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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 226 14 it is the complementary color RGB 117 29 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 226 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 226 14 shade: RGB 143 226 9, RGB 160 244 28, RGB 177 255 47, RGB 194 255 66 and RGB 211 255 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 226 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 226 14 shade: RGB 138 226 14, RGB 121 208 0, RGB 104 190 0, RGB 87 172 0 and RGB 70 154 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 226 14 shade: RGB 137 225 14, RGB 194 225 14, RGB 225 199 14, RGB 225 142 14 and RGB 225 85 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 226 14 shade: RGB 137 225 14, RGB 80 225 14, RGB 23 225 14, RGB 14 225 61 and RGB 14 225 118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 226 14 shade matches the following richer shades: RGB 137 225 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 226 14 shade: RGB 137 225 14, RGB 134 205 33, RGB 131 186 53, RGB 127 167 72 and RGB 124 147 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 226 14 shade: RGB 225 197 14, RGB 197 225 14, RGB 140 225 14, RGB 84 225 14 and RGB 28 225 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 226 14 shade: RGB 90 147 9, RGB 114 186 11, RGB 137 225 14, RGB 157 241 39 and RGB 175 243 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 226 14 shade: RGB 138 226 14, RGB 14 225 140 and RGB 225 14 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 226 14 shade: RGB 138 226 14, RGB 14 140 225 and RGB 225 14 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 226 14 shade: RGB 138 226 14, RGB 14 225 140, RGB 98 14 225 and RGB 225 14 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 226 14 shade: RGB 138 226 14, RGB 14 225 204, RGB 98 14 225 and RGB 225 14 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 94 / 11

HEX #8AE20E

RGB 138 226 14

HSL 84.91, 0.88%, 0.47%

LAB 81.74, -53.76, 78.37

 

Complementary color

CMYK 51 / 88 / 0 / 5

HEX #751DF1

RGB 117 29 241

HSL 264.91, 0.88%, 0.53%

LAB 39.6, 74.84, -87.64

 

CMYK 37 / 0 / 96 / 11

HEX #8FE209

RGB 143 226 9

HSL 82.95, 0.92%, 0.46%

LAB 81.98, -52.12, 79.12

 

CMYK 34 / 0 / 89 / 4

HEX #A0F41C

RGB 160 244 28

HSL 83.33, 0.91%, 0.53%

LAB 88.09, -53.13, 82.1

 

CMYK 31 / 0 / 82 / 0

HEX #B1FF2F

RGB 177 255 47

HSL 82.5, 1%, 0.59%

LAB 92.16, -51.08, 82.13

 

CMYK 24 / 0 / 74 / 0

HEX #C2FF42

RGB 194 255 66

HSL 79.37, 1%, 0.63%

LAB 93.18, -44.11, 78.2

 

CMYK 17 / 0 / 67 / 0

HEX #D3FF55

RGB 211 255 85

HSL 75.53, 1%, 0.67%

LAB 94.32, -36.68, 73.19

 

CMYK 39 / 0 / 94 / 11

HEX #8AE20E

RGB 138 226 14

HSL 84.91, 0.88%, 0.47%

LAB 81.74, -53.76, 78.37

 

CMYK 42 / 0 / 100 / 18

HEX #79D000

RGB 121 208 0

HSL 85.1, 1%, 0.41%

LAB 75.56, -52.57, 74.49

 

CMYK 45 / 0 / 100 / 25

HEX #68BE00

RGB 104 190 0

HSL 87.16, 1%, 0.37%

LAB 69.31, -51.13, 69.3

 

CMYK 49 / 0 / 100 / 33

HEX #57AC00

RGB 87 172 0

HSL 89.65, 1%, 0.34%

LAB 62.95, -49.6, 64.03

 

CMYK 55 / 0 / 100 / 40

HEX #469A00

RGB 70 154 0

HSL 92.73, 1%, 0.3%

LAB 56.5, -47.93, 58.68

 

