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Color name
RGB 138 174 145

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 174 145 it is the complementary color RGB 117 81 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 174 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 174 145 shade: RGB 143 174 140, RGB 160 192 159, RGB 177 210 178, RGB 194 228 197 and RGB 211 246 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 174 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 174 145 shade: RGB 138 174 145, RGB 121 156 126, RGB 104 138 107, RGB 87 120 88 and RGB 70 102 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 174 145 shade: RGB 137 173 144, RGB 140 173 137, RGB 149 173 137, RGB 159 173 137 and RGB 169 173 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 174 145 shade: RGB 137 173 144, RGB 137 173 154, RGB 137 173 163, RGB 137 173 173 and RGB 137 163 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 174 145 shade matches the following richer shades: RGB 137 173 144, RGB 121 189 134, RGB 105 205 124, RGB 89 221 115 and RGB 73 237 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 174 145 shade: RGB 137 173 144, RGB 153 157 154, RGB 169 141 164, RGB 185 125 174 and RGB 202 109 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 174 145 shade: RGB 150 173 137, RGB 140 173 137, RGB 137 173 144, RGB 137 173 153 and RGB 137 173 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 174 145 shade: RGB 93 134 101, RGB 113 156 121, RGB 137 173 144, RGB 161 190 167 and RGB 186 207 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 174 145 shade: RGB 138 174 145, RGB 137 159 173 and RGB 173 137 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 174 145 shade: RGB 138 174 145, RGB 144 137 173 and RGB 173 144 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 174 145 shade: RGB 138 174 145, RGB 137 159 173, RGB 173 137 166 and RGB 173 151 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 174 145 shade: RGB 138 174 145, RGB 137 148 173, RGB 173 137 166 and RGB 173 162 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 17 / 32

HEX #8AAE91

RGB 138 174 145

HSL 131.67, 0.18%, 0.61%

LAB 67.81, -18.1, 10.91

 

Complementary color

CMYK 0 / 31 / 6 / 54

HEX #75516E

RGB 117 81 110

HSL 311.67, 0.18%, 0.39%

LAB 39.23, 20.17, -10.64

 

CMYK 18 / 0 / 20 / 32

HEX #8FAE8C

RGB 143 174 140

HSL 114.71, 0.17%, 0.62%

LAB 68.02, -17.27, 14.01

 

CMYK 17 / 0 / 17 / 25

HEX #A0C09F

RGB 160 192 159

HSL 118.18, 0.21%, 0.69%

LAB 74.62, -17.15, 13.1

 

CMYK 16 / 0 / 15 / 18

HEX #B1D2B2

RGB 177 210 178

HSL 121.82, 0.27%, 0.76%

LAB 81.1, -17.04, 12.25

 

CMYK 15 / 0 / 14 / 11

HEX #C2E4C5

RGB 194 228 197

HSL 125.29, 0.39%, 0.83%

LAB 87.48, -16.95, 11.44

 

CMYK 14 / 0 / 12 / 4

HEX #D3F6D8

RGB 211 246 216

HSL 128.57, 0.66%, 0.9%

LAB 93.76, -16.86, 10.66

 

CMYK 21 / 0 / 17 / 32

HEX #8AAE91

RGB 138 174 145

HSL 131.67, 0.18%, 0.61%

LAB 67.81, -18.1, 10.91

 

CMYK 22 / 0 / 19 / 39

HEX #799C7E

RGB 121 156 126

HSL 128.57, 0.15%, 0.54%

LAB 61.09, -18.28, 11.82

 

CMYK 25 / 0 / 22 / 46

HEX #688A6B

RGB 104 138 107

HSL 125.29, 0.14%, 0.47%

LAB 54.22, -18.48, 12.8

 

CMYK 28 / 0 / 27 / 53

HEX #577858

RGB 87 120 88

HSL 121.82, 0.16%, 0.41%

LAB 47.19, -18.72, 13.87

 

CMYK 31 / 0 / 32 / 60

HEX #466645

RGB 70 102 69

HSL 118.18, 0.19%, 0.34%

LAB 39.97, -18.98, 15.04

 

CMYK 21 / 0 / 17 / 32

HEX #89AD90

RGB 137 173 144

HSL 131.67, 0.18%, 0.61%

LAB 67.44, -18.12, 10.93

 

