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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 192 90 it is the complementary color RGB 117 63 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 192 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 192 90 shade: RGB 143 192 85, RGB 160 210 104, RGB 177 228 123, RGB 194 246 142 and RGB 211 255 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 192 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 192 90 shade: RGB 138 192 90, RGB 121 174 71, RGB 104 156 52, RGB 87 138 33 and RGB 70 120 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 192 90 shade: RGB 137 191 88, RGB 165 191 88, RGB 191 190 88, RGB 191 163 88 and RGB 191 135 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 192 90 shade: RGB 137 191 88, RGB 109 191 88, RGB 88 191 95, RGB 88 191 123 and RGB 88 191 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 192 90 shade matches the following richer shades: RGB 137 191 88, RGB 136 210 70, RGB 135 229 51 and RGB 133 247 32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 192 90 shade: RGB 137 191 88, RGB 138 173 107, RGB 139 154 125, RGB 140 136 144 and RGB 141 117 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 192 90 shade: RGB 191 190 88, RGB 166 191 88, RGB 138 191 88, RGB 110 191 88 and RGB 88 191 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 192 90 shade: RGB 96 143 54, RGB 116 173 65, RGB 137 191 88, RGB 158 203 118 and RGB 179 214 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 192 90 shade: RGB 138 192 90, RGB 88 191 162 and RGB 191 88 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 192 90 shade: RGB 138 192 90, RGB 88 138 191 and RGB 191 88 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 192 90 shade: RGB 138 192 90, RGB 88 191 162, RGB 141 88 191 and RGB 191 88 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 192 90 shade: RGB 138 192 90, RGB 88 190 191, RGB 141 88 191 and RGB 191 90 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 53 / 25

HEX #8AC05A

RGB 138 192 90

HSL 91.76, 0.45%, 0.55%

LAB 72.12, -35.01, 45.32

 

Complementary color

CMYK 29 / 62 / 0 / 35

HEX #753FA5

RGB 117 63 165

HSL 271.76, 0.45%, 0.45%

LAB 37.94, 43.04, -46.19

 

CMYK 26 / 0 / 56 / 25

HEX #8FC055

RGB 143 192 85

HSL 87.48, 0.46%, 0.54%

LAB 72.36, -33.68, 48.03

 

CMYK 24 / 0 / 50 / 18

HEX #A0D268

RGB 160 210 104

HSL 88.3, 0.54%, 0.62%

LAB 78.79, -33.75, 46.94

 

CMYK 22 / 0 / 46 / 11

HEX #B1E47B

RGB 177 228 123

HSL 89.14, 0.66%, 0.69%

LAB 85.13, -33.77, 45.8

 

CMYK 21 / 0 / 42 / 4

HEX #C2F68E

RGB 194 246 142

HSL 90, 0.85%, 0.76%

LAB 91.39, -33.74, 44.66

 

CMYK 17 / 0 / 37 / 0

HEX #D3FFA1

RGB 211 255 161

HSL 88.09, 1%, 0.82%

LAB 95.14, -29.54, 40.41

 

CMYK 28 / 0 / 53 / 25

HEX #8AC05A

RGB 138 192 90

HSL 91.76, 0.45%, 0.55%

LAB 72.12, -35.01, 45.32

 

CMYK 30 / 0 / 59 / 32

HEX #79AE47

RGB 121 174 71

HSL 90.87, 0.42%, 0.48%

LAB 65.59, -34.94, 46.39

 

CMYK 33 / 0 / 67 / 39

HEX #689C34

RGB 104 156 52

HSL 90, 0.5%, 0.41%

LAB 58.94, -34.75, 47.25

 

CMYK 37 / 0 / 76 / 46

HEX #578A21

RGB 87 138 33

HSL 89.14, 0.61%, 0.34%

LAB 52.19, -34.38, 47.61

 

CMYK 42 / 0 / 88 / 53

HEX #46780E

RGB 70 120 14

HSL 88.3, 0.79%, 0.26%

LAB 45.31, -33.7, 46.86

 

CMYK 28 / 0 / 54 / 25

HEX #89BF58

RGB 137 191 88

HSL 91.46, 0.45%, 0.55%

LAB 71.75, -35.13, 45.82

 