CMYK 39 / 0 / 94 / 12

HEX #89E10E

RGB 137 225 14

HSL 85.02, 0.88%, 0.47%

LAB 81.4, -53.7, 78.08

 

CMYK 14 / 0 / 94 / 12

HEX #C2E10E

RGB 194 225 14

HSL 68.82, 0.88%, 0.47%

LAB 84.66, -32.29, 82.04

 

CMYK 0 / 12 / 94 / 12

HEX #E1C70E

RGB 225 199 14

HSL 52.61, 0.88%, 0.47%

LAB 80.12, -6.52, 79.65

 

CMYK 0 / 37 / 94 / 12

HEX #E18E0E

RGB 225 142 14

HSL 36.4, 0.88%, 0.47%

LAB 66.05, 23.53, 69.39

 

CMYK 0 / 62 / 94 / 12

HEX #E1550E

RGB 225 85 14

HSL 20.19, 0.88%, 0.47%

LAB 54.59, 51.98, 61.62

 

CMYK 39 / 0 / 94 / 12

HEX #89E10E

RGB 137 225 14

HSL 85.02, 0.88%, 0.47%

LAB 81.4, -53.7, 78.08

 

CMYK 64 / 0 / 94 / 12

HEX #50E10E

RGB 80 225 14

HSL 101.23, 0.88%, 0.47%

LAB 79.38, -69.5, 75.59

 

CMYK 90 / 0 / 94 / 12

HEX #17E10E

RGB 23 225 14

HSL 117.44, 0.88%, 0.47%

LAB 78.5, -77.19, 74.51

 

CMYK 94 / 0 / 73 / 12

HEX #0EE13D

RGB 14 225 61

HSL 133.36, 0.88%, 0.47%

LAB 78.63, -75.38, 63.62

 

CMYK 94 / 0 / 48 / 12

HEX #0EE176

RGB 14 225 118

HSL 149.57, 0.88%, 0.47%

LAB 79.19, -68.43, 39.71

 

CMYK 39 / 0 / 94 / 12

HEX #89E10E

RGB 137 225 14

HSL 85.02, 0.88%, 0.47%

LAB 81.4, -53.7, 78.08

 

CMYK 39 / 0 / 94 / 12

HEX #89E10E

RGB 137 225 14

HSL 85.02, 0.88%, 0.47%

LAB 81.4, -53.7, 78.08

 

CMYK 35 / 0 / 84 / 20

HEX #86CD21

RGB 134 205 33

HSL 84.77, 0.72%, 0.47%

LAB 75.35, -46.15, 69.8

 

CMYK 30 / 0 / 72 / 27

HEX #83BA35

RGB 131 186 53

HSL 84.81, 0.56%, 0.47%

LAB 69.61, -38.07, 58.36

 

CMYK 24 / 0 / 57 / 35

HEX #7FA748

RGB 127 167 72

HSL 85.26, 0.4%, 0.47%

LAB 63.85, -29.29, 44.03

 

CMYK 16 / 0 / 38 / 42

HEX #7C935B

RGB 124 147 91

HSL 84.64, 0.24%, 0.47%

LAB 57.95, -18.24, 27.01

 

CMYK 0 / 12 / 94 / 12

HEX #E1C50E

RGB 225 197 14

HSL 52.04, 0.88%, 0.47%

LAB 79.6, -5.5, 79.26

 

CMYK 12 / 0 / 94 / 12

HEX #C5E10E

RGB 197 225 14

HSL 67.96, 0.88%, 0.47%

LAB 84.87, -31.08, 82.29

 

CMYK 38 / 0 / 94 / 12

HEX #8CE10E

RGB 140 225 14

HSL 84.17, 0.88%, 0.47%

LAB 81.54, -52.68, 78.25

 

CMYK 63 / 0 / 94 / 12

HEX #54E10E

RGB 84 225 14

HSL 100.09, 0.88%, 0.47%

LAB 79.48, -68.64, 75.72

 

CMYK 88 / 0 / 94 / 12

HEX #1CE10E

RGB 28 225 14

HSL 116.02, 0.88%, 0.47%

LAB 78.54, -76.85, 74.55

 