CMYK 19 / 0 / 21 / 32

HEX #8CAD89

RGB 140 173 137

HSL 115, 0.18%, 0.61%

LAB 67.48, -18.35, 14.86

 

CMYK 14 / 0 / 21 / 32

HEX #95AD89

RGB 149 173 137

HSL 100, 0.18%, 0.61%

LAB 68.08, -15.12, 15.79

 

CMYK 8 / 0 / 21 / 32

HEX #9FAD89

RGB 159 173 137

HSL 83.33, 0.18%, 0.61%

LAB 68.8, -11.42, 16.89

 

CMYK 2 / 0 / 21 / 32

HEX #A9AD89

RGB 169 173 137

HSL 66.67, 0.18%, 0.61%

LAB 69.56, -7.63, 18.07

 

CMYK 21 / 0 / 17 / 32

HEX #89AD90

RGB 137 173 144

HSL 131.67, 0.18%, 0.61%

LAB 67.44, -18.12, 10.93

 

CMYK 21 / 0 / 11 / 32

HEX #89AD9A

RGB 137 173 154

HSL 148.33, 0.18%, 0.61%

LAB 67.68, -16.17, 5.75

 

CMYK 21 / 0 / 6 / 32

HEX #89ADA3

RGB 137 173 163

HSL 163.33, 0.18%, 0.61%

LAB 67.91, -14.31, 1.1

 

CMYK 21 / 0 / 0 / 32

HEX #89ADAD

RGB 137 173 173

HSL 180, 0.18%, 0.61%

LAB 68.18, -12.14, -4.03

 

CMYK 21 / 6 / 0 / 32

HEX #89A3AD

RGB 137 163 173

HSL 196.67, 0.18%, 0.61%

LAB 65.38, -6.77, -8.19

 

CMYK 21 / 0 / 17 / 32

HEX #89AD90

RGB 137 173 144

HSL 131.67, 0.18%, 0.61%

LAB 67.44, -18.12, 10.93

 

CMYK 36 / 0 / 29 / 26

HEX #79BD86

RGB 121 189 134

HSL 131.47, 0.34%, 0.61%

LAB 71, -33.1, 21.17

 

CMYK 49 / 0 / 40 / 20

HEX #69CD7C

RGB 105 205 124

HSL 131.4, 0.5%, 0.61%

LAB 74.9, -46.55, 31.53

 

CMYK 60 / 0 / 48 / 13

HEX #59DD73

RGB 89 221 115

HSL 131.82, 0.66%, 0.61%

LAB 79.08, -58.17, 41.3

 

CMYK 69 / 0 / 56 / 7

HEX #49ED69

RGB 73 237 105

HSL 131.71, 0.82%, 0.61%

LAB 83.44, -68.29, 51.23

 

CMYK 21 / 0 / 17 / 32

HEX #89AD90

RGB 137 173 144

HSL 131.67, 0.18%, 0.61%

LAB 67.44, -18.12, 10.93

 

CMYK 3 / 0 / 2 / 38

HEX #999D9A

RGB 153 157 154

HSL 135, 0.02%, 0.61%

LAB 64.34, -2.01, 1.06

 

CMYK 0 / 17 / 3 / 34

HEX #A98DA4

RGB 169 141 164

HSL 310.71, 0.14%, 0.61%

LAB 61.8, 14.62, -8.18

 

CMYK 0 / 32 / 6 / 27

HEX #B97DAE

RGB 185 125 174

HSL 311, 0.3%, 0.61%

LAB 59.92, 31.07, -16.53

 

CMYK 0 / 46 / 9 / 21

HEX #CA6DB7

RGB 202 109 183

HSL 312.26, 0.47%, 0.61%

LAB 58.89, 46.73, -23.06

 

CMYK 13 / 0 / 21 / 32

HEX #96AD89

RGB 150 173 137

HSL 98.33, 0.18%, 0.61%

LAB 68.15, -14.75, 15.9

 

CMYK 19 / 0 / 21 / 32

HEX #8CAD89

RGB 140 173 137

HSL 115, 0.18%, 0.61%

LAB 67.48, -18.35, 14.86

 

CMYK 21 / 0 / 17 / 32

HEX #89AD90

RGB 137 173 144

HSL 131.67, 0.18%, 0.61%

LAB 67.44, -18.12, 10.93

 