CMYK 14 / 0 / 54 / 25

HEX #A5BF58

RGB 165 191 88

HSL 75.15, 0.45%, 0.55%

LAB 73.52, -24.42, 48.35

 

CMYK 0 / 1 / 54 / 25

HEX #BFBE58

RGB 191 190 88

HSL 59.42, 0.45%, 0.55%

LAB 75.21, -13.32, 50.8

 

CMYK 0 / 15 / 54 / 25

HEX #BFA358

RGB 191 163 88

HSL 43.69, 0.45%, 0.55%

LAB 68, 0.83, 42.35

 

CMYK 0 / 29 / 54 / 25

HEX #BF8758

RGB 191 135 88

HSL 27.38, 0.45%, 0.55%

LAB 60.88, 16.14, 33.64

 

CMYK 28 / 0 / 54 / 25

HEX #89BF58

RGB 137 191 88

HSL 91.46, 0.45%, 0.55%

LAB 71.75, -35.13, 45.82

 

CMYK 43 / 0 / 54 / 25

HEX #6DBF58

RGB 109 191 88

HSL 107.77, 0.45%, 0.55%

LAB 70.33, -44.65, 43.78

 

CMYK 54 / 0 / 50 / 25

HEX #58BF5F

RGB 88 191 95

HSL 124.08, 0.45%, 0.55%

LAB 69.59, -49.74, 39.29

 

CMYK 54 / 0 / 36 / 25

HEX #58BF7B

RGB 88 191 123

HSL 140.39, 0.45%, 0.55%

LAB 70.01, -45.21, 25.46

 

CMYK 54 / 0 / 21 / 25

HEX #58BF97

RGB 88 191 151

HSL 156.7, 0.45%, 0.55%

LAB 70.57, -39.52, 11.21

 

CMYK 28 / 0 / 54 / 25

HEX #89BF58

RGB 137 191 88

HSL 91.46, 0.45%, 0.55%

LAB 71.75, -35.13, 45.82

 

CMYK 35 / 0 / 67 / 18

HEX #88D246

RGB 136 210 70

HSL 91.71, 0.61%, 0.55%

LAB 77.14, -45.48, 59.7

 

CMYK 41 / 0 / 78 / 10

HEX #87E533

RGB 135 229 51

HSL 91.69, 0.77%, 0.55%

LAB 82.61, -54.74, 71.65

 

CMYK 46 / 0 / 87 / 3

HEX #85F720

RGB 133 247 32

HSL 91.81, 0.93%, 0.55%

LAB 87.78, -62.92, 80.67

 

CMYK 28 / 0 / 54 / 25

HEX #89BF58

RGB 137 191 88

HSL 91.46, 0.45%, 0.55%

LAB 71.75, -35.13, 45.82

 

CMYK 20 / 0 / 38 / 32

HEX #8AAD6B

RGB 138 173 107

HSL 91.82, 0.29%, 0.55%

LAB 66.79, -23.84, 30.11

 

CMYK 10 / 0 / 19 / 40

HEX #8B9A7D

RGB 139 154 125

HSL 91.03, 0.13%, 0.55%

LAB 61.72, -10.84, 13.46

 

CMYK 3 / 6 / 0 / 44

HEX #8C8890

RGB 140 136 144

HSL 270, 0.03%, 0.55%

LAB 57.27, 3.06, -3.75

 

CMYK 13 / 28 / 0 / 36

HEX #8D75A2

RGB 141 117 162

HSL 272, 0.19%, 0.55%

LAB 52.94, 18.28, -20.67

 

CMYK 0 / 1 / 54 / 25

HEX #BFBE58

RGB 191 190 88

HSL 59.42, 0.45%, 0.55%

LAB 75.21, -13.32, 50.8

 

CMYK 13 / 0 / 54 / 25

HEX #A6BF58

RGB 166 191 88

HSL 74.56, 0.45%, 0.55%

LAB 73.59, -24.02, 48.45

 

CMYK 28 / 0 / 54 / 25

HEX #8ABF58

RGB 138 191 88

HSL 90.87, 0.45%, 0.55%

LAB 71.81, -34.76, 45.9

 