CMYK 39 / 0 / 94 / 42

HEX #5A9309

RGB 90 147 9

HSL 84.78, 0.88%, 0.31%

LAB 55.13, -38.23, 56.52

 

CMYK 39 / 0 / 94 / 27

HEX #72BA0B

RGB 114 186 11

HSL 84.69, 0.89%, 0.39%

LAB 68.55, -45.97, 67.62

 

CMYK 39 / 0 / 94 / 12

HEX #89E10E

RGB 137 225 14

HSL 85.02, 0.88%, 0.47%

LAB 81.4, -53.7, 78.08

 

CMYK 35 / 0 / 84 / 5

HEX #9DF127

RGB 157 241 39

HSL 84.95, 0.88%, 0.55%

LAB 87.11, -52.64, 79.13

 

CMYK 28 / 0 / 68 / 5

HEX #AFF34E

RGB 175 243 78

HSL 84.73, 0.87%, 0.63%

LAB 88.81, -45.19, 69.43

 

CMYK 39 / 0 / 94 / 11

HEX #8AE20E

RGB 138 226 14

HSL 84.91, 0.88%, 0.47%

LAB 81.74, -53.76, 78.37

 

CMYK 94 / 0 / 38 / 12

HEX #0EE18C

RGB 14 225 140

HSL 155.83, 0.88%, 0.47%

LAB 79.52, -64.47, 29.12

 

CMYK 0 / 94 / 0 / 12

HEX #E10EE1

RGB 225 14 225

HSL 300, 0.88%, 0.47%

LAB 53.77, 88.39, -54.81

 

CMYK 39 / 0 / 94 / 11

HEX #8AE20E

RGB 138 226 14

HSL 84.91, 0.88%, 0.47%

LAB 81.74, -53.76, 78.37

 

CMYK 94 / 38 / 0 / 12

HEX #0E8CE1

RGB 14 140 225

HSL 204.17, 0.88%, 0.47%

LAB 56.37, 0.3, -51.61

 

CMYK 0 / 94 / 38 / 12

HEX #E10E8C

RGB 225 14 140

HSL 324.17, 0.88%, 0.47%

LAB 49.76, 78.14, -11.39

 

CMYK 39 / 0 / 94 / 11

HEX #8AE20E

RGB 138 226 14

HSL 84.91, 0.88%, 0.47%

LAB 81.74, -53.76, 78.37

 

CMYK 94 / 0 / 38 / 12

HEX #0EE18C

RGB 14 225 140

HSL 155.83, 0.88%, 0.47%

LAB 79.52, -64.47, 29.12

 

CMYK 56 / 94 / 0 / 12

HEX #620EE1

RGB 98 14 225

HSL 263.89, 0.88%, 0.47%

LAB 34.7, 72.73, -86.72

 

CMYK 0 / 94 / 56 / 12

HEX #E10E62

RGB 225 14 98

HSL 336.11, 0.88%, 0.47%

LAB 48.52, 74.8, 12.46

 

CMYK 39 / 0 / 94 / 11

HEX #8AE20E

RGB 138 226 14

HSL 84.91, 0.88%, 0.47%

LAB 81.74, -53.76, 78.37

 

CMYK 94 / 0 / 9 / 12

HEX #0EE1CC

RGB 14 225 204

HSL 174.03, 0.88%, 0.47%

LAB 80.91, -49.34, -2.5

 

CMYK 56 / 94 / 0 / 12

HEX #620EE1

RGB 98 14 225

HSL 263.89, 0.88%, 0.47%

LAB 34.7, 72.73, -86.72

 

CMYK 0 / 94 / 84 / 12

HEX #E10E23

RGB 225 14 35

HSL 354.03, 0.88%, 0.47%

LAB 47.55, 72.13, 48.48

 

Description

Color code: RGB 138 226 14 | qconv.com Color code: RGB 138 226 14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 226 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 226 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 94 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 94% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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