CMYK 21 / 0 / 12 / 32

HEX #89AD99

RGB 137 173 153

HSL 146.67, 0.18%, 0.61%

LAB 67.65, -16.37, 6.27

 

CMYK 21 / 0 / 6 / 32

HEX #89ADA3

RGB 137 173 163

HSL 163.33, 0.18%, 0.61%

LAB 67.91, -14.31, 1.1

 

CMYK 31 / 0 / 25 / 47

HEX #5D8665

RGB 93 134 101

HSL 131.71, 0.18%, 0.45%

LAB 52.19, -21.43, 13.32

 

CMYK 28 / 0 / 22 / 39

HEX #719C79

RGB 113 156 121

HSL 131.16, 0.18%, 0.53%

LAB 60.49, -22, 13.71

 

CMYK 21 / 0 / 17 / 32

HEX #89AD90

RGB 137 173 144

HSL 131.67, 0.18%, 0.61%

LAB 67.44, -18.12, 10.93

 

CMYK 15 / 0 / 12 / 25

HEX #A1BEA7

RGB 161 190 167

HSL 132.41, 0.18%, 0.69%

LAB 74.31, -14.32, 8.35

 

CMYK 10 / 0 / 8 / 19

HEX #BACFBE

RGB 186 207 190

HSL 131.43, 0.18%, 0.77%

LAB 81.17, -10.28, 6.04

 

CMYK 21 / 0 / 17 / 32

HEX #8AAE91

RGB 138 174 145

HSL 131.67, 0.18%, 0.61%

LAB 67.81, -18.1, 10.91

 

CMYK 21 / 8 / 0 / 32

HEX #899FAD

RGB 137 159 173

HSL 203.33, 0.18%, 0.61%

LAB 64.27, -4.58, -9.85

 

CMYK 0 / 21 / 16 / 32

HEX #AD8991

RGB 173 137 145

HSL 346.67, 0.18%, 0.61%

LAB 60.62, 14.98, 0.96

 

CMYK 21 / 0 / 17 / 32

HEX #8AAE91

RGB 138 174 145

HSL 131.67, 0.18%, 0.61%

LAB 67.81, -18.1, 10.91

 

CMYK 17 / 21 / 0 / 32

HEX #9089AD

RGB 144 137 173

HSL 251.67, 0.18%, 0.61%

LAB 58.82, 10.14, -18

 

CMYK 0 / 17 / 21 / 32

HEX #AD9089

RGB 173 144 137

HSL 11.67, 0.18%, 0.61%

LAB 62.2, 9.76, 7.78

 

CMYK 21 / 0 / 17 / 32

HEX #8AAE91

RGB 138 174 145

HSL 131.67, 0.18%, 0.61%

LAB 67.81, -18.1, 10.91

 

CMYK 21 / 8 / 0 / 32

HEX #899FAD

RGB 137 159 173

HSL 203.33, 0.18%, 0.61%

LAB 64.27, -4.58, -9.85

 

CMYK 0 / 21 / 4 / 32

HEX #AD89A6

RGB 173 137 166

HSL 311.67, 0.18%, 0.61%

LAB 61.25, 18.69, -10.1

 

CMYK 0 / 13 / 21 / 32

HEX #AD9789

RGB 173 151 137

HSL 23.33, 0.18%, 0.61%

LAB 64.02, 5.86, 10.37

 

CMYK 21 / 0 / 17 / 32

HEX #8AAE91

RGB 138 174 145

HSL 131.67, 0.18%, 0.61%

LAB 67.81, -18.1, 10.91

 

CMYK 21 / 14 / 0 / 32

HEX #8994AD

RGB 137 148 173

HSL 221.67, 0.18%, 0.61%

LAB 61.23, 1.56, -14.4

 

CMYK 0 / 21 / 4 / 32

HEX #AD89A6

RGB 173 137 166

HSL 311.67, 0.18%, 0.61%

LAB 61.25, 18.69, -10.1

 

CMYK 0 / 6 / 21 / 32

HEX #ADA289

RGB 173 162 137

HSL 41.67, 0.18%, 0.61%

LAB 66.92, -0.18, 14.45

 

Description

Color code: RGB 138 174 145 | qconv.com Color code: RGB 138 174 145 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 174 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 174 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 17 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 17% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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