CMYK 42 / 0 / 54 / 25

HEX #6EBF58

RGB 110 191 88

HSL 107.18, 0.45%, 0.55%

LAB 70.37, -44.33, 43.85

 

CMYK 54 / 0 / 51 / 25

HEX #58BF5D

RGB 88 191 93

HSL 122.91, 0.45%, 0.55%

LAB 69.56, -50.02, 40.24

 

CMYK 33 / 0 / 62 / 44

HEX #608F36

RGB 96 143 54

HSL 91.69, 0.45%, 0.39%

LAB 54.45, -31.59, 41.32

 

CMYK 33 / 0 / 62 / 32

HEX #74AD41

RGB 116 173 65

HSL 91.67, 0.45%, 0.47%

LAB 64.95, -36.88, 48.31

 

CMYK 28 / 0 / 54 / 25

HEX #89BF58

RGB 137 191 88

HSL 91.46, 0.45%, 0.55%

LAB 71.75, -35.13, 45.82

 

CMYK 22 / 0 / 42 / 20

HEX #9ECB76

RGB 158 203 118

HSL 91.76, 0.45%, 0.63%

LAB 76.85, -29.56, 37.63

 

CMYK 16 / 0 / 31 / 16

HEX #B3D694

RGB 179 214 148

HSL 91.82, 0.45%, 0.71%

LAB 81.74, -23.16, 28.91

 

CMYK 28 / 0 / 53 / 25

HEX #8AC05A

RGB 138 192 90

HSL 91.76, 0.45%, 0.55%

LAB 72.12, -35.01, 45.32

 

CMYK 54 / 0 / 15 / 25

HEX #58BFA2

RGB 88 191 162

HSL 163.11, 0.45%, 0.55%

LAB 70.83, -36.99, 5.59

 

CMYK 0 / 54 / 6 / 25

HEX #BF58B3

RGB 191 88 179

HSL 306.99, 0.45%, 0.55%

LAB 53.29, 53.17, -29.53

 

CMYK 28 / 0 / 53 / 25

HEX #8AC05A

RGB 138 192 90

HSL 91.76, 0.45%, 0.55%

LAB 72.12, -35.01, 45.32

 

CMYK 54 / 28 / 0 / 25

HEX #588ABF

RGB 88 138 191

HSL 210.87, 0.45%, 0.55%

LAB 56.1, -1.4, -32.76

 

CMYK 0 / 54 / 28 / 25

HEX #BF588A

RGB 191 88 138

HSL 330.87, 0.45%, 0.55%

LAB 51.71, 46.9, -7.85

 

CMYK 28 / 0 / 53 / 25

HEX #8AC05A

RGB 138 192 90

HSL 91.76, 0.45%, 0.55%

LAB 72.12, -35.01, 45.32

 

CMYK 54 / 0 / 15 / 25

HEX #58BFA2

RGB 88 191 162

HSL 163.11, 0.45%, 0.55%

LAB 70.83, -36.99, 5.59

 

CMYK 26 / 54 / 0 / 25

HEX #8D58BF

RGB 141 88 191

HSL 270.87, 0.45%, 0.55%

LAB 47.5, 41.79, -46.04

 

CMYK 0 / 54 / 39 / 25

HEX #BF5875

RGB 191 88 117

HSL 343.11, 0.45%, 0.55%

LAB 51.08, 44.28, 3.75

 

CMYK 28 / 0 / 53 / 25

HEX #8AC05A

RGB 138 192 90

HSL 91.76, 0.45%, 0.55%

LAB 72.12, -35.01, 45.32

 

CMYK 54 / 1 / 0 / 25

HEX #58BEBF

RGB 88 190 191

HSL 180.58, 0.45%, 0.55%

LAB 71.33, -29.14, -9.53

 

CMYK 26 / 54 / 0 / 25

HEX #8D58BF

RGB 141 88 191

HSL 270.87, 0.45%, 0.55%

LAB 47.5, 41.79, -46.04

 

CMYK 0 / 53 / 54 / 25

HEX #BF5A58

RGB 191 90 88

HSL 1.17, 0.45%, 0.55%

LAB 50.8, 40.38, 20.63

 

Description

Color code: RGB 138 192 90 | qconv.com Color code: RGB 138 192 90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 192 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 192 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 53 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 53% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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