEX #CAEC08

RGB 202 236 8

HSL 68.95, 0.93%, 0.48%

LAB 88.24, -34.18, 85.55

 

CMYK 40 / 0 / 97 / 7

HEX #8DEC08

RGB 141 236 8

HSL 85, 0.93%, 0.48%

LAB 84.83, -56.74, 81.42

 

CMYK 66 / 0 / 97 / 7

HEX #50EC08

RGB 80 236 8

HSL 101.05, 0.93%, 0.48%

LAB 82.76, -73.04, 78.9

 

CMYK 92 / 0 / 97 / 7

HEX #13EC08

RGB 19 236 8

HSL 117.11, 0.93%, 0.48%

LAB 81.92, -80.47, 77.87

 

CMYK 42 / 0 / 97 / 39

HEX #5B9C05

RGB 91 156 5

HSL 85.83, 0.94%, 0.32%

LAB 58.05, -41.78, 59.51

 

CMYK 41 / 0 / 96 / 23

HEX #73C407

RGB 115 196 7

HSL 85.71, 0.93%, 0.4%

LAB 71.65, -49.73, 70.57

 

CMYK 42 / 0 / 97 / 7

HEX #8AEC08

RGB 138 236 8

HSL 85.79, 0.93%, 0.48%

LAB 84.7, -57.72, 81.26

 

CMYK 36 / 0 / 85 / 3

HEX #9DF726

RGB 157 247 38

HSL 85.84, 0.93%, 0.56%

LAB 88.84, -55.08, 80.84

 

CMYK 29 / 0 / 69 / 3

HEX #AFF84E

RGB 175 248 78

HSL 85.76, 0.92%, 0.64%

LAB 90.23, -47.32, 70.89

 

CMYK 41 / 0 / 96 / 8

HEX #8AEB09

RGB 138 235 9

HSL 85.75, 0.93%, 0.48%

LAB 84.4, -57.32, 80.95

 

CMYK 97 / 0 / 37 / 7

HEX #08EC94

RGB 8 236 148

HSL 156.84, 0.93%, 0.48%

LAB 83.01, -66.88, 29.71

 

CMYK 0 / 97 / 2 / 7

HEX #EC08E8

RGB 236 8 232

HSL 301.05, 0.93%, 0.48%

LAB 55.92, 91.58, -55.22

 

CMYK 41 / 0 / 96 / 8

HEX #8AEB09

RGB 138 235 9

HSL 85.75, 0.93%, 0.48%

LAB 84.4, -57.32, 80.95

 

CMYK 97 / 40 / 0 / 7

HEX #088DEC

RGB 8 141 236

HSL 205, 0.93%, 0.48%

LAB 57.23, 3.71, -56.37

 

CMYK 0 / 97 / 40 / 7

HEX #EC088D

RGB 236 8 141

HSL 325, 0.93%, 0.48%

LAB 51.76, 81.03, -8.77

 

CMYK 41 / 0 / 96 / 8

HEX #8AEB09

RGB 138 235 9

HSL 85.75, 0.93%, 0.48%

LAB 84.4, -57.32, 80.95

 

CMYK 97 / 0 / 37 / 7

HEX #08EC94

RGB 8 236 148

HSL 156.84, 0.93%, 0.48%

LAB 83.01, -66.88, 29.71

 

CMYK 56 / 97 / 0 / 7

HEX #6708EC

RGB 103 8 236

HSL 265, 0.93%, 0.48%

LAB 36.2, 76.4, -90.48

 

CMYK 0 / 97 / 60 / 7

HEX #EC085F

RGB 236 8 95

HSL 337.11, 0.93%, 0.48%

LAB 50.49, 77.64, 17.37

 

CMYK 41 / 0 / 96 / 8

HEX #8AEB09

RGB 138 235 9

HSL 85.75, 0.93%, 0.48%

LAB 84.4, -57.32, 80.95

 

CMYK 97 / 0 / 8 / 7

HEX #08ECD9

RGB 8 236 217

HSL 175, 0.93%, 0.48%

LAB 84.51, -50.53, -4.08

 

CMYK 56 / 97 / 0 / 7

HEX #6708EC

RGB 103 8 236

HSL 265, 0.93%, 0.48%

LAB 36.2, 76.4, -90.48

 

CMYK 0 / 97 / 89 / 7

HEX #EC081B

RGB 236 8 27

HSL 355, 0.93%, 0.48%

LAB 49.6, 75.2, 54.86

 

Description

Color code: RGB 138 235 9 | qconv.com Color code: RGB 138 235 9 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 235 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 235 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 96 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 96% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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